"Adina Hoffman's superb [book]... loads Hecht's staggering contradictions into a compact but abounding two hundred twenty pages.... She writes with enormous flair."—David Denby, New Yorker"Engrossing . . . Hecht . . . is due a revival, and this short, striking biography could provide it. Like him, it’s playful, punchy and moves at a real clip."—Ed Potton, The Times"A screenwriter hoping to serve up a punchy opening scene could hardly do better than the first paragraph of Adina Hoffman's new biography of Ben Hecht . . . The opening credits have barely rolled (so to speak) and we already know that the book is a very unusual sort of Hollywood biography, one about a man who sought a role on the world stage that extended far beyond having written 'Scarface.' The story that Hoffman proceeds to tell—her account of what she vividly describes as Hecht's 'long, slaphappy career'—is little known today, a fact that would have surprised plenty of people when he died in 1964 . . . Sorting through [his] contradictions is . . . the task she sets for herself . . . It's a big job for such a slender book, but Hoffman . . . has the grip—the historical, cultural and human frame of reference—required to see Hecht whole."—Jeremy McCarter, Wall Street Journal“Hugely readable.”—Danny Leigh, Financial Times“Hecht’s life was extraordinary, his writing is (mostly) a tonic, his films are (in the main) dazzling, and Hoffman has brilliantly caught his restless, contradictory quality in crystalline prose. Her analysis of his Jewishness is nothing short of a revelation.”—Simon Callow, Sunday Times"Sensitive and incisive. . . . To boil down such a profuse, not to say verbose, career, into so compact a volume was a challenge, but [Hoffman] has achieved much more than elegant concision. Alert to the wiles and intricacies of someone who savored his own contradictions, she makes contact with a living personality, creating a portrait both sympathetic and clear-eyed."—Geoffrey O'Brien, New York Review of Books "[A] precise and lively portrait . . . Each phase in Hecht's adventures is electrifying . . . Hoffman's concentrated biography is smartly entertaining and revelatory."—Booklist (starred review)“Lively, well-researched . . . A clear-eyed portrait of an impetuous and multi-talented man.”—Kirkus Reviews"In the latest entry in Yale's excellent 'Jewish Lives' series . . . Hoffman beautifully illuminates the life and work of the protean 20th-century American literary genius Ben Hecht. . . . Assiduously researched and delightfully entertaining."—Library Journal"Beautifully written. . . . a concise but nuanced biography."—Los Angeles Review of Books "Adina Hoffman’s richly informative new biography is part of the Yale University Press’s acclaimed Jewish Lives series . . . . A fine introduction to a seminal figure in American Jewish culture and Hollywood’s first century."—Glenn Frankel, Moment "Hoffman’s superb Ben Hecht: Fighting Words, Moving Pictures, part of Yale University Press’s Jewish Lives series of biographical portraits, accomplishes a great deal in a relatively compact form. It’s terrific on . . . Hecht’s prodigious output. . . . It’s also sharp on Hecht’s lesser-known political and religious impulses and activities, as he agitated and raised money throughout most of the 1940s on behalf of Jewish statehood."—Michael Phillips, Chicago Tribune“Splendid . . . Hoffman brings objectivity and an amused skepticism to her subject… [She] juggles Hecht’s contradictions as deftly as he juggled his many commitments. I closed the book thinking that his life would make one hell of a Hecht movie.”—Carrie Rickey, The Forward "Hoffman’s profile of the staggeringly prolific Hecht is written with a dynamism and wit reflective of its subject."—Choice“This significant volume not only excavates Hecht’s forgotten activism, but also recognizes Hecht as “defiantly, unapologetically—a Jewish-American writer.”—S.B. Skelton, ChoiceFinalist for the 2020 Jacqueline Bograd Weld Award for Biography, sponsored by PEN America Literary Awards“Ben Hecht and the American movie business grew up together, trading punches. Adina Hoffman captures this often destructive force of nature in all his cynicism and fervor, and is especially incisive dealing with his long struggle to find a Jewish identity that could fit his cantankerous personality. This book makes you wish you'd known the guy, if only to watch the sparks he threw off.”—John Sayles“Thoroughly absorbing, compulsively readable, Adina Hoffman’s book gives a critical but sympathetic account of the pugnacious, brilliant Ben Hecht. A highly gifted storyteller, Hoffman shows just how important Hecht was in his day, and why he matters now.”—Noah Isenberg, author of We'll Always Have Casablanca
2018-10-28
Concise biography of a prominent Hollywood writer who became an outspoken advocate for Jewish causes.
In the Depression era, Ben Hecht (1893-1964) was one of the most famous—and highly paid—Hollywood screenwriters, whose prodigious movie credits include Scarface, Twentieth Century, Spellbound, and Notorious. Essayist and biographer Hoffman (Till We Have Built Jerusalem: Architects of a New City, 2016, etc.) rescues him from historical obscurity in a lively, well-researched addition to the Yale Jewish Lives series. Hecht was the son of Russian immigrants who moved during his childhood from the tenements of New York to Racine, Wisconsin. At 17, he dropped out of the University of Wisconsin and fled to Chicago with no plans except to escape. An uncle finagled a job for him at the Chicago Daily Journal, beginning his career as a reporter that honed his writing skills and inspired his acclaimed 1928 play, The Front Page, co-written with Charles MacArthur. Hecht was a colorful figure in Chicago, consorting with artists and writers who fomented the city's cultural renaissance and getting his work published in Margaret Anderson's groundbreaking literary journal, The Little Review. Chicago in the 1920s, one historian remarked, "was the Age of Hecht." By 1924, he had married, become a father, and left his wife to move, with his lover, to Manhattan, where he dove enthusiastically into the "weeklong benders, wild parties, frantic extramarital coupling," and heady creativity of Jazz Age America. Hollywood soon beckoned, and Hecht's "glib wit and knowing insouciance" kept him in demand as a writer and script doctor. Not until 1939, when European anti-Semitism gained international attention, did Hecht embrace his Jewish identity. Although he insisted that "he wasn't a man of causes," he made a fervent, vociferous commitment "to the besieged Jews of Europe, to Palestine, and eventually to the state of Israel." On March 9, 1943, 40,000 people gathered in Madison Square Garden to witness We Will Never Die, a star-studded production—Hecht's "Jewish passion play"—publicizing the plight of European Jewry.
A cleareyed portrait of an impetuous and multitalented man.
