Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville

Overview

In this landmark work, the seven great writers of the American Renaissance—Emerson, Thoreau, Writman, Poe, Hawthorne, Melville, and Dickinson—are examined together in their cultural contexts. David Reynolds reveals how these authors broadly assimilated the themes and images of popular culture. Their classic works—among them Moby Dick, The Scarlet Letter, Leaves of Grass, Walden, and the tales of Poe—are given strikingly original reading when viewed against the rich, often startling background of long neglected ...

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Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville

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Overview

In this landmark work, the seven great writers of the American Renaissance—Emerson, Thoreau, Writman, Poe, Hawthorne, Melville, and Dickinson—are examined together in their cultural contexts. David Reynolds reveals how these authors broadly assimilated the themes and images of popular culture. Their classic works—among them Moby Dick, The Scarlet Letter, Leaves of Grass, Walden, and the tales of Poe—are given strikingly original reading when viewed against the rich, often startling background of long neglected popular writings of the time.

Reynolds also explores a whole lost world of sensational literature, including grisly novels, openly sold on the street, that combined intense violence with explicit eroticism. He demonstrates as well how common concerns with issues of religion, slavery, and workers' (as well as women's) rights resonate in the major writings.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Poe's portraits of psychopathic murderers, Melville's studies of incest and deceit, Whitman's hymns to sexual passion and Hawthorne's allegories of social outcasts had roots in the popular writings of their daypenny newspapers, crime pamphlets, erotic fiction, sensational novels, Oriental and visionary tales. In a massive, dense study, Reynolds, who teaches at Rutgers, shows that 19th century American writers were not isolated elitists, as assumed. Emerson, for example, infused his essays with the color and imagery of torrid evangelical preaching; Emily Dickinson drew upon the ``literature of misery,'' feminist ficiton which projected an embittered female self; Melville grafted such genres as mystery fiction, yellow novels and Yankee humor. Astonishing in its scope and wealth of new connections, this sweeping study is a landmark in the reevaluation of 19th century American literature. Illustrations not seen by PW. (April)
Library Journal
Using the products of popular culture between 1820 and 1855 more comprehensively than do other Renaissance scholars, Reynolds tries to fix our ``classic'' texts (e.g., Moby Dick ) as culminating transfigurations of, rather than anomalous reactions against, the voluminous literature of their day. He focuses especially on the various reform literatures, new religious evangelical style, and flood of popular fiction, arguing that our major writers were able to absorb the style, themes, and genres of these sub-literary materials without sacrificing aesthetic control. Though he tends to overstate specific influences and embraces too mechanical a model for the creative process, his argument and impressive display of materials make for a significant contribution to American studies. Earl Rovit, City Coll., CUNY
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Product Details

  • ISBN-13: 9780199782840
  • Publisher: Oxford University Press, USA
  • Publication date: 6/29/2011
  • Pages: 656
  • Product dimensions: 6.10 (w) x 9.20 (h) x 1.70 (d)

Meet the Author

David S. Reynolds is Professor of English at the Graduate School and Baruch College, City University of New York.

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Table of Contents

Acknowledgments

Introduction

The Open Text:

American Writers and Their Environment

Part One: God's Bow, Man's Arrows:

Religion, Reform, and American Literature

1. The New Religious Style

2. The Reform Impulse and the Paradox of Immoral Didacticism

3. The Transcendentalists, Whitman, and Popular Reform

4. Hawthorne and the Reform Impulse

5. Melville's Whited Sepulchres

Part Two: Public Poison:

Sensationalism and Sexuality

6. The Sensational Press and the Rise of Subversive Literature

7. The Erotic Imagination

8. Poe and Popular Irrationalism

9. Hawthorne's Cultural Demons

10. Melville's Ruthless Democracy

11. Whitman's Transfigured Sensationalism

Part Three: Other Amazons:

Women's Rights, Women's Wrongs, and the Literary Imagination

12. Types of American Womanhood

13. Hawthorne's Heroines

14. The American Women's Renaissance and Emily Dickinson

Part Four: The Grotesque Posture:

Popular Humor and the American Subversive Style

15. The Carnivalization of American Language

16. Transcendental Wild Oats

17. Whitman's Poetic Humor

18. Stylized Laughter in Poe, Hawthorne, and Melville

Epilogue

Reconstructive Criticism: Literary Theory and Literary History

Notes

Index

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