From the Publisher
"[W]hat truly distinguishes this book is the striking multimedia artwork composed of paper, fabric, and drawn images in hues of olive, brown, and red. Interesting angles, textures, and patterns add to the visual effect throughout. . . . [T]he message of terror and sadness that marks the beginning of the Holocaust is transmitted in a way that is both meaningful and comprehensible."
—School Library Journal
APRIL 2015 - AudioFile
Gentle and evenly voiced Susie Berneis narrates the story of Benno the cat, who lives at 5 Rosenstrasse and observes all that happens on the street. A welcome visitor in the apartments in the building, Benno knows how Sophie Adler and Inge Schmidt spend their days at home, at school, and on the playground. He then sees changes taking place as brown-shirted men unsettle the peace of the street. Throughout, Berneis’s voice is as quiet as the cat’s paws—no raised pitch and no tone of alarm in her voice. Her pace slows such that listeners have time to question why such strange events would be happening—books burned, windows broken, people hurrying along with down-turned eyes, some stores open and some not. Adults will need to listen with children so that a discussion can be started about Benno, his world, and Kristallnacht. A.R. © AudioFile 2015, Portland, Maine
Kirkus Reviews
Benno the cat has it pretty good, with a nice warm bed by the furnace of a Berlin apartment building, fresh milk every night, scraps from Shabbat dinners at the Adlers' apartment and Sunday lunches with the Schmidts. Visiting Moshe's butcher shop provides more nourishment, while the sunny window of Mitzi Stein's fabric shop serves perfectly for afternoon naps. But one day things change, when men in brown shirts defile the neighborhood with a book-burning in the center of the street followed by the smashing of store windows, looting and destruction of certain apartments and stores. These terribly frightening events change not only Benno's secure, happy cat existence but become known as Kristallnacht, the beginning of the Holocaust. Bisaillon's combination of collage, drawings and digital montage create a Cubist backdrop for this darkly portrayed story told with minimal details that keep strictly to the cat's level of understanding-it's up to readers and their grown-ups to fill in the gaps, aided by an afterword and bibliography that provide background to the topic and grist for discussion. (Picture book. 7-9)
