Bent Road

( 33 )

Overview

Winner of the Edgar Award for Best First Novel

"Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change."
-Sarah Weinman, NPR.org

For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. But when the ...

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Bent Road: A Novel

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Overview

Winner of the Edgar Award for Best First Novel

"Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change."
-Sarah Weinman, NPR.org

For twenty years, Celia Scott has watched her husband, Arthur, hide from the secrets surrounding his sister Eve's death. But when the 1967 Detroit riots frighten him even more than his Kansas past, he convinces Celia to pack up their family and return to the road he grew up on, Bent Road, and the same small town where Eve mysteriously died. And then a local girl disappears, catapulting the family headlong into a dead man's curve. . . .

On Bent Road, a battered red truck cruises ominously along the prairie; a lonely little girl dresses in her dead aunt's clothes; a boy hefts his father's rifle in search of a target; and a mother realizes she no longer knows how to protect her children. It is a place where people learn: Sometimes killing is the kindest way.

Bent Road has been optioned for film in 2012 by Cross Creek Pictures with Mark Mallouk to adapt and Benderspink to produce. 

Winner of the 2012 Edgar Award for Best First Novel

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Editorial Reviews

-Beth Perry
"Even the simplest scenes crackle with suspense."
-Oline Cogdill
"Lori Roy masterfully mixes a noir approach with gothic undertones for an engrossing story about family secrets and tragedies. . . . Bent Road is one of the best debuts of 2011."
From the Publisher
"Even the simplest scenes crackle with suspense." — Beth Perry, People

"Lori Roy masterfully mixes a noir approach with gothic undertones for an engrossing story about family secrets and tragedies. . . . Bent Road is one of the best debuts of 2011." — Oline Cogdill, McClatchy-Tribune News Service

Publishers Weekly
Set in the mid '60s, Roy's outstanding debut melds strong characters and an engrossing plot with an evocative sense of place. When Negro boys start phoning Elaine, Arthur Scott's teenage daughter, Arthur decides it's time to leave Detroit and return to the small Kansas town that he left 20 years earlier after his sister Eve's mysterious death. His wife, Celia, resents the move that will put her close to in-laws she barely knows and that will change her family dynamic. That Arthur's younger daughter, Eve-ee, resembles her late aunt unsettles Arthur's older sister, Ruth, and Ruth's husband, Ray, who have never seen Eve-ee before. When a neighbor's child disappears, suspicion uncomfortably settles on Ray, who was suspected in Eve's death. Roy couples a vivid view of the isolation and harshness of farm life with a perceptive look at the emotions that can rage beneath the surface. This Midwestern noir with gothic undertones is sure to make several 2011 must-read lists. (Apr.)
NPR.org
"Don't be fooled by the novel's apparent simplicity: What emerges from the surface is a tale of extraordinary emotional power, one of longstanding pain set against the pulsating drumbeat of social change…"--(Sarah Weinman)
Associated Press
Bent Road, Lori Roy's debut novel, is haunting and atmospheric, set in a place where ‘everyone knows everything about everybody,' yet acts on misinformation and half-truths, with devastating consequences. –Michelle Wiener
People
A former tax accountant, author Roy is calculated in the way she builds and eases tension . . . even the simplest scenes crackle with suspense.
Seattle Post-Intelligencer
Bent Road is a winner. A suspenseful example of American Gothic, its shocking twists and turns will keep you turning page after page . . . Expect the unexpected, and you'll get it.
Marilyn Stasio
Haunting…Writing with a delicate touch but great strength of purpose, Roy creates stark studies of the prairie landscape and subtle portraits of the Scotts as they struggle to adjust not only to their troublesome relatives and taciturn neighbors.
—The New York Times
Library Journal
After the Chicago riots of 1967, Arthur and Celia Scott move their family back to Arthur's boyhood home in rural Kansas in search of a calmer, safer life. His family welcomes them, but the Scotts' lives are thrust into turmoil when a neighbor's child disappears, Arthur's sister suffers spousal abuse, and the shadow of a family murder haunts his younger daughter. Arthur hopes that his son will gain maturity from his new surroundings, but young Daniel's city-coping skills fail him on the farm and in his country school. Celia misses the sophistication of the city, is perplexed by the man Arthur is becoming, and is nearly overwhelmed by the silent suffering around her. Returning to the city is not an option, but the Scotts have second thoughts about life on the plains. This rich and haunting family story reminds us that simplicity of landscape does not necessarily mean simplicity of life. VERDICT Roy's exceptional debut novel is full of tension, complex characters, and deftly gothic overtones. Readers of Tana French's In the Woods will find this dark and satisfying story a great read. Highly recommended.—Susan Clifford Braun, Bainbridge Island, WA
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Product Details

  • ISBN-13: 9780452297593
  • Publisher: Penguin Publishing Group
  • Publication date: 2/28/2012
  • Pages: 368
  • Sales rank: 289,317
  • Product dimensions: 5.30 (w) x 7.90 (h) x 0.90 (d)

Meet the Author

Lori Roy

Lori Roy was born and raised in the Midwest, where she was a tax accountant before turning her focus to writing. Roy lives with her family in west central Florida. This is her first novel.

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Reading Group Guide

INTRODUCTION

The year is 1967 and the Scott family, made up of Arthur, his wife Celia, and their three children pull up stakes and move from Detroit to Arthur’s small home town in Kansas. Already reeling from the move and struggling to adjust, Arthur’s silence about the mysterious death of his sister Eve 25 years earlier only adds to the strain on his family.

However, when a local girl, Julianne Robison, goes missing not long after they move back into town, the Scotts find themselves hurtling down a treacherous path leading to old suspicions, startling secrets, and a host of powerful emotions they all thought were long since buried.

Bent Road is a story about overcoming fear. It is about facing one’s past and coming to terms with grief. It is a story that explores the lengths a person may go to in order to protect himself and his family, and the consequences that await him when he does.

ABOUT LORI ROY

Lori Roy was born and raised in the Midwest, where she was a tax accountant before turning her focus to writing. Roy lives with her family in west central Florida. This is her first novel.
 

A CONVERSATION WITH LORI ROY

Managing multiple points–of–view is a delicate balancing act. I have heard it likened to spinning plates. Each POV needs a periodic nudge or that storyline will tumble. I would like to say I had an organized approach to constructing BENT ROAD, but that would be a lie. I wrote the first draft, okay.the first few drafts, without regard to structure. As the story unfolded, I told each scene from the point–of–view of the character who most interested me. There are a few scenes I thought had a significant impact on more than one character, and I felt it worthwhile and important to the story to tell that same scene from another point–of–view.Q. So much of the action in this book overlaps. How did you go about constructing this story? How did you juggle so many characters and locations? What challenges did you face in stringing together the chapters?

Once I completed the first few drafts, I set about trying to bring order to the book. This involved a wide variety of colored post–in notes, many of which were wadded up and tossed about my office or occasionally at one of my kids if they walked in at an inopportune time. During this editing process, which involved working my way through the novel numerous times, I attempted to bring consistency and individuality to each character and location. Also during this process, I considered the arc of each scene and each chapter and ultimately of the entire book. This involved challenging the starting point of each scene, the purpose of each scene and how its ending would compel the reader to turn to the next page. In the end, the process is a bit like tuning a musical instrument. I kept at it until I struck a note that didn’t make me cringe.

Q. Each chapter pays very close attention to the details surrounding and affecting each character. How would describe your writing style? What do you see in those details that you find compelling?

I guess I would say my writing style cuts pretty close to the bone. Adverbs are one of the things that make me cringe, so I use them sparingly, and I am very leery of a thesaurus. A reader won’t find any ten dollar words in my work, unless I have a character prone to such dialogue. I certainly feel that if something is worth creating on the page, it’s worth taking the time to find the perfect nouns with which to create it. I also feel it’s important to focus on those settings or parts of a setting that have some emotional impact on the character. I am definitely drawn to details that might seem mundane at first glance, but a good part of our lives is rooted in the mundane. It’s my hope that these simple, humdrum details ring true to a reader who might remember the same details from their own lives. This leads to the universality that I think is important in any book. The best stuff hides in plain sight.

Q. The community in Bent Road plays just as much role in the story as the Scotts. From where did you draw inspiration for this town? What drew you to this story and to this time period?

As I approached the community in BENT ROAD, it was always through the eyes of an outsider. Celia, Evie and Daniel were actual outsiders—transplants from another city and state—and Aunt Ruth was certainly an emotional outsider. I also tried to be careful not to let the norms of current society temper the choices and actions of my characters in BENT ROAD. It’s through these two lenses that we see this small town community.

The setting of western Kansas first drew me to this story. Setting is definitely where my stories begin, and I like a gritty setting, one with an interesting history. I don’t think I’ll ever be a writer who focuses on one city or specific part of the country, because the more I travel, the more I come across these wonderful, gritty settings that I want to sink into and spend some time with. As to writing about the late 60s, I have found over my years of writing that I have little interest in writing about the present. Perhaps that will one day change if I find the perfect setting and perfect group of characters, but until then, my characters who lived in those earlier days seem a little more rooted in reality than they might if they lived today.

Q. What future do you see for the Scott family? After suffering such tragic events, what do they do to carry on? What lessons would you like your readers to come away with?

I see the Scotts as a loving family, and that is why I know they will carry on. All of the Scotts were tested in BENT ROAD. That’s what interests me as a writer. We all like to think we know how we’d act given a set of tragic circumstances, but perhaps we don’t know ourselves as well as we think we do. This is what the Scotts went through. I think there are moments when they surprised even themselves. These are the defining moments that I find most compelling and worth spending a few years with as I write about them. I try to capture the one moment in a character’s life that will ultimately most define him or her.

When I left the Scotts, I felt they had worked their way out of a dark place. I felt there would still be difficult memories for them to contend with and perhaps some guilt to shoulder the rest of their lives, but that will not trump the goodness of their family. They will carry on.

As to lessons a reader might take away, the only thing I can say with certainty is that I don’t write with any sort of moral or lesson in mind. I try to write the truth of my characters as best I can. I let them make choices—sometimes good, sometimes bad—and suffer the consequences or reap the rewards. In BENT ROAD, many of the characters choose to let perceptions bend reality. I think BENT ROAD clearly demonstrates the destruction that can result from such choices.

Q. What are you working on now?

In BENT ROAD, I briefly visited Detroit, Michigan and the riots of the late 1960s. In doing so, I discovered one of those great, gritty settings and it stuck. My next book is set in Detroit during the late 1950s. This was a time in the city’s history when many conflicts were starting to simmer that would ultimately erupt a decade later. In my new novel, which I would also categorize as literary suspense, those simmering conflicts—racial, economic and cultural—erupt on Alder Avenue when a young woman disappears. The neighborhood men temporarily abandon their factory jobs to coordinate daily search parties. The ladies set aside plans for the annual bake sale to serve sweet breads, casseroles and freshly brewed coffee to their hardworking men. But as the days pass with no news of the young woman, the neighbors begin to fear the worse. Only Grace Richardson, one of the last to see the missing woman, knows the truth of what happened. Fearing her silence puts the entire neighborhood in jeopardy, she is desperate to share her secret, but her own mother warns her against doing so . “No man wants to know this about his wife,” Mother says of Grace’s secret. “He can’t live with it. Do yourself this favor. No man wants to know.”

DISCUSSION QUESTIONS

  • The beginning of Bent Road finds the Scott family moving to Kansas from recently riot–torn Detroit. What effect does the move have on each of the Scotts? With whom do you most empathize? What is your understanding of why they moved and what is your opinion of it?
  • How would you describe Daniel’s relationship with his father Arthur? What does Kansas mean to both of them? How does Arthur’s past inform how he relates to his son?
  • We soon find out in the book that Ray has a reputation in the community. What was your first impression of Ray? How would you describe his relationship with Ruth? How does that relationship inform their actions throughout the story?
  • Julianne Robison’s disappearance sets off a chain of events that drives most of Bent Road. What were your first impressions of the disappearance? Who did you suspect? What emotions were sparked in the characters and how did those emotions inform their actions?
  • The Bucher brothers tell Daniel about an escaped criminal called Jack Mayer who they suspect is responsible for Julianne’s disappearance, among other crimes. What other suspicions do the people of this town have? What impact do those suspicions have on the Scotts, Ray, and Ruth? What challenges do these characters face as a result of their history with the town and its people?
  • It is revealed that Ray has abused Ruth for a good portion of their marriage. How did you react to that knowledge? What was your opinion of Arthur’s handling of the situation? What would you have done differently?
  • Once Ruth realizes she’s pregnant, she balks at seeking an annulment from Ray. What role does religion play in the lives of these characters? What impact does religion have on who they are and what they do? How would this story have been different if set in present time?
  • Who is Evie Scott? What does she mean to her mother, Celia? To her father, Arthur, and to her brother, Daniel? What role does she play in this story and what impact does her physical similarity to her deceased Aunt Eve have on the other characters?
  • It is revealed that Eve died 25 years earlier as a result of self–terminated pregnancy gone wrong. What was your reaction to this discovery? How did it change the way you saw Arthur? Reesa? What effect did it have on your opinion of Ray?
  • We find out that Orville Robison took the life of his daughter Julianne. What was your reaction to this revelation? How did it change the story for you? What is your opinion of Mary Robison’s handling of the situation?
  • It is Daniel who kills Ray with Arthur’s shotgun at the end of the book. How has Daniel changed in that moment? How has Celia’s opinion of Daniel and herself changed? How does Arthur view Daniel now?
  • The Scotts undergo an arduous emotional journey in Bent Road. What future do you see for this family? What can a family do to rebuild itself and heal? What lies in store for Daniel and Evie?
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Customer Reviews

Average Rating 4
( 33 )
Rating Distribution

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(13)

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See All Sort by: Showing 1 – 20 of 33 Customer Reviews
  • Anonymous

    Posted April 1, 2011

    A true page turner!

    Bent Road is for the reader who wants to pick up a book and not put it down until the last page has been turned. Enjoy!!!

    4 out of 5 people found this review helpful.

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  • Posted June 8, 2011

    more from this reviewer

    A Road Worth Taking

    This is a gripping debut novel from an author to watch. Lori Roy tells a story in southern-gothic tradition of a family haunted by the past.

    To escape the race riots of 1967 Detroit, Arthur Scott returns to Kansas, after fleeing his family homestead there twenty years before.

    While his teen daughter settles into a new love and life in Kansas, his adolescent son, and grade school daughter struggle to fit in and belong.

    Arthur's wife must come to terms with being a farm wife, as she struggles with Arthur's secret past and what drove him away from his home here so long ago.

    Ms. Roy portrays a very real picture of farm life, country folk, and the secrets a family will go to all lengths to hide, even from each other.

    The characters are believable, their struggles heartfelt. This is a haunting, memorable story. This author has much to offer, in a genuine way. I welcome her, and highly recommend her.

    3 out of 3 people found this review helpful.

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  • Posted April 16, 2011

    Gritty and Real

    What a fantastic book! It brings to mind the feelings evoked when seeing "American Gothic" in person. Sure, it looks like a simple painting, but underneath simmers an entire world of secrets and lies. It starts with a fairly simple premise: a family moves from Detroit to rural Kansas, the home of the patriarch Arthur Scott. While there he must face the past he ran away from and the present that may prove even more toxic.

    The writing paints a vivid picture. I could see everything happen so clearly, playing like a movie in my head. Stick Kate Winslet in there, and you have an Oscar winner. It's gritty. It's real. Yet despite all the tragedy and heartache, there still lies a real sense of hope in the end. There's just the whisper of a chance that maybe this family will get past this, break the cycle, and make a better life for themselves and their community.

    I highly recommend this book. Lori Roy was able to find the beauty in the stark reality of this family. I was left wanting to know more about their future and past. I will definitely look for more from this author.


    Copy of this book won in a First Reads contest.

    2 out of 3 people found this review helpful.

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  • Anonymous

    Posted July 2, 2013

    OUTSTANDING

    A slow simple (don't let this word fool you) and by simple I mean plainly said in a few stark words you actually feel, step by step, each family member's journey. Beautifully written, I highly recommend this. And I read it in print, if it makes a difference.

    1 out of 1 people found this review helpful.

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  • Posted December 5, 2012

    Great writing, not great story!! This book was a conundrum for

    Great writing, not great story!!

    This book was a conundrum for me.  I read it because it won the Edgar award for the best first novel. Unfortunately, I felt it was more a statement on legalized abortions rather than a true mystery. Fortunately, the writing was descriptive and creative; unfortunately, I did not like---more like actively disliked---all the characters, even the children.  This story was a lesson in bigotry, ignorance, meanness, and hatred.  Hopefully, this talented author will choose a different storyline, with a few like able characters in her next book----fore, with this talent there needs to be many more future books!!!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 13, 2011

    Great book!

    Great book, couldn't put it down.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 29, 2014

    very good book

    first time i have read from this author and enjoyed it very much. Will purchase another one to read since this one was really good!

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  • Anonymous

    Posted August 9, 2012

    This book takes such a long time to get into. I finally found my

    This book takes such a long time to get into. I finally found myself invested in some of the characters my page 140. The ending is pretty predictable. It is an easy read. Overall, not impressed.

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  • Posted May 12, 2012

    So disappointed. After reading reviews, I was really looking fo

    So disappointed. After reading reviews, I was really looking forward to reading this book. But, ugh, how depressing. Honestly, it was one of those books where I just wanted to smack every one of the characters and tell them to straighten up. Could truly not recommend this to anyone.

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  • Anonymous

    Posted April 24, 2012

    Excellent

    and harrowing.

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  • Posted April 1, 2012

    This book reminded me of Back Roads by Tawni O'Dell. Dark but co

    This book reminded me of Back Roads by Tawni O'Dell. Dark but compelling. Full of developed characters and believable. My only complaint was the device of using particular words repeatedly. I know it was deliberate, but a few fewer "slipped" and "pressed" would have been less diverting. I found myself annoyed at times and it took me out of the story.

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  • Posted October 2, 2011

    Too Dark

    Ugh. After reading this, I never want to go to Kansas. Didn't think she did a good job developing the characters and it was such a dark and dreary book, that I, who love to read, had to force myself, to pick it up each day. Didn't live up to my expectations and felt ending was predictable.

    0 out of 2 people found this review helpful.

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    Posted April 5, 2011

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    Posted April 4, 2011

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    Posted May 27, 2011

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    Posted February 21, 2012

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    Posted April 4, 2011

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    Posted June 15, 2011

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    Posted May 22, 2011

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    Posted June 28, 2011

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See All Sort by: Showing 1 – 20 of 33 Customer Reviews

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