Bernini: Genius of the Baroque

Overview

A beautifully illustrated testament to this great Baroque sculptorCharles Avery.

Gianlorenzo Bernini was one of the greatest artists of all time. World-famous for his uniquely powerful works of sculpture, he was also a virtuoso draftsman, a pioneering caricaturist, and a designer of gorgeous fountain displays. He even wrote plays.

Bernini virtually created Baroque Rome. ...
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Boston 1997 Hard Cover Very Good in Very Good jacket Folio-over 12"-15" tall. With illustrations in color and b&w, a bibliography and index. 287 pages. Folio. Hardcover, in a ... dust jacket. Very Good/Very Good. Read more Show Less

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1997 Hardcover Good Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not ... include cd-rom or access codes. Read more Show Less

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New York, U.S.A. 1997 Cloth About Fine in About Fine jacket 4to Hardcover with complete Dj. 400 illustrations, 80 in color and 142 doutone.

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Boston 1997 Hardcover 1st Fine in fine jacket 400 illustrations, 80 color and 142 duotone. Bound in publisher's original cloth with the spine stamped in gilt.

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Overview

A beautifully illustrated testament to this great Baroque sculptorCharles Avery.

Gianlorenzo Bernini was one of the greatest artists of all time. World-famous for his uniquely powerful works of sculpture, he was also a virtuoso draftsman, a pioneering caricaturist, and a designer of gorgeous fountain displays. He even wrote plays.

Bernini virtually created Baroque Rome. Without his contributions, we could not walk across the Ponte Sant'Angelo escorted by the angelic statuary that he designed for its balustrades. The Basilica of St. Peter would not have the sonorous crescendo of Bernini's bronze Baldacchino over St. Peter's tomb. We could not enjoy the huge splashing water display and vigorous drama of the figures on his Fountain of the Four Rivers in the Piazza Navona.

Using much previously unpublished research, Charles Avery traces Bernini's career from his brilliant beginnings to his last mature works, including his architecture, and pays special attention to his techniques in drawing, modeling, and carving. 400 illustrations, 80 in color.

A reevaluation of the multifaceted career of this prolific 17th-century Italian artist.

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Editorial Reviews

Library Journal
Wittkower's 1901-71 book, first published in 1955 and updated in 1966 and 1981, derives from an Italian edition of 1900. The text, which deals chiefly with the sculptures of this multifaceted Italian artist 1598-1680, is a classic. Though some of the entries have been updated and some new plates added, the main reason for this new edition seems to be its first issuance in paperback. This, and the fact that the color plates are less than stellar, mean that all but advanced art history collections can safely pass on this edition if they have earlier ones. Avery's book takes a broader look at Bernini, covering sculpture, drawings, models in terra cotta, urbanistic projects such as fountains, and his work for St. Peter's and other Roman churches. The color photographs are better than those in the Phaidon book, where they are separate from the text; neither title offers uniformly better black-and-whites. Avery sculpture, Victoria and Albert Museum writes well, offers more context and comparative illustrations, and draws on material unavailable to Wittkower in shaping his text. Avery is the choice for all but the most scholarly of collections, which will want both titles.Jack Perry Brown, Art Inst. of Chicago Lib.
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Product Details

  • ISBN-13: 9780821224656
  • Publisher: Little, Brown and Company
  • Publication date: 11/1/1997
  • Edition description: 1 NO AMER
  • Edition number: 1
  • Pages: 288
  • Product dimensions: 10.24 (w) x 12.40 (h) x 1.18 (d)

Meet the Author

Charles Avery is a specialist in European sculpture. He was Deputy Keeper of Sculpture at the Victoria and Albert Museum and a Director of Christie's, London. David Finn, one of the foremost photographers of sculpture in the world, lives in New York.
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Table of Contents

Preface 11
Prologue: 'Padre scultore' - Pietro Bernini and his studio 15
1 Father and son: Pietro and Gianlorenzo in partnership 19
2 Coming of age: the first portraits 33
3 The great mythological groups: Aeneas, Proserpina and Daphne 43
4 The patronage of Urban VIII Barberini 73
5 Popes and prelates: the mature portraits 83
6 Architect to St Peter's: the Baldacchino and Cathedra Petri 95
7 The papal tombs: Bernini and the Dance of Death 119
8 Mystic vision: the later religious sculpture 141
9 'Friend of the waters': Bernini's Roman fountains 179
10 Bernini's buildings: the sculptor as architect 211
11 England and France: Bernini, servant of Kings 225
12 Genius of the Baroque: talents and techniques 251
Epilogue: Bernini the man - life, death and reputation 273
Notes 279
Bibliography 284
Photo Credits 285
Index 286
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