Best Alternate History Stories of the 20th Century

( 11 )

Overview

Explore fascinating, often chilling "what if" accounts of the world that could have existed–and still might yet . . .

Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including:

• "The Lucky Strike": When The Lucky Strike is chosen over The Enola ...

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Overview

Explore fascinating, often chilling "what if" accounts of the world that could have existed–and still might yet . . .

Science fiction’s most illustrious and visionary authors hold forth the ultimate alternate history collection. Here you’ll experience mind-bending tales that challenge your views of the past, present, and future, including:

• "The Lucky Strike": When The Lucky Strike is chosen over The Enola Gay to drop the first atomic bomb, fate takes an unexpected turn in Kim Stanley Robinson’s gripping tale.
• "Bring the Jubilee": Ward Moore’s novella masterpiece offers a rebel victory at Gettysburg which changes the course of the Civil War . . . and all of American history.
• "Through Road No Wither": After Hitler’s victory in World War II, two Nazi officers confront their destiny in Greg Bear’s apocalyptic vision of the future.
• "All the Myriad Ways": Murder or suicide, Ambrose Harmon’s death leads the police down an infinite number of pathways in Larry Niven’s brilliant and defining tale of alternatives and consequences.
• "Mozart in Mirrorshades": Bruce Sterling and Lewis Shiner explore a terrifying era as the future crashes into the past–with disastrous results.
. . . as well as works by Poul Anderson • Gregory Benford • Jack L. Chalker • Nicholas A. DiChario • Brad Linaweaver • William Sanders • Susan Shwartz • Allen Steele • and Harry Turtledove himself!

The definitive collection: fourteen seminal alternate history tales drawing readers into a universe of dramatic possibility and endless wonder.

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Editorial Reviews

Publishers Weekly
A ghostly ferry makes passages between coexisting "different Earths"; a 20th-century man describes his impact on the Civil War, brought about by time-machine tricks; and Mozart, Thomas Jefferson and Marie Antoinette end up as employees at an oil refinery in The Best Alternate History Stories of the 20th Century, edited by Harry Turtledove with Martin H. Greenberg. Contributors include Poul Anderson, Kim Stanley Robinson, Ward Moore and Susan Shwartz. Copyright 2001 Cahners Business Information.
VOYA
Whether called alternate, alternative, or counterfactual history, fiction set in worlds in which Rome never fell or Nazi Germany won World War II long has been popular with both science fiction writers and readers. Turtledove is the best-known author of alternate history fiction currently writing, and he has selected a superb group of stories for this anthology. In addition to his own Islands in the Sea, which postulates a world where Byzantium fell in the eighth century rather than the fifteenth, he adds classics such as Kim Stanley Robinson's The Lucky Strike, in which the Enola Gay is not chosen to drop the atomic bomb on Hiroshima. Also included are Ward Moore's famous Civil War tale, Bring the Jubilee; Larry Niven's brilliant tale of murder in alternate universes, All the Myriad Ways; William Sanders's The Undiscovered, in which Shakespeare is shipwrecked in darkest North America; and Bruce Sterling and Lewis Shiner's improbably cyberpunk Mozart in Mirrorshades. Other writers represented include Susan Shwartz, Nicholas A. DiChario, Jack L. Chalker, Greg Bear, Gregory Benford, Poul Anderson, Brad Linaweaver, and Allen Steele. Just about the only important author in the field who is not included is Howard Waldrop, who probably ranks right behind Turtledove in his importance to the genre. Despite this curious omission, Turtledove's anthology clearly qualifies as a must-read for science fiction fans. VOYA CODES: 5Q 4P S A/YA (Hard to imagine it being any better written; Broad general YA appeal; Senior High, defined as grades 10 to 12; Adult and Young Adult). 2001, Del Rey, 415p, $18 Trade pb. Ages 15 to Adult. Reviewer: Michael Levy SOURCE: VOYA, February 2002 (Vol. 24, No.6)
School Library Journal
Adult/High School-Several of the subgenre's best-known writers are represented in this collection of 12 short stories and two novellas originally published between 1952 and 2000. Some pieces are concerned with time travel or alternate realities, while others are straightforward short stories set during historical times (including our own altered present). Selections range from Ward Moore's classic "Bring the Jubilee," a picaresque tale set in a defeated post-Civil War North, to Bruce Sterling and Lewis Shiner's "Mozart in Mirrorshades," a cheeky clashing of myriad futures. Themes often reflect a concern with ethics, individual responsibility, and the consequences of decisions-and, of course, the nature of history. Few readers are likely to enjoy all stories equally well, but most should discover something that is to their taste; for many libraries, Kim Stanley Robinson's stunning "The Lucky Strike," a soldier's story of the atom bomb and Hiroshima, would, on its own, justify the price of the book. Also notable are William Sanders's "The Undiscovered," a funny and touching tale of Shakespeare lost in the New World; Jack Chalker's "Dance Band on the Titanic," a ghost story about the ethics of suicide; and Turtledove's "Islands in the Sea," in which Islam wins a crucial eighth-century debate with Christianity. Other writers included are Poul Anderson, Greg Bear, Susan Shwartz, and more. For imaginative readers, these stories can open new vistas on the past and inspire a new sense of the possibilities of present and future.-Christine C. Menefee, Fairfax County Public Library, VA Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9780345439901
  • Publisher: Random House Publishing Group
  • Publication date: 10/28/2001
  • Edition number: 1
  • Pages: 432
  • Sales rank: 421,088
  • Product dimensions: 6.15 (w) x 9.25 (h) x 0.90 (d)

Meet the Author

Harry Turtledove was born in Los Angeles and earned a Ph.D. in Byzantine history from UCLA. He has published a translation of a ninth-century Byzantine chronicle, as well as several scholarly articles. His alternate history works include many short stories, the Civil War classic The Guns of the South, the epic Great War series set in World War I, and the Worldwar tetralogy which began with Worldwar: In the Balance. He is a winner of the Sidewise Award for Best Alternate History for his novel How Few Remain.

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Read an Excerpt

Kim Stanley Robinson's monumental Mars trilogy (Red Mars, Green Mars, Blue Mars)—a future history of the Red Planet from its colonization through its struggle for independence from Earth—has been hailed a modern classic and acknowledged a landmark of twentieth-century science fiction. Robinson's first published story appeared in 1976, and since that time he has earned the Hugo, Nebula, World Fantasy, and John W. Campbell Memorial Awards for his short fiction and novels. His first novel, The Wild Shore, published in 1984, produced two thematic sequels, The Gold Coast and Pacific Edge, which form the Orange County trilogy, about the future development of the California coast in the aftermath of nuclear holocaust. Robinson's other novels include The Memory of Whiteness, A Short, Sharp Shock, and Antarctica, the story of a future Antarctica society threatened by ecological saboteurs. His short fiction has been collected in Escape from Kathmandu, Remaking History, and Down and Out in the Year 2000. His doctoral dissertation has been published as the critically acclaimed The Novels of Philip K. Dick.

THE LUCKY STRIKE
Kim Stanley Robinson

War breeds strange pastimes. In July of 1945 on Tinian Island in the North Pacific, Captain Frank January had taken to piling pebble cairns on the crown of Mount Lasso—one pebble for each B-29 takeoff, one cairn for each mission. The largest cairn had four hundred stones in it. It was a mindless pastime, but so was poker. The men of the 509th had played a million hands of poker, sitting in the shade of a palm around an upturned crate sweating in their skivvies, swearing and betting all their pay and cigarettes, playing hand after hand after hand, until the cards got so soft and dog-eared you could have used them for toilet paper. Captain January had gotten sick of it, and after he lit out for the hilltop a few times some of his crewmates started trailing him. When their pilot Jim Fitch joined them it became an official pastime, like throwing flares into the compound or going hunting for stray Japs. What Captain January thought of the development he didn't say. The others grouped near Captain Fitch, who passed around his battered flask. "Hey, January," Fitch called. "Come have a shot."

January wandered over and took the flask. Fitch laughed at his pebble. "Practicing your bombing up here, eh, Professor?"

"Yah," January said sullenly. Anyone who read more than the funnies was Professor to Fitch. Thirstily January knocked back some rum. He could drink it any way he pleased up here, out from under the eye of the group psychiatrist. He passed the flask on to Lieutenant Matthews, their navigator.

"That's why he's the best," Matthews joked. "Always practicing."

Fitch laughed. "He's best because I make him be best, right, Professor?"

January frowned. Fitch was a bulky youth, thick-featured, pig-eyed—a thug, in January's opinion. The rest of the crew were all in their mid-twenties like Fitch, and they liked the captain's bossy roughhouse style. January, who was thirty-seven, didn't go for it. He wandered away, back to the cairn he had been building. From Mount Lasso they had an overview of the whole island, from the harbor at Wall Street to the north field in Harlem. January had observed hundreds of B-29s roar off the four parallel runways of the north field and head for Japan. The last quartet of this particular mission buzzed across the width of the island, and January dropped four more pebbles, aiming for crevices in the pile. One of them stuck nicely.

"There they are!" said Matthews. "They're on the taxiing strip."

January located the 509th's first plane. Today, the first of August, there was something more interesting to watch than the usual Superfortress parade. Word was out that General Le May wanted to take the 509th's mission away from it. Their commander Colonel Tibbets had gone and bitched to Le May in person, and the general had agreed the mission was theirs, but on one condition: one of the general's men was to make a test flight with the 509th, to make sure they were fit for combat over Japan. The general's man had arrived, and now he was down there in the strike plane, with Tibbets and the whole first team. January sidled back to his mates to view the takeoff with them.

"Why don't the strike plane have a name, though?" Haddock was saying.

Fitch said, "Lewis won't give it a name because it's not his plane, and he knows it." The others laughed. Lewis and his crew were naturally unpopular, being Tibbets' favorites.

"What do you think he'll do to the general's man?" Matthews asked.

The others laughed at the very idea. "He'll kill an engine at takeoff, I bet you anything," Fitch said. He pointed at the wrecked B-29s that marked the end of every runway, planes whose engines had given out on takeoff. "He'll want to show that he wouldn't go down if it happened to him."

" 'Course he wouldn't!" Matthews said.

"You hope," January said under his breath.

"They let those Wright engines out too soon," Haddock said seriously. "They keep busting under the takeoff load."

"Won't matter to the old bull," Matthews said. Then they all started in about Tibbets' flying ability, even Fitch. They all thought Tibbets was the greatest. January, on the other hand, liked Tibbets even less than he liked Fitch. That had started right after he was assigned to the 509th. He had been told he was part of the most important group in the war, and then given a leave. In Vicksburg a couple of fliers just back from England had bought him a lot of whiskies, and since January had spent several months stationed near London they had talked for a good long time and gotten pretty drunk. The two were really curious about what January was up to now, but he had stayed vague on it and kept returning the talk to the blitz. He had been seeing an English nurse, for instance, whose flat had been bombed, family and neighbors killed. . . . But they had really wanted to know. So he had told them he was onto something special, and they had flipped out their badges and told him they were Army Intelligence, and that if he ever broke security like that again he'd be transferred to Alaska. It was a dirty trick. January had gone back to Wendover and told Tibbets so to his face, and Tibbets had turned red and threatened him some more. January despised him for that. The upshot was that January was effectively out of the war, because Tibbets really played his favorites. January wasn't sure he really minded, but during their year's training he had bombed better than ever, as a way of showing the old bull he was wrong to write January off. Every time their eyes had met it was clear what was going on. But Tibbets never backed off no matter how precise January's bombing got. Just thinking about it was enough to cause January to line up a pebble over an ant and drop it.

"Will you cut that out?" Fitch complained. "I swear you must hang from the ceiling when you take a shit so you can practice aiming for the toilet." The men laughed.

"Don't I bunk over you?" January asked. Then he pointed. "They're going."

Tibbets' plane had taxied to runway Baker. Fitch passed the flask around again. The tropical sun beat on them, and the ocean surrounding the island blazed white. January put up a sweaty hand to aid the bill of his baseball cap.

The four props cut in hard, and the sleek Superfortress quickly trundled up to speed and roared down Baker. Three-quarters of the way down the strip the outside right prop feathered.

"Yow!" Fitch crowed. "I told you he'd do it!"

The plane nosed off the ground and slewed right, then pulled back on course to cheers from the four young men around January. January pointed again. "He's cut number three, too."

The inside right prop feathered, and now the plane was pulled up by the left wing only, while the two right props windmilled uselessly. "Holy smoke!" Haddock cried. "Ain't the old bull something?"

They whooped to see the plane's power, and Tibbets' nervy arrogance.

"By God, Le May's man will remember this flight," Fitch hooted. "Why, look at that! He's banking!"

Apparently taking off on two engines wasn't enough for Tibbets; he banked the plane right until it was standing on its dead wing, and it curved back toward Tinian.

Then the inside left engine feathered.

War tears at the imagination. For three years Frank January had kept his imagination trapped, refusing to give it any play whatsoever. The dangers threatening him, the effects of the bombs, the fate of the other participants in the war, he had refused to think about any of it. But the war tore at his control. That English nurse's flat. The missions over the Ruhr. The bomber just below him blown apart by flak. And then there had been a year in Utah, and the viselike grip that he had once kept on his imagination had slipped away.

So when he saw the number two prop feather, his heart gave a lit- tle jump against his sternum and helplessly he was up there with Ferebee, the first team bombardier. He would be looking over the pilots' shoulders. . . .

"Only one engine?" Fitch said.

"That one's for real," January said harshly. Despite himself he saw panic in the cockpit, the frantic rush to power the two right engines. The plane was dropping fast and Tibbets leveled it off, leaving them on a course back toward the island. The two right props spun, blurred to a shimmer. January held his breath. They needed more lift; Tibbets was trying to pull it over the island. Maybe he was trying for the short runway on the south half of the island.

But Tinian was too tall, the plane too heavy. It roared right into the jungle above the beach, where 42nd Street met their East River. It exploded in a bloom of fire. By the time the sound of the explosion struck them they knew no one in the plane had survived.

Black smoke towered into white sky. In the shocked silence on Mount Lasso insects buzzed and creaked. The air left January's lungs with a gulp. He had been with Ferebee there at the end, he had heard the desperate shouts, seen the last green rush, been stunned by the dentist-drill-all-over pain of the impact.

"Oh my God," Fitch was saying. "Oh my God." Matthews was sitting. January picked up the flask, tossed it at Fitch.

"C-come on," he stuttered. He hadn't stuttered since he was sixteen. He led the others in a rush down the hill. When they got to Broadway a jeep careened toward them and skidded to a halt. It was Colonel Scholes, the old bull's exec. "What happened?"

Fitch told him.

"Those damned Wrights," Scholes said as the men piled in. This time one had failed at just the wrong moment; some welder stateside had kept flame to metal a second less than usual—or something equally minor, equally trivial—and that had made all the difference.

They left the jeep at 42nd and Broadway and hiked east over a narrow track to the shore. A fairly large circle of trees was burning. The fire trucks were already there.

Scholes stood beside January, his expression bleak. "That was the whole first team," he said.

"I know," said January. He was still in shock, in imagination crushed, incinerated, destroyed. Once as a kid he had tied sheets to his arms and waist, jumped off the roof and landed right on his chest; this felt like that had. He had no way of knowing what would come of this crash, but he had a suspicion that he had indeed smacked into something hard.

Scholes shook his head. A half hour had passed, the fire was nearly out. January's four mates were over chattering with the Seabees. "He was going to name the plane after his mother," Scholes said to the ground. "He told me that just this morning. He was going to call it Enola Gay."

At night the jungle breathed, and its hot wet breath washed over the 509th's compound. January stood in the doorway of his Quonset barracks hoping for a real breeze. No poker tonight. Voices were hushed, faces solemn. Some of the men had helped box up the dead crew's gear. Now most lay on their bunks. January gave up on the breeze, climbed onto his top bunk to stare at the ceiling.

He observed the corrugated arch over him. Cricketsong sawed through his thoughts. Below him a rapid conversation was being carried on in guilty undertones, Fitch at its center.

"January is the best bombardier left," he said. "And I'm as good as Lewis was."

"But so is Sweeney," Matthews said. "And he's in with Scholes."

They were figuring out who would take over the strike. January scowled. Tibbets and the rest were less than twelve hours dead, and they were squabbling over who would replace them.

January grabbed a shirt, rolled off his bunk, put the shirt on.

"Hey, Professor," Fitch said. "Where you going?"

"Out."

Though midnight was near it was still sweltering. Crickets shut up as he walked by, started again behind him. He lit a cigarette. In the dark the MPs patrolling their fenced-in compound were like pairs of walking armbands. The 509th, prisoners in their own army. Fliers from other groups had taken to throwing rocks over the fence. Forcefully January expelled smoke, as if he could expel his disgust with it. They were only kids, he told himself. Their minds had been shaped in the war, by the war, and for the war. They knew you couldn't mourn the dead for long; carry around a load like that and your own engines might fail. That was all right with January. It was an attitude that Tibbets had helped to form, so it was what he deserved. Tibbets would want to be forgotten in favor of the mission, all he had lived for was to drop the gimmick on the Japs, he was oblivious to anything else, men, wife, family, anything.

So it wasn't the lack of feeling in his mates that bothered January. And it was natural of them to want to fly the strike they had been training a year for. Natural, that is, if you were a kid with a mind shaped by fanatics like Tibbets, shaped to take orders and never imagine consequences. But January was not a kid, and he wasn't going to let men like Tibbets do a thing to his mind. And the gimmick . . . the gimmick was not natural. A chemical bomb of some sort, he guessed. Against the Geneva Convention. He stubbed his cigarette against the sole of his sneaker, tossed the butt over the fence. The tropical night breathed over him. He had a headache.

For months now he had been sure he would never fly a strike. The dislike Tibbets and he had exchanged in their looks (January was acutely aware of looks) had been real and strong. Tibbets had understood that January's record of pinpoint accuracy in the runs over the Salton Sea had been a way of showing contempt, a way of saying you can't get rid of me even though you hate me and I hate you. The record had forced Tibbets to keep January on one of the four second-string teams, but with the fuss they were making over the gimmick January had figured that would be far enough down the ladder to keep him out of things.

Now he wasn't so sure. Tibbets was dead. He lit another cigarette, found his hand shaking. The Camel tasted bitter. He threw it over the fence at a receding armband, and regretted it instantly. A waste. He went back inside.

Before climbing onto his bunk he got a paperback out of his footlocker. "Hey, Professor, what you reading now?" Fitch said, grinning.

January showed him the blue cover. Winter's Tales, by an Isak Dinesen. Fitch examined the little wartime edition. "Pretty racy, eh?"

"You bet," January said heavily. "This guy puts sex on every page." He climbed onto his bunk, opened the book. The stories were strange, hard to follow. The voices below bothered him. He concentrated harder.

As a boy on the farm in Arkansas, January had read everything he could lay his hands on. On Saturday afternoons he would race his father down the muddy lane to the mailbox (his father was a reader too), grab the Saturday Evening Post and run off to devour every word of it. That meant he had another week with nothing new to read, but he couldn't help it. His favorites were the Hornblower stories, but anything would do. It was a way off the farm, a way into the world. He had become a man who could slip between the covers of a book whenever he chose.

But not on this night.

The next day the chaplain gave a memorial service, and on the morning after that Colonel Scholes looked in the door of their hut right after mess. "Briefing at eleven," he announced. His face was haggard. "Be there early." He looked at Fitch with bloodshot eyes, crooked a finger. "Fitch, January, Matthews—come with me."

January put on his shoes. The rest of the men sat on their bunks and watched them wordlessly. January followed Fitch and Matthews out of the hut.

"I've spent most of the night on the radio with General Le May," Scholes said. He looked them each in the eye. "We've decided you're to be the first crew to make a strike."

Fitch was nodding, as if he had expected it.

"Think you can do it?" Scholes said.

"Of course," Fitch replied. Watching him January understood why they had chosen him to replace Tibbets: Fitch was like the old bull, he had that same ruthlessness. The young bull.

"Yes, sir," Matthews said.

Scholes was looking at him. "Sure," January said, not wanting to think about it. "Sure." His heart was pounding directly on his sternum. But Fitch and Matthews looked serious as owls, so he wasn't going to stick out by looking odd. It was big news, after all; anyone would be taken aback by it. Nevertheless, January made an effort to nod.

"Okay," Scholes said. "McDonald will be flying with you as copilot." Fitch frowned. "I've got to go tell those British officers that Le May doesn't want them on the strike with you. See you at the briefing."

"Yes, sir."

As soon as Scholes was around the corner Fitch swung a fist at the sky. "Yow!" Matthews cried. He and Fitch shook hands. "We did it!" Matthews took January's hand and wrung it, his face plastered with a goofy grin. "We did it!"

"Somebody did it, anyway," January said.

"Ah, Frank," Matthews said. "Show some spunk. You're always so cool."

"Old Professor Stoneface," Fitch said, glancing at January with a trace of amused contempt. "Come on, let's get to the briefing."

The briefing hut, one of the longer Quonsets, was completely surrounded by MPs holding carbines. "Gosh," Matthews said, subdued by the sight. Inside it was already smoky. The walls were covered by the usual maps of Japan. Two blackboards at the front were draped with sheets. Captain Shepard, the naval officer who worked with the scientists on the gimmick, was in back with his assistant Lieutenant Stone, winding a reel of film onto a projector. Dr. Nelson, the group psychiatrist, was already seated on a front bench near the wall. Tibbets had recently sicced the psychiatrist on the group—another one of his great ideas, like the spies in the bar. The man's questions had struck January as stupid. He hadn't even been able to figure out that Easterly was a flake, something that was clear to anybody who flew with him, or even played him in a single round of poker. January slid onto a bench beside his mates.

The two Brits entered, looking furious in their stiff-upper-lip way. They sat on the bench behind January. Sweeney's and Easterly's crews filed in, followed by the other men, and soon the room was full. Fitch and the rest pulled out Lucky Strikes and lit up; since they had named the plane only January had stuck with Camels.

Scholes came in with several men January didn't recognize, and went to the front. The chatter died, and all the smoke plumes ribboned steadily into the air.

Scholes nodded, and two intelligence officers took the sheets off the blackboards, revealing aerial reconnaissance photos.

"Men," Scholes said, "these are the target cities."

Someone cleared his throat.

"In order of priority they are Hiroshima, Kokura, and Nagasaki. There will be three weather scouts: Straight Flush to Hiroshima, Strange Cargo to Kokura, and Full House to Nagasaki. The Great Artiste and Number 91 will be accompanying the mission to take photos. And Lucky Strike will fly the bomb."

There were rustles, coughs. Men turned to look at January and his mates, and they all sat up straight. Sweeney stretched back to shake Fitch's hand, and there were some quick laughs. Fitch grinned.

"Now listen up," Scholes went on. "The weapon we are going to deliver was successfully tested stateside a couple of weeks ago. And now we've got orders to drop it on the enemy." He paused to let that sink in. "I'll let Captain Shepard tell you more."

Shepard walked to the blackboard slowly, savoring his entrance. His forehead was shiny with sweat, and January realized he was excited or nervous. He wondered what the psychiatrist would make of that.

"I'm going to come right to the point," Shepard said. "The bomb you are going to drop is something new in history. We think it will knock out everything within four miles."

Now the room was completely still. January noticed that he could see a great deal of his nose, eyebrows, and cheeks; it was as if he were receding back into his body, like a fox into its hole. He kept his gaze rigidly on Shepard, steadfastly ignoring the feeling. Shepard pulled a sheet back over a blackboard while someone else turned down the lights.

"This is a film of the only test we have made," Shepard said. The film started, caught, started again. A wavery cone of bright cigarette smoke speared the length of the room, and on the sheet sprang a dead gray landscape: a lot of sky, a smooth desert floor, hills in the distance. The projector went click-click-click-click, click-click-click-click. "The bomb is on top of the tower," Shepard said, and January focused on the pinlike object sticking out of the desert floor, off against the hills. It was between eight and ten miles from the camera, he judged; he had gotten good at calculating distances. He was still distracted by his face.

Click-click-click-click, click—then the screen went white for a second, filling even their room with light. When the picture returned the desert floor was filled with a white bloom of fire. The fireball coalesced and then quite suddenly it leaped off the earth all the way into the strato- sphere, by God, like a tracer bullet leaving a machine gun, trailing a whitish pillar of smoke behind it. The pillar gushed up and a growing ball of smoke billowed outward, capping the pillar. January calculated the size of the cloud, but was sure he got it wrong. There it stood. The picture flickered, and then the screen went white again, as if the camera had melted or that part of the world had come apart. But the flapping from the projector told them it was the end of the film.

January felt the air suck in and out of his open mouth. The lights came on in the smoky room and for a second he panicked, he struggled to shove his features into an accepted pattern, the psychiatrist would be looking around at them all—and then he glanced around and realized he needn't have worried, that he wasn't alone. Faces were bloodless, eyes were blinky or bug-eyed with shock, mouths hung open or were clamped whitely shut. For a few moments they all had to acknowledge what they were doing. January, scaring himself, felt an urge to say, "Play it again, will you?" Fitch was pulling his curled black hair off his thug's forehead uneasily. Beyond him January saw that one of the Limeys had already reconsidered how mad he was about missing the flight. Now he looked sick. Someone let out a long whew, another whistled. January looked to the front again, where the psychiatrist watched them, undisturbed.

Shepard said, "It's big, all right. And no one knows what will happen when it's dropped from the air. But the mushroom cloud you saw will go to at least thirty thousand feet, probably sixty. And the flash you saw at the beginning was hotter than the sun."

Hotter than the sun. More licked lips, hard swallows, readjusted baseball caps. One of the intelligence officers passed out tinted goggles like welder's glasses. January took his and twiddled the opacity dial.

Scholes said, "You're the hottest thing in the armed forces, now. So no talking, even among yourselves." He took a deep breath. "Let's do it the way Colonel Tibbets would have wanted us to. He picked every one of you because you were the best, and now's the time to show he was right. So—so let's make the old man proud."

The briefing was over. Men filed out into the sudden sunlight. Into the heat and glare. Captain Shepard approached Fitch. "Stone and I will be flying with you to take care of the bomb," he said.

Fitch nodded. "Do you know how many strikes we'll fly?"

"As many as it takes to make them quit." Shepard stared hard at all of them. "But it will only take one."

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Sort by: Showing 1 – 13 of 11 Customer Reviews
  • Posted December 9, 2008

    more from this reviewer

    Excellent anthology

    Like most readers, this reviewer finds it incredible that the ¿Best Stories ... of the Twentieth Century¿ still has genres to cultivate. The latest anthology centers on alternate history and like the other collections includes a wonderful spread of tales covering a what if scenario on a wide range of eras and events written by mostly famous authors. All fourteen stories attain a high quality including those from lesser-known writers. Each contribution provides as Mr. Turtledove describes a ¿funhouse mirror that lets us look at reality in ways we cannot get from any other type of story¿. Sub-genre fans will not want to miss the short stories that allow THE BEST ALTERNATE HISTORY STORIES OF THE TWENTIETH CENTURY to live up to its title. <P>Harriet Klausner

    1 out of 1 people found this review helpful.

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  • Posted April 23, 2011

    Good introduction to a number of great writers!

    Whether you are new to the world of alternate history or a long-time fan, this book provides a fantastic array of works by some very talented authors. You won't be disappointed!

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  • Posted December 6, 2009

    Good Read

    This is my first Sci-Fi anthology so I don't know if I would call it the best but for the money is was a good read. Mozart in Mirrorshades and The Death of Captain Future were surprisingly good. My favorite was Suppose They Gave a Peace which shows a different Vietnam.

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  • Anonymous

    Posted November 21, 2009

    Disappointing mish-mash

    I normally enjoy Turtledove's novels, but he has selected some stories here that frankly puzzle me -- they aren't alternative history, and they aren't very good stories. This was a waste of money.

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Sort by: Showing 1 – 13 of 11 Customer Reviews

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