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After leaving Vienna, and long before you come to Buda-Pesth, the Danube enters a region of singular loneliness and desolation, where its waters spread away on all sides regardless of a main channel, and the country becomes a swamp for miles upon miles, covered by a vast sea of low willow-bushes. On the big maps this deserted area is painted in a fluffy blue, growing fainter in colour as it leaves the banks, and across it may be seen in large straggling letters the word Sümpfe, meaning marshes.
In high flood this great acreage of sand, shingle-beds, and willow-grown islands is almost topped by the water, but in normal seasons the bushes bend and rustle in the free winds, showing their silver leaves to the sunshine in an ever- moving plain of bewildering beauty. These willows never attain to the dignity of trees; they have no rigid trunks; they remain humble bushes, with rounded tops and soft outline, swaying on slender stems that answer to the least pressure of the wind; supple as grasses, and so continually shifting that they somehow give the impression that the entire plain is moving and alive. For the wind sends waves rising and falling over the whole surface, waves of leaves instead of waves of water, green swells like the sea, too, until the branches turn and lift, and then silvery white as their under-side turns to the sun.
Happy to slip beyond the control of the stern banks, the Danube here wanders about at will among the intricate network of channels intersecting the islands everywhere with broad avenues down which the waters pour with a shouting sound; making whirlpools, eddies, and foaming rapids; tearing at the sandy banks; carrying away masses of shore and willow- clumps; and forming new islands innumerable which shift daily in size and shape and possess at best an impermanent life, since the flood-time obliterates their very existence.
Properly speaking, this fascinating part of the river's life begins soon after leaving Pressburg, and we, in our Canadian canoe, with gipsy tent and frying-pan on board, reached it on the crest of a rising flood about mid-July. That very same morning, when the sky was reddening before sunrise, we had slipped swiftly through still-sleeping Vienna, leaving it a couple of hours later a mere patch of smoke against the blue hills of the Wienerwald on the horizon; we had breakfasted below Fischeramend under a grove of birch trees roaring in the wind; and had then swept on the tearing current past Orth, Hainburg, Petronell (the old Roman Carnuntum of Marcus Aurelius,) and so under the frowning heights of Theben on a spur of the Carpathians, where the March steals in quietly from the left and the frontier is crossed between Austria and Hungary.
Racing along at twelve kilometres an hour soon took us well into Hungary, and the muddy waters—sure sign of flood—sent us aground on many a shingle-bed, and twisted us like a cork in many a sudden belching whirlpool before the towers of Pressburg (Hungarian, Poszóny) showed against the sky; and then the canoe, leaping like a spirited horse, flew at top speed under the grey walls, negotiated safely the sunken chain of the Fliegende Brücke ferry, turned the corner sharply to the left, and plunged on yellow foam into the wilderness of islands, sand-banks, and swampland beyond—the land of the willows.
The change came suddenly, as when a series of bioscope pictures snaps down on the streets of a town and shifts without warning into the scenery of lake and forest. We entered the land of desolation on wings, and in less than half an hour there was neither boat nor fishing-hut nor red roof, nor any single sign of human habitation and civilisation within sight. The sense of remoteness from the world of human kind, the utter isolation, the fascination of this singular world of willows, winds, and waters, instantly laid its spell upon us both, so that we allowed laughingly to one another that we ought by rights to have held some special kind of passport to admit us, and that we had, somewhat audaciously, come without asking leave into a separate little kingdom of wonder and magic—a kingdom that was reserved for the use of others who had a right to it, with everywhere unwritten warnings to trespassers for those who had the imaginaton to discover them.
Though still early in the afternoon, the ceaseless buffetings of a most tempestuous wind made us feel weary, and we at once began casting about for a suitable camping-ground for the night. But the bewildering character of the islands made landing difficult; the swirling flood carried us in-shore and then swept us out again; the willow branches tore our hands as we seized them to stop the canoe, and we pulled many a yard of sandy bank into the water before at length we shot with a great sideways blow from the wind into a backwater and managed to beach the bows in a cloud of spray. Then we lay panting and laughing after our exertions on hot yellow sand, sheltered from the wind, and in the full blaze of a scorching sun, a cloudless blue sky above, and an immense army of dancing, shouting willow bushes, closing in from all sides, shining with spray and clapping their thousand little hands as though to applaud the success of our efforts.
"What a river!" I said to my companion, thinking of all the way we had travelled from the source in the Black Forest, and how he had often been obliged to wade and push in the upper shallows at the beginning of June.
"Won't stand much nonsense now, will it?" he said, pulling the canoe a little farther into safety up the sand, and then composing himself for a nap.
I lay by his side, happy and peaceful in the bath of the elements—water, wind, sand, and the great fire of the sun—thinking of the long journey that lay behind us, and of the great stretch before us to the Black Sea, and how lucky I was to have such a delightful and charming travelling companion as my friend, the Swede.
We had made many similar journeys together, but the Danube, more than any other river I knew, impressed us from the very beginning with its aliveness. From its tiny bubbling entry into the world among the pinewood gardens of Donaueschingen, until this moment when it began to play the great river-game of losing itself among the deserted swamps, unobserved, unrestrained, it had seemed to us like following the growth of some living creature. Sleepy at first, but later developing violent desires as it became conscious of its deep soul, it rolled, like some huge fluid being, through all the countries we had passed, holding our little craft on its mighty shoulders, playing roughly with us sometimes, yet always friendly and well-meaning, till at length we had come inevitably to regard it as a Great Personage.
How, indeed, could it be otherwise, since it told us so much of its secret life? At night we heard it singing to the moon as we lay in our tent, uttering that odd sibilant note peculiar to itself and said to be caused by the rapid tearing of the pebbles along its bed, so great is its hurrying speed. We knew, too, the voice of its gurgling whirlpools, suddenly bubbling up on a surface previously quite calm; the roar of its shallows and swift rapids; its constant steady thundering below all mere surface sounds; and that ceaseless tearing of its icy waters at the banks. How it stood up and shouted when the rains fell flat upon its face! And how its laughter roared out when the wind blew upstream and tried to stop its growing speed! We knew all its sounds and voices, its tumblings and foamings, its unnecessary splashing against the bridges; that self-conscious chatter when there were hills to look on; the affected dignity of its speech when it passed through the little towns, far too important to laugh; and all these faint, sweet whisperings when the sun caught it fairly in some slow curve and poured down upon it till the steam rose.
It was full of tricks, too, in its early life before the great world knew it. There were places in the upper reaches among the Swabian forests, when yet the first whispers of its destiny had not reached it, where it elected to disappear through holes in the ground, to appear again on the other side of the porous limestone hills and start a new river with another name; leaving, too, so little water in its own bed that we had to climb out and wade and push the canoe through miles of shallows.
And a chief pleasure, in those early days of its irresponsible youth, was to lie low, like Brer Fox, just before the little turbulent tributaries came to join it from the Alps, and to refuse to acknowledge them when in, but to run for miles side by side, the dividing line well marked, the very levels different, the Danube utterly declining to recognise the newcomer. Below Passau, however, it gave up this particular trick, for there the Inn comes in with a thundering power impossible to ignore, and so pushes and incommodes the parent river that there is hardly room for them in the long twisting gorge that follows, and the Danube is shoved this way and that against the cliffs, and forced to hurry itself with great waves and much dashing to and fro in order to get through in time. And during the fight our canoe slipped down from its shoulder to its breast, and had the time of its life among the struggling waves. But the Inn taught the old river a lesson, and after Passau it no longer pretended to ignore new arrivals.
This was many days back, of course, and since then we had come to know other aspects of the great creature, and across the Bavarian wheat plain of Straubing she wandered so slowly under the blazing June sun that we could well imagine only the surface inches were water, while below there moved, concealed as by a silken mantle, a whole army of Undines, passing silently and unseen down to the sea, and very leisurely too, lest they be discovered.
Much, too, we forgave her because of her friendliness to the birds and animals that haunted the shores. Cormorants lined the banks in lonely places in rows like short black palings; grey crows crowded the shingle-beds; storks stood fishing in the vistas of shallower water that opened up between the islands, and hawks, swans, and marsh birds of all sorts filled the air with glinting wings and singing, petulant cries. It was impossible to feel annoyed with the river's vagaries after seeing a deer leap with a splash into the water at sunrise and swim past the bows of the canoe; and often we saw fawns peering at us from the underbrush, or looked straight into the brown eyes of a stag as we charged full tilt round a corner and entered another reach of the river. Foxes, too, everywhere haunted the banks, tripping daintily among the driftwood and disappearing so suddenly that it was impossible to see how they managed it.
But now, after leaving Pressburg, everything changed a little, and the Danube became more serious. It ceased trifling. It was half-way to the Black Sea, within scenting distance almost of other, stranger countries where no tricks would be permitted or understood. It became suddenly grown-up, and claimed our respect and even our awe. It broke out into three arms, for one thing, that only met again a hundred kilometres farther down, and for a canoe there were no indications which one was intended to be followed.
"If you take a side channel," said the Hungarian officer we met in the Pressburg shop while buying provisions, "you may find yourselves, when the flood subsides, forty miles from anywhere, high and dry, and you may easily starve. There are no people, no farms, no fishermen. I warn you not to continue. The river, too, is still rising, and this wind will increase."
The rising river did not alarm us in the least, but the matter of being left high and dry by a sudden subsidence of the waters might be serious, and we had consequently laid in an extra stock of provisions. For the rest, the officer's prophecy held true, and the wind, blowing down a perfectly clear sky, increased steadily till it reached the dignity of a westerly gale.
It was earlier than usual when we camped, for the sun was a good hour or two from the horizon, and leaving my friend still asleep on the hot sand, I wandered about in desultory examination of our hotel. The island, I found, was less than an acre in extent, a mere sandy bank standing some two or three feet above the level of the river. The far end, pointing into the sunset, was covered with flying spray which the tremendous wind drove off the crests of the broken waves. It was triangular in shape, with the apex up stream.
I stood there for several minutes, watching the impetuous crimson flood bearing down with a shouting roar, dashing in waves against the bank as though to sweep it bodily away, and then swirling by in two foaming streams on either side. The ground seemed to shake with the shock and rush, while the furious movement of the willow bushes as the wind poured over them increased the curious illusion that the island itself actually moved. Above, for a mile or two, I could see the great river descending upon me: it was like looking up the slope of a sliding hill, white with foam, and leaping up everywhere to show itself to the sun.
The rest of the island was too thickly grown with willows to make walking pleasant, but I made the tour, nevertheless. From the lower end the light, of course, changed, and the river looked dark and angry. Only the backs of the flying waves were visible, streaked with foam, and pushed forcibly by the great puffs of wind that fell upon them from behind. For a short mile it was visible, pouring in and out among the islands, and then disappearing with a huge sweep into the willows, which closed about it like a herd of monstrous antediluvian creatures crowding down to drink. They made me think of gigantic sponge-like growths that sucked the river up into themselves. They caused it to vanish from sight. They herded there together in such overpowering numbers.
Altogether it was an impressive scene, with its utter loneliness, its bizarre suggestion; and as I gazed, long and curiously, a singular emotion began to stir somewhere in the depths of me. Midway in my delight of the wild beauty, there crept, unbidden and unexplained, a curious feeling of disquietude, almost of alarm.
A rising river, perhaps, always suggests something of the ominous: many of the little islands I saw before me would probably have been swept away by the morning; this resistless, thundering flood of water touched the sense of awe. Yet I was aware that my uneasiness lay deeper far than the emotions of awe and wonder. It was not that I felt. Nor had it directly to do with the power of the driving wind—this shouting hurricane that might almost carry up a few acres of willows into the air and scatter them like so much chaff over the landscape. The wind was simply enjoying itself, for nothing rose out of the flat landscape to stop it, and I was conscious of sharing its great game with a kind of pleasurable excitement. Yet this novel emotion had nothing to do with the wind. Indeed, so vague was the sense of distress I experienced, that it was impossible to trace it to its source and deal with it accordingly, though I was aware somehow that it had to do with my realisation of our utter insignificance before this unrestrained power of the elements about me. The huge-grown river had something to do with it too—a vague, unpleasant idea that we had somehow trifled with these great elemental forces in whose power we lay helpless every hour of the day and night. For here, indeed, they were gigantically at play together, and the sight appealed to the imagination.
But my emotion, so far as I could understand it, seemed to attach itself more particularly to the willow bushes, to these acres and acres of willows, crowding, so thickly growing there, swarming everywhere the eye could reach, pressing upon the river as though to suffocate it, standing in dense array mile after mile beneath the sky, watching, waiting, listening. And, apart quite from the elements, the willows connected themselves subtly with my malaise, attacking the mind insidiously somehow by reason of their vast numbers, and contriving in some way or other to represent to the imagination a new and mighty power, a power, moreover, not altogether friendly to us.
Excerpted from BEST GHOST STORIES OF ALGERNON BLACKWOOD by E. F. BLEILER. Copyright © 1973 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
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Posted January 1, 2015
Love his stories... beautifully written, subtly horrifying. The Willows is superb as he vividly describes the sound of the elementals' creepy interdimensional gongs and the scream of the wind through the disintegrating clumps of willows. I am a long time fan.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 2, 2003
Didn't like all of the stories, but a few of them scared the daylights out of me...I suggest reading them when you can't sleep
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Posted July 20, 2000
Algernon Blackwood (1869-1951) was a fascinating writer. Although he wrote in other forms-- children stories and an autobiography, for example-- it is for his horror/supernatural stories that he is best remembered. His The Willows (included in this anthology) is often singled out as the best English-language supernatural story. Blackwood lived for periods in the US and Canada, but wrote mostly in his birthplace, England. His writing career spanned about 1905-1945, with peak productivity around 1910. Taking 1910 as a benchmark, Blackwood's writing falls about halfway between the pioneers of the horror/supernatural genre (Mary Shelley, John Polidori, et al) and the present. Because of his extended writing career, his earlier and later works have a noticeably different 'feel', the later works having a simpler, more modern style. He left no stylistic direct descendant, though Lovecraft is often mentioned. If there is one theme connecting Blackwood's supernatural writings it is the Platonic idea that 'ordinary' reality is but a façade, behind which lie other realities, awesome, but inaccessible. Of course many religions share this premise. But whereas their 'other reality' is vastly superior to the one we know, in Blackwood it is grimmer and darker. Blackwood serves up this idea in several flavors: 1) alien creatures from another dimension (The Willows), 2) elementals or animistic spirits (Glamour of the Snow, The Transfer, Ancient Lights), 3) devil-worshiping monks (Secret Worship), 4) people and entire towns with secret lives (Ancient Sorceries), 5) conventional ghost stories (The Empty House, The Other Wing, Keeping His Promise), 6) Jekyll/Hyde duality (Max Hensig). A few stories, such as The Wendigo, are hard to characterize, seemingly falling into several categories. To what extent must a writer actually believe his/her ideas to be effective? Specifically, does a ghost-story writer need to believe in ghosts? Not consciously perhaps, but on some level almost certainly. Apropos of this, much has been made of Blackwood's Sandermanian background. An extreme Calvanistic sect, the Sandermanians placed great emphasis on sin and perdition. In adult life Blackwood seemingly rejected these teachings, and turned to other religions. But can highly emotional concepts, acquired early in childhood, ever truly be purged? Perhaps not. Certainly, one may loosen their ties with the persona, and hence diminish their influence on daily life. The kernel (of the ideas) however largely remains intact, and constantly strives to form new meaningful connections. This ceaseless search for connectivity might explain Blackwood¿s creativity. It might also explain some inconsistencies in Blackwood¿s works: the effectiveness of his masterpiece, The Willows, lies in its premise of an intelligence vastly powerful, yet so utterly alien 'it has nothing to do with us.' Lacking an avenue of appeal, when confronted by such an intelligence we are reduced to insignificance, helplessness, and finally utter terror. Yet, toward the end of the story, this alien intelligence is seemingly 'propitiated' by a human 'sacrifice.' Why so? If human lives are nothing to it, why not 10,000 victims - or none at all? It seems that Old Testament ideas of sacrifices and burnt-offerings are intruding here. (Incidentally, the idea of totally alien intelligence also occurs in the cult classic, Killer Clowns from Outer Space.) Does this anthology really contain all the best ghost stories of Blackwood? Yes, by and large, it does! However, Blackwood was quite prolific, so it would be easy to compile a second anthology very nearly as good as this one. (Perhaps Dover can be convinced of the merits of this.) Two personal favorites that I would include in such a collection are, The Strange Adventures of a Private Secretary in New York, a kind of werewolf story in which the lycanthropy appears to be induced by chemical experiments - and The Doll, quite possibly the inspiratWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 7, 2011
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