The Best Short Stories of Katherine Mansfield

Overview


An artist who excelled at the expression of subtle details and concentrated emotion, Katherine Mansfield ranks among the twentieth century's greatest short story writers. Her elegant, ironic tales reflect her own bohemian lifestyle, which involved tempestuous relationships with Bertrand Russell and Virginia Woolf. This collection of a dozen of Mansfield's finest works features compelling tales of fraught relationships and shattering revelations, all recounted in an ...
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The Best Short Stories of Katherine Mansfield

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Overview


An artist who excelled at the expression of subtle details and concentrated emotion, Katherine Mansfield ranks among the twentieth century's greatest short story writers. Her elegant, ironic tales reflect her own bohemian lifestyle, which involved tempestuous relationships with Bertrand Russell and Virginia Woolf. This collection of a dozen of Mansfield's finest works features compelling tales of fraught relationships and shattering revelations, all recounted in an intensely visual and impressionistic style. 
These stories range from throughout Mansfield's brief but prolific career. They include "Prelude," a reminiscence of the author's New Zealand girlhood; "Bliss," involving a young mother's disillusionment; "Je Ne Parle Pas Français," concerning a romantic young woman's betrayal; and "The Garden Party," a contrast of snobbery and social responsibility.
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Product Details

  • ISBN-13: 9780486475448
  • Publisher: Dover Publications
  • Publication date: 11/18/2010
  • Pages: 192
  • Sales rank: 632,301
  • Product dimensions: 5.30 (w) x 8.40 (h) x 0.50 (d)

Read an Excerpt

The Best Short Stories of Katherine Mansfield


By Katherine Mansfield, ENDA DUFFY

Dover Publications, Inc.

Copyright © 2010 Dover Publications, Inc.
All rights reserved.
ISBN: 978-0-486-12263-2



CHAPTER 1

How Pearl Button Was Kidnapped


PEARL Button swung on the little gate in front of the House of Boxes. It was the early afternoon of a sunshiny day with little winds playing hide-and-seek in it. They blew Pearl Button's pinafore frill into her mouth, and they blew the street dust all over the House of Boxes. Pearl watched it—like a cloud—like when mother peppered her fish and the top of the pepper-pot came off. She swung on the little gate, all alone, and she sang a small song. Two big women came walking down the street. One was dressed in red and the other was dressed in yellow and green. They had pink handkerchiefs over their heads, and both of them carried a big flax basket of ferns. They had no shoes and stockings on, and they came walking along, slowly, because they were so fat, and talking to each other and always smiling. Pearl stopped swinging, and when they saw her they stopped walking. They looked and looked at her and then they talked to each other, waving their arms and clapping their hands together. Pearl began to laugh. The two women came up to her, keeping close to the hedge and looking in a frightened way towards the House of Boxes. "Hallo, little girl!" said one. Pearl said, "Hallo!" "You all alone by yourself?" Pearl nodded. "Where's your mother?" "In the kitching, ironing-because-its-Tuesday." The women smiled at her and Pearl smiled back. "Oh," she said, "haven't you got very white teeth indeed! Do it again." The dark women laughed, and again they talked to each other with funny words and wavings of the hands. "What's your name?" they asked her. "Pearl Button." "You coming with us, Pearl Button? We got beautiful things to show you," whispered one of the women. So Pearl got down from the gate and she slipped out into the road. And she walked between the two dark women down the windy road, taking little running steps to keep up, and wondering what they had in their House of Boxes.

They walked a long way. "You tired?" asked one of the women, bending down to Pearl. Pearl shook her head. They walked much further. "You not tired?" asked the other woman. And Pearl shook her head again, but tears shook from her eyes at the same time and her lips trembled. One of the women gave over her flax basket of ferns and caught Pearl Button up in her arms, and walked with Pearl Button's head against her shoulder and her dusty little legs dangling. She was softer than a bed and she had a nice smell—a smell that made you bury your head and breathe and breathe it.... They set Pearl Button down in a long room full of other people the same colour as they were—and all these people came close to her and looked at her, nodding and laughing and throwing up their eyes. The woman who had carried Pearl took off her hair ribbon and shook her curls loose. There was a cry from the other women, and they crowded close and some of them ran a finger through Pearl's yellow curls, very gently, and one of them, a young one, lifted all Pearl's hair and kissed the back of her little white neck. Pearl felt shy but happy at the same time. There were some men on the floor, smoking, with rugs and feather mats round their shoulders. One of them made a funny face at her and he pulled a great big peach out of his pocket and set it on the floor, and flicked it with his finger as though it were a marble. It rolled right over to her. Pearl picked it up. "Please can I eat it?" she asked. At that they all laughed and clapped their hands, and the man with the funny face made another at her and pulled a pear out of his pocket and sent it bobbling over the floor. Pearl laughed. The women sat on the floor and Pearl sat down too. The floor was very dusty. She carefully pulled up her pinafore and dress and sat on her petticoat as she had been taught to sit in dusty places, and she ate the fruit, the juice running all down her front. "Oh," she said in a very frightened voice to one of the women, "I've spilt all the juice! "That doesn't matter at all," said the woman, patting her cheek. A man came into the room with a long whip in his hand. He shouted something. They all got up, shouting, laughing, wrapping themselves up in rugs and blankets and feather mats. Pearl was carried again, this time into a great cart, and she sat on the lap of one of her women with the driver beside her. It was a green cart with a red pony and a black pony. It went very fast out of the town. The driver stood up and waved the whip round his head. Pearl peered over the shoulder of her woman. Other carts were behind like a procession. She waved at them. Then the country came. First fields of short grass with sheep on them and little bushes of white flowers and pink briar rose baskets—then big trees on both sides of the road—and nothing to be seen except big trees. Pearl tried to look through them but it was quite dark. Birds were singing. She nestled closer in the big lap. The woman was warm as a cat, and she moved up and down when she breathed, just like purring. Pearl played with a green ornament round her neck, and the woman took the little hand and kissed each of her fingers and then turned it over and kissed the dimples. Pearl had never been happy like this before. On the top of a big hill they stopped. The driving man turned to Pearl and said, "Look, look!" and pointed with his whip. And down at the bottom of the hill was something perfectly different—a great big piece of blue water was creeping over the land. She screamed and clutched at the big woman. "What is it, what is it?" "Why," said the woman, "it's the sea." "Will it hurt us—is it coming?" "Ai-e, no, it doesn't come to us. It's very beautiful. You look again." Pearl looked. "You're sure it can't come," she said. "Ai-e, no. It stays in its place," said the big woman. Waves with white tops came leaping over the blue. Pearl watched them break on a long piece of land covered with garden-path shells. They drove round a corner. There were some little houses down close to the sea, with wood fences round them and gardens inside. They comforted her. Pink and red and blue washing hung over the fences, and as they came near more people came out, and five yellow dogs with long thin tails. All the people were fat and laughing, with little naked babies holding on to them or rolling about in the gardens like puppies. Pearl was lifted down and taken into a tiny house with only one room and a verandah. There was a girl there with two pieces of black hair down to her feet. She was setting the dinner on the floor. "It is a funny place," said Pearl, watching the pretty girl while the woman unbuttoned her little drawers for her. She was very hungry. She ate meat and vegetables and fruit and the woman gave her milk out of a green cup. And it was quite silent except for the sea outside and the laughs of the two women watching her. "Haven't you got any Houses of Boxes?" she said. "Don't you all live in a row? Don't the men go to offices? Aren't there any nasty things?"

They took off her shoes and stockings, her pinafore and dress. She walked about in her petticoat and then she walked outside with the grass pushing between her toes. The two women came out with different sorts of baskets. They took her hands. Over a little paddock, through a fence, and then on warm sand with brown grass in it they went down to the sea. Pearl held back when the sand grew wet, but the women coaxed, "Nothing to hurt, very beautiful. You come." They dug in the sand and found some shells which they threw into the baskets. The sand was wet as mud pies. Pearl forgot her fright and began digging too. She got hot and wet and suddenly over her feet broke a little line of foam. "Oo, oo!" she shrieked, dabbling with her feet, "Lovely, lovely!" She paddled in the shallow water. It was warm. She made a cup of her hands and caught some of it. But it stopped being blue in her hands. She was so excited that she rushed over to her woman and flung her little thin arms round the woman's neck, hugging her, kissing.... Suddenly the girl gave a frightful scream. The woman raised herself and Pearl slipped down on the sand and looked towards the land. Little men in blue coats—little blue men came running, running towards her with shouts and whistlings—a crowd of little blue men to carry her back to the House of Boxes.


Frau Brechenmacher Attends a Wedding

GETTING ready was a terrible business. After supper Frau Brechenmacher packed four of the five babies to bed, allowing Rosa to stay with her and help to polish the buttons of Herr Brechenmacher's uniform. Then she ran over his best shirt with a hot iron, polished his boots, and put a stitch or two into his black satin necktie.

"Rosa," she said, "fetch my dress and hang it in front of the stove to get the creases out. Now, mind, you must look after the children and not sit up later than half-past eight, and not touch the lamp—you know what will happen if you do."

"Yes, Mamma," said Rosa, who was nine and felt old enough to manage a thousand lamps. "But let me stay up—the 'Bub' may wake and want some milk."

"Half-past eight!" said the Frau. "I'll make the father tell you, too."

Rosa drew down the corners of her mouth.

"But ... but ..."

"Here comes the father. You go into the bedroom and fetch my blue silk handkerchief. You can wear my black shawl while I'm out—there now!"

Rosa dragged it off her mother's shoulders and wound it carefully round her own, tying the two ends in a knot at the back. After all, she reflected, if she had to go to bed at half past eight she would keep the shawl on. Which resolution comforted her absolutely.

"Now, then, where are my clothes?" cried Herr Brechenmacher, hanging his empty letter-bag behind the door and stamping the snow out of his boots. "Nothing ready, of course, and everybody at the wedding by this time. I heard the music as I passed. What are you doing? You're not dressed. You can't go like that."

"Here they are—all ready for you on the table, and some warm water in the tin basin. Dip your head in. Rosa, give your father the towel. Everything ready except the trousers. I haven't had time to shorten them. You must tuck the ends into your boots until we get there."

"Nu," said the Herr, "there isn't room to turn. I want the light. You go and dress in the passage."

Dressing in the dark was nothing to Frau Brechenmacher. She hooked her skirt and bodice, fastened her handkerchief round her neck with a beautiful brooch that had four medals to the Virgin dangling from it, and then drew on her cloak and hood.

"Here, come and fasten this buckle," called Herr Brechenmacher. He stood in the kitchen puffing himself out, the buttons on his blue uniform shining with an enthusiasm which nothing but official buttons could possibly possess. "How do I look?"

"Wonderful," replied the little Frau, straining at the waist buckle and giving him a little pull here, a little tug there. "Rosa, come and look at your father."

Herr Brechenmacher strode up and down the kitchen, was helped on with his coat, then waited while the Frau lighted the lantern.

"Now, then—finished at last! Come along."

"The lamp, Rosa," warned the Frau, slamming the front door behind them.

Snow had not fallen all day; the frozen ground was slippery as an ice-pond. She had not been out of the house for weeks past, and the day had so flurried her that she felt muddled and stupid—felt that Rosa had pushed her out of the house and her man was running away from her.

"Wait, wait!" she cried.

"No. I'll get my feet damp—you hurry."

It was easier when they came into the village. There were fences to cling to, and leading from the railway station to the Gasthaus a little path of cinders had been strewn for the benefit of the wedding guests.

The Gasthaus was very festive. Lights shone out from every window, wreaths of fir twigs hung from the ledges. Branches decorated the front doors, which swung open, and in the hall the landlord voiced his superiority by bullying the waitresses, who ran about continually with glasses of beer, trays of cups and saucers, and bottles of wine.

"Up the stairs—up the stairs!" boomed the landlord. "Leave your coats on the landing."

Herr Brechenmacher, completely overawed by this grand manner, so far forgot his rights as a husband as to beg his wife's pardon for jostling her against the banisters in his efforts to get ahead of everybody else.

Herr Brechenmacher's colleagues greeted him with acclamation as he entered the door of the Festsaal, and the Frau straightened her brooch and folded her hands, assuming the air of dignity becoming to the wife of a postman and the mother of five children. Beautiful indeed was the Festsaal. Three long tables were grouped at one end, the remainder of the floor space cleared for dancing. Oil lamps, hanging from the ceiling, shed a warm, bright light on the walls decorated with paper flowers and garlands; shed a warmer, brighter light on the red faces of the guests in their best clothes.

At the head of the centre table sat the bride and bridegroom, she in a white dress trimmed with stripes and bows of coloured ribbon, giving her the appearance of an iced cake all ready to be cut and served in neat little pieces to the bridegroom beside her, who wore a suit of white clothes much too large for him and a white silk tie that rose halfway up his collar. Grouped about them, with a fine regard for dignity and precedence, sat their parents and relations; and perched on a stool at the bride's right hand a little girl in a crumpled muslin dress with a wreath of forget-me-nots hanging over one ear.

Everybody was laughing and talking, shaking hands, clinking glasses, stamping on the floor—a stench of beer and perspiration filled the air. Frau Brechenmacher, following her man down the room after greeting the bridal party, knew that she was going to enjoy herself. She seemed to fill out and become rosy and warm as she sniffed that familiar festive smell. Somebody pulled at her skirt, and, looking down, she saw Frau Rupp, the butcher's wife, who pulled out an empty chair and begged her to sit beside her.

"Fritz will get you some beer," she said. "My dear, your skirt is open at the back. We could not help laughing as you walked up the room with the white tape of your petticoat showing!"

"But how frightful!" said Frau Brechenmacher, collapsing into her chair and biting her lip.

"Na, it's over now," said Frau Rupp, stretching her fat hands over the table and regarding her three mourning rings with intense enjoyment; "but one must be careful, especially at a wedding."

"And such a wedding as this," cried Frau Ledermann, who sat on the other side of Frau Brechenmacher. "Fancy Theresa bringing that child with her. It's her own child, you know, my dear, and it's going to live with them. That's what I call a sin against the Church for a free-born child to attend its own mother's wedding."

The three women sat and stared at the bride, who remained very still, with a little vacant smile on her lips, only her eyes shifting uneasily from side to side.

"Beer they've given it, too," whispered Frau Rupp, "and white wine and an ice. It never did have a stomach; she ought to have left it at home."

Frau Brechenmacher turned round and looked towards the bride's mother. She never took her eyes off her daughter, but wrinkled her brown forehead like an old monkey, and nodded now and again very solemnly. Her hands shook as she raised her beer mug, and when she had drunk she spat on the floor and savagely wiped her mouth with her sleeve. Then the music started and she followed Theresa with her eyes, looking suspiciously at each man who danced with her.

"Cheer up, old woman," shouted her husband, digging her in the ribs; "this isn't Theresa's funeral." He winked at the guests, who broke into loud laughter.

"I am cheerful," mumbled the old woman, and beat upon the table with her fist, keeping time to the music, proving she was not out of the festivities.

"She can't forget how wild Theresa has been," said Frau Ledermann. "Who could—with the child there? I heard that last Sunday evening Theresa had hysterics and said that she would not marry this man. They had to get the priest to her."

"Where is the other one?" asked Frau Brechenmacher. "Why didn't he marry her?"

The woman shrugged her shoulders.

"Gone—disappeared. He was a traveller, and only stayed at their house two nights. He was selling shirt buttons—I bought some myself, and they were beautiful shirt buttons—but what a pig of a fellow! I can't think what he saw in such a plain girl—but you never know. Her mother says she's been like fire ever since she was sixteen!"

Frau Brechenmacher looked down at her beer and blew a little hole in the froth.

"That's not how a wedding should be," she said; "it's not religion to love two men."

"Nice time she'll have with this one," Frau Rupp exclaimed. "He was lodging with me last summer and I had to get rid of him. He never changed his clothes once in two months, and when I spoke to him of the smell in his room he told me he was sure it floated up from the shop. Ah, every wife has her cross. Isn't that true, my dear?"


(Continues...)

Excerpted from The Best Short Stories of Katherine Mansfield by Katherine Mansfield, ENDA DUFFY. Copyright © 2010 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents


How Pearl Button Was Kidnapped
Frau Brechenmacher Attends a Wedding
The Woman at the Store
Prelude
Bliss
"Je Ne Parle Pas Francais"
The Daughters of the Late Colonel
Life of Ma Parker
The Garden-Party
Miss Brill
The Fly
The Canary
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