Between Raising Hell and Amazing Grace

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
If Comin' to Your City didn't provide the shock and awe of Horse of a Different Color, at least on chart terms, it did reveal that Big & Rich weren't a one-trick pony, destined to disappear after one huge record. But then, they were hardly one-hit wonders -- they were the leaders of the Muzik Mafia, a gleeful group of tacky hucksters and savvy craftsman who remade Nashville in their own image, starting with their own music but extending far, far down, from Gretchen Wilson and Cowboy Troy to reviving John Anderson and Rich co-writing like a madman. It was the kind of mad productivity not dissimilar to modern-day hip-hop producers -- they were branding left ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
If Comin' to Your City didn't provide the shock and awe of Horse of a Different Color, at least on chart terms, it did reveal that Big & Rich weren't a one-trick pony, destined to disappear after one huge record. But then, they were hardly one-hit wonders -- they were the leaders of the Muzik Mafia, a gleeful group of tacky hucksters and savvy craftsman who remade Nashville in their own image, starting with their own music but extending far, far down, from Gretchen Wilson and Cowboy Troy to reviving John Anderson and Rich co-writing like a madman. It was the kind of mad productivity not dissimilar to modern-day hip-hop producers -- they were branding left and right, bringing in everybody under their umbrella -- but it sure brought up charges of spreading themselves thin, especially in the wake of the underperformance of Comin' to Your City. But even if that album didn't generate an anthem like "Save a Horse, Ride a Cowboy" and even if it had a few moments where the calculation shone through their crassness, it still had a musical punch. And for its successor, Between Raising Hell and Amazing Grace, Big & Rich came up with a good gimmick: divide it into a fast side and a slow side, as if people still listened to music on LPs or cassettes. Great concept.
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Product Details

  • Release Date: 6/5/2007
  • Label: Warner Bros / Wea
  • UPC: 093624325529
  • Catalog Number: 43255
  • Sales rank: 64,206

Tracks

Disc 1
  1. 1 Intro (0:10)
  2. 2 Lost in This Moment (3:31)
  3. 3 Between Raising Hell and Amazing Grace (3:51)
  4. 4 Faster Than Angels Fly (4:26)
  5. 5 Eternity Intro - John Legend (0:29)
  6. 6 Eternity - John Legend (3:18)
  7. 7 When the Devil Gets the Best of Me (3:18)
  8. 8 Radio Intro (1:03)
  9. 9 Radio (3:47)
  10. 10 You Never Stop Loving Somebody (2:29)
  11. 11 High Five (3:30)
  12. 12 Please Man (2:54)
  13. 13 You Shook Me All Night (2:43)
  14. 14 Loud (3:02)
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Album Credits

Performance Credits
Big & Rich Primary Artist
Eric Darken Percussion
Steve Brewster Drums
Mike Brignardello Bass
Pat Buchanan Electric Guitar
Gary Burnette Acoustic Guitar, Electric Guitar
J.T. Corenflos Electric Guitar
Paul Franklin Steel Guitar
Steve Patrick Trumpet
James Pennebaker Electric Guitar
Jonathan Yudkin Banjo, Fiddle, Mandolin, Strings, Cello, Harp
Wyclef Jean Guest Appearance
Michael Rojas Synthesizer, Piano, Hammond Organ
Roy Agee Trombone
Wes Hightower Vocal Harmony
Tom Bukovac Electric Guitar
Howard Laravea Keyboards
Tommy Harden Drums
Ethan Pilzer Bass
Marc Lacuesta Vocal Harmony
Adam Shoenfeld Acoustic Guitar, Electric Guitar, Soloist
John Legend Guest Appearance
Kenneth "Scat" Springs Vocal Harmony
Matt Pierson Bass
Technical Credits
Brian Johnson Composer
Paul Hart Engineer
Chris Stone Engineer
Jonathan Yudkin Arranger, Composer, String Arrangements
Angus Young Composer
Malcolm Young Composer
Billy Henderson Composer
Wyclef Jean Composer
Clarke Schleicher Engineer
Debra Wingo Groomer
Kevin Tucker Art Direction
Big Kenny Composer
Danny Myrick Composer
Tommy Harden Loop
Andrew Mendelson Mastering
Adam Shoenfeld Composer
John Rich Composer
Keith Anderson Composer
Rodney Clawson Composer
Matt Coles Engineer
Earl James Composer
Kirsti Manna Composer
Mike "Nyte" DeSalvo Engineer
Darla Perlozzi Composer
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