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Between Shanghai and Hong Kong: The Politics of Chinese Cinemas
     

Between Shanghai and Hong Kong: The Politics of Chinese Cinemas

by Poshek Fu
 

“Fu’s steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction.”—Laura A. McDaniel, National Committee on U.S.-China Relations

Overview

“Fu’s steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction.”—Laura A. McDaniel, National Committee on U.S.-China Relations

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From the Publisher
"Fu's steadfast refusal to resort to simplistic binarism in his characterizations of World War II popular culture will be a breath of fresh air for all professional historians interested in the Japanese occupation, cinema, and identity construction."—Laura A. McDaniel, National Committee on U.S.-China Relations

Product Details

ISBN-13:
9780804745185
Publisher:
Stanford University Press
Publication date:
10/13/2003
Edition description:
1
Pages:
224
Product dimensions:
6.00(w) x 9.00(h) x 0.60(d)

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Meet the Author

Poshek Fu is Associate Professor of History and Cinema Studies at the University of Illinois at Urbana-Champaign. He is the author of Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945 (Stanford, 1993) and co-editor of The Cinema of Hong Kong: History, Arts, Identity (2000).

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