Beyond Pure Reason: Ferdinand de Saussure's Philosophy of Language and Its Early Romantic Antecedents

Beyond Pure Reason: Ferdinand de Saussure's Philosophy of Language and Its Early Romantic Antecedents

by Boris Gasparov
     
 

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The Swiss linguist Ferdinand de Saussure (1857–1913) revolutionized the study of language, signs, and discourse in the twentieth century. He successfully reconstructed the proto-Indo-European vowel system, advanced a conception of language as a system of arbitrary signs made meaningful through kinetic interrelationships, and developed a theory of the anagram

Overview

The Swiss linguist Ferdinand de Saussure (1857–1913) revolutionized the study of language, signs, and discourse in the twentieth century. He successfully reconstructed the proto-Indo-European vowel system, advanced a conception of language as a system of arbitrary signs made meaningful through kinetic interrelationships, and developed a theory of the anagram so profound it gave rise to poststructural literary criticism.The roots of these disparate, even contradictory achievements lie in the thought of Early German Romanticism, which Saussure consulted for its insight into the nature of meaning and discourse. Launching the first comprehensive analysis of Saussure’s intellectual heritage, Boris Gasparov links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. Several fundamental categories of Saussure’s philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of “progressive education” and child cognitive development. Consulting a wealth of sources only recently made available, Gasparov casts the seeming contradictions and paradoxes of Saussure’s work as a genuine tension between the desire to bring linguistics and semiotics in line with modernist epistemology on the one hand, and a “Romantic” awareness of language’s dynamism and its transcendence of the boundaries of categorical reasoning on the other. Advancing a radical new understanding of Saussure, Gasparov reveals aspects of Saussure’s work previously overlooked by both his followers and his postmodern critics.

Editorial Reviews

Azade Seyhan

Boris Gasparov brings great clarity to and elaborates on the rather freely used terminology associated with Ferdinand de Saussure, such as the notion of the arbitrariness of language and the 'binaries' of synchronic and diachronic aspects of language and of the signifier and the signified. Furthermore, Gasparov negotiates the uncompleted claims and unresolved contradictions of Saussure's work by invoking the early German Romantic discourse on language. His comparative reading offers a reciprocal illumination of the respective critical legacies of early German (Jena) Romanticism and Saussure's oeuvre. This volume should be of great interest to scholars of literary criticism and history, Romantic literary theory and literary modernity, and structuralism and poststructuralism, and to 'Saussurians' of all creeds.

Language Hat

Anyone interested in how modern linguistics and structuralism in general came to be...should read it.

Choice

Rigorous, substantive, and superbly researched.... truly an excellent addition, and in some ways a corrective, to Saussurean scholarship.... Highly recommended.

Product Details

ISBN-13:
9780231504454
Publisher:
Columbia University Press
Publication date:
09/25/2012
Series:
Leonard Hastings Schoff Lectures
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
240
File size:
16 MB
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Meet the Author

Boris Gasparov is professor of Russian, co-chair and founder of the University Seminar on Romanticism, and a member of the Seminars on Linguistics and Slavic History and Culture at Columbia University. Educated in linguistics and musicology in Moscow in the 1960s, he completed his intellectual development in Tartu, Estonia, at the time a renowned center of research on cultural history, semiotics, and poetics. He immigrated to the United States in 1981 and taught at the University of California, Berkeley, for eleven years before settling at Columbia University. His publications range from books on Slavic medieval studies to the semiotics of everyday speech, Russian and European Romanticism and Modernism, and Russian music. They include Five Operas and a Symphony: Word and Music in Russian Culture, which received the ASCAP Deems Taylor Award, and Speech, Memory, and Meaning: Intertextuality in Everyday Language. He is also the editor of Cultural Mythologies of Russian Modernism: From the Golden Age to the Silver Age.

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