John Gray is now established as one of the UK's leading political thinkers. For over a decade he has been asssociated with the ideas and think-tanks of the New Right. In this book he presents both a criticism of the ideological excesses of New Right ideology and a radical critique of the New Right itself, developed from the standpoint of traditional conservatism.
All the major thinkers and themes of the New Right are examined, together with many major issues of current public policy - such as the growth of the underclass, the future of the welfare state and the role of government in education and culture. The author also argues that there are deep affinities between conservative ideology and Green thought. He advances radical proposals for the preservation and renewal of common life for an age in which the ideals of modernism, including continuous economic growth, are decreasingly viable. He expresses his conviction that conservative philosophy will find its future in dissociating itelf from the neo-liberalism that has lately dominated policy, and returning to the task of redefining traditional values.
Known for his breakthrough approach to bringing peace to the so-called battle of the sexes, John Gray has revolutionized male-female communication with the observation that Men Are from Mars, Women Are from Venus.
To those well versed in therapy-speak and the self-help world, the name John Gray can provoke some eye-rolling and sarcasm: Men are from Mars, women are from Venus. Yeah, yeah, yeah. We genders need to "learn" to "communicate."
What's remarkable is Gray's role in making this concept so well known. In 1992, when Men Are from Mars, Women Are from Venus was published, the idea was anything but pedestrian. Indeed, Gray sparked both revolution and debate in the world of gender politics.
His case is simple: "Men mistakenly expect women to think, communicate, and react the way men do; women mistakenly expect men to feel, communicate, and respond the way women do. We have forgotten that men and women are supposed to be different. As a result our relationships are filled with unnecessary friction and conflict," he wrote in the first chapter of Men Are from Mars. Though the idea is not radical, the implication met with criticism from feminists who said that it tried to reinforce stereotypes; and with accolades from stricken couples who found that Gray did, in fact, help them communicate and understand each other better.
Though naysayers have called into question both Gray's message and his credentials, his appeal is undeniable. Word-of-mouth has proved strong enough to drive sales of Gray's book and its companions -- targeted at everyone from dating singles to coworkers -- into bestsellerdom, with the first title alone selling more than 15 million copies. He has also become a cottage industry of gender relations, with seminars, media appearances, and audio titles bolstering his books.
Gray's style tends to be simple and direct, with analogies along the lines of the title: "Men Are like Blowtorches, Women Are like Ovens" and "Men Pursue and Women Flirt" are typical chapter headers. For those mired in the tricky morass of dealing with the opposite sex, the author's no-nonsense approach is appealing.
In 1999, Gray departed from his relationships milieu to the broader palette of life fulfillment with the parenting guide Children Are from Heaven and How to Get What You Want and Want What You Have, a guide to achieving success while bolstering one's spiritual life via meditation and awareness of worldly challenges. It's a strong statement coming from someone who lived for several years as a monk, but Gray's strong suit with readers remains his relationship tomes. Since the original Mars/Venus title, he has created a franchise that now straddles the realms of love and personal success. His advice obviously rings true with millions of readers.
Good To Know
Gray lives with his wife and three children. He was formerly married to self-help author Barbara De Angelis; the two divorced in 1984.
Men Are from Mars, Women Are from Venus was made into a musical stage comedy that opened in Las Vegas. It has also been translated into more than 40 languages.