Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies
Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies is the first volume of its kind to be published in English. Bringing together young and established scholars, it seeks to consolidate the vital work being done on the connections between the Spanish- and Portuguese-speaking worlds on both sides of the Atlantic. The volume builds from an understanding that Iberian and Latin American cultures are inherently transoceanic—having engaged in earlier eras in parallel, and sometimes interconnected, colonization projects around the world and more recently in postcolonial evaluations of these practices and their legacies.
 
The jumping-off point for Beyond Tordesillas is the critic Jorge Schwartz’s evocative call to arms, “Down with Tordesillas!” In this groundbreaking essay, Schwartz looks to the imaginary line created by the Treaty of Tordesillas (1494), which divided the known world into Spanish and Portuguese spheres of influence, to stand in for generations of literary and cultural noncommunication between the Spanish- and Portuguese-speaking spheres, and their attendant academic disciplines. This volume’s contributions range topically across continents, from the Iberian Peninsula to Latin American countries. They also range across genres, with studies that analyze fictional narrative, music, performance, and visual culture. Beyond Tordesillas forcefully challenges the disciplinary—and indeed, arbitrary—boundaries that for too long have separated Hispanic and Luso-Brazilian studies.
 
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Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies
Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies is the first volume of its kind to be published in English. Bringing together young and established scholars, it seeks to consolidate the vital work being done on the connections between the Spanish- and Portuguese-speaking worlds on both sides of the Atlantic. The volume builds from an understanding that Iberian and Latin American cultures are inherently transoceanic—having engaged in earlier eras in parallel, and sometimes interconnected, colonization projects around the world and more recently in postcolonial evaluations of these practices and their legacies.
 
The jumping-off point for Beyond Tordesillas is the critic Jorge Schwartz’s evocative call to arms, “Down with Tordesillas!” In this groundbreaking essay, Schwartz looks to the imaginary line created by the Treaty of Tordesillas (1494), which divided the known world into Spanish and Portuguese spheres of influence, to stand in for generations of literary and cultural noncommunication between the Spanish- and Portuguese-speaking spheres, and their attendant academic disciplines. This volume’s contributions range topically across continents, from the Iberian Peninsula to Latin American countries. They also range across genres, with studies that analyze fictional narrative, music, performance, and visual culture. Beyond Tordesillas forcefully challenges the disciplinary—and indeed, arbitrary—boundaries that for too long have separated Hispanic and Luso-Brazilian studies.
 
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Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies

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Overview

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies is the first volume of its kind to be published in English. Bringing together young and established scholars, it seeks to consolidate the vital work being done on the connections between the Spanish- and Portuguese-speaking worlds on both sides of the Atlantic. The volume builds from an understanding that Iberian and Latin American cultures are inherently transoceanic—having engaged in earlier eras in parallel, and sometimes interconnected, colonization projects around the world and more recently in postcolonial evaluations of these practices and their legacies.
 
The jumping-off point for Beyond Tordesillas is the critic Jorge Schwartz’s evocative call to arms, “Down with Tordesillas!” In this groundbreaking essay, Schwartz looks to the imaginary line created by the Treaty of Tordesillas (1494), which divided the known world into Spanish and Portuguese spheres of influence, to stand in for generations of literary and cultural noncommunication between the Spanish- and Portuguese-speaking spheres, and their attendant academic disciplines. This volume’s contributions range topically across continents, from the Iberian Peninsula to Latin American countries. They also range across genres, with studies that analyze fictional narrative, music, performance, and visual culture. Beyond Tordesillas forcefully challenges the disciplinary—and indeed, arbitrary—boundaries that for too long have separated Hispanic and Luso-Brazilian studies.
 

Product Details

ISBN-13: 9780814275672
Publisher: Ohio State University Press
Publication date: 10/22/2017
Series: Transoceanic Series
Sold by: Barnes & Noble
Format: eBook
Pages: 262
File size: 2 MB

About the Author

Robert Patrick Newcomb is Associate Professor of Luso-Brazilian Studies at University of California, Davis. Richard A. Gordon is Professor of Brazilian and Spanish-American Literature and Culture at the University of Georgia.

Table of Contents

Beyond Tordesillas: New Approaches to Comparative Luso-Hispanic Studies Title Page Copyright CONTENTS ACKNOWLEDGMENTS INTRODUCTION: Bridging Tordesillas AGAINST LUSO-HISPANIC DISJUNCTION: CORRECTING THE SCHOLARLY RECORD MUDDYING THE WATERS: THE REFLEXIVE CHARACTER OF LUSO-HISPANIC COMPARATIVISM ORGANIZATION OF THE VOLUME Theoretical and Disciplinary Proposals Poetry, Music, Expressive Culture Cinema WORKS CITED PART I: LUSO-HISPANIC STUDIES AND RELATED LINES OF INQUIRY: A SERIES OF PROPOSALS CHAPTER 1: Portuguese and the Emergence of Iberian Studies: PEDRO SCHACHT PEREIRA WORKS CITED CHAPTER 2: The Case for Ad Hoc Transnationalism: HÉCTOR HOYOS ASYMMETRICAL TRANSACTIONS INSTITUTIONAL CONFIGURATIONS CORPUS AS ERSATZ METHOD TOWARD ACTOR-PARTICIPANT TRANSNATIONALISM WORKS CITED CHAPTER 3: Queer Spanish, Queer Portuguese: A Series of Research Proposals: DAVID WILLIAM FOSTER WORKS CITED CHAPTER 4: Before Tordesilhas, and Beyond: The Politics of Native Agency across the Americas: TRACY DEVINE GUZMÁN INDIGENIST MIRRORS FICTION AND AUTO-ETHNOGRAPHY INDIGENISM AND CAPITAL BEYOND IDENTITARIAN POLITICS WORKS CITED CHAPTER 5: “Blister you all”: Sérgio Buarque de Holanda and the Calibanic Genealogy: PEDRO MEIRA MONTEIRO TRANSLATED FROM PORTUGUESE BY JAMES IRBY WORKS CITED PART II: WRITTEN FICTIONAL NARRATIVE: BRAZIL AND SPANISH-SPEAKING LATIN AMERICA CHAPTER 6: The Literary Revenant in a Latin American Comparative Context: ROBERT MOSER BRAZILIAN CARNIVAL AND THE DIALECTICS OF MALANDRAGEM AN “ANCESTRAL IMPULSE” AND “AMERICAN BOOKS OF THE DEAD” LATIN AMERICAN LITERATURE AND THE CARNIVALESQUE WORKS CITED CHAPTER 7: Borges, Clarice, and the Development of Latin America’s “New Narrative”: EARL E. FITZ WORKS CITED CHAPTER 8: Mapping Citizenship in Luiz Ruffato’s Inferno provisório and Guillermo Saccomanno’s El pibe: LEILA LEHNEN WORKING WITHIN PROVISIONAL HELLS: LUIZ RUFFATO’S INFERNO PROVISÓRIO GROWING UP WORKING CLASS WORKS CITED PART III: LUSO-HISPANIC POETRY, MUSIC, AND EXPRESSIVE CULTURE CHAPTER 9: The Parábola of the Latin American Avant-Gardes: ALFREDO BOSI TRANSLATED BY ROBERT PATRICK NEWCOMB WORKS CITED CHAPTER 10: Brazilian Symbolism and Hispanic American Modernismo: Resonance across the Luso-Hispanic Divide: SARAH MOODY WORKS CITED CHAPTER 11: Shared Passages: Spanish American–Brazilian Links in Contemporary Poetry: CHARLES A. PERRONE WORKS CITED CHAPTER 12: Cantigas de amigo: Galicia and Brazil in the Lusophone Musical Space: FREDERICK MOEHN PERFORMING LUSOFONIA: UXÍA AND THE CANTOS NA MARÉ MUSICAL EVENT LUSOFONIA AS AN ONTOLOGY OF TRANSLATION CONCLUSIONS WORKS CITED PART IV: LUSO-HISPANIC CINEMA, PERFORMANCE, AND VISUAL CULTURE CHAPTER 13: Cartography of Dissidence: In/visibility and Urban Display in Luso-Hispanic Street Projects: TINA ESCAJA GENDER VIOLENCE AS A RESIDUUM OF DICTATORIAL POLITICS URBAN ART AS SUBVERSIVE IN/ACTION: “ABSENCES” BY GRUPO DO TRECHO ITINERANT PROJECTS OF THE “ANTIMUSEO” (ANTIMUSEUM): ART, POLITICS, AND COLLECTIVE ACTION WORKS CITED CHAPTER 14: Memory, Youth, and Regimes of Violence in Recent Hispanic and Lusophone Cinemas: LESLIE L. MARSH WORKS CITED FILMS CITED CHAPTER 15: Cinema in Totalitarian Iberia: Propaganda and Persuasion under Salazar and Franco: PATRÍCIA VIEIRA WORKS CITED CHAPTER 16: Globalization and Documentary Film: Luso-Hispanic Reflections: MICHAEL J. LAZZARA THE ENCOUNTER RUINS, TIME, MEMORY COMMUNITY WORKS CITED CONTRIBUTORS INDEX TRANSOCEANIC STUDIES: ILEANA RODRÍGUEZ, SERIES EDITOR
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