Big Fun

( 1 )

Editorial Reviews

All Music Guide - Thom Jurek
Despite the presence of classic tracks like Joe Zawinul's "Great Expectations," Big Fun feels like the compendium of sources it is. These tracks are all outtakes from other sessions, most notably Bitches Brew, On the Corner, and others. The other element is that many of these tracks appeared in different versions elsewhere. These were second takes, or the unedited takes before producer Teo Macero and Miles were able to edit them, cut and paste their parts into other things, or whatever. That is not to say the album should be dismissed. Despite the numerous lineups and uneven flow of the tracks, there does remain some outstanding playing and composing here. Most notably is ...
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Editorial Reviews

All Music Guide - Thom Jurek
Despite the presence of classic tracks like Joe Zawinul's "Great Expectations," Big Fun feels like the compendium of sources it is. These tracks are all outtakes from other sessions, most notably Bitches Brew, On the Corner, and others. The other element is that many of these tracks appeared in different versions elsewhere. These were second takes, or the unedited takes before producer Teo Macero and Miles were able to edit them, cut and paste their parts into other things, or whatever. That is not to say the album should be dismissed. Despite the numerous lineups and uneven flow of the tracks, there does remain some outstanding playing and composing here. Most notably is "Great Expectations" from 1969, which opens the album. Here the lineup is Miles, Steve Grossman, Bennie Maupin, John McLaughlin, Khalil Balakrishna, and Bihari Sharma on sitar and tambura, Herbie, Chick Corea, Ron Carter, Harvey Brooks, Billy Cobham, and Airto. Creating a series of vamps from drones and a small melodic figure, there is very little in the way of groove or melodic development until the middle section, where a series of modalities enters the composition. The second album in the set features "Go Ahead John," an outtake from Jack Johnson's sessions that is 28 minutes in length. It's a riff-based groover, with McLaughlin and his wah-wah pedal setting the pace with Steve Grossman on soprano. The basic motif is the blues, floating around E and Bb flat, but there are modulations introduced by Miles into Db flat that add a kinkier dimension into the proceedings as well. Dave Holland is the bass player, and DeJohnette is the drummer. There is no piano. What's most interesting about this date is how it prefigures what would become "Right Off" from Jack Johnson. It doesn't have the same fire, nor does it manage to sustain itself for the duration, but there are some truly wonderful sections in the piece. This is for Miles fans only, especially those of his electric period, because it fills in the puzzle. The reissue added four bonus tracks to the original double-LP set, but other than "Recollections" by Zawinul, they shed little light on the mystique and development of the intensely creative music being developed in 1969 and 1970. Others should be directed to Bitches Brew, In A Silent Way, Jack Johnson, or Live Evil as starting points.
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Product Details

  • Release Date: 8/1/2000
  • Label: Sony
  • UPC: 074646397329
  • Catalog Number: 63973
  • Sales rank: 35,908

Tracks

Disc 1
  1. 1 Great Expectations (27:23)
  2. 2 Ife (21:24)
  3. 3 Recollections (18:55)
  4. 4 Trevere (5:55)
Disc 2
  1. 1 Go Ahead John (28:27)
  2. 2 Lonely Fire (21:21)
  3. 3 The Little Blue Frog (9:10)
  4. 4 Yaphet (9:39)
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Album Credits

Performance Credits
Miles Davis Primary Artist, Trumpet
Mtume Percussion
Ron Carter Bass
Jack DeJohnette Drums, Snare Drums
Sonny Fortune Flute, Soprano Saxophone, Soprano (Vocal)
Carlos Garnett Soprano Saxophone
Herbie Hancock Electric Piano
Billy Hart Drums
Dave Holland Bass, Electric Bass
Bennie Maupin Clarinet, Flute, Bass Clarinet
John McLaughlin Guitar, Electric Guitar, Guitar (Baritone)
Wayne Shorter Saxophone, Soprano Saxophone, Tenor Saxophone
Lonnie Liston Smith Piano
Larry Young Organ, Celeste
Steve Grossman Saxophone, Soprano Saxophone
Airto Moreira Percussion, Berimbau, Cuica, Indian Instruments
Joe Zawinul Organ, Keyboards, Electric Piano, farfisa organ
Badal Roy Tabla
Khalil Balakrishna Percussion, Sitar, Tamboura, Electric Sitar, Indian Instruments
Harvey Brooks Electric Bass, Bass Guitar
Billy Cobham Drums, Triangle, Snare Drums
Chick Corea Electric Piano
James Forman Percussion, African Percussion
Al Foster Drums
Michael Henderson Bass, Bass Guitar
Bihari Sharma Percussion, Sitar, Tabla, Tamboura, Electric Sitar
Harold "Ivory" Williams Piano, Sitar
Michael J. Henderson Bass
Carlos Carnette Soprano Saxophone
William Hart Drums
Technical Credits
Bob Belden Producer, Reissue Producer
Bennie Maupin Liner Notes
John Guerriere Remixing
Frank Laico Engineer
Teo Macero Producer
Russ Payne Remixing
Stan Weiss Remixing
Howard Fritzson Art Direction
Randall Martin Reissue Design
Seth Foster Engineer
Rachel Dicono Packaging Manager
Stanley Tonkel Engineer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Posted August 27, 2011

    more from this reviewer

    Past Sounds From The Future

    Even though some of this music was recorded 40 years ago, it still sounds like no one has caught up to Miles Davis. Although the title is misleading (this isn't a party record), few artists made music this far ahead of their time. Much of it seems to float along without melody or beat yet something always seems to be happening. This set and Get Up With It make a good pair of 70s Miles fusion recordings, but I can't give On The Corner as high a recommendation. Here is some info that may interest other buyers. The first copy of this I ordered had a defective first disc. The B&N phone representative was very helpful in making an exchange and my second copy was OK.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews