Big TV

Editorial Reviews

All Music Guide - Matt Collar
White Lies' third studio album, 2013's Big TV, finds the band building upon the darkly anthemic sound of their first two albums with an added songwriting maturity. After touring almost non-stop in support of 2009's To Lose My Life and 2011's Ritual, White Lies took almost a two-year break to recoup and rethink their direction before heading back into the studio to record Big TV. The time off seems to have worked, as the trio of lead singer/guitarist Harry McVeigh, bassist Charles Cave, and drummer Jack Brown, along with producer Ed Buller -- who also co-produced the band's debut -- have crafted a handful of highly literate, single-worthy tracks that still evince their love ...
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Editorial Reviews

All Music Guide - Matt Collar
White Lies' third studio album, 2013's Big TV, finds the band building upon the darkly anthemic sound of their first two albums with an added songwriting maturity. After touring almost non-stop in support of 2009's To Lose My Life and 2011's Ritual, White Lies took almost a two-year break to recoup and rethink their direction before heading back into the studio to record Big TV. The time off seems to have worked, as the trio of lead singer/guitarist Harry McVeigh, bassist Charles Cave, and drummer Jack Brown, along with producer Ed Buller -- who also co-produced the band's debut -- have crafted a handful of highly literate, single-worthy tracks that still evince their love of moody, '80s post-punk. Big TV has all of the characteristics White Lies fans have come to expect from them including driving post-punk beats, evocative guitar lines, chilly synth parts, and McVeigh's prophetic baritone croon. Impossibly, they sound even more engaged and clear-eyed than on the ambitious, stylized Ritual. With that album, White Lies seemed to put a song's overall production sound ahead of the song. The opposite is true with Big TV, and songs like the title track and the poignant ballad "Change" are deeply moving, emotionally resonant songs that still retain all of White Lies' penchant for arid, '70s sci-fi movie-inspired atmosphere. Also engaging are several euphoria-inducing tracks like sparkling lead single "There Goes Our Love Again" and the sweepingly romantic, orchestral synthesizer-tinged "First Time Caller." Elsewhere, White Lies dive headlong into the deep sea electro-disco of the Giorgio Moroder-inspired "Get Even," and lift our hearts cloud-ward with the pulsing Echo and the Bunnymen-esque dance-rocker "Be Your Man." With Big TV, White Lies combine the urgent passions of their debut with the conceptual ambitions of their sophomore effort and by doing so, make the best album of their career.
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Product Details

  • Release Date: 8/20/2013
  • Label: Harvest
  • UPC: 602537409068
  • Catalog Number: 001862502
  • Sales rank: 5,299

Tracks

Disc 1
  1. 1 Big TV (5:28)
  2. 2 There Goes Our Love Again (3:36)
  3. 3 Space I (0:48)
  4. 4 First Time Caller (3:34)
  5. 5 Mother Tongue (3:23)
  6. 6 Getting Even (4:56)
  7. 7 Change (4:51)
  8. 8 Be Your Man (4:23)
  9. 9 Space II (1:10)
  10. 10 Tricky to Love (4:17)
  11. 11 Heaven Wait (4:42)
  12. 12 Goldmine (3:58)
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Album Credits

Performance Credits
White Lies Primary Artist
Harry McVeigh Group Member
Charles Cave Group Member
Jack Lawrence-Brown Group Member
Technical Credits
Ed Buller Producer, Engineer
John Davis Mastering
Gerard Saint Art Direction
James Sandom Management
Darren Lawson Engineer
White Lies Composer, Engineer
Paul Bolton Booking
Paul-Edouard Laurendeau Engineer
Matt Hickey Booking
Markus Karlsson Art Direction
Michael Kagan Paintings
Nathan McGough Management
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