The Bingo Palaceby Louise Erdrich
At the crossroads of his life, Lipsha Morrissey is summoned by his grandmother to return to the reservation. There, he falls in love for the very first time—with the beautiful Shawnee Ray, who's already considering a marriage proposal from Lipsha's wealthy entrepreneurial boss, Lyman Lamartine. But when all efforts to win Shawnee's affections go hopelessly
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At the crossroads of his life, Lipsha Morrissey is summoned by his grandmother to return to the reservation. There, he falls in love for the very first time—with the beautiful Shawnee Ray, who's already considering a marriage proposal from Lipsha's wealthy entrepreneurial boss, Lyman Lamartine. But when all efforts to win Shawnee's affections go hopelessly awry, Lipsha seeks out his great-grandmother for a magical solution to his romantic dilemma—on sacred ground where a federally sanctioned bingo palace is slated for construction.
Louise Erdrich's luminous novel The Bingo Palace is a tale of spiritual death and reawakening; of money, desperate love, and wild hope; and of the enduring power of cherished dreams.
Los Angeles Times Book Review
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The Bingo Palace
On most winter days, Lulu Lamartine did not stir until the sun cast a patch of warmth for her to bask in and purr. She then rose, brewed fresh coffee, heated a pan of cream, and drank the mix from a china cup at her apartment table. Sipping, brooding, she entered the snowy world. A pale sweet roll, a doughnut gem, occasionally a bowl of cereal, followed that coffee, then more coffee, and on and on, until finally Lulu pronounced herself awake and took on the day's business of running the tribe. We know her routine—many of us even shared it—so when she was sighted before her normal get-up time approaching her car door in the unsheltered cold of the parking lot, we called on others to look. Sure enough, she was dressed for action. She got into her brown Citation wearing hosiery, spike-heeled boots, and, beneath her puffy purple winter coat, a flowered dress cut evening low. She adjusted her rearview mirror, settled her eyeglasses on her nose. She started the engine, pulled away onto the downslope winding road. From the hill, we saw her pass into the heart of the reservation.
She rolled along in quiet purpose, stopping at the signs, even yielding, traveling toward one of two places open at that early hour. The gas pumps—she could be starting out on a longer trip—or the post office. These were the two choices that we figured out among ourselves. When she passed the first, we knew it must be the second, and from there, we relied on Day Twin Horse to tell us how Lulu entered the post office beneath the flags of the United States, the Great Seal of North Dakota, and the emblem of ourChippewa Nation, and then lingered, looking all around, warming herself like a cat at the heat register and tapping at her lips with a painted fingernail.
Day Twin Horse watched her, that is, until she turned, saw him looking, and set confusion into motion. First she glared a witch gaze that caused him to tape a finger to the postal scale. The tape seemed to have a surprising life all of its own so that, as he leaned over, extracting the finger, balling up the tape, Day Twin Horse became more and more agitated. For while he struggled with the sticky underside, Mrs. Josette Bizhieu entered, impatient as always, carrying three packages. Tending to her needs, Postmaster Twin Horse was unable to keep an eye on Lulu as she wandered, flicking at the dials of the tiny boxes that held other people's bills. He did not see her pause to read the directions on the Xerox machine, or lean over the glass display case showing pen sets, stamp mugs, albums that could be purchased by collectors. He did not see her stop before the wanted posters, flick through quickly, silently, riffling the heavy roll until she came to the picture of her son.
It was Josette herself, sharp and wary as her namesake bobcat, who tipped her chin down, turned her face just a fraction to watch Lulu Lamartine as she reached into the fall of criminals and with one quick tug, evenly, as if she were removing a paper towel from a toothed dispenser, tear away government property. Holding the paper, Lulu walked over to the copier. She carefully slid the picture onto the machine's face, inserted two coins into the coin box. Satisfaction lit her face as the machine's drum flashed and whirred. She removed the original, then the copy of the picture as it emerged. She folded it into an envelope and carried it quickly to the Out of Town slot, where Josette now held her packages as if deciding which to mail first. Seeing the drop of Josette's gaze, Lulu quickly posted the letter, but not before Josette caught the city part of the address, already written onto the outside of the stamped envelope.
Fargo, North Dakota. There it was—the well-known whereabouts of that stray grandson whom Lulu Lamartine and Marie Kashpaw shared uneasily between themselves. So Lulu Lamartine was sending the picture of the father to the son. Perhaps it was a summons home. A warning. Surely, it meant something. There was always a reason behind the things Lulu did, although it took a while to find them, to work her ciphers out for meaning. Now Lulu walked directly through the glass front doors, leaving Josette and Day Twin Horse in the post office.
The two gazed after her, frowning and pensive. Around them, suddenly, they felt the drift of chance and possibility, for the post office is a place of near misses, lit by numbers. Their gazes fixed upon the metal postal box doors—so strictly aligned and easily mistaken for one another. And then the racks constructed for the necessary array of identical-looking rubber stamps that nevertheless could send a letter halfway around the world. Of course, there were the stamps themselves, either booklets or sheets sold in waxed cellophane envelopes. Eagles. Flowers. Hot air balloons. Love dogs. Wild Bill Hickok. The ordinary world suddenly seemed tenuous, odd. Josette reared back in suspicion, narrowing her clever eyes. Day Twin Horse regarded his olive-colored tape. The roll again was docile and orderly in his hands. He ran his fingernail across the surface searching for the ridge to pull, the cut, but the plastic was seamless, frustrating, perfect, like the small incident with Lulu. He couldn't find where to pull and yet he knew that in her small act there was complicated motive and a larger story.
As it turned out, however, there was not much more to know about the things Lulu did on that particular day. It was later on that we should have worried about, the long-term consequences. All the same, we tried to keep a close eye upon her doings, so we know that soon after she left the post office Lulu Lamartine purchased . . . The Bingo Palace. Copyright © by Louise Erdrich. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Meet the Author
Louise Erdrich is the author of fifteen novels as well as volumes of poetry, children’s books, short stories, and a memoir of early motherhood. Her novel The Round House won the National Book Award for Fiction. The Plague of Doves won the Anisfield-Wolf Book Award and was a finalist for the Pulitzer Prize, and her debut novel, Love Medicine, was the winner of the National Book Critics Circle Award. Erdrich has received the Library of Congress Prize in American Fiction, the prestigious PEN/Saul Bellow Award for Achievement in American Fiction, and the Dayton Literary Peace Prize. She lives in Minnesota with her daughters and is the owner of Birchbark Books, a small independent bookstore.
- Minneapolis, Minnesota
- Date of Birth:
- June 7, 1954
- Place of Birth:
- Little Falls, Minnesota
- B.A., Dartmouth College, 1976; M.A., Johns Hopkins University, 1979
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Louise Erdrich's writing style evokes the mystical and magical in the turbulent lives of the characters Erdrich so painstakingly creates. With characters caught between the traditions of the past and the reality of the present, Erdrich intertwines the two with enormous skill and almost lyrical prose. Moving and almost spiritual, Erdrich reminds us that while people have choices, the ties of tradition and family are ever present.