The Bippolo Seed and Other Lost Stories

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New York, NY 2011 Oversized Hardcover First Edition, 1st Printing As New. No Jacket As Issued 4to-over 9?"-12" tall. 72pp. Original illustrated boards. Stated First Edition. 1st ... Printing (with complete number line). Introduction by Charles D. Cohen. Pages are bright and clean (no writing, undelrining, or highlighting). Binding is tight with no cracks or breaks. This is not a remainder or ex-library. No previous owner markings. This book is on hand and does not ship from publisher. Seuss scholar/collector Charles D. Cohen has hunted down seven rarely seen stories by Dr. Seuss, originally published in magazines between 1950 and 1951. In an Introduction to the collection, Cohen explains the significance these seven stories have, not only as lost treasures, but as transitional stories in Dr. Seuss's career. Very nice copy. Read more Show Less

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Overview

It's the literary equivalant of buried treasure! Seuss scholar/collector Charles D. Cohen has hunted down seven rarely seen stories by Dr. Seuss. Originally published in magazines between 1950 and 1951, they include "The Bear, the Rabbit, and the Zinniga-Zanniga " (about a rabbit who is saved from a bear with a single eyelash!); "Gustav the Goldfish" (an early, rhymed version of the Beginner Book A Fish Out of Water);  "Tadd and Todd" (a tale passed down via photocopy to generations of twins); "Steak for Supper" (about fantastic creatures who follow a boy home in anticipation of a steak dinner); "The Bippolo Seed" (in which a scheming feline leads an innocent duck to make a bad ...

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More About This Book

Overview

It's the literary equivalant of buried treasure! Seuss scholar/collector Charles D. Cohen has hunted down seven rarely seen stories by Dr. Seuss. Originally published in magazines between 1950 and 1951, they include "The Bear, the Rabbit, and the Zinniga-Zanniga " (about a rabbit who is saved from a bear with a single eyelash!); "Gustav the Goldfish" (an early, rhymed version of the Beginner Book A Fish Out of Water);  "Tadd and Todd" (a tale passed down via photocopy to generations of twins); "Steak for Supper" (about fantastic creatures who follow a boy home in anticipation of a steak dinner); "The Bippolo Seed" (in which a scheming feline leads an innocent duck to make a bad decision); "The Strange Shirt Spot" (the inspiration for the bathtub-ring scene in The Cat in the Hat Comes Back); and "The Great Henry McBride" (about a boy whose far-flung career fantasies are only bested by those of the real Dr. Seuss himself).

In an introduction to the collection, Cohen explains the significance these seven stories have, not only as lost treasures, but as transitional stories in Dr. Seuss's career.  With a color palette that has been enhanced beyond the limitations of the original magazines in which they appeared, this is a collection of stories that no Seuss fan (whether scholar or second-grader) will want to miss!

Editorial Reviews

From Barnes & Noble

Gift givers and gift receivers alike will cherish this new collection of illustrated stories by Dr. Seuss (a.k.a. Theodor Geisel). These seven lively tales originally appeared in small magazines; now, six decades later, they are being published in book form for the first time.

— Lisa Dugan

Publishers Weekly
This volume collects seven joyous Seuss stories that were published in Redbook in 1950 and 1951 but had never appeared in book form. In an insightful introduction, Seussian scholar Charles D. Cohen notes that Seuss wrote these tales at a transitional point in his career, when he grasped the importance of using the sounds of words to hook children on reading. The stories’ rhymed couplets are pitch-perfect, the verse’s rhythm as snappy as in any of Seuss’s better-known works. In the title story, a duck and a cat’s greed spins out of control as they imagine everything that they’ll wish for from a magical seed. In “Steak for Supper,” an outlandish menagerie follows a boy home to dine: “A Nupper for supper! A Gritch! And a Grickle!/ And also an Ikka! Oh, boy! What a pickle!” These creatures and others are portrayed with Seuss’s trademark exaggeration and whimsy. The limitations of the source material are occasionally apparent—the longer stories overcrowd certain pages with text, the artwork sometimes feeling stretched to fit the format. Regardless, fans old and young will deem these “lost” stories a tremendous find. Ages 6–9. (Sept.)
More Reviews (2) Fewer Reviews
Kirkus Reviews

Seven rhymed tales, dug from hard to find places! Look for millions of Seuss fans with bright shiny faces!

As Seuss scholar Charles D. Cohen notes in his buoyant introduction, the stories—all published in magazines in the early 1950s, but never elsewhere except, for some, in audio editions—catch Ted Geisel at the time he gave over writing in prose, inspired by new insight into the capacity of children to absorb and enjoy words and word sounds. His command of language and cadence is sure, while the pedantry that sometimes weighed down his later work is also visible but only lightly applied: Extreme greed leads to the loss of a wish-granting seed in the title story, for instance, and an overfed "Gustav, the Goldfish" outgrows every container. (The latter story is an early version of an unrhymed tale published by Seuss' first wife, Helen Palmer, as A Fish Out Of Water.) In other premises that saw service elsewhere, "The Great Henry McBride" ambitiously daydreams of future careers, and a "Strange Shirt Spot" keeps moving from place to place despite a frantic lad's efforts to remove it. The buffed-up illustrations look brand new, and despite occasional signs of age—"Oranges! Apples! And all kinds of fruits! / And nine billion Hopalong Cassidy suits!"—the writing is as fresh, silly and exhilarating as it must have been when first seen.

The good Doctor may be dead these 20 years, but he's still good for splendid surprises. (Picture book. 6-9)

School Library Journal
K-Gr 6—Seven stories published in magazines from 1948 to '59 appear with their original texts and illustrations, all of which have been technologically enhanced. In a lengthy introduction, Seuss scholar Charles D. Cohen describes his research in uncovering these stories and the ways in which they resonate with familiar Seussian elements and themes. Youngsters see the folly of greed when the duck in "The Bippolo Seed" wants more than he needs and ends up with nothing. The message in "The Rabbit, the Bear, and the Zinniga-Zanniga" is that, "…when you fight with Big Guys.../A bit of Quick-Thinking/counts much more than size!" An illustration of the foolish bear atop the tree while the rabbit escapes adds to the fun. "Gustav, the Goldfish" and "The Strange Shirt Spot" demonstrate the consequences of not following the rules. Unable to settle on one occupation, the protagonist in "The Great Henry McBride" dreams big, convincing himself and children everywhere that they can be and do anything. The delightful rhythm, tongue-tickling language, and trademark art exemplify how Seuss's work has delighted generations of readers and made learning to read fun.—Marianne Saccardi, formerly at Norwalk Community College, CT

Product Details

  • ISBN-13: 9780375864353
  • Publisher: Random House Children's Books
  • Publication date: 9/27/2011
  • Pages: 72
  • Sales rank: 3,962
  • Age range: 6 - 9 Years
  • Lexile: 0590L (what's this?)
  • Product dimensions: 11.24 (w) x 8.26 (h) x 0.40 (d)

Meet the Author

Dr. Seuss

Dr. Seuss is quite simply one of the most beloved children's book author of all time.

Charles D. Cohen is a graduate of Haverford College and the Tufts University School of Dental Medicine and has been a practicing dentist for over twenty years. Dr. Cohen first became enchanted with the works of Dr. Seuss as a child and he began purchasing early edition of Seuss books in college. Today, Dr. Cohen's trove of Seussiana is likely the most comprehensive private collection in the world. It is his hope to create a museum to preserve the full Seuss legacy by protecting the pieces for posterity. He is the author of the The Seuss, the Whole Seuss, and Nothing But the Seuss, and lives Massachusetts, not far from Ted Geisel's childhood home.

Biography

Now that generations of readers have been reared on The Cat in the Hat and Fox in Socks, it's easy to forget how colorless most children's books were before Dr. Seuss reinvented the genre. When the editorial cartoonist Theodor Seuss Geisel wrote And to Think That I Saw It on Mulberry Street in 1936, the book was turned down by 27 publishers, many of whom said it was "too different." Geisel was about to burn his manuscript when it was rescued and published, under the pen name Dr. Seuss, by a college classmate.

Over the next two decades, Geisel concocted such delightfully loopy tales as The 500 Hats of Bartholomew Cubbins and Horton Hears a Who. Most of his books earned excellent reviews, and three received Caldecott Honor Awards. But it was the 1957 publication of The Cat in the Hat that catapulted Geisel to celebrity.

Rudolf Flesch's book Why Johnny Can't Read, along with a related Life magazine article, had recently charged that children's primers were too pallid and bland to inspire an interest in reading. The Cat in the Hat, written with 220 words from a first-grade vocabulary list, "worked like a karate chop on the weary little world of Dick, Jane and Spot," as Ellen Goodman wrote in The Detroit Free Press. With its vivid illustrations, rhyming text and topsy-turvy plot, Geisel's book for beginning readers was anything but bland. It sold nearly a million copies within three years.

Geisel was named president of Beginner Books, a new venture of Random House, where he worked with writers and artists like P.D. Eastman, Michael Frith, Al Perkins, and Roy McKie, some of whom collaborated with him on book projects. For books he wrote but didn't illustrate, Geisel used the pen name Theo LeSieg (LeSieg is Geisel spelled backwards).

As Dr. Seuss, he continued to write bestsellers. Some, like Green Eggs and Ham and the tongue-twisting Fox in Socks, were aimed at beginning readers. Others could be read by older children or read aloud by parents, who were often as captivated as their kids by Geisel's wit and imagination. Geisel's visual style appealed to television and film directors, too: The animator Chuck Jones, who had worked with Geisel on a series of Army training films, brought How the Grinch Stole Christmas! to life as a hugely popular animated TV special in 1966. A live-action movie starring Jim Carrey as the Grinch was released in 2000.

Many Dr. Seuss stories have serious undertones: The Butter Battle Book, for example, parodies the nuclear arms race. But whether he was teaching vocabulary words or values, Geisel never wrote plodding lesson books. All his stories are animated by a lively sense of visual and verbal play. At the time of his death in 1991, his books had sold more than 200 million copies. Bennett Cerf, Geisel's publisher, liked to say that of all the distinguished authors he had worked with, only one was a genius: Dr. Seuss.

Good To Know

The Cat in the Hat was written at the urging of editor William Spaulding, who insisted that a book for first-graders should have no more than 225 words. Later, Bennett Cerf bet Geisel $50 that he couldn't write a book with just 50 words. Geisel won the bet with Green Eggs and Ham, though to his recollection, Cerf never paid him the $50.

Geisel faced another challenge in 1974, when his friend Art Buchwald dared him to write a political book. Geisel picked up a copy of Marvin K. Mooney Will You Please Go Now! and a pen, crossed out each mention of the name "Marvin K. Mooney," and replaced it with "Richard M. Nixon." Buchwald reprinted the results in his syndicated column. Nine days later, President Nixon announced his resignation.

The American Heritage Dictionary says the word "nerd" first appeared in print in the Dr. Seuss book If I Ran the Zoo: "And then, just to show them, I'll sail to Ka-Troo / And bring back an It-Kutch a Preep and a Proo / A Nerkle a Nerd and a Seersucker, too!" The word "grinch," after the title character in How the Grinch Stole Christmas, is defined in Merriam-Webster's Collegiate Dictionary as a killjoy or spoilsport.

    1. Also Known As:
      Theodor Seuss Geisel (full name); also: Theo LeSieg, Rosetta Stone
    1. Date of Birth:
      March 2, 1904
    2. Place of Birth:
      Springfield, Massachusetts
    1. Date of Death:
      September 4, 1991
    2. Place of Death:
      La Jolla, California

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  • Anonymous

    Posted September 22, 2011

    Teachers Will Rejoice!

    Teachers everywhere are eagerly awaiting the arrival of this latest Suess book so that a whole new generation of children can be exposed to the talent and imagination of Dr. Seuss. Thanks to Charles Cohen for finding these lost treasures!

    5 out of 7 people found this review helpful.

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  • Anonymous

    Posted November 21, 2011

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    Posted October 6, 2011

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