Bixieland/Eddie Condon's Treasury of Jazz

Editorial Reviews

All Music Guide - John Bush
Few jazzmen active during the mid-'50s were more worthy of recording tributes to the era of classic jazz, just three decades distant, than Eddie Condon. Fitting, then, that two of his most interesting throwback dates, Bixieland and Eddie Condon's Treasury of Jazz, were combined for this Collectables two-fer. The first includes ten of Bix Beiderbecke's most popular features from the man who coined the most famous description of his style "The sound came out like a girl saying yes". Bobby Hackett takes onto his shoulders the heavy weight of living up to the legend's cornet, a fitting assignment for the man briefly known as "the new Bix" only a few years after Beiderbecke's ...
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Editorial Reviews

All Music Guide - John Bush
Few jazzmen active during the mid-'50s were more worthy of recording tributes to the era of classic jazz, just three decades distant, than Eddie Condon. Fitting, then, that two of his most interesting throwback dates, Bixieland and Eddie Condon's Treasury of Jazz, were combined for this Collectables two-fer. The first includes ten of Bix Beiderbecke's most popular features from the man who coined the most famous description of his style "The sound came out like a girl saying yes". Bobby Hackett takes onto his shoulders the heavy weight of living up to the legend's cornet, a fitting assignment for the man briefly known as "the new Bix" only a few years after Beiderbecke's death in 1931. Though a Dixieland date hardly need worry about artistic tension, Hackett performs admirably on versions of Beiderbecke's best "I'm Comin' Virginia," "Singin' the Blues," "Jazz Me Blues", echoing the melodic clarity and quick decisions of Beiderbecke, framed by Condon and the all-stars. The second date was a tribute as well, the musical version of a book just published, featuring Condon's salutes to some of his favorite jazz artists, including rarer choices like Lee Wiley and Turk Murphy as well as obvious ones like Duke Ellington and Louis Armstrong. The lineup features these songs well, combining Condon's guitar with Wild Bill Davison on cornet, Pee Wee Russell or Edmond Hall on clarinet, Walter Page on bass, George Wettling on drums, and Cutty Cutshall on trombone. All in all, this reissue combines a pair of sessions playful, brash, and unassuming, welcome to fans of Dixieland jazz.
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Product Details

  • Release Date: 1/21/2003
  • Label: Collectables
  • UPC: 090431752524
  • Catalog Number: 7525

Album Credits

Performance Credits
Eddie Condon Primary Artist, Guitar
Bud Freeman Voices
Pee Wee Russell Clarinet
Ralph Sutton Piano
Billy Butterfield Trumpet
Peanuts Hucko Clarinet, Tenor Saxophone
George Wettling Drums
Wild Bill Davison Cornet
Walter Page Bass
Cutty Cutshall Trombone
Gene Schroeder Piano
Technical Credits
George Gershwin Composer
Bing Crosby Composer
Eddie Condon Liner Notes
Turk Murphy Composer
Pee Wee Russell Composer
Eddie Edwards Composer
Nick LaRocca Composer
Vincent Youmans Composer
Mary McCreary Composer
Melvin Endsley Composer
Andy Razaf Composer
Jerome Kern Composer
Fred E. Ahlert Composer
Louis Armstrong Composer
Harry Barris Composer
Irving Caesar Composer
Con Conrad Composer
Will Marion Cook Composer
Tom Delaney Composer
Duke Ellington Composer
Ira Gershwin Composer
Oscar Hammerstein II Composer
Donald Heywood Composer
J.C. Johnson Composer
Al J. Neiburg Composer
Jack Palmer Composer
Howdy Quicksell Composer
Henry W. Ragas Composer
Ellis Reynolds Composer
Bob Russell Composer
Tony Sbarbaro Composer
Larry Shields Composer
Clarence Williams Composer
Spencer Williams Composer
Sam M. Lewis Composer
Ray Lodwig Composer
Joe Young Composer
J. Russel Robinson Composer
J.C. Jones Composer
Maceo Pinkard Composer
John Klenner Composer
Bob Schafer Composer
Doc Daugherty Composer
Hal Dyson Composer
Edwin Edwards Composer
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