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| The Rolling Stones | Primary Artist, Primary Artist, Primary Artist |
| Mick Jagger | Guitar, Harmonica, Keyboards, Vocals, Vocal Harmony |
| Harvey Mandel | Guitar, Electric Guitar |
| Billy Preston | Organ, Piano, Keyboards, Vocals |
| Ron Wood | Bass, Guitar, Vocals |
| Charlie Watts | Drums, Bass Drums |
| Nicky Hopkins | Organ, Keyboards |
| Bill Wyman | Synthesizer, Bass, Bass Guitar, Keyboards, Vocals |
| Ollie E. Brown | Percussion |
| Arif Mardin | Horn |
| Wayne Perkins | Guitar, Electric Guitar |
| Keith Richards | Guitar, Electric Guitar, Keyboards, Vocals |
| Billy Preston | Inspiration |
| Ron Wood | Inspiration |
| The Glimmer Twins | Producer |
| Stephen Marcussen | Mastering |
| Arif Mardin | Arranger |
| Stewart Whitmore | Mastering |
Anonymous
Posted October 1, 2010
Black & Blue may not be the definitive Stones album, but there's something about it I like. It has a dark, 3-in-the-morning mood, an overall tough, hard rocking groove. It's one of the best fusions of funk, blues & rock I've ever heard.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
Although a fine album, a factor sorley missed is Mick Taylor. In my opinion the Stones best work was with Mick. That edge was just missing. Any true Stones fan will tell you.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
This is by far the BEST Stones ever. Memory Motel being the BEST song. I can say no more, the best is the best.
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Editorial Reviews
All Music Guide - Stephen Thomas Erlewine
The Rolling Stones recorded Black and Blue while auditioning Mick Taylor's replacement, so it's unfair to criticize it, really, for being longer on grooves and jams than songs, especially since that's what's good about it. Yes, the two songs that are undeniable highlights are "Memory Motel" and "Fool to Cry," the album's two ballads and, therefore, the two that had to be written and arranged, not knocked out in the studio; they're also the ones that don't quite make as much sense, though they still work in the context of the record. No, this is all about groove and sound, as the Stones work Ron Wood into their fabric. And the remarkable thing is, apart from ...