Black Byrd

Editorial Reviews

All Music Guide - Steve Huey
Purists howled with indignation when Donald Byrd released Black Byrd, a full-fledged foray into R&B that erupted into a popular phenomenon. Byrd was branded a sellout and a traitor to his hard bop credentials, especially after Black Byrd became the biggest-selling album in Blue Note history. What the elitists missed, though, was that Black Byrd was the moment when Byrd's brand of fusion finally stepped out from under the shadow of his chief influence, Miles Davis, and found a distinctive voice of its own. Never before had a jazz musician embraced the celebratory sound and style of contemporary funk as fully as Byrd did here -- not even Davis, whose dark, chaotic ...
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Editorial Reviews

All Music Guide - Steve Huey
Purists howled with indignation when Donald Byrd released Black Byrd, a full-fledged foray into R&B that erupted into a popular phenomenon. Byrd was branded a sellout and a traitor to his hard bop credentials, especially after Black Byrd became the biggest-selling album in Blue Note history. What the elitists missed, though, was that Black Byrd was the moment when Byrd's brand of fusion finally stepped out from under the shadow of his chief influence, Miles Davis, and found a distinctive voice of its own. Never before had a jazz musician embraced the celebratory sound and style of contemporary funk as fully as Byrd did here -- not even Davis, whose dark, chaotic jungle-funk stood in sharp contrast to the bright, breezy, danceable music on Black Byrd. Byrd gives free rein to producer/arranger/composer Larry Mizell, who crafts a series of tightly focused, melodic pieces often indebted to the lengthier orchestrations of Isaac Hayes and Curtis Mayfield. They're built on the most straightforward funk rhythms Byrd had yet tackled, and if the structures aren't as loose or complex as his earlier fusion material, they make up for it with a funky sense of groove that's damn near irresistible. Byrd's solos are mostly melodic and in-the-pocket, but that allows the funk to take center stage. Sure, maybe the electric piano, sound effects, and Roger Glenn's ubiquitous flute date the music somewhat, but that's really part of its charm. Black Byrd was state-of-the-art for its time, and it set a new standard for all future jazz/R&B/funk fusions -- of which there were many. Byrd would continue to refine this sound on equally essential albums like Street Lady and the fantastic Places and Spaces, but Black Byrd stands as his groundbreaking signature statement.
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Product Details

  • Release Date: 7/14/1992
  • Label: Blue Note Records
  • UPC: 077778446620
  • Catalog Number: 84466
  • Sales rank: 23,239

Tracks

Disc 1
  1. 1 Flight Time (8:27)
  2. 2 Black Byrd (8:00)
  3. 3 Love's So Far Away (6:00)
  4. 4 Mr. Thomas (5:15)
  5. 5 Sky High (5:59)
  6. 6 Slop Jar Blues (6:00)
  7. 7 Where Are We Going? (4:40)
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Album Credits

Performance Credits
Donald Byrd Primary Artist, Trumpet, Flugelhorn, Vocals, Electric Trumpet
Joe Sample Piano, Electric Piano
Chuck Rainey Electric Bass
Roger Glenn Flute, Saxophone
David T. Walker Guitar
Kevin Toney Piano
Bobbye Hall Percussion
Wilton Felder Electric Bass
Joe Hill Bass
Perk Jacobs Percussion
Harvey Mason Sr. Drums
Fonce Mizell Trumpet, Vocals
Larry Mizell Vocals
Dean Parks Guitar
Freddie Perren Synthesizer, Electric Piano, Vocals
Barney Perry Guitar
Stephanie Spruill Percussion
Bobbye Porter Percussion
Allan Curtis Barnes Flute, Oboe, Saxophone
Keith Killgo Drums
Technical Credits
Chuck Rainey Contributor
Dr. George Butler Executive Producer
David Hassinger Engineer, Remixing
Larry Mizell Arranger, Producer
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