The Black Envelope

Overview

A splendid, violent spring suddenly grips Bucharest in the 1980s after a brutal winter. Tolea, an eccentric middle-aged intellectual who has been dismissed from his job as a high school teacher on "moral grounds," is investigating his father's death forty years after the fact, and is drawn into a web of suspicion and black humor.

"Reading 'The Black Envelope,' one might think of the poisonous 'black milk' of Celan's 'Death Fugue' or the claustrophobic air of mounting terror in Mr. Appelfeld's 'Badenheim 1939.' . ...

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The Black Envelope

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Overview

A splendid, violent spring suddenly grips Bucharest in the 1980s after a brutal winter. Tolea, an eccentric middle-aged intellectual who has been dismissed from his job as a high school teacher on "moral grounds," is investigating his father's death forty years after the fact, and is drawn into a web of suspicion and black humor.

"Reading 'The Black Envelope,' one might think of the poisonous 'black milk' of Celan's 'Death Fugue' or the claustrophobic air of mounting terror in Mr. Appelfeld's 'Badenheim 1939.' . . . Mr. Manea offers striking images and insights into the recent experience of Eastern Europe."—New York Times Book Review

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Romanian novelist Manea's fifth book after Compulsory Happiness is a dark, enigmatic tale in which a man's investigation of his father's death, 40 years before, is set against the repressions and deceptions of the Ceausescu regime in the 1980s. Having been fired from his teaching post at a provincial high school for vaguely defined trespasses against young boys, Anatol Dominic Vancea Voinov, called Tolea, works as a receptionist at a tourist hotel in Bucharest, where he makes a career out of mocking his less educated colleagues. When the ever-difficult Tolea learns he may lose even this job, he pointedly embraces folly and takes a vacation. The majority of the tale concerns Tolea's searches: for the head of a nefarious association of deaf and mute people, whose physical disabilities mirror the moral ailments of Communist Romania; for a photographer, whose work documents the unofficial, but real, life of the country; for coffee; and even for a scratch over an eyebrow. Writing carefully, Manea generates fresh, artful sentences easily, but he is also gnomic, as if reluctant to make things too easily understood. However, frequently beautiful language even in translation and the distinctive melancholy humor of Manea's voice amply reward a diligent reader's concentration. June
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Product Details

  • ISBN-13: 9780300182941
  • Publisher: Yale University Press
  • Publication date: 4/24/2012
  • Series: Margellos World Republic of Letters Series
  • Edition description: Reprint
  • Pages: 336
  • Product dimensions: 5.00 (w) x 7.75 (h) x 2.27 (d)

Meet the Author

Norman Manea is Francis Flournoy Professor of European Culture and writer-in-residence at Bard College. A novelist and essayist, he first published in Communist Romania in the 1960s, producing a string of socially critical works that led to his departure in 1986. His work has been translated into more than twenty languages, and he has received many important cultural and literary prizes, including the MacArthur Fellowship (U.S.), the Nonino International Literary Prize (Italy), the Prix Médicis Etranger (France), and the Nelly Sachs prize (Germany). He is a member of the Berlin Academy of Art and a Fellow of the Royal Society of Literature, and the French government has named him Commandeur dans l'Ordre des Arts et des Lettres. Patrick Camiller has translated many works, including Dumitru Tsepeneag’s Vain Art of the Fugue, The Necessary Marriage, and Hotel Europa.

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