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From Barnes & NobleThe Barnes & Noble Review
The storytelling dream team behind the haunting 1984 bestseller The Talisman has returned with a haunting sequel that is more daring and much more twisted than its predecessor. In Black House, Jack Sawyer, the sensitive boy-hero who journeyed to an alternate reality in search of a magical talisman to save his dying mother, has grown up. Now in his 30s, Jack remembers nothing of his strange adventures in the Oz-like world known as the Territories, until a series of strange events forces him to confront the snarling horrors of the past.
Someone is murdering children and dismembering their bodies in the cold shadows of Tamarack, Wisconsin. Locals call the madman the Fisherman. Some believe he is the reincarnation of an early-20th-century serial killer named Albert Fish. Others believe he is just a crazed copycat. A burned-out L.A. homicide detective, Jack has retired to this once-quiet town to get away from such insanity. He wants absolutely nothing to do with the case. Even his friend, local police chief Dale Gilbertson, can't convince him to join the investigation. But soon after the first murder, bizarre waking dreams start scratching at Jack's mind like a murderer tapping at a kitchen window -- dreams of a dead man and of red feathers and robins' eggs. The dreams eventually grab Jack by the neck and lead him to an abandoned house on the outskirts of town -- a black house that holds unspeakable evil....
Like fine tailors, King and Straub weave their distinct voices together to create an almost seamless (there are some threads that need clipping, and the legs could be taken up an inch or two) tale of suspense. Though Black House takes some time to warm up, the narrative eventually builds with a slow, seductive momentum that explodes like firecrackers in a beer can when Jack finds himself back in the Territories. Rich in detail (sometimes to a fault), cinematic in its scope, and populated with a wide array of freaky and endearing characters, Black House, though perhaps not King and Straub's best work, is a wild, fantastical romp with the macabre. Just don't turn off the lights. (Stephen Bloom)