Black Ice (Sherlock Holmes: The Legend Begins Series #3)by Andrew Lane
A third case for teen Sherlock involves a heinous crime . . . and a brother with blood on his hands
When Sherlock and Amyus Crowe, his American tutor, visit Sherlock’s brother, Mycroft, in London, all they are expecting is lunch and some polite conversation. What they find shocks both of them to the core: a locked room, a dead body, and Mycroft
A third case for teen Sherlock involves a heinous crime . . . and a brother with blood on his hands
When Sherlock and Amyus Crowe, his American tutor, visit Sherlock’s brother, Mycroft, in London, all they are expecting is lunch and some polite conversation. What they find shocks both of them to the core: a locked room, a dead body, and Mycroft holding a knife. The police are convinced Mycroft is a vicious murderer, but Sherlock is just as convinced he is innocent. Threatened with the gallows, Mycroft needs Sherlock to save him. The search for the truth necessitates an incredible journey, from a railway station for dead bodies in London all the way to the frozen city of Moscow—where Sherlock is afoot in a world of secrets and danger.
“A solid mix of adventure and character, this may be the best in the series so far.” Booklist
“Sherlock Holmes fans will enjoy the electrifying adventure and value the insights into the character traits that make the adult Holmes so fascinating.” Kirkus Reviews
“What a blast. Weird murders, creepy villains, fiendish puzzles, non-stop action. What more could you want from a book?” Charlie Higson, author of the internationally bestselling Young Bond series on Death Cloud and Rebel Fire
“Should impress the detective's fans of all ages . . . An elementary success story.” The Independent (London) on Death Cloud and Rebel Fire
“Rich in period detail, it has tasters of Holmes's deductive genius and insights into how his character was made, plus a diabolical villain . . . A self-contained and rewarding adventure.” The Sunday Times (London) on Death Cloud and Rebel Fire
“Sir Arthur Conan Doyle left many clues to Sherlock Holmes's origins in his tales, but it has taken Andrew Lane to do the detective work of ferreting them out and fitting them together into an intelligent, authentic, persuasive, and downright exciting depiction of the English boy who will one day become Mr. Sherlock Holmes of 221B Baker Street, London, the world's first consulting detective. Lane's teen Sherlock Holmes comes to life in Death Cloud and the other volumes to come in the series: it is a profile Conan Doyle would not only recognize, but greet enthusiastically as consistent with his own image of the character. So it is with both pleasure and pride that his Estate endorses these books for young adult readers, who will become readers of Sir Arthur's own Sherlock Holmes stories in turn.” The Conan Doyle Estate on Death Cloud and Rebel Fire
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By Andrew Lane
Farrar, Straus and GirouxCopyright © 2011 Andrew Lane
All rights reserved.
Sunlight sparkled on the surface of the water, sending daggers of light flashing towards Sherlock's eyes. He blinked repeatedly, and tried to keep his eyelids half-closed to minimize the glare.
The tiny rowing boat rocked gently in the middle of the lake. Around it, just past the shoreline, the grassy ground rose in all directions, covered in a smattering of bushes and trees. It was as if it were located in the middle of a green bowl, with the cloudless blue of the sky forming a lid across the top.
Sherlock was sitting in the bow of the boat, facing backwards. Amyus Crowe was sitting in the stern, his weight causing his end of the boat to sink lower into the water and Sherlock's to rise higher out of it. Crowe held a split-cane fishing rod out over the lake's surface. A thin line connected the tip of the rod with a small clump of feathers, which floated on the surface of the water: a lure that, to a hungry fish, might look like a fly.
Between them, in the bottom of the rowing boat, sat an empty wicker basket.
"Why did you only bring one rod?" Sherlock asked, disgruntled.
"This ain't a day's fishin'," Crowe replied genially, eyes fixed on the floating lure, "much as it may look like it. No, this is a lesson in life skills."
"I should have guessed," Sherlock muttered.
"Although it's also a way to get some dinner for me an' Virginia tonight," Crowe conceded. "I always, if possible, try to arrange that what I do serves several purposes."
"So I just sit here?" Sherlock said. "Watching you fish for your dinner?"
"That's about the size of it." Crowe smiled.
"And is it going to take long?"
"Well, that depends."
"On whether I'm a good fisherman or not."
"And what makes you a good fisherman?" Sherlock asked, knowing that he was playing into Crowe's hands but unable to stop himself.
Instead of answering, Crowe wound the bone-handled brass reel at his end of the rod, expertly pulling the line in. The feathered lure jumped out of the water and hung suspended in the air, glittering droplets of water falling from it and striking the lake. He jerked the rod back. The line flew above his head, the lure blurring as it moved. He whipped the rod forward again, and the lure made a figure-of-eight shape against the blue sky as it flew over his head and hit the surface of the lake in a different location, making a small splash. He watched, smiling slightly as it drifted.
"Any good fisherman knows," Crowe said, "that fish react differently dependin' on the temperature and the time of year. Early mornin' in spring, for instance, fish won't bite at all. The water is cold and it don't heat up much, because the sun is low and its rays bounce off the water, so the fish are sluggish. Their blood, bein' cold and influenced by the surroundin' environment, is flowin' slowly. Wait till late mornin' or early afternoon an' things start to change. The fish will bite intermittently because the sun is shinin' on the water, warmin' it up and makin' them more lively. Of course, the wind will push around the warmer surface water and the little midges an' stuff they feed on, an' as a fisherman you got to follow that movement. No point in fishin' where the water is still cold or where there ain't any food. An' all that can change dependin' on the time of year."
"Should I be taking notes?" Sherlock asked.
"You've got a head on your shoulders—use it. Memorize the facts." He snorted and continued: "In winter, to take an example, the water's cold, maybe even iced up, an' the fish ain't movin' too fast. They're livin' off the reserves they built up in the autumn, by an' large. No good fishin' in the wintertime. Now—what have you learned so far?"
"All right." Sherlock quickly went over the facts in his mind. "In spring your best bet is late morning or early afternoon, and in winter you are better off heading for the market and buying something from the costermonger."
Crowe laughed. "A good summary of the facts, but think about what's behind the facts. What's the rule that explains the facts?"
Sherlock considered for a moment. "The important thing is the temperature of the water, and the thing that drives the temperature of the water is how hot the sun is and whether it's shining straight down on the water or at an angle. Think about where the sun is, work out where the water is warm but not hot, and that's where you'll find the fish."
The lure jerked slightly, and Crowe leaned forward, bright blue eyes unblinking beneath bushy grey eyebrows.
"Each fish has a different temperature that it prefers," he continued quietly. "A good fisherman will combine his knowledge of the fish's preferred water temperature with his knowledge of the time of year, time of day, and lake turnover conditions to work out which fish will be in a particular part of a lake at a particular time of the year."
"This is all very interesting," Sherlock said cautiously, "but I'm not likely to take up fishing as a hobby. It seems to consist of a whole lot of sitting around waiting for something to happen. If I'm going to sit around for a long period of time, I'd rather have a good book in my hands than a fishing rod."
"The point I'm tryin' to make," Crowe responded patiently, "in my own countrified, homespun way, is that if you're tryin' to catch somethin', you need to go about it in a structured way. You need to know about the habits of your prey, and you need to know how those habits change dependin' on the local environment and circumstances. The lesson applies equally as well to men as it does to fish. Men have their preferences, their preferred locations at different times of day, and those preferences might be different if the sun's shinin' compared with when it's rainin', or if they're hungry compared with when they're full. You got to get to know your prey so you can anticipate where they will be. Then you can use a lure—just like this pretty collection of feathers I tied together with cotton—somethin' they can't resist takin' a bite at."
"I understand the lesson," Sherlock said. "Can we go back now?"
"Not yet. I still ain't got my dinner." Crowe's gaze was moving around the surface of the lake, looking for something. "Once you know your prey and his habits, you got to look for the signs of his presence. He ain't just goin' to pop up an' announce himself. No, he's goin' to skulk around, bein' careful, and you gotta look for the subtle signs that he's there." His eyes fixed on a patch of water some twelve feet away from the boat. "For instance, look over there," he said, nodding his head. "What do you see?"
Sherlock stared. "Water?"
He narrowed his eyes against the glare, trying to see whatever it was that Crowe had seen. For a moment, a small area of water seemed to dip slightly, like a wave in reverse. Just for a moment, though, and then it returned to normal. And once he knew what he was looking for, Sherlock saw more dips, more sudden and momentary occasions when the surface of the lake seemed to flex slightly.
"What is it?"
"It's called 'suckin','" Crowe replied. "It happens when the fish—trout, in this case—hang nose-up just below the surface of the water, waitin' for insect nymphs to float by. Once they see one, they take a gulp of water, suckin' the nymph down with it. All you see on the surface is that little dip as the water is pulled down and the nymph is sucked below. And that, my friend, tells us where a trout is located."
He tugged on his fishing rod so that the lure drifted across the surface of the lake, pulled by the line, until it passed through the area where Sherlock had seen the trout sucking nymphs down. Nothing happened for a moment, and then the lure suddenly jerked below the surface. Crowe hauled on the rod, simultaneously winding the reel in as fast as he could. The water exploded upward in silvery droplets, in the centre of which writhed a fish. Its mouth was caught up on the hook that had been hidden inside the lure, and its scales were mottled in brown. Crowe flicked his rod expertly upward and the fish virtually flew into the boat, where it flapped frantically. Holding on to the rod with one hand so that it didn't fall into the water, Crowe reached behind with the other and pulled a wooden club from beneath his seat. One quick blow and the fish was still.
"So what have we covered today?" he asked genially as he detached the hook from the trout's mouth. "Know the habits of your prey, know what bait he's likely to go for, and know what the signs are that he's in the vicinity. Do all that, and you've maximized your chances of a successful hunt."
"But how often am I likely to be hunting someone or something?" Sherlock asked, understanding the basics of the lesson but unsure how they applied to him. "I know you used to be a bounty hunter, back in America, but I doubt I'll ever go into that profession. I'm more likely to end up as a banker or something." Even as he said the words he felt his heart sink. The last thing in the world he wanted to do with his life was to work at a boring desk job, but he wasn't sure what else there was for him.
"Oh, life's full of things you might want to catch," Crowe said, throwing the fish into the basket and placing the wicker lid over the top. "You might want to flush out investors for some moneymakin' scheme you've come up with. You might consider findin' yourself a wife at some stage. You might be trackin' down a man who owes you money. All kinds of reasons a soul might want to hunt someone down. The basic principles remain the same." Glancing over at Sherlock from beneath his bushy eyebrows, he added: "Based on previous experience, there's always the murderers and criminals you might come across during the course of your life." He took hold of the fishing rod and flicked the lure back over his head in a figure-of-eight and into the water. "And then, when all's said and done, there's always deer, boar, and fish."
With that he settled back with eyes half-closed and devoted himself to fishing for the next hour while Sherlock watched.
After two more fish had been caught, dispatched, and thrown into the basket, Amyus Crowe set his rod down in the bow of the boat and stretched. "Time to head back, I think," he announced. "Unless you want to try it yourself?"
"What would I do with a fish?" Sherlock asked. "There's a cook at my aunt and uncle's house. Breakfast and luncheon and dinner just arrive on the table without me having to worry about it."
"Someone has to catch the animals to make the food," Crowe said. "An' one day you might actually find yourself having to worry about where the next meal comes from." He smiled. "Or maybe you might want to surprise the lovely Mrs. Eglantine with a nice plump trout for dinner."
"I could slip it into her bed," Sherlock muttered. "Would that do?"
"Tempting." Crowe laughed. "But no, I don't think so."
Crowe took the oars and rowed the boat to the shore. After tying it to a post that had been set into the ground, he and Sherlock set off back to his cottage.
Their path led up the steep side of the bowl containing the lake. Crowe pushed on ahead, carrying the wicker basket. His large body made surprisingly little noise as he moved. Sherlock followed, tired now as well as bored.
They got to the ridge at the top of the slope, where the ground fell away steeply behind them and levelled out in front, and Crowe stopped to let Sherlock catch up.
"A point to note," he said, gesturing down at the blue surface of the lake. "If you're ever out huntin', don't be tempted to stop at a place like this, either to take in the view or to get a better look at the surroundin' terrain. Imagine what we look like to any animal in the forest, silhouetted here on the ridge. We can be seen for miles."
Before Sherlock could say anything, Crowe started off again, pushing through the undergrowth. Sherlock wondered briefly how the man knew which way to go without a compass. He was about to ask, but instead tried to work it out himself. All Crowe had to go on was their surroundings. The sun rose in the east and set in the west, but that wasn't much help at lunchtime when the sun would be directly overhead. Or would it? A moment's thought and Sherlock realized that the sun would only be truly overhead at noon for places actually on the equator. For a country in the northern hemisphere, like England, the nearest point on the equator would be located directly south, and so the sun at noon would be south of a point directly overhead. That was probably how Crowe was doing it.
"And moss tends to grow better on the northern side of trees," Crowe called over his shoulder. "It's more shaded there, and so it's damper."
"How do you do that?" Sherlock shouted.
"Tell what people are thinking, and interrupt them just at the right moment?"
"Ah." Crowe laughed. "That's a trick I'll explain some other time."
Sherlock lost track of time as they walked on through the forest, but at one point Crowe stopped and crouched down, putting the basket down.
"What do you deduce?" he asked.
Sherlock crouched beside him. In the soft ground beneath a tree he saw a hoofprint, small and heart-shaped.
"A deer went this way?" he ventured, trying to jump from what he saw to what he could work out based on what he saw.
"Indeed, but which way did it go and how old was it?"
Sherlock examined the print more closely, trying to picture a deer's hoof and failing.
"That way?" he said, pointing in the direction of the rounded part of the print.
"Other direction," Crowe corrected. "You're thinkin' of a horse's hoof, where the round bit is at the front. The sharp bit of a deer's hoof always points in the direction it is headin'. And this one's a young 'un. You can tell by the small oval shapes behind the print. Those are made by the dewclaws."
He looked around. "See over there," he said, nodding his head to one side. "Can you make out a straight trail through the bushes and grass?"
Sherlock looked, and Crowe was right—there was a trail, very faint, marked by the bushes and grasses pushed to either side. It was about five inches across, he estimated.
"Deer move all day between the area they bed down in and their favourite watering hole, trying to find food," Crowe said, still crouching. "Once they find a safe route they keep usin' it until they get spooked by somethin'. And what does that tell you?"
"Prey tends to stick to the same habits unless disturbed?" Sherlock replied cautiously.
"Quite right. Remember that. If you're lookin' for a man who likes a drink, check the taverns. If you're lookin' for a man who likes a bet, check the racin' tracks. And everyone has to travel around somehow, so talk to cabbies and ticket inspectors—see if they remember your man."
He straightened, picking the basket up again, and started off through the trees. Sherlock followed, glancing around. Now that Crowe had pointed out what to look for, he could see sets of different tracks on the ground: some deer, of various sizes, and some obviously something else—maybe wild boar, maybe badgers, maybe foxes. He could also see trails through the underbrush, where the bushes and grasses had been pushed to the sides by moving bodies. What had previously been invisible was suddenly obvious to him. The same scene now had so much more in it to look at.
It took another half an hour to reach the gates of Holmes Manor.
"I'll take my leave of you here," Crowe said. "Let's pick up again tomorrow. I've got some more to teach you about trackin' and huntin'."
"Do you want to come in for a time?" Sherlock asked. "I could get Cook to make a pot of tea, and one of the maids could gut and bone those fish for you."
"Mighty accomodatin' of you," Crowe rumbled. "I believe I will take advantage of that offer."
Together they walked up the gravelled drive towards the impressive frontage of Holmes Manor. This time Sherlock was in the lead.
Without knocking, he pushed open the front door.
"Mrs. Eglantine!" he called boldly.
A black shape detached itself from the shadows at the base of the stairs and slid forward.
"Young Master Sherlock," the housekeeper answered in her dry-as-autumn-leaves voice. "You seem to treat this house more like a hotel than the residence of your family."
"And you seem to treat it as if you are a member of that family rather than a servant," he retorted, voice cold but heart trembling. "Mr. Crowe will be taking afternoon tea with me. Please arrange it." He stood waiting, uncertain whether she would take his orders or dismiss him with a cutting word. He had a feeling that she wasn't sure either, but after a moment she turned and moved towards the kitchen without saying anything.
He felt a sudden and irresistible urge to push things a bit, to needle the woman who had done so much to make his life uncomfortable over the past year.
"Oh," he added, gesturing towards the wicker basket at Amyus Crowe's feet, "and Mr. Crowe has caught some fish. Be so good as to have someone gut them and bone them for him."
Excerpted from Black Ice by Andrew Lane. Copyright © 2011 Andrew Lane. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
ANDREW LANE works for the British government and has been an ardent Sherlock Holmes fan since the age of ten. He has written numerous spin-off novels based on the BBC sci-fi television series Doctor Who and is the author of The Bond Files: An Unofficial Guide to the World's Greatest Secret Agent. He lives in Dorset, England.
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I love this series so much they should make nore of these books :D
Have you ever wondered what Sherlock Holmes would have been like as a teenager? Author Andrew Lane tackles that topic in his series, Sherlock Holmes: A New Beginning. In the latest installment in the series, BLACK ICE, young Sherlock has to come to the aid of his older brother, Mycroft. Narrator James Langton does an excellent job bringing the various characters to life. His vocalization of the diverse accents adds to the story, as does his interruption of the varied ages of the characters. His cadence is most effective in portraying the scale of emotions the characters encounter. Sherlock and his American tutor, Amyus Crowe, are to meet Mycroft at his club for lunch. But when they arrive, they find Mycroft alone in a room with a dead man. Mycroft, holding a knife, has no memory of what happened. Sherlock and Crowe work to clear Mycroft of the charges. As the case progresses, Mycroft finds it necessary to travel to Russia to get to the heart of the matter. Taking Sherlock along, the brothers set out on an adventure that will lead them into danger, deceit and secrets. BLACK ICE is an intriguing story that takes readers/listeners on a roller coaster ride of action. The plot contains twists, turns and red herrings. Just when you reach one conclusion, another element is introduced to change your mind. Lane has created well-developed, likable characters. He gives us a look at how Sherlock may have developed his detective skills in a plausible manner. Lane keeps the story moving steady with an eye for detail when it comes to the setting and history of the era (1868). BLACK ICE is the third installment in the Sherlock Holmes: A New Beginning series, but can be read or listened to as a stand alone. References to prior events from the first two books will not leave new readers in the dark. They may, however, spark an interest to see what young Sherlock has already encountered. This series, the first teen series endorsed by the Sir Arthur Conan Doyle Estate, gives a fresh look at the famous detective. BLACK ICE, an outstanding tale of intrigue and deceit, will enthrall you. FTC Full Disclosure - This audio book was sent to me by the publisher in hopes I would review it. However, receiving the complimentary copy did not influence my review.
Maybe you're just the smartest, but still stupid, in a family of idiots.