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Black Orpheus [2008 Verve Bonus Tracks]

Editorial Reviews

All Music Guide - Thom Jurek
Black Orpheus the film by Marcel Camus, and its soundtrack, were the signposts by which the world first learned of samba and bossa nova and fell in love with it. Therefore, it is staggering to consider that it took until 2008 for a definitive edition of the soundtrack to be released, one that assembled all the songs and music heard in the film. After all, this is the score that created the partnership of composer Antonio Carlos Jobim and poet Vinicius de Moraes, and introduced the brilliant and influential guitarist Luiz Bonfá. Universal France has assembled all the sound recordings into one 17-track volume. These include the two original 45 EPs, and the 10" 33 rpm album, as...
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Editorial Reviews

All Music Guide - Thom Jurek
Black Orpheus the film by Marcel Camus, and its soundtrack, were the signposts by which the world first learned of samba and bossa nova and fell in love with it. Therefore, it is staggering to consider that it took until 2008 for a definitive edition of the soundtrack to be released, one that assembled all the songs and music heard in the film. After all, this is the score that created the partnership of composer Antonio Carlos Jobim and poet Vinicius de Moraes, and introduced the brilliant and influential guitarist Luiz Bonfá. Universal France has assembled all the sound recordings into one 17-track volume. These include the two original 45 EPs, and the 10" 33 rpm album, as well as some tracks that have never appeared before now. Given the wild success of the readily recognizable album on both LP and CD over the decades, this amounts to an entirely new hearing of Brazilian music -- bossa was emerging in Rio at the time too, a brand new genre. The sounds of the various samba schools from the carnival parades are accompanied by the gorgeous instrumental interludes by Bonfá including the now ubiquitous "Manha De Carnaval," written with poet Antonio Mara, and the songs of de Moraes and Jobim including "A Felicidade," as sung by Elizeth Cardoso. The songs may be well known now; the music of the favelas, as practiced by the escolas de samba with their agogo bells, atabaques drumming, stomping batacuda solos, and duels, folk line chants, and unusual even now if one thinks about it blend of African rhythms, dissonance, and extended harmonics, is still revolutionary today. A 13-minute encore medley by Brazilian guitarist Bola Sete that recorded in 1966 at the Monterey Jazz Festival, has been added as a bonus cut, wedding "Manha de Carnaval," to "A Felicidade," and "Samba de Orfeo." The presentation is handsome. There is an exhaustive historical essay by French scholar Anaïs Fléchet, complete discographical information, and photos. The sound quality is only fair, but considering the neglect of the original masters, it's actually remarkable.
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Product Details

  • Release Date: 10/21/2008
  • Label: Verve
  • UPC: 600753106006
  • Catalog Number: 001218502
  • Sales rank: 19,939

Album Credits

Performance Credits
Luiz Bonfá Primary Artist, Guitar
João Gilberto Guitar
Roberto Menescal Guitar
Chiquinho do Acordeon Accordion
Agostinho Dos Santos Vocals, Human Whistle, Chant
Maria Alice Vocals
Elizeth Cardoso Vocals
Raul de Barros Trombone
Henri Crolla Guitar
Odette Ernest Dias Flute
Vanja Orico Vocals, Soloist
Aurino Cassiano Vocals
Technical Credits
Vinícius de Moraes Composer
Antonio Carlos Jobim Artistic Director
Daniel Richard Producer, Concept
Martin Davies translation
Traditional Composer
Bruno Guermonprez Producer, Concept, Reissue Preparation
Marcel Camus Producer
Anaïs Fléchet Producer, Concept
Sacha Gordine Producer
Amaury Leenhardt Engineer
Jean Neny Engineer
Carlos Sandroni Ethno-Musicologist
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