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| Nilson Matta | Primary Artist, Bass |
| Kenny Barron | Piano |
| Randy Brecker | Trumpet |
| Alfredo Cardim | Piano |
| Anat Cohen | Clarinet |
| Anne Drummond | Flute |
| Erivelton Silva | Drums |
| Alex Kautz | Drums |
| Guilherme Monteiro | Guitar |
| Klaus Mueller | Piano |
| Klaus Mueller | Piano |
| Laura Metcalf | Clarinet |
| Jorjão Silva | Percussion, Soloist |
| Reinaldo Silva | Percussion |
| Fernando Saci | Percussion, Pandeiro, Cuica |
| Luiz Bonfá | Composer |
| Vinícius de Moraes | Composer |
| Kenny Barron | Arranger |
| Alfredo Cardim | Arranger |
| Antonio Carlos Jobim | Composer |
| Nilson Matta | Arranger, Composer, Producer, Liner Notes |
| Katsuhiko Naito | Mastering |
| Jana Herzen | Executive Producer |
| Eric Elterman | Engineer |
| Klaus Mueller | Arranger |
| Klaus Mueller | Arranger |
| Roger Freret | Engineer |
| Ted Sannella | Executive Producer |
Editorial Reviews
All Music Guide - Fred Thomas
Jazz bassist and composer Nilson Matta's 2012 take on the classic soundtrack to the 1959 film Black Orpheus stays pretty closely to the original. Original songs and incidental music by both Antonio Carlos Jobim and Luiz Bonfá made for one of the most revered Brazilian soundtracks of the day, and Matta's only slightly jazz-leaning renditions of tracks like "Samba de Orfeu" and "A Felicidade" meld the classic bossa nova rhythms with a somewhat modernized jazz fusion spirit.