- I Wanna Get High
- I Ain't Goin' Out Like That
- Insane in the Brain
- When the Sh-- Goes Down
- Like a Shot
- Cock the Hammer
- Lock Down
- 3 Lil' Putos
- Legalize It
- Hits from the Bong
- What Go Around Come Around, Kid
- A to the K
- Hand on the Glock
- Break 'Em off Some
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0074645393124
Sen Dog Vocals
B-Real Vocals
DJ Muggs Turntables
Tony Iommi Composer
Senen Reyes Composer
Andy Kravitz Engineer
Andy "Funky Drummer" Kravitz Engineer
Bill Ward Composer
Christopher Shaw Engineer
John Hurley Composer
Geezer Butler Composer
Joe Nicolo Mixing,Mixing Engineer,Executive Producer
John Gamble Composer,Engineer
Louis Freese Composer
Jason Roberts Engineer
Ronnie Wilkins Composer
Ozzy Osbourne Composer
Chris Shaw Engineer
Howie Weinberg Mastering
DJ Muggs Mixing,Arranger,Producer,Programming,Mixing Engineer,Executive Producer
Todd Ray Composer
Lawrence Muggerud Composer
Chris Schwartz Executive Producer
Manuel Lecuona Engineer
Anthony Artiaga Photography
Dante Ariola Design,Concept
Jay Papke Design,Concept
Happy Walters Management
T-Ray Composer,Producer


CD
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Overview
Black Sunday made Cypress Hill's connection to rock & roll more explicit, with its heavy metal-like artwork and noisier, more dissonant samples (including, naturally, stoner icons Black Sabbath). It's a slightly darker affair than its groundbreaking predecessor, with the threats of violence more urgent and the pot obsession played to the hilt (after all, it was a crucial part of their widespread appeal). Apart from those subtle distinctions, the sound of Black Sunday is pretty much the same as Cypress Hill, refining the group's innovations into an accessible bid for crossover success. In fact, it's a little startling how often Black Sunday recycles musical ideas and even lyrical catch phrases from the endlessly inventive debut. And the rock-derived, verse-chorus song structures start to sound a little formulaic by the end of the record (how many choruses feature Sen Dog repeating part of whatever B Real just said?). But in spite of that, Black Sunday still sounds vital and lively, since the group has a surer sense of craft. Most of the tracks are fleshed out into structured songs, in contrast to the brief sketches that punctuated Cypress Hill. The album benefits immensely from the resulting clutch of excellent singles (and songs that could have been), and while a couple of tracks feel redundant and underdeveloped, Black Sunday is overall a consistent, engaging listen, especially the flawless first half or so. Unfortunately, it's also the group's last great album, thanks to the musical recycling operation that began here and would handicap much of their subsequent work. ~ Steve Huey
Product Details
Release Date: | 07/20/1993 |
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Label: | Ruffhouse |
UPC: | 0074645393124 |
Tracks
Album Credits
Performance Credits
Cypress Hill Primary ArtistSen Dog Vocals
B-Real Vocals
DJ Muggs Turntables
Technical Credits
Joe Gamble EngineerTony Iommi Composer
Senen Reyes Composer
Andy Kravitz Engineer
Andy "Funky Drummer" Kravitz Engineer
Bill Ward Composer
Christopher Shaw Engineer
John Hurley Composer
Geezer Butler Composer
Joe Nicolo Mixing,Mixing Engineer,Executive Producer
John Gamble Composer,Engineer
Louis Freese Composer
Jason Roberts Engineer
Ronnie Wilkins Composer
Ozzy Osbourne Composer
Chris Shaw Engineer
Howie Weinberg Mastering
DJ Muggs Mixing,Arranger,Producer,Programming,Mixing Engineer,Executive Producer
Todd Ray Composer
Lawrence Muggerud Composer
Chris Schwartz Executive Producer
Manuel Lecuona Engineer
Anthony Artiaga Photography
Dante Ariola Design,Concept
Jay Papke Design,Concept
Happy Walters Management
T-Ray Composer,Producer
From the B&N Reads Blog
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