Black Tie White Noise

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Black Tie White Noise was the beginning of David Bowie's return from the wilderness of post-Let's Dance, the first indication that he was regaining his creative spark. To say as much suggests that it's a bit of a lost classic, when it's rather a sporadically intriguing transitional album, finding Bowie balancing the commercial dance-rock of Let's Dance with artier inclinations from his Berlin period, all the while trying to draw on the past by working with former Spider from Mars guitarist Mick Ronson, collaborating with Let's Dance producer Nile Rodgers, and even covering inspiration Scott Walker's "Nite Flights." On top of that, the record was inspired by his ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Black Tie White Noise was the beginning of David Bowie's return from the wilderness of post-Let's Dance, the first indication that he was regaining his creative spark. To say as much suggests that it's a bit of a lost classic, when it's rather a sporadically intriguing transitional album, finding Bowie balancing the commercial dance-rock of Let's Dance with artier inclinations from his Berlin period, all the while trying to draw on the past by working with former Spider from Mars guitarist Mick Ronson, collaborating with Let's Dance producer Nile Rodgers, and even covering inspiration Scott Walker's "Nite Flights." On top of that, the record was inspired by his recent marriage to supermodel Iman -- the record is bookended with "The Wedding" and "The Wedding Song" -- and then tied up and presented as a sophisticated modern urban soul record, one that draws from uptown soul including, rather bafflingly, a duet with Al B. Sure! and state-of-the-art dance-club techno, while adding splashy touches like solos from avant jazz trumpeter Lester Bowie and a nod to modern alt-rock via a nifty cover of Morrissey's "I Know It's Gonna Happen Someday." That's a lot of stuff for one record to handle, so it shouldn't come as a great surprise that the album doesn't always work, but its stylish restlessness comes as a great relief, particularly when compared to the hermetically sealed previous solo Bowie record, 1987's Never Let Me Down. Black Tie White Noise displays greater musical ambition than any record he'd made since Scary Monsters, and while much of the record feels like unrealized ideas, there are songs where it all gels, like on the paranoid jumble of "Jump They Say," the aforementioned covers, the impassioned "You've Been Around," and the self-consciously smooth title track. Moments like these are the first in a long time to feel classically Bowie, and they point ahead toward the more interesting records he made in the second half of the '90s, but they are encased in a production that not only sounds dated years later, but sounded dated upon its release in the spring of 1993, two years into the thick of alternative rock. At that point, the club-centric, mainstream-courting Black Tie White Noise seemed as an anachronism during the guitar-heavy grunge-n-industrial glory days -- something Bowie tacitly acknowledged with its 1995 successor, Outside, which was every bit as gloomy as a Nine Inch Nails record -- but separated from the vagaries of fashion, it's an interesting first step in Bowie's creative revival.
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Product Details

  • Release Date: 10/6/2003
  • Label: Emi Import
  • UPC: 724358333824
  • Catalog Number: 5833382

Tracks

Disc 1
  1. 1 The Wedding (5:04)
  2. 2 You've Been Around (4:45)
  3. 3 I Feel Free (4:52)
  4. 4 Black Tie White Noise (4:52)
  5. 5 Jump They Say (4:22)
  6. 6 Nite Flights (4:30)
  7. 7 Pallas Athena (4:40)
  8. 8 Miracle Goodnight (4:14)
  9. 9 Don't Let Me Down & Down (4:14)
  10. 10 Looking for Lester (5:36)
  11. 11 I Know It's Gonna Happen Someday (4:14)
  12. 12 The Wedding Song (4:29)
  13. 13 Jump They Say (3:58)
  14. 14 Lucy Can't Dance (5:45)
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Album Credits

Performance Credits
David Bowie Primary Artist, Guitar, Saxophone, Vocals, Background Vocals, Choir, Chorus
Lester Bowie Trumpet
Mike Garson Piano
Nile Rodgers Guitar, Choir, Chorus
Mick Ronson Guitar
Tawatha Agee Background Vocals, Choir, Chorus
Al B. Sure! Vocals
Poogie Bell Drums
Barry Campbell Bass
Sterling Campbell Drums
Maryel Epps Background Vocals, Choir, Chorus
Reeves Gabrels Guitar
Richard Hilton Keyboards
Brenda White-King Background Vocals, Choir, Chorus
Curtis Rance King Jr. Background Vocals, Choir, Chorus
Chico O'Farrill Conductor
John Regan Bass
Philippe Saisse Keyboards
Frank Simms Choir, Chorus
George Simms Choir, Chorus
David Spinner Choir, Chorus
Richard Tee Keyboards
Fonzi Thornton Background Vocals, Choir, Chorus
Gerardo Velez Percussion
Dan Wilensky Saxophone
Lamya Al-Mughiery Choir, Chorus
Connie Petruk Choir, Chorus
Michael Riesman Harp, Bells, Tubular Bells
Wild T. Springer Guitar
David Richards Keyboards
Dennis Collins Background Vocals, Choir, Chorus
Technical Credits
David Bowie Composer, Producer, Contributor
Jack Bruce Composer
Nile Rodgers Producer
Scott Walker Composer
Pete Brown Composer
Reeves Gabrels Composer
Jon Goldberger Engineer
Richard Hilton Programming
Morrissey Composer
Chico O'Farrill Arranger, Horn Arrangements
Michael Riesman String Arrangements
Gary Tole Engineer
Andy Grassi Engineer
Mark E. Nevin Composer
David Richards Programming
Jae-E Producer, Remixing
Michel Valmont Composer
Martine Valmont Composer
Engels Composer
Tahra Valmont Composer
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