Blackbird and Wolf: Poems

Blackbird and Wolf: Poems

by Henri Cole
     
 

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I don't want words to sever me from reality.
I don't want to need them. I want nothing
to reveal feeling but feeling—as in freedom,
or the knowledge of peace in a realm beyond,
or the sound of water poured in a bowl.
—from "Gravity and Center"

In his sixth collection of poetry, Henri Cole deepens

Overview

I don't want words to sever me from reality.
I don't want to need them. I want nothing
to reveal feeling but feeling—as in freedom,
or the knowledge of peace in a realm beyond,
or the sound of water poured in a bowl.
—from "Gravity and Center"

In his sixth collection of poetry, Henri Cole deepens his excavations of autobiography and memory. "I don't want words to sever me from reality," he asserts, and these poems—often hovering within the realm of the sonnet—combine a delight in the senses with the rueful, the elegiac, the harrowing. Many confront the human need for love, the highest function of our species. But whether writing about solitude or the desire for unsanctioned love, animals or flowers, the dissolution of his mother's body or war, Cole maintains a style that is neither confessional nor abstract. And in Blackbird and Wolf, he is always opposing disappointment and difficult truths with innocence and wonder.

Product Details

ISBN-13:
9781466877757
Publisher:
Farrar, Straus and Giroux
Publication date:
08/12/2014
Sold by:
Macmillan
Format:
NOOK Book
Pages:
80
File size:
198 KB

Read an Excerpt

Blackbird and Wolf


By Henri Cole

Farrar, Straus and Giroux

Copyright © 2007 Henri Cole
All rights reserved.
ISBN: 978-1-4668-7775-7



CHAPTER 1

BIRTHDAY


    SYCAMORES

    I came from a place with a hole in it,
    my body once its body, behind a beard of hair.
    And after I emerged, all dripping wet,
    heavy drops came out of my eyes, touching its face.
    I kissed its mouth; I bit it with my gums.
    I lay on it like a snail on a cup,
    my body, whatever its nature was,
    revealed to me by its body. I did not know
    I was powerless before a strange force.
    I did not know life cheats us. All I knew,
    nestling my head in its soft throat pouch,
    was a hard, gemlike feeling burning through me,
    like limbs of burning sycamores, touching
    across some new barrier of touchability.


    MIMOSA SENSITIVA

    Polishing your eyeglasses, I try them on
    and watch the nurses hoist you — blind, giggling,
    muttering nonsense French. For a moment, like a spider,
    you dangle at the edge of the present,
    pondering who I am: "Ma, I'm Henri.
    You made me." Then my eyes flee the here-and-now.
    You're pulling yourself out of the deep end,
    your skin like the seamless emulsion on a strip of film.
    Sensuality is confirming beauty. I'm eleven again.
    Then the banal shatters everything.
    In a tangled nightgown, your skin marsupial,
    you're pawing through leaf mulch for pain medicine
    you can't function without. The thrash of your hands
    smolders like wet black ash.
    In Chinese, the basic phonetic value of horse, ma,
    turns up in the word for mother.
    "Horse-mother, look!" I cry. Soldier-ants
    are suckling on the big pink heads of your peonies.
    Horse-mother flickers like a candle in the dark.
    Horse-mother, why does your mouth have a grim set?
    I know that all beneath the sky decays.
    I know that you once cradled me in sleep,
    our belly empty as a purse. "Horse-mother, look!"
    I repeat. The mimosa tree is going to sleep,
    its tiny pinnate leaves closing and drooping,
    like you, sensitive to light and touch,
    mimicking death when I push a needle into you
    and bright beads run out, as from a draining bird.


    GULLS

    Naked, hairy, trembling, I dove into the green,
    where I saw a bulky form that was Mother
    in her pink swimsuit, pushing out of water,
    so I kicked deeper, beyond a sugar boat
    and Blake's Ulro and Beulah; beyond grief, fate;
    fingers, toes, and skin; beyond speech,
    plagues of the blood, and flowers thrown on a coffin;
    beyond Eros and the disease of incompleteness;
    and as I swam I saw myself against the sky
    and against the light, a tiny human knot with eyes,
    my numb hands and repeated motion, like the gulls aloft,
    touching the transparent structure of the world,
    and in that icy, green, silvery frothing,
    I was straightening all that I had made crooked.


    OIL & STEEL

    My father lived in a dirty-dish mausoleum,
    watching a portable black-and-white television,
    reading the Encyclopaedia Britannica,
    which he preferred to Modern Fiction.
    One by one, his schnauzers died of liver disease,
    except the one that guarded his corpse
    found holding a tumbler of Bushmills.
    "Dead is dead," he would say, an anti-preacher.
    I took a plaid shirt from the bedroom closet
    and some motor oil — my inheritance.
    Once, I saw him weep in a courtroom —
    neglected, needing nursing — this man who never showed
    me much affection but gave me a knack
    for solitude, which has been mostly useful.


    AMBULANCE

    Gentleness had come a great distance to be there,
    I thought, as paramedics stanched the warm blood,
    signaling one another with their eyes.
    I was not as I was, and I didn't know why,
    so I was aware of a shattering, of an unbidden,
    moving under the influence of a restoring force.
    Like a Japanese fan folding, my spirit seemed possessed
    of such a simple existence, the sexual principle
    no longer at its center, nor memory.
    I felt like the personification of an abstraction,
    like mercy. My hands were red and swollen.
    A great chain, the twitch of my life, dragged against decay.
    Then I heard shouts. Far off, a horse whinnied.
    I blinked back tears as I was lifted forth.


    CHENIN BLANC

    "Hey, human, my heart feels bad,"
    a crow asserts, as I am reading and drinking
    chenin blanc on the balcony. His buddy
    is sampling a limp rodent and seems
    to want to say something, holding out
    a clenched yellow foot, like a tiny man:
    "Whatever you want, want it for yourself,"
    he beaks, quoting Rumi, plainly disappointed,
    but also kind of visionary, as if his crow mind
    senses my own private Hell. Still, my hands
    rubbing my neck have the intensity
    of a mother's, touching a child, so I say,
    "Talk to me, crow," defending the human,
    "Didn't God make flesh feel this?"


    MAPLE LEAVES FOREVER

    I didn't know what to do with myself,
    arriving through woods and fields at the lake.
    The world of instinct, crying out at night
    (its grief so human), frightened me,
    so I scribbled vainly, contemplating the surface
    of the water, frolicking in it until my long,
    amphibious body, covered in fine hairs —
    with whiskers, moles, and a blunt nose —
    became terra cotta brown, and I — usually nocturnal —
    slept all night and ate omnivorously
    (eggs, fish, berries, and honey), and, after a few weeks,
    the puny ingredients of my life vanished.
    I, upright on hind legs, alternatively sexed
    (even that seemed banal), didn't want to go home.


    TWILIGHT

    There's a black bear
    in the apple tree
    and he won't come down.
    I can hear him panting,
    like an athlete.
    I can smell the stink
    of his body.

    Come down, black bear.
    Can you hear me?

    The mind is the most interesting thing to me;
    like the sudden death of the sun,
    it seems implausible that darkness will swallow it
    or that anything is lost forever there,
    like a black bear in a fruit tree,
    gulping up sour apples
    with dry sucking sounds,

    or like us at the pier, somber and tired,
    making food from sunlight,
    you saying a word, me saying a word, trying hard,
    though things were disintegrating.
    Still, I wanted you,
    your lips on my neck,
    your postmodern sexuality.
    Forlorn and anonymous:
    I didn't want to be that. I could hear
    the great barking monsters of the lower waters
    calling me forward.

    You see, my mind takes me far,
    but my heart dreams of return.
    Black bear,
    with pale-pink tongue
    at the center of his face,
    is turning his head,
    like the face of Christ from life.
    Shaking the apple boughs,
    he is stronger than I am
    and seems so free of passion —
    no fear, no pain, no tenderness. I want to be that.

    Come down, black bear,
    I want to learn the faith of the indifferent.


    MIGRAINE

    As I light the oven to warm up dinner,
    I watch a fly make an exploration
    of the room, where I've hung wet clothes.
    My human fingers, with their long, slender bones,
    appear more like a reptile's. I don't know,
    perhaps there's no meaning in all this,
    like a slit in the grassy earth, from which rodents
    come and go. Mud and life, water and hope —
    I want them all, really. Instead, I listen
    to a blood-dyed fist tap-tap inside my skull
    and entertain a miserable fly.
    In a short while, he'll run down,
    like my wristwatch, but my warm human breath
    will make him fly again.


    TO SLEEP

    Then out of the darkness leapt a bare hand
    that stroked my brow, "Come along, child;
    stretch out your feet under the blanket.
    Darkness will give you back, unremembering.
    Do not be afraid." So I put down my book
    and pushed like a finger through sheer silk,
    the autobiographical part of me, the am,
    snatched up to a different place, where I was
    no longer my body but something more —
    the compulsive, disorderly parts of me
    in a state of equalization, everything sliding off:
    war, suicide, love, poverty — as the rebellious,
    mortal I, I, I lay, like a beetle irrigating a rose,
    my red thoughts in a red shade all I was.


    THE ERASERS

    By now,
    I think I have been
    entirely erased:

    my humorous glances
    polished out of the mirror,
    my young gray hairs vacuumed from the carpet,
    where each night I undressed,
    my worries beaten out of the pillows,
    my oils daubed from the upholstery.
    It's like removing a corpse from a sarcophagus,
    I think, an intelligent man
    who thinks too much,
    speaks little,
    and doesn't want to leave love behind.
    I care nothing about respectability.
    I can bear to think of the brisk and ruthless present
    cropped short like a donkey's ears;
    I can bear to think of Heaven and Hell,
    where there is no tennis or jam;
    but I can't bear to think of the trough in my mattress
    filled up by another.
    So when the erasers arrive,
    smiling placidly, spraying everything with chemicals,
    "Hey," I shout, touching my chest,
    feeling a giant, tangible lust,
    "not me!"

    Peeling oranges, cracking walnuts at dawn,
    I feel like I'm headed toward
    some kind of new humanism.
    I'm tired of just being a man.
    Will I look back on my life as on a delicately reflective painting?
    I don't know. My teeth need brushing,
    the bed isn't made, I want work,

    and Wednesday is flaring up,
    like a cut lily no eraser can kill.


    THE TREE CUTTERS

    You can't see them and then you can,
    like bear cubs in the treetops working for man,
    hoisting one another with ropes and pulleys
    that seem the clearest possible metaphor
    for bright feelings vs. dark feelings,
    as I lie in the grass below, hearing the big limbs fall,
    like lightning exploding on the lake.

    Once, a thick, dirty, bad-smelling sorrow
    covered me like old meat: I saw a blood-stained toad,
    instead of my white kitten; I saw shadows and misprision,
    instead of my milk and pancakes. "Maybe God has gone away,"
    my life moaned, hugging my knees, my teeth, my terrible pride,
    though, after a time, like a warm chrysalis, it produced
    a tough, lustrous thread the pale yellow of onions.


    BIRTHDAY

    When I was a boy, we called it punishment
    to be locked up in a room. God's apparent
    abdication from the affairs of the world
    seemed unforgivable. This morning,
    climbing five stories to my apartment,
    I remember my father's angry voice
    mixed with anxiety and love. As always,
    the possibility of home — at best an ideal —
    remains illusory, so I read Plato, for whom love
    has not been punctured. I sprawl on the carpet,
    like a worm composting, understanding things
    about which I have no empirical knowledge.
    Though the door is locked, I am free.
    Like an outdated map, my borders are changing.


    SELF-PORTRAIT WITH HORNETS

    Hornets, two hornets, buzz over my head;
    I'm napping and cannot keep my eyes open.
    "Do you come from far away?" I ask, dozing off.
    My gums are dry when I wake. A morning breeze
    rakes the treetops. I can smell the earth.
    The two hornets are puzzling over
    something sticky on my night table,
    wiping their gold heads with their arms.
    Ordinary things are like symbols. My eyes are watery
    and blurred. Then I lose myself again.
    I'm walking slowly in a heat haze,
    my vision contracting to a tiny porthole,
    drawing me to it, like flourishing palms.
    I can feel blood draining out of my face.
    I can feel my heart beating inside my heart,
    the self receding from the center of the picture.
    I can taste sugar under my tongue.
    All the usual human plots of ascent
    and triumph appear disrupted.
    Crossing my ankles, I watch the day
    vibrate around me, watch the geraniums
    climb toward the distant mountains
    where I was born, watch the black worm
    wiggling out of the window box,
    hiding its head from the pale sun
    that lies down on everything,
    purifying it. Lord, teach me to live.
    Teach me to love. Lie down on me.

CHAPTER 2

GRAVITY AND CENTER


    GRAVITY AND CENTER

    I'm sorry I cannot say I love you when you say
    you love me. The words, like moist fingers,
    appear before me full of promise but then run away
    to a narrow black room that is always dark,
    where they are silent, elegant, like antique gold,
    devouring the thing I feel. I want the force
    of attraction to crush the force of repulsion
    and my inner and outer worlds to pierce
    one another, like a horse whipped by a man.
    I don't want words to sever me from reality.
    I don't want to need them. I want nothing
    to reveal feeling but feeling — as in freedom,
    or the knowledge of peace in a realm beyond,
    or the sound of water poured in a bowl.


(Continues...)

Excerpted from Blackbird and Wolf by Henri Cole. Copyright © 2007 Henri Cole. Excerpted by permission of Farrar, Straus and Giroux.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Henri Cole was born in Fukuoka, Japan, in 1956 and raised in Virginia. He has published eight collections of poetry, including Middle Earth (FSG, 2004) which was a finalist for the Pulitzer Prize in Poetry. He has received many awards for his work, including the Kingsley Tufts Award, the Rome Prize, the Berlin Prize, a Guggenheim Fellowship, and the Lenore Marshall Award. His most recent collection is Touch (Farrar, Straus&Giroux, 2011). He teaches at Ohio State University, is poetry editor of The New Republic, and lives in Boston.
Henri Cole was born in Fukuoka, Japan, in 1956. He has published eight previous collections of poetry and received many awards for his work, including the Jackson Poetry Prize, the Kingsley Tufts Poetry Award, the Rome Prize, the Berlin Prize, a Guggenheim Fellowship, and the Lenore Marshall Poetry Prize. His most recent collection is Touch. He lives in Boston, where he is a fellow at the Radcliffe Institute for Advanced Study at Harvard University.

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