Bleed Like Me [Explicit Lyrics]

( 10 )

Editorial Reviews

Barnes & Noble - David Sprague
The members of Garbage have been through a lot over the course of the four years since the release of their last album, Beautiful Garbage -- from serious health issues to bouts of infighting that nearly split the band for good. The recovery process hasn't brought about any mellowing, though, as evidenced by the kicking and screaming that permeate Bleed Like Me. In fact, it sounds as if it's had just the opposite effect. The electro-pop tones of their last offering have been replaced by brash, brawling guitars that propel the gnarled "Metal Heart" and the glammy "Run Baby Run." Singer Shirley Manson has also undergone something of an attitude adjustment, abandoning her ...
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Editorial Reviews

Barnes & Noble - David Sprague
The members of Garbage have been through a lot over the course of the four years since the release of their last album, Beautiful Garbage -- from serious health issues to bouts of infighting that nearly split the band for good. The recovery process hasn't brought about any mellowing, though, as evidenced by the kicking and screaming that permeate Bleed Like Me. In fact, it sounds as if it's had just the opposite effect. The electro-pop tones of their last offering have been replaced by brash, brawling guitars that propel the gnarled "Metal Heart" and the glammy "Run Baby Run." Singer Shirley Manson has also undergone something of an attitude adjustment, abandoning her come-hither approach in favor of a manic delivery that's alternately pissed-off and pleading -- and sometimes, as in the passive-aggressive love/hate missive "Why Do You Love Me?," both in the same breath. Manson's pique reaches its peak on the furiously cathartic "Bad Boyfriend," on which Foo Fighter Dave Grohl returns to the drum kit for a guest appearance. It's the disc's stark title track that really seals the deal, however, with Manson's steely intonation of lines like "You should see my scars" -- referring to wounds that are visible throughout, a sight that would be frightening, if not for the healing and strengthening that's every bit as palpable.
All Music Guide - Stephen Thomas Erlewine
As polished and professional as it was, Garbage's third album, Beautiful Garbage, killed whatever momentum the quartet had as the LP commercially crashed and burned not long after its fall 2001 release. Subsequently, the band faded out of view, taking a long hiatus before regrouping in 2004 to record their fourth album, Bleed Like Me, which was finally released in the spring of 2005. Although it was released halfway through the first decade of the 21st century, it belongs to the midpoint of the last decade of the 20th century, sounding like a virtual Cliff Notes of the sounds, themes, and styles of the post-grunge '90s. As they beefed up the guitars, the band have toned down some of the electronica underpinnings that have been present since their debut -- they've not been excised, merely subdued, so this is still recognizably the work of a group that called their second album Version 2.0 with their tongue firmly planted in cheek. But Garbage don't just hark back to their earlier work on Bleed Like Me, they conjure all kinds of ghosts from the '90s, building "Sex Is Not the Enemy" on a Kim Deal bassline, while pasting together a guitar riff straight off of Stone Temple Pilots' Purple and a chorus from Elastica's classic "Stutter" for the album's first single, "Why Do You Love Me." Other sounds of the '90s flutter throughout the album -- the title track reaches back even further, as its cavalcade of misfits uncannily recalls Lou Reed's "Walk on the Wild Side" in its structure, sentiment, and melody -- while lead singer/lyricist Shirley Manson trots out a litany of doomed relationships, kinky sex, wallowing despair, teenage cutters, and hostile confrontations, all topics that were de rigueur for '90s alt-rock. Manson doesn't seem like she's pandering -- several songs appear to cut close to the bone, suggesting that she's been through a particularly painful breakup recently -- and neither do the band. They're all old pros and they construct their music well, so it's hooky and loudly stylish. Problem is, it's a style that's about ten years out of date. Bleed Like Me doesn't sound like a revival, it feels like it's out of time, as if the band doesn't quite know how to do anything else but sound like it's the heyday of post-grunge alt-rock. Since the band's drummer and chief sonic architect, Butch Vig, helped create that sound with the albums he produced for Nirvana, the Smashing Pumpkins, Sonic Youth, and L7, that's not a surprise, nor is it necessarily a disappointment, because the music is not bad. He and his colleagues remain talented, capable professionals, crafting an appealing, tightly constructed album that plays to the group's strengths. It's an enjoyable record, but it's hard to escape the nagging feeling that Garbage has painted itself into a corner: they haven't found a way to expand their sound, to make it richer or mature -- they can only deliver more of the same. While they may be able to do this well, it is nevertheless more of the same.
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Product Details

  • Release Date: 4/12/2005
  • Label: Geffen Records
  • UPC: 602498801512
  • Catalog Number: 000419512
  • Sales rank: 4,295

Tracks

Disc 1
  1. 1 Bad Boyfriend (3:46)
  2. 2 Run Baby Run (3:58)
  3. 3 Right Between the Eyes (3:56)
  4. 4 Why Do You Love Me (3:54)
  5. 5 Bleed Like Me (4:01)
  6. 6 Metal Heart (3:59)
  7. 7 Sex Is Not the Enemy (3:06)
  8. 8 It's All Over But the Crying (4:39)
  9. 9 Boys Wanna Fight (4:16)
  10. 10 Why Don't You Come Over (3:25)
  11. 11 Happy Home (8:32)
  12. 12 Why Do You Love Me
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Album Credits

Performance Credits
Garbage Primary Artist
Dave Grohl Drums, Guest Appearance
Shirley Manson Electric Guitar, Vocals, Guest Appearance
Steve Marker Synthesizer, Acoustic Guitar, Electric Guitar, Voices, Noise
Butch Vig Bass, Drums, Electric Guitar
Duke Erikson Synthesizer, Acoustic Guitar, Piano, Electric Guitar, Mellotron
Matt Walker Drums
Justin Meldal-Johnsen Bass
Technical Credits
Steve Marker Programming, Bass Programming
Butch Vig Programming
Garbage Composer, Producer, Audio Production
Duke Erikson Programming, Atmosphere
John King Audio Production
Sophie Muller Video Editor, Video Director
Ryan MacMillan Drum Technician
Emily Lazar Mastering
Chad Zaemisch Guitar Techician
Billy Bush Engineer
Laura Stockton Fox Production Design
John Stanley King Producer
Mat Maitland Montage
Heidi Herzon Executive Producer
Chris Heuer Drum Technician
Clay Hutson Monitor Engineer
Grant Jue Producer
Mary Ann McCready Management
David Ravden Management
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Customer Reviews

Average Rating 4.5
( 10 )
Rating Distribution

5 Star

(6)

4 Star

(4)

3 Star

(0)

2 Star

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1 Star

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Sort by: Showing all of 10 Customer Reviews
  • Posted December 29, 2011

    I highly recommend this and the band!!

    Okay, I admit, I got into Garbage rather recently, through hearing Bad Boyfriend from this cd on Little Steven's Underground Garage a few years ago. I'm definitely a fan now!! Some real rockers on this cd, with some very good slower songs too. The lyrics are strong and the songs have bite-just what I like to see in a rock album!! They have an excellent sound here and the quality of the songs are very high and consistently so. Garbage has a dark sound which they do very well. I have been listening to rock and music for over 40 years and imo, Garbage is a GREAT band which measure up against just about any band in ANY era. They are also scheduled to release a new cd in 2012 with a tour planned, so be on the lookout.

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  • Anonymous

    Posted October 1, 2010

    Garbage Returns With KNOCK-OUT Album

    From the opening strokes of an electric guitar, you already know just how different the direction of this album will be from previous Garbage achievements. After the first four non stop hard rocking tracks, the mood takes a heavy turn on the simply gorgeous title cut. From there it's more hard rock, less electro fuzz that seperates this from what the band has traditionally done. The final cut "Happy Home" deserves special recognition, as being a long time garbage fan myself, I felt the hair stand up on the back of my neck when I heard the song. Think if grunge and new wave spawned a dark son and one that was just seeped in alcohol, sex, sweat and blood; this is that result. In addtion, Manson's vocals share a certain raw and exposed vulnerability that is perhaps her most intense performance to date.

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  • Anonymous

    Posted October 1, 2010

    Best CD To Come Out In A Long Time

    Listening to this CD makes the rest of the music out there really seem like garbage, no pun intended. If you liked the previous CDs, then you will love this one as well. The melodies are beautiful and the lyrics outstanding. The songs here are more raw than the ones on "Beautiful Garbage," which makes for an interesting twist.

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  • Anonymous

    Posted October 1, 2010

    Must Have!

    I've been listening to Garbage for 10 years and have never been disappointed in a CD. This one absolutely rocks! I can't stop listening to it.

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  • Anonymous

    Posted October 1, 2010

    A Must For Garbage Lovers Everywhere!

    At first when I heard the songs and read the lyrics to them, I thought I would hate the cd (although I absolutely loved the other "Garbage"), but I listened to them a few times and I understood how deep they really were. I am a fan of lyrics and I believe these were some of the best yet. I learned to love the cd and it is now one of my favorites. I would recommend this to anyone who likes rock toward the dark side, and anything else by Garbage. They are an awesome group! :)

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    Posted March 29, 2011

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    Posted October 26, 2008

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    Posted November 22, 2009

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    Posted October 27, 2008

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    Posted January 7, 2009

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