Stagnant Creek Vinyl Exclusively Available at Barnes & Noble. Can a self-portrait be a collage? Can empathy be autobiographical? What's the point of living if we're not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of
Wednesday's new album
Bleeds, an intoxicating collection of narrative-heavy Southern rock that -- like many of the most arresting passages from the North Carolina band's highlight reel so far -- thoughtfully explores the vivid link between curiosity and confession.
Bleeds is not only the best
Wednesday record, it's also the most
Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise.
Karly Hartzman -- founder, frontwoman, and primary lyricist -- credits
Wednesday's tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. "
Bleeds is the spiritual successor to
Rat Saw God, and I think the quintessential 'Wednesday Creek Rock' album,"
Hartzman said, articulating satisfaction with the ways her band has sharpened it's trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. "This is what
Wednesday songs are supposed to sound like," she said. "We've devoted a lot of our lives to figuring this out -- and I feel like we did." Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far,
Bleeds came together at Drop of Sun in Asheville and was produced by
Alex Farrar, who's been recording the band since
Twin Plagues.
Hartzman again brought demos to the studio, where she and her bandmates --
Xandy Chelmis (lap steel, pedal steel),
Alan Miller (drums),
Ethan Baechtold (bass, piano), and
Jake "M.J." Lenderman (guitar) -- worked as a team to bulk up the compositions with the exact right amounts of country truth-telling, indie pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism -- not only its tone or subject matter but also the actual sound of the words as well as
Hartzman's masterfully subjective approach to detail selection. Every image or scene is filtered through
Hartzman's agile, writerly brain. The particulars deemed essential all contain revelations about
Hartzman's specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story,
Bleeds suggests, is by crawling into someone else's.