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3.6 77
by Anna Quindlen

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Blessings, the bestselling novel by the author of Black and Blue, One True Thing, Object Lessons, and A Short Guide to a Happy Life, begins when, late at night, a teenage couple drives up to the estate owned by Lydia Blessing and leaves a box.

In this instant, the world of the estate called Blessings is changed forever. The story of Skip Cuddy, the Blessings


Blessings, the bestselling novel by the author of Black and Blue, One True Thing, Object Lessons, and A Short Guide to a Happy Life, begins when, late at night, a teenage couple drives up to the estate owned by Lydia Blessing and leaves a box.

In this instant, the world of the estate called Blessings is changed forever. The story of Skip Cuddy, the Blessings caretaker, who finds a baby asleep in that box and decides he wants to keep her, and of matriarch Lydia Blessing, who, for her own reasons, decides to help him, Blessings explores how the secrets of the past affect decisions and lives in the present; what makes a person, a life, legitimate or illegitimate, and who decides; the unique resources people find in themselves and in a community. This is a powerful novel of love, redemption, and personal change by the Pulitzer Prize–winning writer about whom The Washington Post Book World said, “Quindlen knows that all the things we ever will be can be found in some forgotten fragment of family.”

Editorial Reviews

From the Publisher
“A polished gem of a novel...lovingly crafted, beautifully written.”
—The Miami Herald

“A well-told story of love and redemption.”
—The Washington Post Book World

“[A] richly imagined novel of the transforming power of love.”
—St. Louis Post-Dispatch

“Readers...will be rewarded by a story they cannot put down.”

Beth Kephart
In her elegant, compassionate, but not always plausible new novel, Quindlen takes readers to an estate in a town called Mount Mason. The estate is named Blessings, and its eighty-year-old owner, Lydia, has been living the staid and brittle life of remorse and "self-imposed exile" for as long as she can remember. Things change when a baby mysteriously shows up in a box on the steps of the garage and the handyman, Skip Cuddy, decides to raise the child as his own. His attempt to keep the baby a secret fails miserably, and soon Lydia and Skip, the unlikeliest of friends, develop a binding affection for the child, whom Skip names Faith. The writing is lovely, and some of the insights into human nature are breathtaking. But when the real world does finally intrude and the tranquillity of Blessings is broken, Quindlen sends her characters down improbable paths; suddenly they are acting, reacting and speaking in ways that seem oddly out of sync with the personalities she has developed. Still, there are great pleasures to be had in reading this novel, particularly its lambent prose.
Publishers Weekly
Venturing into fictional territory far from the blue-collar neighborhoods of Black and Blue and other works, Quindlen's immensely appealing new novel is a study in social contrasts and of characters whose differences are redeemed by the transformative power of love. The eponymous Blessings is a stately house now gone to seed, inhabited by Mrs. Blessing, an 80-year-old wealthy semirecluse with an acerbic tongue and a reputation for hanging on to every nickel. Widowed during WWII, Lydia Blessing was banished to her socially prominent family's country estate for reasons that are revealed only gradually. Austere, unbending and joyless, Lydia has no idea, when she hires young Skip Cuddy as her handyman, how her life and his are about to change. Skip had promise once, but bad companions and an absence of parental guidance have led to a stint in the county jail. When Skip stumbles upon a newborn baby girl who's been abandoned at Blessings, he suddenly has a purpose in life. With tender devotion, he cares secretly for the baby for four months, in the process forming a bond with Mrs. Blessing, who discovers and admires his clandestine parenting skills. A double betrayal destroys their idyll. As usual, Quindlen's fine-tuned ear for the class distinctions of speech results in convincing dialogue. Evoking a bygone patrician world, she endows Blessings with an almost magical aura. While it skirts sentimentality by a hairbreadth, the narrative is old-fashioned in a positive way, telling a dramatic story through characters who develop and change, and testifying to the triumph of human decency when love is permitted to grow and flourish. Copyright 2002 Cahners Business Information.
Blessings is the name of an estate owned by an aging, ornery matriarch, Lydia Blessing. One day someone drops off an infant at this estate assuming she will get excellent care. The handyman, who just happens to be an ex-con, finds her and begins to raise her as his own. Mrs. Blessing finds out and the three become a unique family. They name her Faith and fall in love with the baby. It's a fragmented family with an absurd blending of an old woman with a great amount of resources and a young man who owns nothing. Quindlen, an award-winning columnist and author, writes about how love of a child brings out the best in people, with a healthy dose of reality thrown into the pile. It is a powerful commentary on family interactions and the ability of a person to change. The past never stays in the past but surfaces. The characters have to sort out what actually happened and reconcile themselves to the truth so they are able to move forward and become a family unit in the most unconventional manner. This is for older high school students and fans of Quindlen. KLIATT Codes: SA-Recommended for senior high school students, advanced students, and adults. 2002, Random House, 237p., Ages 15 to adult.
— Sherri F. Ginsberg
Library Journal
Quindlen's short, sentimentally sweet new novel (following Black and Blue) is ultimately unsatisfying. The wealthy and reclusive 80-year-old Lydia Blessing lives in the eponymous "Blessings," the country estate to which she was banished by her family after the death of her husband in World War II. Two events conspire to change the remaining years of Lydia's life: she hires twentysomething Skip Cuddy as a handyman, and a baby is abandoned on her doorstep. Skip, whose friendship with some local lowlifes led to a stint in jail, tries to hide the existence of the baby from his prickly and critical employer, to no avail. Both Skip and Lydia fall in love with the baby, whom they name Faith, and in spite of their misgivings come together as a makeshift family. But after four months, their secret is revealed, and Faith is taken away. Quindlen's talent for realistic dialog can't overcome the melodramatic plot and one-dimensional characters. Of course, her fans will want to read this, but don't go overboard on the number you purchase. [Previewed in Prepub Alert, LJ 5/1/02.]-Nancy Pearl, Washington Ctr. for the Book, Seattle Copyright 2002 Cahners Business Information.
Kirkus Reviews
Fourth adult novel from Newsweek columnist Quindlen (Black and Blue, 1998, etc.), a story of lost souls redeemed by love. A friend of Lydia Blessing's once told her that there was a secret at the heart of every family and-predictably-it's revealed that the Blessing family had dark secrets to spare. Eighty years old when the story begins, Lydia lives more in the past than present, haunted by memories. Her handsome, ne'er-do-well, secretly homosexual brother Sunny was a shotgun suicide; and Lydia's long-ago marriage to Sunny's best friend Ben Carton was a sham (madly in love with Sunny, Ben obligingly married his sister, though she was pregnant by another man, then conveniently died in WWII). Her charming father had evidently married her cold and disapproving mother mostly for money, and it turns out that Ethel Blessing, to all appearances a staunch Episcopalian, was actually Jewish. The family shuttled between Blessings, the enormous house on the vast New England estate that her father called his gentleman's farm, and a Manhattan townhouse. Lydia and her brother attended the right schools, wore the right clothes, socialized with the right people, etc. Hoping to conceal the true paternity of her redheaded granddaughter (no, Ben really couldn't manage sex with a woman), Ethel packed Lydia off to the Blessings, where she raised her daughter Meredith more or less alone and otherwise observed the rules and routines of upper-class WASPs. And so the decades rolled by and now Lydia makes do with the company of her cranky Korean housekeeper and the estate caretaker, Skip Cuddy, a drifter with a heart of gold who lives in the shabby apartment over her five-car garage. Nothing much changes-until anewborn baby is left on the doorstep. The caretaker moves her to his dresser drawer, figures out how to feed her, and names her Faith. And Lydia is shaken out of her genteel torpor at last. As soap-opera-parable with old-fashioned contrivances: comfortable, not Quindlen's best.

Product Details

Random House Publishing Group
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7.98(w) x 5.12(h) x 0.54(d)

Read an Excerpt

From Chapter One
In the early hours of June 24 a car pulled into a long macadam drive on Rolling Hills Road in the town of Mount Mason. The driver cut the engine, so that as the car rolled down the drive and into the oval turnaround between the back of the big white clapboard house and the garage, it made only a soft swishing sound, like the whisper of summer rain those first few moments after the dirty gray storm clouds open.

There were deer in the fields that surrounded the house, cropping the rye grass with their spotted fawns at their flanks. But the fields stretched so far from the drive on either side, and the deer kept so close to the tree line, that the does did not even raise their divot heads from the ground as the car slid past, although one or two stopped chewing, and the smallest of the babies edged toward their mothers, stepping delicately sideways, en pointe on their small hooves.

“I don’t feel that good,” said the young woman in the passenger seat, her hair veiling her face.

The moonlight slipping at an oblique angle through the windows and the windshield of the car picked out what there was of her to be seen: a suggestion of the whites of her eyes between the curtains of her hair, the beads of sweat on her arched upper lip, the silver chain around her neck, the chipped maroon polish on her nails—a jigsaw puzzle of a girl, half the pieces not visible. She was turned away from the driver, turned toward the door as though she were a prisoner in the car and, at any moment, might pull the door handle and tumble out. The fingers of one hand played with her full bottom lip as she stared at the black shadows of the trees on the rough silver of the lawns, silhouettes cut from construction paper. At the edge of the drive, halfway down it, was a small sign, black on white. blessings, it said.

Blessings was one of those few places that visitors always found, on their return, even more pleasing than the pleasant memories they had of it. The house sat, big and white, low and sprawling, in a valley of overgrown fields, its terrace gardens spilling white hydrangeas, blue bee balm, and bushy patches of catnip and lavender onto a flagstone patio that ran its length. The land surrounding it was flat and rich for a long ways, to the end of the drive, and then the stony mountains rose around as though to protect it, a great God-sized berm spiky with pine trees.

The house had a squat and stolid quality, as though it had lain down to rest in the valley and grown middle-aged. Ill-advised additions had been made, according to the fashion of the times: a den paneled in rustic pine, a long screened porch, some dormers scattered above the horizontal roof line like eyes peering down the drive. The weeping willows at one end of the pond dipped low, but the cedars at the other were too tall and rangy for grace, and there had been sporadic talk of cutting them down almost from the day they were planted. The gardens were of the most conventional sort, hollyhocks in the back, day lilies in the center, alyssum along the borders. Wild rhododendrons grew in the shade wherever a stream sprang from the ground to spill down the hillside and into the big pond, a lake almost, that lay along one side of the house. None of it amounted to much on its own.

But taken altogether it was something almost perfect, the sort of place that, from the road, which was how these two had first seen it, promised plenty without pretense, ease without arrogance. From the road Blessings looked like a place where people would sit on the terrace at dusk, sip a drink and exult in the night breeze over the mountain, pull a light cardigan around their shoulders, and go to bed content. At one time or another, in fact all of these things had been true, but not for some time.

In the fashion of the young, the two in the car, peering down the drive some months before, had convinced themselves that appearance was reality. For the girl, it was the awnings that had finally convinced her, faded green and gold stripes over each window, like proud flags of this little nation-state, where it had been arranged that the sun would never fade the upholstery. That, and a small boat to one side of the pond, in which it was not only possible but indubitable that children could sit safely, row handily, put out a fishing line. In the light from a thumbnail moon the boat, upended on the grass, shone as though a smaller moon had dropped down to earth. The girl saw the sign by the side of the drive in the car’s headlights as a benediction, not as a sign of ownership, the proud name of an old family at the end of its bloodline.

The pond made the car’s driver nervous. It was shiny bright as a mirror, every star, every constellation, even the path of planes, reflecting back within its dark water and seemingly magnified by the pitch black of the night and the stillness of its surface. Frogs called from its banks, and as the car rolled silently into the circular driveway turnaround a fish jumped and left circles on the surface of the water. At the same moment the car tripped the automatic light at the corner of the house’s long porch, and it lit up the drive and the water and the bats that flew crazy eights in search of mosquitoes. The light caught the car itself squarely, so that the two people in the front seat, a boy and girl, each poised between the raw uncertain beauty of adolescence and the duller settled contours of adulthood, were illuminated momentarily as though by the flash from a camera. Their light hair shone, enough alike that at first glance they could have passed for siblings.

“Oh, shit,” said the driver, stepping down hard on the brake, so that the car bucked.

“Don’t do that,” cried the girl. Her hand touched a cardboard box on the backseat, then her own forehead, then dropped to her lap. “I’d kill for a cigarette,” she murmured.

“Right,” whispered the boy harshly. “So you could have an asthma attack right here and wake everybody up.”

“That’s not why I’m not smoking,” the girl muttered.

“Let’s just get this over with,” he said.

The car glided to the corner of the big garage, with its five bays. There was a narrow door on one side of the oblong building, and three flagstone steps leading to it. The boy had oiled the doors of the car that morning, with a foresight and industry and stealth the girl had not expected of him. They had both surprised each other and themselves in the last two days, he with his hardness and his determination, she with her weakness and her grief. Anyone familiar with the love affairs between men and women could have told them that theirs would soon be over.

As he slid out and opened the back door there was almost no sound, only the sort of clicks and snaps that could have been a moth hitting a screen or a raccoon stepping on a stick in the woods that stretched behind the garage and into the black of the mountains and the night. The girl was huddled against the door on her side now, all folded in upon herself like an old woman, or like a child who’d fallen asleep on a long journey; she heard the sounds of him as though they were musical notes, each distinct and clear, and her shoulders moved slightly beneath her shirt, and her hands were jammed between her knees. She felt as though they were somehow alone in the world, almost as though the house and its surroundings were a kind of island, floating in a deep sea of ordinary life through which the two of them would have to swim back to shore by driving back up the drive.

She thought this feeling was because of the boy, and the box, and the night, and the ache in her slack belly and her bruised groin, and the pain in her chest that might have been the beginning of an asthma attack. But she was only the latest in a long line of people who had felt that Blessings was somehow a place apart. In the moonlight the high points of it, the faint luster of the slate roof of the house, the shed on the knoll where the gardener had always kept his tools, the small white boathouse at one end of the pond: all of them were set in high sepia relief like the photograph hung carelessly now on the short wall of the library, the one of Edwin Blessing, who bought the place when it was just another old farm and lavished money on it in the years when he had money to spend. The people from Mount Mason who worked there, washing up at the parties in the old days, fixing frozen pipes for the old lady in the years after the parties ended: they all said it was like going somewhere out of this world, the quiet, the clean smells, the rooms and rooms full of polished furniture and toile draperies, which they only glimpsed through half-open doorways. Above all the pond, the gardens, the land. The real world tried to intrude from time to time upon Blessings, but usually the real world failed.

Meet the Author

Anna Quindlen is the author of three previous novels (Object Lessons, One True Thing, Black and Blue), and four nonfiction books (A Short Guide to a Happy Life, Living Out Loud, Thinking Out Loud, How Reading Changed My Life). She has also written two children’s books (The Tree That Came to Stay, Happily Ever After). Her New York Times column “Public & Private” won the Pulitzer Prize in 1992. Her column now appears every other week in Newsweek.

Brief Biography

New York, New York
Date of Birth:
July 8, 1952
Place of Birth:
Philadelphia, Pennsylvania
B.A., Barnard College, 1974

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Blessings 3.7 out of 5 based on 0 ratings. 77 reviews.
Anonymous More than 1 year ago
This book will be one that you will reach for even after it's over. The story is beautiful and the characters are flawed in an endearing way. I read this in snatches (small children at home) but it was wonderful and SO easy to "get back into.":-) At one point it made me cry and my 4 year old couldn't understand how a book can make you cry - keep the tissues handy. It is a story you will be glad you read! The book makes you feel like you are there - beautifully written and incredible descriptions of a home past it's prime.:-) Enjoy and pass it on - well worth the read!
Guest More than 1 year ago
This is another great piece of writing from Anna Quindlen who is dependable whether in columns or novels. Her characters are real, her descriptions of love are honest and the story unfolds with secrets wrapped within secrets. There is emotional truth on every page and an ending that speaks to enduring love and decency.
Bean76 More than 1 year ago
Blessings tells the story of Lydia Blessings, an old woman who lives by herself in a large house with her namesake. She has a new gardener/handyman named Skip who lives in an apartment above the garage, and a cantankerous maid named Nadine. One night Skip finds a newborn baby in a box lying on his doorstep. At first he tries to hide her from everyone, but eventually everyone at Blessings knows about the baby. Soon they all begin to see their own lives transformed by the influence of this tiny, innocent creature. Lydia especially finds her own heart softening, reliving past memories of her own childhood, as well as her daughter's childhood. The main message I found running through the book is no one is an island. We all must have interaction with other human beings in order to survive. Indeed, if we truly want to thrive, the only way to do this is to cultivate meaningful relationships with others. Faith, the baby left on Skip's doorstep, is the physical embodiment of this message. She literally won't survive unless Skip takes care of her. Lydia is the emotional embodiment of the message. She seems to be a recluse, hiding in her house, hardly daring to even go outside. And yet, she will peek through her windows with binoculars to watch what goes on outside. She needs social interaction, but denies herself of it. But as the story progresses, Lydia opens herself up bit by bit to her friends and family, and finds healing for her own heart.
Guest More than 1 year ago
This book is very good. The story skips from Lydia's past to her present alot. But the storyline of Skip and Faith is wonderful. I wish the ending would have been different but oh well.... Wonderful story!!!!
Guest More than 1 year ago
I bought the book on a whim, and I was greatly disappointed. I finished it, but it was tough. The idea is riveting, but the author fails to deliver the twists with a dramatic flare. Therefore, the portions where readers should be shocked, fall with an anticlimatic bang. Another problem was the description in the book. She described the scenes to the point of obsurdity. At times I found myself reading on and on about chairs.
Guest More than 1 year ago
I have started this book FOUR times, and cannot get into it! Quindlen needs a good editor, who will separate the wheat from the chaff...break up some of the rambling sentences, for starters. One sentence was 50 words long, another was 83! An 83 word SENTENCE! That's ludicrous! Yes, I found the book so boring that I resorted to counting words in sentences! I don't know HOW this book ever made the NY Times Best Seller list!
Guest More than 1 year ago
After a slow start, I was very impressed by this book. From the reviews and description on the book jacket, I was afraid that this would be Anne Tyler Lite. While I like her writing very much, this book was much deeper than what I have read by Tyler, if not as intimately written as Tyler's books. Like Richard Russo's Empire Falls (one of my all-time favorites) the book deals with a wealthy matriarch living in a large estate. But unlike that book, which held the old lady up as an enigma, Blessings gets into her mind by having her help her groundskeeper raise an infant left on his garage/apartment doorstep (the baby was obviously left there to be taken care of the rich owner of the estate). The most interesting parts of the book are the flashbacks into her own life that explain what forced her out of Manhattan debutante life and into lifelong exile at her family's country estate. At time the book reminded me of Ian McEwan's Atonement, but never actually reaches the heights of that book.
Guest More than 1 year ago
My first contact with a Quindlen manuscript. I thoroughly enjoyed reading it. There were some spots that dragged (Lydia's past). Lydia, Skip, Jennifer, Nadine - all strong character developments. Reminded me of 'The Lovely Bones'. Same lyrical style as Belva Plain. A predictable story line but revelations on family, love, loss, and redemption make it a worthwhile read. Readable on a rainy day with a good cup of coffee.
Guest More than 1 year ago
I have enjoyed Anna Quindlen's books in the past. 'Black and Blue' was a great book that kept you reading on. 'One True Thing' was a story I could relate to personal experience and was touching. But I did not feel the same about 'Blessings.' I thought this book sort of dragged along and was sort of dry. I was definitely expecting a little more excitement in the story.
Guest More than 1 year ago
It was difficult to believe that a young man wanted to raise a baby that he found on the steps to his apartment. The story seemed far-fetched and I had a hard time finishing the book.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Love Anna Q., so sad this was not near what her past novels have been. Hate to say it, but it was boring. Not worth the $ spent. Truly hope this was an aberration b/c I am hooked on the author's talent.
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Anonymous More than 1 year ago
I loved this book. It was a intricate tale told with Anna Quindlen's wonderful way with words. I would recommend this book for anyone interested in a richly woven story of the human heart with all it's ups and downs. The setting came to life in it's beauty and was the perfect backdrop for the novel's past and present characters, as they wove their way through their lives meeting and changing as they aged. Sandine
Anonymous More than 1 year ago
All of her books move me...
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Not the best.
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