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Blind Curve

Blind Curve

3.6 11
by Annie Solomon

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From Darkness Bullets are whizzing around him, but he can't shoot back. In the middle of a weapons bust, undercover cop Danny Sinofsky suddenly goes blind. Now this man who has always looked out for himself can't cross a room without the help of his mobility instructor, Martha Crowe. Furious and frustrated, he'd almost rather die than live this way-and someone is


From Darkness Bullets are whizzing around him, but he can't shoot back. In the middle of a weapons bust, undercover cop Danny Sinofsky suddenly goes blind. Now this man who has always looked out for himself can't cross a room without the help of his mobility instructor, Martha Crowe. Furious and frustrated, he'd almost rather die than live this way-and someone is more than willing to grant him his wish. To Danger Hiding her emotions beneath a calm, practical facade, Martha is sure Danny doesn't remember her, the plain girl from his high school who had a crush on him. When she witnesses an attack on his life, the two are thrown into a safe house, and this man without sight starts to see deep inside the soul of a courageous, passionate woman. Their very lives will depend on their fragile connection-and their ability to move as one, combining Danny's razor-sharp instincts with Martha's eyes. Because an enemy is stalking them both, moving in closer and closer for the kill.

Product Details

Grand Central Publishing
Publication date:
Product dimensions:
5.00(w) x 8.00(h) x 0.80(d)

Read an Excerpt

Blind Curve

By Annie Solomon

Warner Vision

Copyright © 2005 Wylann Solomon
All right reserved.

ISBN: 0-446-61358-4

Chapter One

The night was too damn cold to be out on the streets. But the tall man with the knit cap pulled low over his face just hunched inside his green army jacket and stamped his feet to keep warm. A two-day beard stubbled his face and dark, greasy hair hung beneath the cap. On the street he was known as Turq, short for "turquoise," the color of his deepset eyes.

Half a block from the west side projects, he stood near a burned out streetlight where an abandoned grocery store hulked on the corner. Hidden in the shadows was the gun he planned to buy.

The seller was late, and Turq cursed silently. His neck bothered him. Two nights ago, he'd been popped in the head during a routine drug sweep in the Dutchman's Tavern, and the cold was making it ache. His cell phone vibrated against his hip.

"Yo," Turq said low. "What's up, uncle?" The voice belonged to one of his ghosts, stationed across the street and up the block, but still able to trail his every move.

"My date is late." Footsteps approached. "Catch you later, dude," Turq said.

The seller rounded the corner. Fifteen at best, he was scrawny, dressed in hip-hop mode with chains and a tracksuit hanging on his lanky form. The kid swaggered confidently toward Turq, who groaned under his breath. The young ones were the worst. You never knew what they'd do.

Turq didn't waste time. "You got it?" The seller eyed him suspiciously. "You got the dead presidents?"

"Two hundred. Cash. That was the deal." "Yeah, but I don't know you, bro. And I don't do business with peeps I don't know."

Christ. Turq tightened his jaw. First the guy was late, then he started giving attitude. Forcing himself to relax, he stuck out his hand. "Name's Turq. Ah shit. No, it ain't." He grinned sheepishly. "It's Danny." He left off Sinofsky, hoping the first name would be enough. "But don't you go telling no one."

Slowly, the seller shook his hand. "Danny, huh. Now that's about the whitest name I know." "We friends now?"

The seller shrugged. In the dim moonlight his skin looked creamy and smooth, no trace of beard yet. Danny tasted sadness. Kids killing kids. "Yeah, okay, Danny," the seller said. "So where is it?"

"Not here. I got it stashed." Damn. Changing locations was not a good idea. It meant his ghosts would have to follow in the catch car. If they could follow, and sometimes they couldn't. Or it could mean a setup. Take the money and run. And he had a lot of money on him.

But an illegal gun was a gun, and already he could smell the steel. "You bring it here, bro. That's the deal." The kid took a step back. "Fuck that shit. Cops all over the place."

"It's here or no place." "Then it's no place, dawg." The kid turned around. Christ. "Hold up!"

Going somewhere else sucked big time, but so was letting another gimme hang on the street where innocent civvies ended up paying the price. The latest vic had been a three-year-old girl.

"Where we going?" "I'll take you."

"I gotta know where first." If he could alert his ghosts, who were listening on a hidden wire, they had a better chance of keeping tabs.

But the night was not going Danny's way. "It's a sweet little secret spot. I got me a car waiting." The kid didn't look old enough to drive. Fuck. "Okay. Gotta have that piece."

"Yeah?" The seller led him around the corner to a rusted 1972 Chevy Camaro that was once gold and now looked like faded dirt. "You got a job in mind?"

Danny gave the kid a long look. "Never mind what I got in mind. I got the bills. That's all you need to know." The seller nodded, fifteen going on fifty. "You got that right."

Danny got into the car, fingers tingling, adrenaline pumping. He imagined Parnell popping his cork when he found out. He almost grinned, picturing his lieutenant's face.

The car wheezed down Market Street toward the railroad tracks by the river. A century ago, this was the commercial heart of Sokanan. Barges from Manhattan traveled up the Hudson and off-loaded at the dockside warehouses, filling up with light manufactured goods and produce from Hudson Valley farms. Freight trains did the same, going west.

Now the place was deserted, though the upswing in business from the Renaissance Oil deal, which brought a new boom to the town, had started talk of renovating warehouse row into a shopping mall on the lines of Faneuil Hall in Boston.

But all that was down the pike. Right now the place was dark and dusty.

"So where are we?" Danny asked, feeding clues to his ghosts. "Down by warehouse row?" "You got eyes, don't you?"

The seller pulled off the main drag onto a narrow path heading west toward the Hudson. The car bumped over old cobbles, then parked in a dirt yard fronting a derelict warehouse.

Moonlight bounced off the river, creating shadows and gloom. Faded yellow letters at the top of the brick building spelled out its name, but Danny could make out only an M and a C.

"McClanahan," Danny murmured. "What you talking about?" Danny nodded toward the warehouse. "The building. See the 'M' and the 'C'? I'll bet that was McClanahan's." "Who gives a shit?" Danny didn't tell him.

He got out, scanning the area. Murky and abandoned. No way backup could get there without being noticed. His palms were sweating but he followed the seller toward the looming structure. He did not want to go into that warehouse. "Where is it?" Danny asked.

"Inside." Shit. "Go get it. I'll wait here. That place gives me the-" The warehouse flickered in front of him. For a second he was in complete darkness. He stumbled, almost fell. What the f-

A gunshot cracked above him where his head would have been. Someone grunted and his vision cleared. In that split second he saw the boy down on the ground. Danny dove behind a dumpster as another shot chased him.

"Rounds fired!" he shouted into the hidden wire. "I'm behind a dumpster by the old McClanahan warehouse." His cell vibrated. He grabbed it. "You got the location?" "We got you, uncle."

Danny looked around. It would take time for the ghosts to get there and less than that to die. The shot had come from the warehouse roof. An excellent position, it gave the shooter coverage of the entire area, while Danny was pinned down-no vest, no weapon, just a fistful of cash for protection.

Trapped, he banged the back of his head against the bin's metal side in frustration. A shot pinged off the edge and instinctively he ducked.

The young seller lay unmoving facedown on the ground, the soles of his Nikes to the sky. Was the kid carrying? It wouldn't surprise him. In any case, he couldn't leave him out there, wounded and exposed to the shooter. He crawled to the edge of the blue bin, reached out and got shot at for his trouble.

Shit. He snatched back his hand, took a breath, tried again. This time, he managed to latch onto one of the boy's feet.

He dragged the body toward him. It jerked as another bullet hit.

When the boy was safe behind the trash container, Danny rolled him over. His eyes were wide open and a black circle decorated the middle of his forehead. Fuck.

Who the hell was out there? No time to think about it. He scrabbled over the body and found a fully loaded nine beneath the tracksuit. Wouldn't do much good against the high-powered rifle the shooter had, but it was better than nothing.

He peered around the corner of the dumpster and, once again, his vision sputtered out. He blinked as cars squealed into the area, sirens screaming. Doors slammed, shots fired. Bayliss over the bullhorn. "This is the police! Throw the rifle down!"

Then another voice over that. "Sin! Where are you? Sin!"

Hands shook him. "Jesus Christ, what happened?" It was Mike Finelli, his other ghost. "Danny? Sin? You all right?" "Yeah, I'm fine. Except I can't see a fucking thing."

"It's called cortical blindness," the neurologist said, her voice so calm and matter-of-fact he wanted to deck her. He didn't know how long he'd been in the hospital, but it felt like years. He'd been shuffled off to doctors and technicians who were a mush of voices with no faces. Now he sat in some kind of armchair; he could feel the shape and the fabric. And from the quiet and lack of movement around him, he sensed he was in a private office. And this doctor-Christ, he couldn't even remember her name-was telling him ...

"You're kidding. One minute I'm fine and the next minute I'm fucking blind?" "You had a stroke."

"I'm thirty-two and healthy as a horse. Guys like me don't have strokes."

"I understand you were hit in the head two days ago." "In my line of work I get hit a lot. What the hell does that have to do with anything?"

"You injured your neck," she said gently. "Tore your vertebral artery. That's the one right at the top of your spine. The tear allowed blood to dissect-to seep-into the arterial wall. The blood embolized. Clotted. The clot traveled to the top of the basilar artery, the main artery at the back of the head. It went from there to one of the posterior cerebral arteries and fragmented, plugging up your cortex."

"Yeah, but why can't I see?" "Because the messages from your eyes can't get to the cortex, which is where they're interpreted. It's called a bilateral occipital stroke."

The words slid over him like so much fog. His heart was thudding wildly, his mouth was dry. He wondered if he'd been shot at the warehouse instead of the seller and this was a coma dream from which he would eventually wake. "Detective Sinofsky?"

"Yeah." "Do you have any other questions?" He hesitated, feeling lost, adrift. "Am I ..." He cleared his throat. "Am I dreaming?"

There was a short pause. "No." She spoke the word quietly, with compassion and complete certainty. He nodded, dread gripping him. "Any chance this will go away?"

Another short pause. "It's possible. There have been cases of it clearing up on its own."

"But?" "But the damage is extensive. I wouldn't count on it. I'm sorry." He heard the sound of her rising, the swish of clothing, the creak of a chair. "I'm going to set you up with a social worker. She'll get you into rehab. You'll need a mobility instructor."

He sat there, not taking any of this in. Ahand touched his shoulder. He flinched.

"How are you getting home?" He had no idea. "Are you married?"

He shook his head. "A girlfriend? Parents, relative?" His mother was dead, and he didn't want to dump this on his sister, Beth.

"I'll, uh, I'll call a friend." He'd been in and out of his clothes, his eyes and his head poked and prodded, his body X-rayed. But now he was back in his street wear-the ripped jeans and ancient army jacket that belonged to Turq. Fumbling in the huge pockets, he found his cell phone below Turq's knit cap. His fingers searched the buttons for the correct ones, but his hand was shaking.

Gently, someone took the phone from him. "What's the number?" Doctor whoever.

He swallowed. His brain had stopped and it took a moment to jumpstart it again. But he remembered it at last and told her. A minute later she handed him the phone. Mike Finelli's voice came on the line, an anchor of familiarity.

"It's me," Danny said, desperate to keep the tremor out of his voice.

"Sin. Where are you? I've been at the hospital all day and they keep saying they're doing tests. What's going on? Are you okay?"

Not really. But he wasn't ready to get into that. "I need a ride home."

"Beth's here. I think she's got that covered." A phone rang and he heard the doctor pick up and speak softly into it.

"What about her kids?" he asked Finelli. "I don't know. They're not with her." "All right. I'll call Beth on her cell and tell her where to meet me."

"She's right here-" A hand touched his arm. "Hold on," he said to Mike. "Mr. Sinofsky?" A bright, cheery voice. "I'm Pat Embry. I'll be taking you to the waiting room where your mobility instructor will meet you."

"They're taking me somewhere," he told Mike. "I'll have them call Beth when I get there."

"If you'll just stand for a moment," the cheery voice said. He pictured a plump, big bosomed woman with tightly curled hair-an Aunt Bea type-but her hand, which she kept on him while he complied, was bony and smelled of disinfectant.

"Just a few steps," she told him brightly as if he were three. "Here's your chair."

He felt the leather sides of a wheelchair and something tightened in his chest. "That's right. Good boy. Comfy?" His hands fisted. "Okay, here we go."

They'd all warned her about him. Everyone from the supervising social worker to the nurse's aide had given her a sharp-eyed look, a cautionary word.

But she didn't need a warning because she remembered him.

Someone had wheeled him into the patient's lounge and he'd managed to find his way out of the chair. One arm propped against the wall, he faced the window as though drinking in the night.

His jeans were outrageously worn, faded and ripped. After fourteen years and who knew what life had done to him, she would have thought his wardrobe would at least have improved. His black T-shirt was in much better shape.

The sleeves strained over well-defined biceps. A man's biceps to match a man's body. Tall and rangy, he had wide shoulders that tapered down to a lean waist and a tight rear.

A jungle cat. Strong, healthy. Young. Looking at him, even from the back, she felt the opposite. She stepped into the room, and his shoulders stiffened. He'd heard her.

"Detective Sinofsky?" He turned and hit her with the full force of his face. Even prepared, she nearly gasped. Age had given him lines and hollows, hardened him into an adult. But he was still dark and intense with a face born of fantasy. Of dangerous dreams deep in the night.

Far away, deep in the recesses of her soul, something stirred. An echo of an echo, so thin and faint it was easy to pretend she hadn't heard it.

His eyes were deep-set and still piercingly turquoise. Clear and transparent as the Caribbean. And healthy- looking. No injury marred the lids or sockets. Nothing at all to signal they were useless.

"Danny Sinofsky?" "Who wants to know?"

She swallowed, glad he couldn't see the shock and pity she didn't hide fast enough. Would he have recognized her? Half hoping, half dreading, she steeled her voice into the safe rhythms of brisk objectivity. "Martha Crowe." She waited just the merest second to see if her name jarred memories. But he stared expressionlessly at her, and she doused the quick jab of disappointment. "I'm a rehab teacher and an O and M instructor-Orientation and Mobility.

I'd like to talk to you about your options." "Options?"

"We can get started with a cane immediately. But there are other things to think about. Adog. Even some electronic devices."

His face, tough and impossibly handsome, even shadowed by stubble, darkened. "Get lost." The expression was eerie because it looked as though he could really see her. "I'm fine."

Not one for false comfort, she opted for bluntness as a way to cut through the anger. "You're not fine. You're blind."

He tensed, coiled, muscles waiting to spring. "It's temporary."


Excerpted from Blind Curve by Annie Solomon Copyright © 2005 by Wylann Solomon. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Blind Curve 3.6 out of 5 based on 0 ratings. 11 reviews.
Anonymous More than 1 year ago
J: This is a very strong 4 star. Not quite a 5, but surely more than a 3 1/2. I can't put my finger on why not a 5 star, except there were a couple of annoying spots that I actually skipped over. I have loved about six of her books and this one is no exception.
Anonymous More than 1 year ago
This book is fantastic. should be a movie. The situation of being blind is covered well and with emotion in every page. It has passion and sensuality and sex. I reread it every few years. It's a keeper. 
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Guest More than 1 year ago
Cover to cover and never a dull moment. Blind Curve has what you would expect from a romantic thriller. Annie Solomon's descriptive writing puts you right there with the characters. If you're looking for suspense - you'll find it (lots of it) in this book.
Guest More than 1 year ago
Martha Crow is a strong loner who is in some ways still hiding behind her sadness of her youth. She was known as Scarecrow and teased about being a 'plain Jane' tall gangle girl whos mother walked out at an early age causing her to have to grow up rather early. Danny is a tough cop who has the most amazing eyes. He has been an undercover cop now for a number of years and also doesn't seem to keep any women around for more than a few months. Danny and Martha are thrown together when he looses his sight. After being hit he suddenly is blind and Martha is a therapist who teaches blind people how to live and take care of themselves. While Danny doesn't know who she is she immediately is again drawn to him, as she has never really gotten over the crush she had on him in high school. The problem is that someone wants Danny dead and when Martha sees this person they suddenly want her dead also. This is where the adventure begins. They are spirited off to a safe house by his supervisors and then thing go even further wrong and they are on the run for their lives. I have to say one of the most compelling things about this book is that Martha doesn¿t suddenly transform into a beauty. This is a story about 2 survivors who finally find each other and come together to make a wonderful team. But, will Danny blow it all due to his pride. The story is well written and the first by AS that I have read (going to read the others now). Characters are real and you can see how they react to things as normal people would. I recommend this book to all who like romantic suspense.
harstan More than 1 year ago
Two days ago Sokanan, New York undercover cop Danny ¿Turq¿ Sinofsky banged his head during a crime scene, but thought nothing of it. Now he is working a sting operation to buy illegal weapons from a teenager at the abandoned McClanhan warehouse when shots are fired. The fifteen years old seller is hit and Danny is unable to see. His ¿ghosts¿ come to the rescue.................... The doctors explain that he suffers from cortical blindness caused by a stroke when he hit his head two days ago. He is irate and feeling hopeless, but insists he will see soon. Orientation mobility specialist Martha ¿Scare¿ Crowe is assigned to teach Danny how to live in the dark, but he rejects her overtures. She, in turn, hides her identity because back in high school she fell in unrequited love with her patient. As she bullies him, someone fears he will regain his vision and eye witness the criminal so attempts are made on his and Martha¿s lives. No place, not even a safehouse, can keep the pair out of harm¿s way; though Martha¿s wonders if the real danger is to her heart......................... The key to the terrific BLIND CURVE is the professional relationship between Danny and Martha as she cajoles, nags, and challenges him to adjust while he clings to the hope that he will wake up with his eyesight back. The intrigue is well done enhancing this fine tale as Annie Solomon uses Danny¿s new blindness as a handicap to their safety and in turn to his mental well being. The story line starts off as a police procedural but switches more into a medical romantic suspense starring a teacher and her angry reluctant pupil............................ Harriet Klausner