Bliss

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Overview

Fifteen-year-old Meryem lives in a rural village in Eastern Anatolia, Turkey. Her simple, conventional way of life changes dramatically after her uncle, a sheikh in a dervish order, rapes her--and condemns her to death for shaming the family. Asked to carry out the "honor killing" is his son Cemal, a commando in the Turkish army. So begins a long, mystifying voyage for Meryem as her shell-shocked cousin ushers her to the shining metropolis of Istanbul where another troubled soul, the Harvard-educated professor Irfan, embarks on his own journey of transformation--one that catapults him into the heart of Meryem and Cemal's conflict. The crossed-paths and interwoven destinies of these three ...

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Overview

Fifteen-year-old Meryem lives in a rural village in Eastern Anatolia, Turkey. Her simple, conventional way of life changes dramatically after her uncle, a sheikh in a dervish order, rapes her--and condemns her to death for shaming the family. Asked to carry out the "honor killing" is his son Cemal, a commando in the Turkish army. So begins a long, mystifying voyage for Meryem as her shell-shocked cousin ushers her to the shining metropolis of Istanbul where another troubled soul, the Harvard-educated professor Irfan, embarks on his own journey of transformation--one that catapults him into the heart of Meryem and Cemal's conflict. The crossed-paths and interwoven destinies of these three characters makes for an affecting, by turns brutal and life-affirming portrayal of traditional and modern-day Turkey that no reader will soon forget.

"Livaneli is an essential force in Turkey's musical, cultural, and political scene."
--Orhan Pamuk, Nobel Prize Winner and author of Snow

"Bliss is eye-opening and deeply moving."
--Kirkus Reviews (starred)

"Compelling [for] American readers …hard to put down."
--The Cleveland Plain Dealer
"With lush scenes of Turkish life and nuanced depictions of the [characters'] inner lives. . .a convergence of lost, likable souls."
--Entertainment Weekly

O. Z. Livaneli, one of Turkey's most prominent authors, is also an accomplished composer, and previously served as an elected member of the Turkish Parliament. For more information about his background and books, visit his website at www.livaneli.net.

Finalist for the 2006 Discover Award, Fiction

Editorial Reviews

From Barnes & Noble
Barnes & Noble Discover Great New Writers
Life was much easier when Meryem was a little girl. "Thin as a beanpole, she played with the other children" in the streets of the small Turkish village where she was born. But too soon she is forced to realize the legacy of her womanly inheritance -- swathed in thick cloth from head to toe, she is hidden away, ignored, her only purpose to serve others.

Following a violent assault by a powerful relative, Meryem is shunned by her family and is led to a barn, expected to fulfill her duty to restore her family's name. Conversely, her cousin Cemal returns a hero from the war against the Kurds. Yet it is her childhood playmate Cemal who is selected to mete out Meryem's punishment.

Miles away in Istanbul, Dr. Irfan Kurudal, a famous professor, flees his comfortable but empty life to sail across the magnificent Aegean Sea. Leaving behind a wife, a career, and decades of hard work, he doesn't know what he's searching for, only that he cannot survive if he remains in a life that feels increasingly insignificant.

Set against a backdrop and culture both foreign and mysterious, Bliss is the provocative story of three lives shattered by the constraints and contradictions of the society in which they live. In Livaneli's artfully written novel, their paths unexpectedly cross, launching each of them on a journey to freedom and a second chance. (Holiday 2006 Selection)
Publishers Weekly
The paths of three characters converge to illustrate, perhaps too patly, the conflicts of contemporary Turkey. Raped by her uncle, the sheikh, 15-year-old villager Meryem has shamed her family. To save the family name, Cemal, the sheikh's son, a soldier home from his tour fighting Kurds in the Gabar Mountains, is ordered by his father to take Meryem to Istanbul and to murder her. When Cemal and Meryem reach Istanbul, they are shocked by the cosmopolitan city, full of women wearing low-cut blouses and children who disobey their parents. Cemal falters at the moment of decision and, instead of murdering Meryem, travels with her to the seaside, where they encounter Irfan, a successful Istanbul professor who, plagued by insomnia and anxiety, has fled his cushy life to set sail in the Aegean Sea. Irfan offers them jobs on his boat and forges a tenuous mentorship with Meryem, but Cemal, whose psychological torment is richly captured early in the book, is soon reduced to a glowering presence. Livaneli, a former exile who was elected to Turkey's Parliament in 2002, takes great pains to reveal his country's complex culture, but the result often reads like a cautionary fable. Readers should prepare themselves for heavy-handed allegory. (Oct.) Copyright 2006 Reed Business Information.
From The Critics
A writer, composer, and elected member of the Turkish parliament, Livaneli offers readers a fascinating look at the diversity of Turkey today in his American debut (Bliss was first published in 2003). The story is told from the perspective of three main characters. Cemal serves in Turkey's army, fighting the Kurds, though he hails from a village where Turks and Kurds have lived in peace for generations, often intermarrying. His younger cousin Meryam is content with the changeless village life until she is raped at 15 by Cemal's father. Irfan is a Harvard-educated professor and frequent television talking head who with his wealthy wife spends his evenings at the hottest restaurants and clubs. When Cemal returns from his service, he is charged with "taking Meryam to Istanbul"-a euphemism for murdering Meryam somewhere so that the crime is not traced back to the family. In the meantime, Irfan longs for the simple life he dreamed of as a boy and heads to sea in a rented boat. Eventually, the three characters meet, a significant event that affects them all. Highly recommended for libraries where readers like to explore other cultures.-Debbie Boggenshutz, Cincinnati State Technical & Community Coll. Lib. Copyright 2006 Reed Business Information.

Product Details

  • ISBN-13: 9780786146253
  • Publisher: Blackstone Audio, Inc.
  • Publication date: 11/28/2006
  • Format: Cassette
  • Edition description: Unabridged
  • Product dimensions: 4.30 (w) x 6.20 (h) x 2.80 (d)

Meet the Author

O. Z. Livaneli
O. Z. Livaneli
One of Turkey's most prominent and popular authors, as well as an accomplished musician and composer, O. Z. Livaneli was held under military detention during the coup of 1971 and lived in exile for eight years. He was later elected to Turkey's Parliament in 2002 and became one of the founders of the Turkish-Kurdish peace movement, in addition to his considerable creative accomplishments.

Biography

O. Z. Livaneli is one of Turkey's most prominent and popular authors, as well as an accomplished musician and composer, whose works have been recorded by the London Symphony Orchestra. He was held under military detention during the coup of March 12, 1971, and lived in exile for eight years. He studied music in Stockholm, then lived in Paris and Athens, returning to Turkey in 1984. He was one of the founders of the Turkish-Kurdish Peace Movement and the initiator of the Campaign Against Violence in Turkey, and he has made significant contributions to the Greek-Turkish Frienship Committee. He was elected a Member of Parliament in 2002.

Author biography courtesy of St. Martin's Press.

Good To Know

Some interesting outtakes from our interview with Livaneli:

"One day a student approaches Borges, who is blind then, as he's walking the streets of Buenos Aires and asks him, ‘Are you Mr.Borges?' Borges replies, ‘Sometimes!' There are many moments in my life when I find myself feeling the same way. Sometimes joyous, sometimes sad, sometimes optimistic, sometimes pessimistic. I guess everyone is like that."

"I began my career as a publisher; I had a publishing house in Ankara. So I was somehow always related with the world of books. When my publishing house was shut down by the military junta and I was imprisoned, I chose to continue my relationship with books through the act of writing. I've been writing ever since."

"The desire to write was always there in me from my youth onwards, and I began by writing stories. One of my stories, ‘A Child in Purgatory,' was filmed by Swedish and German television. This year my novel Bliss is adapted to cinema. I think I have a special liking for novels that can be adapted to cinema. For me it indicates that the book has a decent story and characters."

    1. Also Known As:
      Omer Zulfu Livaneli (full name)
    2. Hometown:
      Istanbul, Turkey
    1. Date of Birth:
      June 20, 1946
    2. Place of Birth:
      Ilgýn, Konya, Turkey
    1. Education:
      B.A. in Music, 1974
    2. Website:

Read an Excerpt

She no longer remembered the hut by the vineyard at the edge of the village where she had gone to take her uncle his food. She no longer recollected how the man had thrown himself on her and violated her; nor how she had fainted; nor even later, when she had come to her senses, how she had rushed out of the hut and run madly down the road. It was all buried deep in the shadows of her mind.

Two young men had found her near the graveyard, her skin scratched by thornbushes, dried blood on her legs. Delirious with fright, she had fluttered like a wounded bird. They carried her through the village marketplace and brought her home -- where everyone was stunned into silence. Too afraid to discuss the incident, Meryem's family had locked her in the damp and dingy outhouse they called the barn.

Meryem spoke to no one about the rape in the vineyard hut, nor did she reveal the identity of her attacker. In fact, she began to doubt it had ever happened. Perhaps it had just been a dream. Her memory was blurred, and she could not remember what she had done after regaining her senses. It was all so confused, so impossible to think of, though she could not imagine ever saying "uncle" to him again. She thrust the event to the farthest corner of her mind. Yet, even there, out of conscious reach, it still lay lurking -- ready to surface again in her dreams.

The barn, where her thin mattress lay on the ground, was dark. Feeble beams of light from the courtyard flickered through the cracks in the aged wooden door and the tiny hole in the ceiling. In the dimness, the shapes of discarded saddles, saddlebags, halters, harnesses, a pitchfork abandoned in a corner, bundles arranged in rows on the wooden shelves, a bag used to store dried phyllo dough, thin sheets of sun-dried grape pulp, and grain sacks were all indistinguishable, but Meryem knew by heart the place of each and every one of them.

She had spent her entire life in this place on the shores of Lake Van, this place half town, half village. She knew each house, each tree, each bird there. Every detail of the abandoned Armenian house, two stories high, in which they lived was stamped on her mind: the granary, the simple bathroom, the earthen oven, the stable, the chicken coop, the garden, the poplars, and the courtyard. Even with her eyes closed, she could easily find the smallest thing, as if she had put it there herself. On the wooden door of their house were two knockers -- one big, one small. The larger knocker was used by the men and the smaller one by the women who visited the house. The women of the household understood from the sound who was at the door, and when they heard the banging of the bigger knocker they had just enough time to cover themselves for the male visitor.

Since Meryem had never left the village, or even seen the other side of the hill that was always there in front of her, she sometimes thought she knew nothing of the world. But this did not bother her. After all, she could go to the city of Istanbul anytime she liked; whenever people talked about some acquaintance or other, they always seemed to remark, "She went to Istanbul" or "He came from Istanbul." Meryem was certain that it lay just beyond the distant hill. She had always believed that if she climbed to the top, she would see the golden city about whose glories the villagers never tired of telling.

To go to a city so near might not have been difficult, but now it was quite impossible. Quite apart from going to Istanbul just over the hill, now she could not even go to the fountain, the bakery from which she used to fetch bread, the store full of sweet-smelling, colorful cloth she had been taken to by her elders, or the public bath where once a week they used to spend the whole day. She was now imprisoned in the barn into which her family had thrust her, then locked the door. An outcast, she was in solitary confinement.

Meryem had not seen her father since the incident when the sinful part of her body had been violated. Her father was quiet and withdrawn, and her uncle dominated the family. No one, not even Meryem's father, dared to speak freely in front of him. He was highly regarded, not only in their village but throughout the neighborhood, and visitors, bearing gifts, would often come to kiss his hand and pay their respects. Strict, quick-tempered, and intimidating, he recited verse from the Quran, invoked the hadiths of the Prophet Muhammad, and acted as a guide in all matters of daily life. As he was the head of the religious sect of that area, he had many followers, even in Istanbul on the other side of the hill.

It was Meryem's uncle who had confined her to the barn. She could still hear his furious shot, "Lock up that accursed, immoral whore!" and the remembrance of his cruel words made her tremble even more.

As Döne was quick to tell her, Meryem had thrown the family honor into the dust. No longer could they walk through the village with their heads held high.

"What happens to girls who get in trouble like this?" Meryem had asked her stepmother.

"They get sent to Istanbul. Two or three have already gone there."

Meryem's fear lessened. Her punishment would only be to go over the hill there behind them. But then she noticed Döne's expression -- as if she were saying, "You'll get what you deserve, my girl!"
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  • Posted February 12, 2010

    more from this reviewer

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    Is this fiction of today?

    I read this book because I am going to Turkey and wanted a flavor of the country. This book was recommended by someone on a TripAdvisor chat group. I found it disturbing if a true indication of Turkey today - that such treatment of women can still exist. The fact that this is written by a Turk and the reviews by a very prominent Turk writer makes me believe it is true. It is an engaging story but at times I felt if the author was trying to make a political statements about Turkey and the world today and the very different cultures existing in the world today. It is an easy read.

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    Posted March 2, 2009

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    Posted December 27, 2009

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