Blood Fugues

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Overview

When Kenny Romero, a promising high school athlete, journeys from New York City to his summer job at the Brunet dairy farm in upstate New York, he makes choices that bring him in direct confrontation with nature and challenge his more primitive instincts for survival. His fateful decision triggers a crisis with harrowing consequences for his already troubled family.

Against the background of his ordeal, each character reveals a part of his or her own struggle. During the course ...

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10/4/2005 Hardcover New 0060742771 HARDCOVER with DUST JACKET, STORE DISPLAY ITEM, UNREAD NEW BUT MAY HAVE A VERY TINY BIT OF SHELF WEAR FROM STORE DISPLAY OR STORAGE, CLEAN & ... COMPLETE PAGES & COVER. Read more Show Less

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Overview

When Kenny Romero, a promising high school athlete, journeys from New York City to his summer job at the Brunet dairy farm in upstate New York, he makes choices that bring him in direct confrontation with nature and challenge his more primitive instincts for survival. His fateful decision triggers a crisis with harrowing consequences for his already troubled family.

Against the background of his ordeal, each character reveals a part of his or her own struggle. During the course of the summer, as Kenny and his girlfriend, Claudia, deepen their relationship, Kenny's mother, Fran, struggles with an agonizing choice. His father, Tommy Romero, reveals why, years prior, he chose to act as he did after he had been drawn into illegal activities by Kenny's uncle, Jerry Boyle, and both were dismissed from the police force. Jerry, meanwhile, learns the true identity of Gabriel Brunet, owner of the farm. At the core of the tale is the distant secret harbored by Kenny's maternal grandmother, Mary Boyle.

A vivid, gripping tale of action and mystery, Blood Fugues explores the ways in which family ties and secrets spin their way into our present lives, shaping our desires, our fears, and our futures.

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Editorial Reviews

Publishers Weekly
When star high school athlete Kenny Romero treks from 1980s upper Manhattan to his summer job at a dairy farm in upstate New York, he leaves behind a family plagued with secrets. Yunque's (No Matter How Much You Promise...) nicely turned fourth novel puts the Catholic, Irish- Puerto Rican Kenny in the fields: tending cows, taking in the landscape and frolicking with blonde Lutheran girlfriend Claudia. Meanwhile, Kenny's father and maternal uncle, crooked cops, get into deep trouble; his mother (nee Boyle) contemplates a painful decision; and his maternal grandmother clutches the keys to the family history (and has some skeletons of her own). When a pregnant cow trails off into the woods one night and Kenny embarks on a dangerous search, a family already fraying at the seams unravels. Yunque writes with grace, vividly evoking second-generation New York City Irish and Puerto Rican-American life, contrasting its tight-knit urban world with the bucolic calm of the country. Although the final chapter abruptly delivers a too-neat conclusion, Yunque concentrates on the intertwined Boyle-Romero relationships (where the men call one another Boylgado or O'Romer) fruitfully, and the whole coalesces into a moving family portrait. (Oct.) Copyright 2005 Reed Business Information.
Kirkus Reviews
Vega Yunque (The Lamentable Journey of Omaha Bigelow Into the Impenetrable Loisaida Jungle, 2004, etc.) mixes a coming-of-age story with multigenerational saga. Tall, handsome, sensitive, a natural athlete, Kenny Romero is just about too good to be true. His girlfriend, Claudia, is equally tall, handsome and athletic-and, as a nurse-in-training, she's a hardworking nurturer, too. These teenagers are the only innocents in this modern Gothic, and their lives are fatefully intertwined with the dark secrets of Kenny's Irish-Puerto Rican family. A native New Yorker, Kenny spends his vacations working on a dairy farm upstate. Claudia is his summer sweetheart, and their second season together is an idyll of young love and sexual discovery. Everything changes, though, when a cow about to calf wanders off the farm. Unable to accept his employer's assurances that the heifer and her offspring will come home, Kenny sets out one night to find her. The story of Kenny's quest for the missing cow begins where it ends-the reader learns that something terrible has happened to Kenny without learning how or when it happened-and unfolds in tiny flashes embedded within a larger, labyrinthine narrative about Kenny's family. Vega Yunque may have crafted this distinctive architecture in an effort to create mystery and suspense; what he achieves, however, is merely disorienting and singularly anticlimactic, despite having all the features of a fine drama-forbidden romances, a disgraced nun, an illegitimate child, violent crime. Life-altering events occur, and devastating secrets are revealed with all the feeling of newspaper reportage. Vega Yunque's narrative voice seems to come from a place far removed from theaction and the characters. Highly descriptive without being engaging or enlightening.
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Product Details

  • ISBN-13: 9780060742775
  • Publisher: HarperCollins Publishers
  • Publication date: 10/4/2005
  • Pages: 288
  • Product dimensions: 5.50 (w) x 8.25 (h) x 0.97 (d)

Meet the Author

Edgardo Vega Yunqué is the author of the critically acclaimed novel No Matter How Much You Promise. . . . His stories have been adapted for the stage and anthologized internationally. He was born in Puerto Rico and lives in Brooklyn, New York.

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Read an Excerpt

Blood Fugues

A Novel
By Edgardo Vega Yunque

HarperCollins Publishers, Inc.

Copyright © 2005 Edgardo Vega Yunque
All right reserved.

ISBN: 0060742771

Chapter One

Obsession

Kenny had the soft, delicate looks of his mother, a girl whose grandparents came to America from the severity of rural Ireland to the harshness of New York City in the 1890s from Roscommon, family lore said.

The summer had gone well. He arrived at the beginning of July and fell once again into the six-day routine of rising at five o'clock in the morning to help Gabriel with milking, tending to sterilizing the teats of the sixty milking cows, mixing the solution of iodine and scrubbing the long nipples gently, and then flushing, with a similar solution, the pipes that carried their milk to the tanks for eventual transportation in the tanker trucks from Cloverleaf manufacturing dairy. There, the thick raw milk was pasteurized and converted into the different products that appeared in the dairy sections of the state's stores, the abstract Shamrock of its logo an even greater obscuring of the cattle ownership that centuries before determined wealth and position in Ireland but that meant little to its present investors. By five-thirty in the morning they had placed eight cows into the milking stalls and fifteen minutes later they were done, had swabbed the cows' teats again, a precaution against infection and contamination. The cows were returned to the corral and the open bales of hay that had been scattered there. Eight more cows were then ushered into the milking stalls, the routine repeated until they were done. If it rained the hay was left in covered pens and the cows gathered there, the pungent smell of their waste filling the air to mix with the smell of the rain. Each shift took approximately fifteen minutes, with the milking taking eight to ten minutes and the rest of the time spent in preparation and cleanup.

Seven times eight was fifty-six and then four more and they were done by eight o'clock and came in to eat a breakfast of sausage and eggs and fruit juice, and pancakes or French toast and cold milk and if you wanted, coffee, which he liked. His appetite was prodigious. It was not unusual for him to have fruit juice, three eggs, six pieces of sausage, four pancakes or French toast, and a quart of cold milk. The mornings were cold even in midsummer, the air dry and fragrant with the smell of the grass in the fields as if the evaporating dew carried with it the aroma. When he was done he saddled a horse and began herding the milking cows out into the fenced pasture, which extended a half mile to the edge of the woods and had a brook running through it where the cows gathered to drink. The bulls remained in another pasture that the old man, Henri Brunet, called their den.

When Kenny returned to the farmhouse he helped the other boy feed the calves, heifers and the ten dry cows. He liked tending to the cows and felt as if he were doing something of importance because milk helped people to be healthy. He recalled his mother breast-feeding his sister and wanting to know how her milk tasted. He was three years old and she removed Peggy from her breast. Pressing her nipple she collected a bit of the thin, yellowish milk and placed it on his lips. He had tasted it but was not drawn to it even though he'd been breast-fed until he was nearly eighteen months. This information was provided by relatives. He had no memory of tasting his mother's milk.

Counting the sixty milking cows, the two bulls, the ten dry cows, sixteen calves and nine heifers there were ninety-seven cattle on the Brunet farm. There were also four goats, which roamed about in their pen and were permitted grazing in an enclosed area. There were also three horses, two mules and a small, elderly donkey that brayed in his sleep, often tottering as he stood. There were countless laying hens, rabbits, some pigs, including a pregnant sow, a flock of turkeys that gobbled constantly as if they were laughing at their eventual fate, and ducks that waddled down to the stream below the farmhouse. Lastly there was a peacock and two peahens that were kept in a large wire cage and permitted to roam about the enclosed yard once a day for exercise, the pavonine carriage of the peacock offensive to the lesser fowl, which upon his entrance and display of his feathers immediately segregated themselves from the magnificent bird.

The farmhouse was large and comfortable with lots of bedrooms, a television room and in the basement a pool table. The barn was immense and had a hayloft into which he and Claudia Bachlichtner often climbed for privacy. He liked the smell of the barn with the aromas of the hay and the animals. The barn held the horses and the dry cows and it was where the heifers and calves were kept and protected. Beyond the barn there was a silo, and beyond it a curing house where the old man, following the tradition of the previous owners of the farm, the Vanderveers, prepared his hams and sausages.

Kenny often worried about the old man, who was frail and walked with difficulty. He also worried about his son, Gabriel Brunet. The son's only concern appeared to be the farm and the care of the animals, and keeping extensive charts of their well-being and production. Aided by itinerant workers and a veterinarian, he worked seven days a week from four in the morning when he rose until ten at night when he finally rested. Gabriel said he slept soundly those six hours, but at times it didn't seem as if he'd slept at all. Kenny knew that twice a year, during the springtime and fall, Gabriel Brunet traveled northward through the state and drove into Canada and east toward the Quebec of his ancestors. Gabriel remained there for a week, speaking French and eating . . .

Continues...


Excerpted from Blood Fugues by Edgardo Vega Yunque Copyright © 2005 by Edgardo Vega Yunque.
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Anonymous

    Posted December 2, 2005

    Stunning 'Celtorican' page-turner!

    Writing like a dream, Edgardo Vega Yunqué has produced something unputdownable. Unity of thought, narrative and character make for an exciting read of this all-too-short a book (but Kenny Romero, like Falstaff, might yet come back, who knows?). The prose, and the mood of the book, is very attractive - a glow of warmth permeates it, in touching tribute and memory to all the lives spread throughout its pages. Which is much the mark of the man who wrote it - generous, kind, warm, affectionate, and deeply caring about the lives he represents, Vega Yunqué, like many a fine wine, is growing into greatness. And irony of ironies (it has yet to be overtly stated), he has 'invented' a genre all to himself... 'nuff said!

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