Blood Kin

Blood Kin

4.0 1
by Ceridwen Dovey

View All Available Formats & Editions

Rarely does a debut novel attract the sweeping critical acclaim of Ceridwen Dovey's Blood Kin. Shortlisted for two prestigious awards, this tale centers around a military coup in an unnamed country, with characters who have no names or any identifying physical characteristics. Known simply as the ex-President's chef, barber, and portrait painter, these three

See more details below

  • Checkmark B&N Discover Great New Writers  Shop Now


Rarely does a debut novel attract the sweeping critical acclaim of Ceridwen Dovey's Blood Kin. Shortlisted for two prestigious awards, this tale centers around a military coup in an unnamed country, with characters who have no names or any identifying physical characteristics. Known simply as the ex-President's chef, barber, and portrait painter, these three men perform their mundane tasks and appear unaware of the atrocities of their employer's regime. But when the President is deposed, the trio are revealed as less than innocent. A deeply chilling yet sensual novel, Blood Kin illustrates Lord Acton's famous quip, "Absolute power corrupts absolutely," and marks the beginning of an illustrious literary career.

Editorial Reviews

Dave Itzkoff
…[a] precise and terrifying debut novel…The tale [Dovey] wants to tell is more ambitious and more immediate than a fable, a story about how the slightest taste of power so easily stimulates our limitless appetite for sadism…Dovey's ultimate lesson, that nature and mankind abhor a power vacuum, may be a bleak one, but she presents her case so meticulously and relentlessly that you’ve got to respect her authority.
—The New York Times
John Freeman
The most erotic novel you might ever read about political gamesmanship and power...
Newark Star Ledger
New York Times Book Review
A precise and terrifying debut novel...[BLOOD KIN offers] candid and chilling insights into the seductive nature of power....Dovey's ultimate lesson, that nature and mankind abhor a power vacuum, may be a bleak one, but she presents her case so meticulously and relentlessly that you've got to respect her authority.
Part erotic thriller, part menacing political allergory, [BLOOD KIN is] Ceridwen Dovey's haunting debut... Dovey infuses each character with humanity and brilliantly reveals how banal acts like cooking and shaving can become charged with longing and political intent.
O The Oprah Magazine
Dovey's surgical prose and cool apprehension of the machinations of ambition and lust make her a writer to watch.
Elle Magazine
A compact but ambitious fable...Dovey displays a mastery over her material and the pacing of her narrative worthy of a much more experienced writer.
J. M. Coetzee
A fable of the arrogance of power, beneath whose dreamlike surface swirl currents of complex sensuality. (JM Coetzee, Nobel prize-winning author of Disgrace, Waiting for the Barbarians)
Splendid debut novel [about] power, political and personal, and its dangerous ineffability.
Hisham Matar
This is an unflinching and poignant work that exposes man's limitations and vulnerabilities in the face of absolute power. It has about it something of the splendor and inevitability of a myth. Like all wonderful books, it has always been there, waiting for its author to arrive. And, thankfully for us, she has come. (Hisham Matar, author of In the Country of Men (shortlisted for 2006 Man Booker))
Colum McCann
A lovely, haunting novel, written with great care and precision. Working on the level of allegory, with a careful consideration of history and myth, Ceridwen Dovey has fashioned a really fine debut. (Colum McCann, author of international bestsellers This Side of Brightness and Dancer)
Library Journal

Dovey's debut novel opens in the tense moments preceding a coup d'état in which the president is deposed and replaced by an also nameless commander. However, this tale of regime change is related by seemingly minor functionaries: the president's barber, his portraitist, and his chef. The novel uses no given or place names, instead situating everything-and most everyone-in proximity to the chief executive. As the commander assumes the reins of power, we come to realize that the designation "his" refers not to a person, but to the very vestments of power. The introduction of a subsequent tier of narrators, each placed at a further remove (i.e., his chef's daughter, his portraitist's wife) reveals that power is not self-executing: it depends on the efforts of countless "minor functionaries" whose neat haircuts, official portraits, and splendid meals both create and nourish the pleasing forms that power assumes. This cautionary tale, a character study of power and caprice, is highly recommended for libraries with strong fiction collections.
—Chris Pusateri

Kirkus Reviews
A spare political fable assesses the contaminating nature of power in both public and private lives. A small cast of nameless characters interacts intricately in Dovey's poised debut, set in an unnamed country in the grip of political turmoil. Three men initially share the narration-a portraitist, a chef and a barber-all of whom have worked for the President and are now swept up in regime change when the Commander launches a coup. Imprisoned in the head of state's Summer Residence, the President is beaten and forced to confront the violence he inflicted on his opponents, while the three captured workers take up their old roles, now in the service of the new leader. The portraitist's wife, eight months pregnant, has also been taken prisoner. The barber recognizes the Commander's wife: Previously she was the fiancee of his brother, who was one of the President's victims. The book is divided into three parts, and in part two the women speak-the chef's daughter and the wives-revealing their pasts and their mixed feelings toward their relations. Simultaneously sensuous and claustrophobic, the novel charts deception, estrangement and the recognition of power's inevitably corrupting tendency. The brief but intense story concludes in a violent cycle of death, birth and grim continuity. A dense, dark, impressively controlled first work. Not for optimists. Agent: Sarah Chalfant/Wylie Agency

Read More

Product Details

Penguin Group (USA) Incorporated
Publication date:
Product dimensions:
5.74(w) x 8.52(h) x 0.87(d)
Age Range:
18 Years

Meet the Author

Ceridwen Dovey's debut novel, Blood Kin, is being published in thirteen countries. She grew up in South Africa and Australia, and now lives in New York City.

More from this Author

Read an Excerpt

His Portraitist

I should have known, at the last sitting, that something was wrong. The President had changed color—every fiber of him was a tone I hadn’t mixed on my palette before—and he scratched around on the settee like a fussy poodle making its nest for the night and wouldn’t sit still. He brought his bodyguards up to the studio when normally they waited in the foyer of my apartment building, and his assistant even forgot to collect the petals.

My wife was in the bath, the first ritual of her day, lying dead still, with just her belly protruding, and watching the baby’s movements ripple the water. She could lie there for hours, transfixed.

The bodyguards were shot with silenced guns. They simply crumpled where they stood, like puppets a child has lost interest in. The President’s assistant, without a word, opened my wardrobe, stepped into it and closed the mirrored door behind him quietly. It was only then that I saw them: two masked gunmen, slick as spiders, with their weapons trained on the President. I dropped my palette and raised my hands in supplication. I could hear my wife murmuring in the bathroom.

They motioned for me to move to the President’s side. I sat next to him on the couch, our shoulders touching, with one gunman behind us, while the other moved towards the bathroom door.

“Please.” I only realized later that I whispered this. “Please. Not her.”

He opened the door and for a few seconds stood watching her. I could see into the room from the couch. She didn’t turn her head; she thought it was me. The gunman lifted her roughly from the bath in one movement and she stood naked, barefoot on the bathroom floor, screaming my name.

“Put on your dressing gown,” I whispered. “Behind the door. Put it on.” The silk clung to her and darkened around her breasts and stomach as she clutched the gown strings around her waist.

The gunman forced her to walk in front of him, and as she approached me and the President sitting on the settee she dropped to her knees. He pulled her up again just as she was reaching out her arms to me. I strained for hers, but she only managed to grasp the President’s hand. She screamed my name but clutched his hand, then she was gone, forced down the stairs and out of the foyer. The assistant wasn’t discovered. I wonder if he is still hiding in my closet.

Now we are being held prisoner in one of the guestrooms of the President’s Summer Residence—me, his chef and his barber—in a room too high above the ground to contemplate escape. We each have a bed with virgin linen so white I feel guilty sleeping in it, and there is an en-suite bathroom with silver fittings. A man brings bread, water, cheese and tomatoes to our door in the mornings and soup in the evenings. I haven’t seen my wife since the day they took us, almost a week ago. I was the first prisoner to be left in the room. They blind-folded me and the President in my apartment, forced us into a vehicle, and drove into the mountains—I know those spiraling roads too well to be fooled; the air thins and you start to drive faster from light-headedness, to overtake and stay for longer than you need to on the wrong side of the road. Those roads bring out the death wish in people. The President and I leaned into each other as the driver took the corners; his body is more pliable than I imagined.

We were separated at the Summer Residence—our blindfolds were removed and he was led away into the building, which I recognized immediately from postcards and magazine spreads; it was declared a national monument last year. I was led up many flights of stairs to the bedroom and left alone. The chef was brought in the afternoon, straight from the President’s kitchens, where they were in the middle of making zabaglione for lunchtime dessert. His sous-chef was shot because he tried to sneak out of the delivery entrance, and the kitchen boys had stood gaping as the masked gunman bound the chef’s wrists and blindfolded him. He still had dried egg on his hands when he arrived, and immediately ran himself a bath and sat in the bathroom with the door closed for a long time. The barber only arrived at dusk. He’s taken the whole thing quite badly, and eventually talked himself to sleep.

From where I stand on the small balcony, I can see the valley below dimly in the moonlight, the only fertile ground in the country. It must be a new agricultural trend, to farm in circles—the fields are separated into massive green polka dots with a slice of yellow cut out of them, which makes them look like they are devouring each other. My wife and I came wine-tasting in the valley for her birthday, years ago. There were only two vineyards and the wine was close to awful, but once we were in the valley basin we felt newly created. It was summer and the hot air had collected at the bottom, and as we descended the mountain road to the valley base we peeled off layers of clothing; another layer for each drop in altitude, until we were almost naked and sweating and even the bad wine was soothing.

The vineyard owner took us on a tour of the cellars and told us the monks had used underground caves to store their wine for hundreds of years, but gradually the caves were forgotten until a farmer out with a pack of hunting dogs stumbled upon one of the openings. He grandly revealed cobwebbed caskets of the original monks’ wine, rendered undrinkable by years of imprisonment within glass; my wife persuaded him to let us smell it and it seemed to burn the hairs within my nostrils.

The chef is snoring like a stalling motor boat. Something else is bothering me, though, some noise of distress beneath the night sounds from the room, men’s voices playing hide-and-seek. I trace them to the air vent above my bed, and stand on the mattress with my ear against the cold metal mesh.

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network


Most Helpful Customer Reviews

See all customer reviews >