Enge competently blends a compelling plot and unrelentingly grim prose in this somber fantasy debut. The heir to the Empire of Ontil is 12-year-old Lathmar, a terrified child recently orphaned by his own Protector and uncle, Lord Urdhven. His ancient and powerful relatives, controlling Ambrosia and morosely forbidding Morlock, offer their magical aid to reclaim his throne and defeat the Protector. Slowly growing to manhood, Lathmar struggles to assert himself as the emperor-to-be while craving his guardians' parental approval and longing to become more of a participant than an observer. Though the characters are more fascinating than lovable, Enge's precise and elegant language and some darkly harrowing scenes are sure to tug on readers' heartstrings. Legends frequently have predictable conclusions, but even with an unsurprising destination, this coming-of-age narrative makes for an engaging journey. (Apr.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Blood of Ambroseby James Enge
Behind the king's life stands the menacing Protector, and beyond him lies the Protector's Shadow...
Centuries after the death of Uthar the Great, the throne of the Ontilian Empire lies vacant. The late emperor's brother-in-law and murderer, Lord Urdhven, appoints himself Protector to his nephew, young King Lathmar VII and sets out to kill anyone who stands between… See more details below
Behind the king's life stands the menacing Protector, and beyond him lies the Protector's Shadow...
Centuries after the death of Uthar the Great, the throne of the Ontilian Empire lies vacant. The late emperor's brother-in-law and murderer, Lord Urdhven, appoints himself Protector to his nephew, young King Lathmar VII and sets out to kill anyone who stands between himself and mastery of the empire, including (if he can manage it) the king himself and his ancient but still formidable ancestress, Ambrosia Viviana.
When Ambrosia is accused of witchcraft and put to trial by combat, she is forced to play her trump card and call on her brother, Morlock Ambrosius—stateless person, master of all magical makers, deadly swordsman, and hopeless drunk.
As ministers of the king, they carry on the battle, magical and mundane, against the Protector and his shadowy patron. But all their struggles will be wasted unless the young king finds the strength to rule in his own right and his own name.
The unscrupulous Lord Urdhven stands as protector for his young nephew, King Lathmar VII, but plots to gain the throne for himself. Only Ambrosia Viviana, a woman accused of witchcraft, and her brother, the drunken renegade Morlock Ambrosius, stand between the young boy and death. Enge's fiction has appeared online and in the publications Black Gate and Flashing Swords. His first novel pays homage to Arthurian legend but draws on his own visual acuity and storytelling skill. For most libraries.
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Blood of Ambrose
By James Enge
Prometheus BooksCopyright © 2009 James Enge
All right reserved.
The King was screaming in the throne room when the Protector's Men arrived. He knew it was wrong; he knew he was being stupid. But he was frightened. When the booted feet of the soldiers sounded in the corridor outside, he belatedly came to his senses. Dropping to the floor, he crawled under the broad-seated throne where the Emperor sat in judgement, next to God Sustainer. (Only there was no Emperor now, and Lord Urdhven, the Protector, made his judgements in his own council chamber. Did the Sustainer dwell there now? Or still upon the empty throne? Was there really a Sustainer? Would the Protector's soldiers kill him, like all the others?)
He pulled in his legs just as the soldiers entered the room, their footfalls like rolling thunder in the vast vaulted chamber. He'd hoped they couldn't see him. (Would God Sustainer protect him? Was there really a Sustainer?) But the soldiers made straight for the throne.
If the Sustainer was not with him (and who could say?), the accumulated precautions of his assassination-minded ancestors were all around. As he pressed instinctively against the wall behind the throne, it gave way and he found himself tumbling down a slope in the darkness. Briefly he heard the shouting voices of the soldiers turn to screams and then break off suddenly. Because the passageway had closed, or for another reason? His Grandmother would know; he wished she were here. But she was far away, in Sarkunden-that was why the Protector had moved now, killing the family's old servants like pigs in the courtyard....
He landed in a kind of closet. There were cloaked shapes and bits of armor lying around in the dust that was thick on the floor. Perhaps they were, or had been, things to help an endangered sovereign in flight or self-defense. He thought of that later. But just then he only wanted to get out; by flailing around in the dark he found the handle of a door and plunged out into the bright dimness of a little-used hallway.
Hadn't he been here before? Hadn't Grandmother told him to come here, or someplace like here, if something happened? He hadn't been listening. Why listen? What could happen in the palace of Ambrose, with the Lord Protector guarding the walls ...? And they had cut his tutor's throat, cut Master Jaric's throat, and hung him upside down to drain, just like a pig. He had seen it once at a fair, and Grandmother had said he must never, never do that again.
The sudden memory renewed his terror; he found himself running down the corridor in the dim light, the open doors on either side of him yawning like disinterested courtiers. There was a statue of an armed man standing over a broad curving stairway at the end of the hall. The King was almost sure Grandmother had mentioned a place like this, but without the statue. If he went down the stairs, perhaps that would be the place, and he would remember what Grandmother had told him to do next-if she had told him.
But as he passed the statue it moved; he saw it was not a statue-no statue in this ancient palace would be emblazoned with the red lion of the Lord Protector. The Protector's Man reached for him.
The King fell down and began to scuttle away on all fours, back down the corridor. The Protector's Man dropped his sword and followed, crouching down as he came and reaching out with both hands.
"Now, Your Majesty," the soldier's ingratiating voice came, resonating slightly, through the bars of his helmet. "Come along with me. No one means to harm you. Just a purge of ugly traitors who've crept into your royal service. You can't go against the Protector, can you? You found that out. And stop that damned screaming."
The King was screaming again, weary hysterical screaming that made his body clench and unclench like a fist. Looking back, he saw that the soldier had caught hold of his cloak. There was nothing he could do about the screaming, just as there was nothing he could do about the soldier.
Then Grandmother was there, standing behind the Protector's Man, fixing her long, terribly strong hands about his mailed throat. The soldier had time for one brief scream of his own before she lifted him from the floor and shook him like a rag doll. After an endless series of moments she negligently threw him down the hall and over the balustrade of the stairway. He made no sound as he fell, and the crash of his armor on the stairs below was like the applause that followed one of the Protector's speeches-necessary, curt, and convincing.
Before the echoes of the armed man's fall had passed away, Grandmother said, "Lathmar, come here."
Trembling, the King climbed to his feet and went to her. Grandmother frightened him, but in a different way than most things frightened him. She expected so much of him. He was frightened of failing her, as he routinely did.
"Lathmar," she said, resting one deadly hand on his shoulder, "you've done well. But now you must do more. Much more. Are you ready?"
"Yes." It was a lie. He always lied to her. He was afraid not to.
"I must remain here, to keep them from following you. You must go alone, down the stairway. At the bottom there is a tunnel. Take it either way to the end. It will lead to an opening somewhere in the city. Go out and find my brother. Find him and bring him here. Can you do that?"
"How ...? How ...?" The King was tongue-tied by all the impossibilities she expected him to overleap. He was barely twelve years old, and looked younger than he was, and in some ways thought still younger than he looked. He was aware, all-too-aware, of these deficiencies.
"You know his name? My brother's name?"
"His name?" the King cried in horror.
"Then you do know it. Say it aloud. Say it to many people. Say, 'He must come to help Ambrosia. His sister is in danger.' By then I will be, you know."
The King simply stared at her, aghast.
"He has a way of knowing when people say his name," the King's Grandmother, the Lady Ambrosia, continued calmly. "That much of the legend is true. But more is false. Do not be afraid. Say the name aloud. You are in no danger from him; he is your kinsman. He will protect you from your enemies, as I have done."
From the far end of the corridor echoed the sound of axes on wood.
"I had hoped to go with you," his Grandmother continued evenly, "but that will not be possible now. You will have to find someone else to help you; I wish you luck. But remember: if you do not find my brother, I will surely die. Your Lord Protector, Urdhven, will see to it. You don't wish that, do you?"
"No!" the King said. And that, too, was a lie. It would be a relief to know he had failed Grandmother for the last time.
"Go, then. Save yourself, and me as well. Find-"
Knowing she was about to say the accursed name, her damned brother's name, he covered his ears and ran past her, skittering down the broad stone steps beyond. He passed the corpse of the fallen soldier. He kept on running.
By the time the light filtering from the top of the stairway failed, he could see a faint yellowish light gleaming below him. When he reached the foot of the stair, he found a lit lamp set on the lowest step.
His feelings on reaching the lamp were strong, almost stronger than he was. He knew that his Grandmother had set it here to give him not only light, but hope. It was a sign she had been here, that she had made the place safe for him, that he need not be afraid. As he lifted the lamp, he felt an uprush of strength. He almost felt he could do the task his Grandmother had set him. He swore in his heart he would succeed, that he would not fail her this time.
Choosing a direction at random, he walked along the tunnel to its end. There he found a flight of shallow stairs leading upward. He climbed them tentatively, holding the lamp high. At the top of the stairs was a small bare room with one door. The King turned the handle and looked out.
Outside was a city street. It was long after dark, and wagon traffic was thick in the streets, in preparation for the next day's market. (Cartage into the city was forbidden during the day, to prevent traffic jams.)
The King closed the door and sat down on the floor next to his guttering lamp. But presently it occurred to him that sooner or later the Protector's Men would discover the tunnel and draw the obvious conclusion. No matter how dangerous the city was at night (he had heard it was; he had never set foot in the city unattended, day or night), he knew he should leave this place.
He stood impulsively and, leaving the lamp behind him, stepped out into the street.
Night to the King meant a dark room and the slow steps of sentries in the hallway outside. Night was an empty windowcase, a breath of cold air, the three moons, wrapped in a smattering of dim stars, peering through his windows, and the sullen smoky glow of Ontil-the Imperial city-to the east. Night was quiet, and the kind of fear that comes with quiet, the fear of stealth: the poisoned cup, the strangler's rope, the assassin's knife.
This night was different: a chorus of shouting voices, the roar of wooden wheels on the cobbled street, the startled cries of cart-horses. It was like a parody of a court procession, with the peasants in their high carts moving in stately progress-when they moved at all. The King, who had never been in a traffic jam (though he had caused many), wondered why they were moving so slowly, when they were all so obviously impatient. Then he saw that they all had to negotiate a sort of obstacle at the end of the street: a row of stone slabs stretching across the way, so that each cart had to slow to fit its wheels through the gaps in the stone causeway, and all the carts behind it perforce slowed as well. When the stones were higher than a cart's axles, or when no gap in the stones corresponded to the width of a cart's wheels, the delay was longer; the cart had to be pulled over, or unloaded and lifted over, or shunted aside.
Above the chaos of lamps the stars were almost invisible, but the King could see Trumpeter, the third moon, standing bright beneath the sky's dim zenith. The major moons, Horseman and great Chariot, were down-this was the month of Remembering, the King remembered. (He didn't have to bother much with days or months; he just did as he was told when someone told him to do it.)
Fascinated, the King crept along the narrow stone walkway toward this center of activity. Before reaching it he saw that, beyond the relatively narrow street, there was a great square or intersection into which several other streets emptied out. All of the traffic converged on one very large way that seemed to lead to the great marketplace or market district. (The King was hazy about the geography of the Imperial city, one of the two that he, in law, ruled.)
It was horrible, with the noise and the dust and the reek of the horses-sweat and manure-and the shouts of the peasants and the glare of the cart lamps (dazzling in the darkness of the otherwise lampless street). Horrible but fascinating. The King believed that the noise, the dirt, the confusion would drive anyone mad. But the peasants did not seem mad, only annoyed. The King had no idea where they were coming from, and only the vaguest as to where they were going, but did not doubt there was backbreaking drudgery at either end. The King was not exactly sure what "backbreaking drudgery" entailed, but it was something (he had been told many times) that was not expected of him. This relieved him greatly, as he considered his life hard enough as it was. Surely none of these peasants had a Grandmother like the Lady Ambrosia, or an uncle like Lord Urdhven.
On the far side of the street he saw three figures, cloaked, masked, booted, gloved, all in red. They carried something between them ... he saw an arm trailing on the ground and realized it was a dead body. So the red figures must be members of the Company of Mercy, the secret order that tended to the sick and buried the bodies of the city's poor-no one knew where. There were strange stories about the red Companions; no one ever saw their faces, or knew where they came from. There were bound to be stories.
One of the red-masked faces turned toward him as he stood on the sidewalk, open-mouthed, watching the traffic pass, and it occurred to him again that the Protector's Men would be coming for him soon. At the moment he was just another mousey-haired, underdeveloped, twelve-year-old boy in dark clothes wandering the city streets. But when the Protector's Men started asking questions, some of the people passing by might remember that they had seen him. He had to get on his way, and immediately.
But where should he go in the dark city before him? What was he to do? To find Grandmother's brother, of course. But he would have to ask someone. There were many people here, many of them from outside the city, some of them, perhaps, from very far away. This was the place to begin.
The King shrank from the thought of what he was about to do. But the memory of the lamp in the dark tunnel returned to him, renewing his hope and his strength. And there was a trembling exultation in the thought that if he succeeded, he would bring hope to his Grandmother as she had brought hope to him. He had never done anything like that before.
Not allowing himself to think, he leapt away from the wall and hopped from stone to stone across the intersection, as if they were the stepping-stones in his garden stream in the palace. A cart was slowly being pulled through the gap in the stones.
"The Strange Gods eat these roadblocks," the driver was cursing. "They should make them all the same size. How's a man supposed to bring his goods to market?"
"We could market at Twelve Stones," the driver's shadowy companion observed.
"They won't pay city prices, my lad. When you-Hey! What do you want?"
This last was addressed to the King, who had leapt over to cling to the side of the cart.
"Help me!" the King said.
The driver turned to look at him. He was a heavy-shouldered peasant in a dark smock. His face was sun-darkened; it had flat features and flat black eyes like stones, and a flat gray beard. "Help you what?" he asked reasonably. Beyond him the King could see his companion, a gaping young man with straw-colored hair and the barest beginnings of a beard.
"Help me find ..." the King began, then stopped. Who? Grandmother's brother. But she wasn't really his grandmother-he just called her that because it was shorter than "great-great-great-great-etc. grandmother." And what did you call the brother of your great-great-who-knows-how-many-greats grandmother? He didn't think there was a word for that.
"My ... she ... I'm ... my ... my ... my-"
"Get your story straight," advised the driver as the cart surged forward into the open; with dispassionate skill, he lifted his whip and cut the King across the face.
Too shocked even to scream, the King felt, as from a great distance, his nerveless fingers let the cart go; he fell to the filthy cobbles of the open square. Dazedly he watched the lamplit cart roll away in the dark toward the other lights clustering at the thoroughfare entrance.
Slowly the King rose to his feet. The whipcut was a red lightning-stroke of pain across his face, and other dark fires were burning on the side of his head, his right side and limbs where he had fallen. He did not fully understand why the driver had done what he did. But he guessed that the same thing would happen unless he did as the driver had advised, and got his story straight.
He would not tell them about his Grandmother. (That would only frighten them away, because she was the Protector's enemy, and the Protector ruled everything now.) He would not tell them anything-except what she had told him to say. Say the name aloud ...
He climbed back up on the stepping-stones and bided his time. Presently a cart came through and, while it was fully engaged in passing through the line of the stepping-stones, he jumped into the tarp-covered back of the wagon, landing on his feet, and prepared to dodge whip-strokes.
"Hey, thief!" shouted the driver, a heavyset elderly man raising his whip (as the King had feared).
"No, Rusk!" the passenger, a woman of the same age, cried. "It's a little boy!"
The King did not think of himself as "a little boy." He had seen little boys from far off, playing in the streets below the walls of the palace Ambrose, and he was not much like them. He usually thought of himself as "a child," since that was how others referred to him when they thought he was not listening, often quoting the ancient Vraidish proverb "the land runs red when a child is king."
Excerpted from Blood of Ambrose by James Enge Copyright © 2009 by James Enge. Excerpted by permission.
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PROS: "Blood of Ambrose" does a good job telling the tale of an "epic fantasy" without being 7+ books long. You learn the back story through the dialog and flashback. Also, Enge doesn't waste pages explaining how the magic works. The reader is dropped right into the plot. Enge does a great job characterizing and making the reader feel in touch with the characters, as strange as they are. The story is fairly common; one surviving heir as the protagonist and an antagonist trying to claim the throne for himself. The quirkiness of the heir's "grandmother," her brother and his apprentice is what makes this a 4 star novel. CONS: Enge wasted a lot of time creating the astrology of his fantasy planet. He even went as far to create an appendix discussing the phases of the moons. The problem with all this work is that only 3 or 4 moon phases are mentioned in the book and they are not crucial to the story. A map would also have been helpful. Enge wrote up an appendix describing the continent, making it possible to create your own map, but the author's drawing would have been better.
Echos of David Eddings style, excellent charactors made real with personalities both good and bad. This is a page turner, you hate to put down. King Lathmar VII is much to young to have to shoulder the burdens he is given. But fortunately he has a cadre of magic users and fighters to help him struggle along. I rarely write LONG book reports, I just want you to know. buy this book, you will really enjoy it. More to come I hope.
I myself was a bit dissapointed in this book, still giving it 4 stars because the potential in the land,character's and the story idea pull's you through until the end. But I am dissapointed in the lack of the magical (system) such as where the power these "biengs" have comes from, other than a bloodline, its limits where just too shaded for me I felt disconected from this read but enjoyed moments but did not get pulled in. Mysterious figures are at the least exciting and you want to know more about them (part of the mystique) but in this book needed more than the brief and shaded view you get from a powerful (family) that this book centers on. authors are getting more engaged with their characters more it seems lately, in my opinion and books I have read. But I do not give this a bad review and hope it dosn't seem that way,and this might be from going from one book to another author that you felt pulled into , then anything other than that world you might find lacking. this might be the case in my opinion of this book. I was really hoping to be dragged away in this world but it just did not happen, felt strange trying to explore this world. I was definetly just reading this book, but it was a good story but I felt it had much more potential than what I was given. It has been awhile since I read this book, might have been a different review right after finish, but I set this down a few times I remember, but still 4 stars mostly for what it could have been.
His uncle Lord Urdhven killed his parents leaving the twelve year old heir to the throne of the Empire of Ontil, Lathmar, under his blood-soaked relative's protection. The frightened pre-teen feels alone, expecting his ambitious Protector to kill him one day if he objects to any decisions. Dismayed and depressed Lathmar has no hope as he knows he is just an expendable puppet.------------ Everything changes when two of his ancient magical kin arrive at Ontil to raise Lathmar and help him one day regain the throne and depose his odious usurper. Ambrosia is calculating but reachable while her irritable companion Morlock is sinister and frighteningly unreachable. As Lathmar becomes a young man ready to claim his throne from his Protector, Urdhven revises his gory plans for his nephew; as the lad is becoming increasingly rebellious. Lathmar constantly tries to please his beloved relatives who have raised him as if he was their child; which in their mind he is.------------ BLOOD OF AMBROSE is a strong coming of age fantasy as the key four players in this waltz seem genuine. Urdhven comes across as a combination Lord and Lady Macbeth merged with Hamlet's uncle while his nephew grows in confidence with maturity and nurturing from his ancient relatives. Although typical of the sub-genre, this excellent tale is worth reading as it's the lad's journey that makes for a superb fantasy.-------- Harriet Klausner