Blood of the Prodigal (Amish-Country Mystery Series #1)

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.

1131883039
Blood of the Prodigal (Amish-Country Mystery Series #1)

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.

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Blood of the Prodigal (Amish-Country Mystery Series #1)

Blood of the Prodigal (Amish-Country Mystery Series #1)

by P. L. Gaus
Blood of the Prodigal (Amish-Country Mystery Series #1)
Blood of the Prodigal (Amish-Country Mystery Series #1)

Blood of the Prodigal (Amish-Country Mystery Series #1)

by P. L. Gaus

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$16.99 

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Overview

P. L. Gaus’s Blood of the Prodigal, a mystery in the tradition of Tony Hillerman, is back in a new edition, including an exclusive interview with the author, discussion questions for reading groups, and a detailed map and driving guide to Holmes County, Ohio, with everything one needs to visit the iconic scenes depicted in the story.

In Holmes County, Ohio—home to the largest Amish and Mennonite settlements in the world—mystery and foreboding lurk in the quiet Old Order Amish community led by Bishop Eli Miller.

The illusion of peace is shattered one early morning when a young Amish boy goes missing—abducted from his home and from Bishop Miller’s care. At first, the bishop suspects the child’s father, who was exiled from the Old Order ten years ago, but a murder soon casts doubt on the bishop’s theory. With a strong distrust of law enforcement and the modern “English” ways, the bishop must put his faith in an unlikely partnership with Professor Michael Branden before it’s too late.

With the help of the peaceful pastor Cal Troyer and the reckless Sheriff Bruce Robertson, Branden plunges headlong into the closed culture to unravel the mystery of the missing child and uncover truths many would prefer to leave undisturbed.


Product Details

ISBN-13: 9780821440605
Publisher: Ohio University Press
Publication date: 02/14/2020
Series: Amish-Country Mystery Series , #1
Sold by: Barnes & Noble
Format: eBook
Pages: 235
File size: 2 MB

About the Author

P. L. Gaus is the author of seven books in the Amish-Country Mystery series. He lives in Wooster, Ohio, an area that is close to the world’s largest settlement of Amish and Mennonite people. Gaus lectures widely about the lifestyles, culture, and religion of the Amish.


Visit his website at P. L. Gaus




Read an Excerpt



Chapter One


Friday, May 22
4:30 A.M.


LIKE all Amish children of ten, Jeremiah Miller had known his share of sunrises. Morning chores had long since taken care of that. Every day brought the same duties. His grandfather had made it clear. Children were for working. Life was supposed to be hard. Generally, for Jeremiah, it was.

    But lately, Jeremiah had discovered something new and wonderful in his dawn chores. Something exhilarating. Also a bit frightening, because he suspected it was forbidden. It was so simple, he thought, who could object? If he arose before the others and slipped out quietly, he could be alone, drawn awake early by the allure of a solitary Ohio dawn.

    It had begun last winter. None of the other children had understood. After all, who would choose to be alone? So he kept it to himself, now. Even Grossdaddy didn't know. It was Jeremiah Miller's little secret. At so young an age, he had already discovered that the dawn could give him a sense of identity separate from the others. And this was his first act of nonconformity. Among the Gemie, that was considered evidence of pridefulness. And pride was surely the worst of sins. He worried that it could eventually brand him a rebel. Like his father.

    He'd dress quietly in the clothes his grandmother had made—clothes that were identical to those of other Amish children. Long underwear and denim trousers with a broadfall flap. A light-blue, long-sleeved shirt with no collar. A heavy denim jacket. Suspenders. And a dark blue knit skull cap. If he escaped the house before theothers awakened, Jeremiah Miller was free.

    In the barns before sunrise, only the Coleman lantern kept him company, hissing softly as he drifted among the animals, in and out of the stalls. In winter, there was the enchanting, billowing steam his breath made in the crisp air. The delightful crunching of his boots in the snow. There was, especially, the peace and the solitude, and at only ten, Jeremiah Miller had come to reckon that dawn would always be his favorite part of the day.

    Today, late in May, it was nearing the end of a season still often raw and bleak, the usual for a northern Ohio spring. Some days were almost entirely awash in gray. Yesterday, there had been only the barest hint of a sunrise, delicate shades of pink as he had worked alone at morning chores. Then an afternoon drizzle had developed into a steady, all-night rain as a storm front moved in off the great lake, a hundred miles to the north.

    Jeremiah slipped out from under the quilts and sat, wrapped in his down comforter, on the edge of the bed. He listened there a while for sounds of his family stirring. Hearing nothing, he drew the ornate quilt around his waist, eased lightly across the plain wooden floor to the window, pulled back the long purple curtains, and peered out. Yesterday's rain had slackened to a cold drizzle. He saw no hint of sunlight at his window, but as he was about to release the curtains, the headlights of a rare car flashed on the foggy lane in front of his house. He briefly thought it strange, and then, hitching up the comforter, he let the curtains go slack.

    He sat on the edge of the bed and pulled on his shirt and denim trousers. He glided down the hall, the wooden floor cool beneath his stocking feet. He passed the other bedrooms carefully and crept down the stairs. He eased through the kitchen unerringly in the dark, lifted his jacket from its peg, pulled the heavy oak door open, and slipped through the storm door onto the back porch.

    There would be no supervisions on the rounds of his morning chores. No instructions if he worked alone. No corrections. No reminders to conform. The hours before dawn were his alone. The one time of each day when he owned himself entirely. Jeremiah had discovered that solitude was personal. More personal than anything else he had ever known.

    On the back porch, he stuffed his feet into his cold boots and laced them, hooked his suspenders to the buttons on his plain denim trousers, and closed the hooks on his short, denim waist jacket. Reaching down for the green Coleman lantern, he gave the pump several adept strokes and lit the silk mantle with a wooden match. Then he rolled his thin collar up and stepped off the porch into the rain.

    School would close soon for summer, he thought. He set the lantern on the muddy ground outside the massive sliding doors to the red bank barn. School wasn't so bad. And summers could be long. So why did Grossdaddy speak so bitterly of school?

    He set his weight against the sliding door and forced it heavily sideways on its rollers. Grandfather would like the teachers, if only he'd come to visit the school. It was just down the gravel lane, less than a mile. Teacher stayed late every day, and they could talk. If only Grandfather would. The other men thought well of teachers, so why didn't Grandfather? Jeremiah only knew that something had happened long ago. Something that would never be discussed. He suspected it had something to do with his father.

    A nervous black kitten launched itself through the crack between the sliding doors at his feet, and he sidestepped it superstitiously.

    "Kommen Sie," he called gently after the cat, momentarily curious. He whistled for it softly, shrugged, picked up the lantern, and squeezed through the narrow opening between the doors.

    The three-story bank barn was set into the side of a hill behind the big house. At the bottom of the hill, the sliding doors opened to the lowest level of the barn. The top of the hill gave access, on the other side of the barn, to the second level. There were nine stalls down the right side of the lower level, and eight down the left. The avenue down the middle was strewn with fresh straw. Five massive oak uprights stood in a line down the middle of the avenue, taking the weight of the roof. The crossbeams were made of walnut twelve-by-twelve's. The haylofts ran high above, on either side of the third level, planked out in rough-hewn maple and elm. Long runs of rope and chain looped through a large wooden block and tackle, which was hung from an iron wheel that ran high in the rafters on a rail the full length of the peak. Leather harnesses and collars hung in front of each of the stalls. At the far end, the rakes, mowers, and threshers stood silently in the wide avenue. Their iron wheels were easily a head taller than Jeremiah.

    Inside, Jeremiah climbed onto a stepstool to hang the lantern against one of the upright beams, and hopped down in front of the first stall. He scaled the slats of the gate and made a clicking sound with the inside of his cheek against his teeth. He balanced on his toes near the top of the gate and reached up to stroke the nose of the Belgian draft horse, light chestnut brown with a creamy white mane. As it thumped ponderously in the straw, Jeremiah rubbed at its wet nose and bristling hairs, then jumped down with a laugh and took the tasseled whip from its hook beside the stall.

    He snapped the black whip playfully overhead and grinned, mindful that his Grandfather's were the very finest of all the Belgians in Holmes County. That was good, not prideful, he thought. Not prideful to admire a good horse. After all, God had made them Himself. And hadn't Grandfather promised that his time would soon come to work a whip behind them? To learn to plow. To run a harrow. To handle a team of Belgians! A boy should not go to school forever, Grossdaddy had said. Why should a boy be smarter than a father?

    As he played with the whip, the unexpected aroma of tobacco drifted Jeremiah's way. Startled, he remembered the skittish cat and the weird headlights earlier on the lane. He stood tip-toe on the stepstool, took down the glowing lantern, held it high overhead, hesitated a fateful moment, and moved apprehensively toward the far end of the barn.


IN THE milky light of dawn, a small girl in a black bonnet stood on the elevated lawn in front of the Millers' white frame house. Her bonnet was tied close against her cheeks, with thin cloth strands under her chin. Her narrow shoulders were draped properly with a black shawl that was knotted loosely in front and covered her hands. In the delicate morning light, her long pleated skirt showed the barest hint of rich peacock blue. She was motionless except for her large, tranquil brown eyes as they followed the headlights of a car approaching on the lane.

    The hollow sound of slow tires crushing loose gravel ground to a halt as the car rolled up to a mailbox mounted on the white picket fence. The driver's window rolled down, revealing police insignias on the sleeve of a blue jacket. The driver reached out and flipped an envelope into the mailbox. As the girl watched silently, the car sped off, throwing gravel, its taillights disappearing into the lingering fog.


Chapter Two


Thursday, June 18
9:00 A.M.


ON A clear summer morning, Bishop Eli Miller drove his top buggy into town along little-used township roads. The buggy was a one-seater, a boxy, covered affair of the typical Ohio Amish style. The large wooden wheels carried iron rims, not rubber, as was proper among the bishop's sect of the Old Order. The roll curtains on the side windows were tied up, as was the curtained windshield over the wide dash. The hooves of the horse swung left and right in front of the rig, and struck a steady gait of hollow clicks in the gravel. The horse was well-lathered and had started to tire, but the bishop, in a somber mood, kept after him with an unrelenting whip.

    Bishop Miller was dressed in dark blue denim trousers with cloth suspenders, a long-sleeved white shirt, and a collarless black vest with hooks and eyes instead of buttons. He wore precisely the one type of white straw summer hat that was currently approved in his district. To the English who saw him that day, he seemed plain, Amish, nothing more. Certainly no different in dress and demeanor than any Amish man, on any particular day. In Bishop Miller's district, as for all Old Order Amish, that was the whole point. Look the same, live the same, stay the same. To live every day in tranquillity.

    Today, only a few would be any the wiser. Those who, studying his face closely, could have discerned the weeks of anguish in his reddened eyes. Little else betrayed him. Neither his dress nor the buggy. Perhaps only the horse's unusually brisk pace and heavy lather.

    The buggy was entirely flat black. It sported no frills. Nothing in the way of vain decorations, horns, mirrors, paint, shiny metal, or any other of the various ostentations of the more liberal Wayne County Amish congregations to the north. These, he thought, had compromised with the world. Surely in the north, the bishop mused, the Gemei had lost its way.

    The narrow wheels of the buggy cut wispy lines into the berm. Miller worked the horse with the reins, staying carefully to the right. A car roared by, shaking the rig in its backdraft. The horse skittered, and he whistled softly and worked the reins to steady him. Another auto blared its horn and sped around. The impatience surprised Miller. Rather, it puzzled him. "English," he whispered disapprovingly, as a pickup blared behind and passed abruptly. A day spent among them was a trial. "Remember," his wife had said, "you have not chosen this." Wise, he thought. And righteous. "Thank you, Lord, for the counsel of a Godly woman," he prayed.

    The deacons, too, had urged him. Use the pastor to approach the professor. If the professor wouldn't help, maybe the pastor would. Pastor Caleb "Cal" Troyer was known among the plain people. They would trust him, and Professor Branden, too, but no one else. Certainly not the law.

    His grip on the reins went limp as he shook his head, lost in thought and prayer. Little Jeremiah had been taken nearly four weeks ago. The burden of his chores had fallen to the other children. And lately the bishop had begun to doubt. The deacons had sensed these doubts in his prayers. He hadn't spoken of it outright, but still they knew. Doubts about his outcast son bedeviled him endlessly, now, almost as much as the loss of his grandson.

    It was the same for his wife, although she never spoke of it. He knew that she never would. That was their way. So it had always been. Es steht geschrieben—it stands written. So it shall always be. From this, he assured himself, they drew strength for the life of separation. For the one true path to salvation.

    Bishop Miller found himself staring down blankly at the reins. He forced himself upright and snapped the whip grimly. His son had been lost more than ten years ago. "Lord," he prayed today, "not my grandson too."

    He had started out before dawn, carefully traveling the remote gravel roads and township lanes in southern Holmes County, heading up out of his Old Order Amish district, toward the city, where greater prosperity had enticed the brethren into easier lives. Into compromises with the world. It was the city that had drawn too many of the brethren away from the paths of righteousness.

    Today was Thursday, a day for labor. He'd not normally have forsaken the chores of the farm for a journey into town. But the deacons had agreed. In point of fact, they had urged him to go.

    After days of prayer, he had relented. The child had shown promise with the Word. Jeremiah's gift was to speak of the Book. He'd surely be called, in his day, to be a Diener zum Buch—a preacher. An interpreter of God's character in the scriptures. And he must not be sacrificed to the world. Not for so much as a single summer.

    On the south edge of town, Bishop Miller watered his horse at the buckets set out in front of the Wal-Mart store and pulled the buggy into the parking lot of the Pizza Hut on the other side of the street. He stepped down and around to the back, lifted a faded green canvas feed bag out of the buggy, and walked to the front to hang the bag over the horse's ears. He tied the reins around a light pole next to a telephone booth, and then he ran his hand along the rump of the horse, reached up into the seat of the buggy, and lifted out his black metal lunch pail.

    As he lunched with the horse, a teenage girl came out of the Pizza Hut and sauntered over to the phone booth. She looked him over disdainfully, made a quick call, and then stood impatiently beside the phone until a rusty truck arrived, driven by an older man in a ragged tee-shirt. As she got in, he gunned the engine, popped the clutch, sprayed gravel toward the bishop's buggy, and drove away shouting vulgarly out the window.

    The bishop shook his head, took down the feed bag and carried it wearily around to the back. Then he tightened the lathered hip straps at the breeching, dried his calloused hands on his trousers, climbed back into the buggy, dropped the plain black curtains on the buggy's windows, and teased the horse into awkward back steps. Once clear of the phone booth, he snapped his whip, brought the horse to a determined pace, drove further north into town, and turned onto a side street in a working-class neighborhood. He traveled several steep blocks through the hills of Millersburg and pulled into the gravel parking lot of a white frame church. Out front there was a plain white sign that read: "Church of Christ, Christian. Pastor Caleb Troyer." It gave the times of the Sunday morning, Sunday evening, and Wednesday night services. A color poster planted on the lawn announced the details of this year's Vacation Bible School.

    The bishop entered a side door of the small church and remained inside for nearly an hour. When he emerged, he turned around on the steps of the church to study the pastor's face. Cal Troyer was a short man with a round, leathered face that marked him in those parts of Ohio as likely descended from the Amish. He had flowing white hair and a heavy, tangled white beard with no hint whatsoever of its original color. He was dressed in workman's blue jeans and a denim shirt. He had a carpenter's belt strapped to his waist. A ladder stood against the gutters of the church house, where he had been working earlier that morning.

    The bishop took his hand and shook it firmly, gratitude showing openly on his face. He gazed an extra moment into Pastor Troyer's eyes. With proper grooming, once shaved around the mouth, Cal Troyer would easily pass anywhere for Amish. Perhaps his hair was too long, but that was easily remedied. The deep tan on his face and the powerful muscles in his short arms had always brought him respect with the Gemei. Troyer was a preacher, but he earned his way in life as a carpenter. And the way the bishop figured things in these perverse times, that was not far at all from the true calling.

    In truth, it was Troyer the bishop had wanted, but he was resigned now to the fact that, with the preacher leaving in a few days for a missions conference, that wouldn't be possible. But Troyer had vouched solidly for the professor, and the bishop had taken him at his word. The deacons had agreed. They would place their trust in Professor Branden if Troyer would assure them that they could do so. If not for that, the Bishop would have driven home and closed his doors, resolved to ride it out alone, without the aid of any English at all.

    But, as he walked to his buggy, the bishop's hopefulness began to fade. Whatever else, wasn't Cal Troyer still one of de Hochen, the high ones, the "English"? Wasn't he of the proud people, not the plain? Not of our people, unser Leut. And if not plain, then perhaps not entirely trustworthy. He turned at his buggy and glanced back at Troyer on the steps of the small meeting house. A line from the Liedersammlung song book came to the bishop's mind. "Demut ist de schönste Tugend"; humility is the most beautiful virtue. He gazed a moment longer at Troyer and was reassured by what he saw. Cal Troyer was not schtolz, not proud. Rather, he was possessed of deep humility. Staring at Troyer from the seat of his buggy, Bishop Miller resolved finally to rest his hopes in the hands of Professor Michael Branden, on the word of this humble country preacher, the least prideful of all de Hochen the bishop had known—a fitting resolution of their dilemma, considering that all of their trials had begun, nine years ago, with the death of little Jeremiah's mother, the most profane of all de Hochen the bishop had ever known.


Chapter Three


Thursday, June 18
11:30 A.M.


A MILE or so south of Millersburg, in the wooded hill country sheltering the largest Amish settlements of Ohio, Cal Troyer eased his truck over the berm onto an isolated lane and dropped into a hidden glade near a long forgotten farm pond. Tranquil glens tucked away in nearly every corner of Holmes County hold spectacular bass ponds, made available to only a select few, and those few almost exclusively Amish. This particular pond, stocked years ago with fingerlings, had been fished by only Pastor Caleb Troyer and Professor Michael Branden.

    They had acquired the privilege while working for a farmer who could not otherwise have paid them. "Working a case," as the professor's wife Caroline liked to tease. It had concerned a chemical problem with fertilizers used on a nearby English farm, plus runoff disputes, and the EPA. Children had taken sick. Farmers in the valley had been blamed. The EPA, it developed, had been wrong, at the cost of several livelihoods.

    The bass pond had been Branden's idea. He and Cal Troyer would accept no fees. But, in return for their help, they would fish the pond for life. The land would never be sold without provision for this.

    Cal dropped the truck into low and chuckled, thinking it no surprise to find Mike Branden fishing here, today, working the far edges of the pond with a spinner bait. Troyer parked in tall weeds at the tree line, eased himself out of his rusty truck, and leaned back against the hood, watching, his short arms folded across his chest. His thoughts drifted to the first summer they had spent here, and his eyes turned up to the dilapidated farm house on the hill.

    Branden cast into the shallows at the opposite edge of the pond and retrieved the spinner quickly, churning its blade just beneath the surface. At a point where the color suggested deeper water, a surge erupted under the spinner, and the bait jerked sideways under the impact of a strike. He played the bass on his arching rod, brought it steadily to him, lipped it with his thumb and forefinger, and held it up for Troyer, who acknowledged it with a wave, as Branden extracted the hook with a quick twist and tossed the fish back into the pond.

    As Cal watched, Branden worked around the pond toward him, casting into each irregularity at the bank. He cast over weeds, tree roots, and stumps, the sport completely absorbing him. Here, nothing of Branden's academic life could reach into his mind. Neither the petty politics of academia nor the inflated egos of his colleagues. No pressure from the administration for speeches to rich alumni groups. No endowment headaches. No urgent phone calls from the dean. No manuscripts to review. No campus mail. No committees.

    Today, he had nearly managed to forget the Federal Express envelope that lay unopened on his desk. A phone call yesterday from a southern university had prepared him. He was to be offered an endowed chair in the history department. Prestige and money he'd never known. Reduced classroom duties. "An escape from the small college arena" was how they had worded it. Now Branden wondered if he was obliged even to open the envelope.

    To open it would, perhaps, prove altogether too complicated. Caroline was strong again. They had buried two children, now, each miscarried without warning, and he and Caroline had sunk their roots deep into Millersburg during their grieving. People like Cal Troyer and Sheriff Bruce Robertson, both childhood friends of Branden, had helped them carry their burden of sorrow and loss, and slowly the void in their lives had filled somewhat, and healed over. So the question for him wasn't about prestige and money, anymore. At one time it might have been. Not now. Still the offer lay on his desk, and sooner or later Caroline would hear of it. Then the question would be, would it matter to her?

    Branden glanced with a smile across the small pond at Cal Troyer. Branden knew that Cal would have his gear out soon. But not too soon. First Cal'd simply watch. See how they were hitting. Then, when he was ready, he'd have a go. They had fished summers together since they were boys, and, over the years, they had developed an abiding competition. Biggest bass. Most bass. First bass. Last bass. In this, at middle age, they were still precious little more than boys.

    How long till Cal noticed that the strikes were falling short today, Branden wondered. Short strikes that hit only the trailing skirts of his lures. The first hour had brought him no luck. Then he had solved the puzzle. The bass were on an early spawn and striking territorially, not feeding. So he had trimmed the skirts back, added a stinger hook, and scored half a dozen in as many minutes. As he worked toward Cal, he bagged two more and released them.

    At the pastor's truck, Branden leaned against the hood next to Cal. "I thought maybe you weren't coming," Branden said.

    "Just held up, is all," Cal replied. He studied Branden's lure with unconvincing disinterest, saw the trimmed skirt, tapped the hemostat clamped to Branden's vest, and asked, "Short strikes?" as if it'd be obvious to anyone.

    "Not at all," Branden said. Then he shrugged a smile and ambled over to the water.

    Troyer followed.

    "You're not fishing, yet," Branden offered. "I know you too well, Cal. Something's on your mind."

    Troyer picked up a stone from among the tall weeds that had overgrown the lane next to the pond. He tossed it absently into the water and answered, "It's a missing child."

    "How old?"

    "Ten."

    "How long?"

    "About a month."

    Branden wound slack line onto his reel. He thought for a moment and then said, "Police aren't involved?"

    "It's Old Order Amish," Cal said. "Bishop Eli Miller. One of the strictest in Holmes County, though his sect isn't the most backward in the county. His grandson has turned up missing. He knows who has the boy, just doesn't know where. He wants to meet you."

    "How would he know anything about me?"

    "I reckon word gets around."

    "I reckon you'll have told him something."

    "Told him you're a mostly harmless, absent-minded professor who has little better to do in summers than wet an occasional line."

    "He'll think me a shirker," Branden complained with a laugh.

    "He did say something about idle hands doing the devil's work. So I told him of the various people you've helped over the years."

    "We've helped."

    "All right, we've helped. I could have told him more, but he seemed satisfied."

    "I'm supposed to have used my summers to think deep thoughts, write papers, attend conferences, that sort of thing," Branden offered. Then he grinned, held up his pole, and said, "Tenure does have its benefits."

    "I leave Tuesday for the missions conference. I can help you get started locally, but that's about it." Cal shrugged and smiled apologetically.

    "A missing Amish boy?" Branden asked.

    "Kidnapped, essentially."

    "Old Order?"

    "Moderate Old Order. Weaver branch. One of the strictest bishops."

    Branden's gaze drifted to the long-deserted farmhouse on the hill. Gutters sagging, paint chipped, shutters fallen down. "Remember the summer we worked here, Cal?"

    Cal nodded silently.

    "That case was also tangled up with the Old Order."

    Cal held his silence, waited.

    Branden mulled it over. After a few minutes, he asked, "And I'm to talk with the bishop?"

    Cal nodded. "He'll be at Becks Mills. At the general store in the Doughty Valley, about an hour from now. I'm to bring you there, and then he'll want you to ride with him a spell. He said something cryptic like 'in a month, none of this will matter,' so we've only got that much time to find the boy. But, still, the bishop will want to take some time to get to know you, sound you out. It may take a day or two, I don't know. He explained the whole thing to me as if time was short, but I gather he's already sat on his hands a good while, as it is."

    Branden thought about that while toying absently with the line on his pole.

    Cal explained a little further. "Look, Mike. We've known it was like this with the Old Order since we were kids. It's just the Amish, that's all. He came to me, but he'll accept you. And you know it's flat-out amazing that he's come into town to ask for anyone's help. So I imagine there's more to this case than he's told me. It'll take time before he trusts us enough to bring us all the way in. For now, we're going to have to handle this the Amish way. Say little. Listen a lot."

    "And what'll you do while I clatter around in his buggy?"

    Cal reached down to Branden's lure, lifted it on the tips of two short fingers, noted where the skirt had been cut, and then grinned and helped himself to the hemostat clipped to Branden's fishing vest.

Table of Contents

Cover

Contents

Preface

A Journey through Holmes County’s

Blood of the Prodigal

1. Friday, May 22 4:30 a.m.

2. Thursday, June 18 9:00 a.m.

3. Thursday, June 18 11:30 a.m.

4. Thursday, June 18 1:00 p.m.

5. Thursday, June 18 4:30 p.m.

7. Friday, June 19 3:00 p.m.

8. Friday, June 19 9:30 p.m.

9. Saturday, June 20 11:45 a.m.

10. Saturday, June 20 2:00 p.m.

11. Monday, June 22 9:00 a.m.

12 Monday, June 22 10:30 a.m.

13. Monday, June 22 3:45 p.m.

14. Monday, June 22 4:00 p.m.

15. Tuesday, June 23 8:00 a.m.

16. Tuesday, June 23 5:00 p.m.

17. Tuesday, June 23 7:00 p.m.

18. Wednesday, June 24 3:00 p.m.

19. Wednesday, June 24 4:00 p.m.

20. Wednesday, June 24 6:00 p.m.

21. Thursday, June 25 6:00 a.m.

22. Thursday, June 25 9:00 a.m.

23. Thursday, June 25 12:45 p.m.

24. Thursday, June 25 11:30 p.m.

25. Friday, June 26 8:30 a.m.

26. Friday, June 26 9:15 a.m.

27. Friday, June 26 8:45 a.m.

28. Friday, June 26 10:30 a.m.

30. Saturday, June 27 10:00 a.m.

33 Saturday, July 4 11:30 a.m.

Q & A with Author P. L. Gaus

Discussion Questions for Reading Groups

Reading Group Guide

INTRODUCTION

Bishop Eli Miller leads an honest and simple life among his Old Order Amish congregation in Holmes County, Ohio. He and his people have carved out an existence quite separate from the prideful world of the surrounding English, filled with plain, hard work, but also with self-sufficiency and peace. That is, until an Amish boy, the Bishop's own grandson, is kidnapped and a once tranquil Amish community is shaken to its very core.

Wary of bringing the outside world into his private affairs, yet driven to desperation, Miller reaches out to Professor Michael Branden and Pastor Caleb Troyer, a pair of childhood friends who share a unique insight into the somewhat secretive world of the Amish and the delicate nature of the situation. Together, along with Sheriff Bruce Robertson, they attempt to unravel the mystery surrounding a lost boy, a grisly murder, and the hidden Amish world that ties them both together.

In Blood of the Prodigal, P. L. Gaus takes us deep within the often misunderstood and culturally rich world of the Amish. Every piece of the puzzle helps to unveil a story of understanding, courage, and faith.


ABOUT P.L. GAUS

Retired college professor P. L. GAUS lives with his wife, Madonna, in Wooster, Ohio.


A CONVERSATION WITH P.L. GAUS

Q. This book has a full cast of colorful characters. How do you go about fleshing out a character? From where do you get your inspiration?

When I began to write Blood of the Prodigal, I realized I would need three main characters to handle the duties in a cultural murder mystery. I also wanted to write about life in a small American town (the source of my inspiration), and it therefore seemed necessary to me that my characters should be life-long friends, and that I could show my readers more about who they are by letting them interact with one another in that small-town setting. Professor Michael Branden is the deep thinker, Pastor Caleb Troyer is the emissary to the Amish communities, and Sheriff Bruce Robertson handles law enforcement. Then, the way these three men relate to one another helps me define the essential natures of each of them. The women in their lives are no less important—the professor's wife Caroline, the sheriff's secretary/dispatcher Ellie Troyer, and the medical examiner Melissa Taggert—and I have enjoyed giving them what are sometimes the deeper insights. In this typical mix of small-town people, it is the interpersonal relationships that define who each character is. These are stories about community, culture, and a fundamental, rural competence, and the final denouement of the stories is often more about the qualities of my characters than it is about the mysteries.

Q. Mystery writing seems to carry with it a whole different skill set. How do you go about plotting out the story? What elements do you feel are integral to a good mystery?

All of my novels are plotted around one or another of the scriptural principles that guide and inform Amish culture and religion. The stories are allegories for Amish spirituality. So I start with a passage of scripture and plot out a story that aligns with it. For Blood of the Prodigal, the pivotal scripture was the 139th Psalm, and I gave it to Bishop Eli Miller to interpret it for us in the context of his loss and his forgiveness. In fact, Blood of the Prodigal is a story about the repentance and forgiveness associated with a shunning event, as much as it is a story about kidnapping and murder. It is also essential to each of my mysteries that the various plot threads intersect with the scriptural principle of the allegory, or with a principle closely aligned with it. So we have in Blood of the Prodigal the reconciliation of the bishop both with his prodigal son and with the suspect English culture from which the rescue of his grandson arises.

Q. Writing about specific religious communities can be a delicate matter. How do you approach this challenge? Are there Amish communities who are aware of your work and, if so, what is their opinion of it?

I have endeavored to portray Amish society with respect and empathy, and for the most part, I think I have succeeded. I know my books are read widely in Holmes County, and the drivers of the Bookmobiles tell me that the stories are always in demand there. But many Amish people would not give my books any attention at all, and some who have do not consider them appropriate for Amish readers. After all, they are murder mysteries. Nevertheless, everyone seems to agree that I have portrayed the culture in a sympathetic and honest manner, and English and former-Amish people who know the Amish well often marvel at how faithfully I have handled the subject.

Q. You write about the phenomenon of certain institutions capitalizing on their proximity to Amish culture without necessarily being authentic Amish establishments. What is your opinion of this? What sense do you get about the Amish opinion of this? What is the state of the Amish way of life today?

Commercialism in Holmes County, Ohio, has been steeply on the rise in the last thirty years, and it is not possible to drive even a quarter of a mile on most country lanes, there, without seeing one sign or another for goods or services for sale. The Amish are popular with the tourists, and many of them have taken advantage of that to earn a living where farming is no longer feasible. In fact, tourism is so deeply embedded into the economy of Holmes County that English folk have learned how to mimic Amish establishments, and they are profiting from the deception. Some Amish don't like this very much, but most accept it as a fact of life. If they stay in Holmes County, they often are drawn into the world of commercial tourism themselves, and if they don't like that prospect, Amish people often move to another location, and that has spawned new Amish settlements all over the country. It is sad in many ways, but I suspect it is inevitable. For a season, these people will surely enjoy the old ways, refocusing on farming and community. But often it isn't long before Amish commerce breaks out again, even in the remotest regions of America, because English people almost everywhere are drawn by genuine curiosity to know more about those curious people with the buggies and old-fashioned dress.

Q. This book is the first in a series of Amish mysteries. What are you working now? What's next for Branden, Troyer, and Robertson?

I have now finished the seventh Amish-Country Mystery. It is a story that opens with an Amish lad's confessing to murder. Set partly in the Pinecraft Amish community of Sarasota, Florida, it is a story about the human capacity for remorse, and the role of grace in forgiveness. Imagine the professor at an Amish restaurant under the thin shade of tall palms, and a boat chase on the luminous green waters of Sarasota Bay. Ricky Niell is there on the boat with Professor Branden, and as in Blood of the Prodigal, they both end up in the water.

As with my other six novels, my cast of English regulars is there, some with new and developing relationships, but none exactly the same as before. My characters have grown, married, and discovered unknown children along the way. They've wrestled with their careers and their relationships. Nevertheless, despite its unusual setting and plot, the seventh novel strikes a note in harmony with the other six, and I am now as eager as anyone to learn what will happen in the eighth novel with the professor, the pastor, and the sheriff. Considering what they've been through together, it is a comfort to me to know that they are all still close friends.


DISCUSSION QUESTIONS
  • Blood of the Prodigal explores Amish culture in great depth. How does this book affect your idea of the Amish and what it means to be Amish? How did the Amish lifestyle presented in this book differ from any preconceived notions you had about the Amish, if at all?
  • At one point in the novel, Branded observes to himself, "They're peasants, really. Not saints." What is your opinion of Branden's relationship to the Amish? What do you make of his requesting, at the end of the book, a scholarship for Amish kids looking to transition to English life?
  • Much of Blood of the Prodigal is about one's transition from one culture to another. How does this book speak to your own experiences in cultural transitioning? How do you feel the book handled that communication between two very different cultures?
  • The Amish in the book exhibit a traditional reluctance to involve the outside world in their affairs. What is your reaction to Bishop Miller's handling of his grandson's kidnapping? Of his son's murder?
  • Another powerful theme in this book is loss. How does loss inform the actions of the Brandens? Of the Millers? What roles do their individual faith, culture, and upbringing play in their relationship to loss?
  • Sheriff Robertson has a unique challenge in enforcing law on a people who are separate from mainstream society. To what extent should public law enforcement respect the deep cultural seclusion of a group like the Amish? When does the gravity of the crime outweigh the religious and cultural individuality of a people, if at all? What other tactics could Robertson employ?
  • At the heart of this novel is a multi-layered mystery. Which characters did you first suspect as the kidnapper? As the murderer? What surprised you about the ending?
  • Jeremiah witnesses his father's murder. What impact do you feel this will have on his relationship with his Amish heritage? On his idea of the English and the outside world?
  • The land is as much a character in this book as the people in it. Discuss the roles land and geography play in the story. What is the Amish relationship to the land and how does it differ from that of the English characters' relationship to it?
  • What is your opinion of Branden's shooting of Mel Brikker? Was it justified? What would you have done in that situation? What impact did this have on how you saw his character, if any?
  • When told his wife wouldn't talk until her husband arrived, Bishop Miller says, "she recognizes my authority." What did you observe about the relationships between men and women in Blood of the Prodigal? What is your opinion of the Millers? Of the Brandens?
  • How does your lifestyle differ from the Amish lifestyle? Could you see yourself in that culture? What appeals to you about it? What would you find to be the most challenging aspect of it?
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