Blood Vines

Blood Vines

4.0 75
by Erica Spindler

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In this bare-knuckled adrenaline ride from New York Times bestselling author Erica Spindler, Alex Clarkson's worst nightmares are about to come true…

A sinister, hooded figure…

When Alexandra Clarkson starts having terrifying visions filled with blood and ceremonial images, she tries to find a rational explanation - maybe her mind is

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In this bare-knuckled adrenaline ride from New York Times bestselling author Erica Spindler, Alex Clarkson's worst nightmares are about to come true…

A sinister, hooded figure…

When Alexandra Clarkson starts having terrifying visions filled with blood and ceremonial images, she tries to find a rational explanation - maybe her mind is playing tricks on her, resurrecting creepy tableaux from her research on religious ceremonies and sects. But when Alex's mother, Patsy, commits suicide without leaving behind any information, Alex is left wondering: could she be haunted by something from the childhood she doesn't remember?

Naked, writhing bodies…

Detective Daniel Reed was the last person to speak to Patsy. What he reveals to Alex is shocking. Twenty-five years earlier, Patsy was married to Harlan Sommer, one of Sonoma County's most prominent vintners, when their infant son disappeared without a trace. The loss destroyed the Sommers' marriage, causing Patsy to leave and take Alex with her.

A dead child…

Called on to investigate the identity of a baby's remains unearthed in a Sonoma vineyard, Reed had picked up a trail that led him to Patsy in San Francisco. Now Reed and Alex both wonder if the cold bones could be her baby brother Dylan, and Alex decides to accompany Reed back to Sonoma for the investigation. No sooner does she arrive, however, than she is drawn deep into the search for a twisted killer…

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Editorial Reviews

Publishers Weekly
Bestseller Spindler's underwhelming stand-alone stars Alexandra Clarkson, a doctoral student finishing her thesis in human belief systems, who was raised in San Francisco by her unstable mother, Patsy, not knowing who her father was. When Patsy is found dead, Alexandra questions whether it was by her own hand or if it's linked to a years-old crime in nearby Sonoma County—the apparent kidnapping of baby Dylan Sommer, the son of Harlan Sommer, of the Sommer family wine dynasty, and, as Alex discovers, Harlan's then wife, her mother, Patsy. Keen to find out her father's identity, Alex relocates to wine country, where she learns about the repressed first five years of her own life. Despite the happy family reunion, not everyone is pleased with Alex's return to the area, so Spindler (Breakneck) stirs the pot with a few instances of ritual sacrifice and not-so-coincidental deaths. In the end, a tidy resolution substitutes for the mouth-dropping revelation many thriller fans will expect. (Mar.)
Star Magazine on Breakneck

Ulster Tatler (Ireland)

BREAKNECK SUSPENSE...Breakneck is a taut thriller, which proves Erica Spindler is still a master of suspense. With adrenaline fused prose, you will find yourself sitting up into the wee hours unable to put the book down until you reach the very last page.
Reader to

Erica Spindler never disappoints...Breakneck literally moves at breakneck speed.
Romantic Times BOOKreviews on Breakneck

TOP PICK! Filled with well-developed, multidimensional characters, Spindler's latest boasts fast-paced action and emotional tension.... The intricately woven plot makes this novel a sure winner for readers who like to keep guessing all the way to the end. on Breakneck

A GRIPPING STORY that unfolds with breakneck speed, heart-quickening suspense and characters you can't help but root for.
Evening Telegraph (UK) on Breakneck

A MUST READ. In this gripping new thriller, we are introduced to a tough, new detective duo set to take the crime fiction world by storm...a great read.
Fresh Fiction Review

A FIRST-CLASS THRILLING READ...Breakneck grabs the interest immediately and never lets go. This is a timely and enthralling piece of work, and has a message for all computer users.

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St. Martin's Press
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Chapter One
Sonoma Valley, California
Friday, February 12
10:05 A.M.
Violent Crimes Investigations detective Daniel Reed eased to the side of the road, stopping behind the Sheriff’s Department cruiser. He swung out of his four-wheel-drive Tahoe, a small, rust-colored cloud forming as his boots landed on the dirt road. Before him, vineyards stretched across the gently rolling hills, the mustard in bloom, painting the rows yellow. The cheery yellow contrasted sharply with the dormant vines, standing like gnarled headstones in a cemetery that extended as far as the eye could see.
The Native American Miwoks had named this place Valley of the Moon. Their legend held that the moon had risen from the valley. Reed figured that’s why so much crazy shit went down here. You had your bizarro religions, whacked-out criminals and a little dark cloud of weirdness that seemed to hang over the valley.
Blame the moon. It worked for him.
Today, however, his job was to figure out who’d buried what in this torn-up vineyard.
The CSI unit pulled up behind him. The Sheriff’s Department employed its own crime scene investigators, all sworn officers. The CSI guys—and gals—worked in tandem with the VCI, forming a two-lead partnership for each case. Jointly, they were held responsible for the case.
Tanner had drawn this one, Reed saw, as the attractive blonde stepped out of her vehicle. Barbara Tanner looked a decade younger than her fifty years and had a reputation for being driven. A reputation he, unlike a few of his fellow detectives, admired.
Of course, his reputation for being a cowboy wasn’t always appreciated either. They made a good team.
He slammed the SUV door and sauntered her way. “Flying solo today, Tanner?” he called, grinning.
“Hell no, Reed. I’ve got you.”
“Born lucky and beautiful.”
“Tell that to my shrink, plastic surgeon and prick of an ex-husband.”
He laughed. “Know anything about this one?”
“Not much. Somebody found bones.”
“My bet’s on a dog.”
“Coyote, maybe.”
They reached the inner perimeter. He greeted the patrolman standing watch with a clipboard. He signed the log and handed it to Tanner. “What’s the deal?”
“Phylloxera infestation. The whole vineyard had to be ripped out.”
Tanner made a sound of distress. “Breaks my heart to see old vines like these go.”
“Tell me about it,” the deputy agreed. “You feel it in the gut, you know?”
Reed glanced at the piles of thick, gnarled stocks and branches. Century-old vines. The older the vine, the less fruit produced, but the more intense the flavor of that fruit. Nothing tasted quite like the wine produced from them.
“I’m a beer man myself,” he said.
The other two looked at him. Tanner shook her head. “You’re a weird one, Reed. You know that?”
She said it with a smile, but it was true. Here, in this little slice of the world, it was all about the grapes, the wine produced from them. The wine’s color. Its nose. The points awarded it by Wine Enthusiast. Here, invariably, idle conversation turned not to religion or politics, but to viticulture or terroir.
He’d turned his back on all that years ago.
He grinned at her. “Yeah, I know. But I wear the label well.”
“That you do.” She turned her attention back to the deputy. “The remains were found in the clearing process?”
He nodded and motioned to a group of fieldworkers sitting in the bed of a battered pickup truck. “The front loader unearthed a wooden crate, or what was left of one. Guys there figured they’d found buried treasure, got pretty excited. That changed when they got a look inside.”
“You confirmed?”
“Didn’t want to mess with the box. Took a peek, confirmed some sort of remains.”
“Human?” Tanner asked.
“Not my area. It’s damn creepy, though.”
Tanner cocked a perfectly arched eyebrow, clearly amused. “Would that be your professional opinion, Officer?”
He laughed. “As a matter of fact it would.”
Reed and Tanner ducked under the crime scene tape and picked their way to the discovery. The old vines had gone deep; ripping them up had created a mess.
Reed fitted on Latex gloves and squatted beside the find. The box was badly decomposed. In the fieldworkers’ eagerness to pry off the top, it had partially crumbled.
“Wine crate,” he said. “Or what’s left of one. Rules out a coyote.”
“Been buried awhile.”
“Lid was nailed shut.” He indicated the rusty nail that had fallen away from the crumbled wood. “Somebody gave a shit about fido. Got a pen?”
She handed him one; he used it to lift away a corner of the heavy plastic sheeting. Reed prepared himself for a wave of odor that surprisingly didn’t come.
Tanner got the first look and swore. “Holy Christ. Creepy doesn’t quite cover it.”
Not a dog or coyote, Reed saw. And not just bones. An infant, mummified.
“This is out of my area of expertise,” Tanner said. “I’ll need to call Sonoma State, get an anthropologist out here.”
Reed nodded, a sinking feeling in the pit of his gut. This picture-perfect wine country day had just turned ugly.
Excerpted from Blood Vines by Erica Spindler.
Copyright © 2010 by Erica Spindler.
Published in March 2010 by St. Martin’s Press.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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