Blue-Collar Hollywood: Liberalism, Democracy, and Working People in American Film [NOOK Book]

Overview

From Tom Joad to Norma Rae to Spike Lee's Mookie in Do the Right Thing, Hollywood has regularly dramatized the lives and struggles of working people in America. Ranging from idealistic to hopeless, from sympathetic to condescending, these portrayals confronted audiences with the vital economic, social, and political issues of their times while providing a diversion—sometimes entertaining, sometimes provocative—from the realities of their own lives.

In Blue-Collar Hollywood, John...

See more details below
Blue-Collar Hollywood: Liberalism, Democracy, and Working People in American Film

Available on NOOK devices and apps  
  • Nook Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$13.75
BN.com price
(Save 45%)$25.00 List Price

Overview

From Tom Joad to Norma Rae to Spike Lee's Mookie in Do the Right Thing, Hollywood has regularly dramatized the lives and struggles of working people in America. Ranging from idealistic to hopeless, from sympathetic to condescending, these portrayals confronted audiences with the vital economic, social, and political issues of their times while providing a diversion—sometimes entertaining, sometimes provocative—from the realities of their own lives.

In Blue-Collar Hollywood, John Bodnar examines the ways in which popular American films made between the 1930s and the 1980s depicted working-class characters, comparing these cinematic representations with the aspirations of ordinary Americans and the promises made to them by the country's political elites. Based on close and imaginative viewings of dozens of films from every genre—among them Public Enemy, Black Fury, Baby Face, The Grapes of Wrath, It's a Wonderful Life, I Married a Communist, A Streetcar Named Desire, Peyton Place, Taxi Driver, Raging Bull, Coal Miner's Daughter, and Boyz N the Hood—this book explores such topics as the role of censorship, attitudes toward labor unions and worker militancy, racism, the place of women in the workforce and society, communism and the Hollywood blacklist, and faith in liberal democracy.

Whether made during the Great Depression, World War II, the Cold War, or the Vietnam era, the majority of films about ordinary working Americans, Bodnar finds, avoided endorsing specific political programs, radical economic reform, or overtly reactionary positions. Instead, these movies were infused with the same current of liberalism and popular notion of democracy that flow through the American imagination.

Read More Show Less

Editorial Reviews

Library Journal
Bodnar (history, Indiana Univ., Bloomington; Remaking America: Public Memory, Commemoration, and Patriotism) here describes and analyzes cinematic renderings of individualism, capitalism, and leadership-including women, unions, and minorities-among the working class from the 1930s to the 1990s. Basing his conclusions on viewings of many films (some famous, others hardly remembered or seriously critiqued) and drawing on a wealth of film and culture literature, Bodnar seems to posit that human nature is so unique that the common person's desires cannot be completely controlled, labeled, branded, or pigeonholed-as movie characters have so often demonstrated. "In a political world dominated as much by mass culture as by political parties themselves," he writes, "the biting commentary of the Sixties was sustained, but in a way that served neither the left nor the right. Yet what else could one expect from a liberal discourse preoccupied with surveying the landscape of the human spirit?" Given its scholarly nature, this work is most suitable for strong film collections and academic libraries.-Kim Holston, American Inst. for Chartered Property Casualty Underwriters, Malvern, PA Copyright 2003 Reed Business Information.
Read More Show Less

Product Details

  • ISBN-13: 9780801888717
  • Publisher: Johns Hopkins University Press
  • Publication date: 5/1/2008
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 328
  • File size: 4 MB

Meet the Author

John Bodnar is Chancellor's Professor of History at Indiana University, Bloomington, and author of numerous books, including Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.

Read More Show Less

Table of Contents


Contents:List of Illustrations

Acknowledgments

Introduction: Mass Culture and American Political Traditions

ONE: Political Cross-dressing in the Thirties

TWO: The People's War

THREE: War and Peace at HomeFOUR: Beyond Containment in the Fifties

FIVE: The People in TurmoilLiberalism at the Movies: A ConclusionNotes

Sources

Index

Films Mentioned in Blue-Collar HollywoodAdventure (1945)

Air Force (1943)

Alamo Bay (1985)

Alice Adams (1935)

Alice Doesn't Live Here Anymore (1975)

All My Sons (1948)

All the Right Moves (1983)

America, America (1963)

American Madness (1932)

An American Romance (1944)

Angels With Dirty Faces (1938)

Anna Lucasta (1949)

Baby Face (1933)

Bataan (1943)

Battle Cry (1955)

The Best Years of Our Lives (1946)

Black Fury (1935)

Black Legion (1937)

The Blackboard Jungle (1955)

Blue Collar (1978)

The Blue Dahlia (1946)

Body and Soul (1947)

Bonnie and Clyde (1967)

Born on the Fourth of July (1989)

The Boston Strangler (1968)

Boyz N the Hood (1991)

Breaking Away (1997)

Cabin in the Cotton (1932)

Casablanca (1942)

The Catered Affair (1956)

The Champ (1931)

Champion (1949)

City Across the River (1949)

City for Conquest (1940)

Clash By Night (1952)

Coal Miner's Daughter (1980)

Coming Home (1987)

Cool Hand Luke (1967)

Crooklyn (1994)

Crossfire (1947)

Cry of the City (1948)

Dead End (1937)

Dead Reckoning (1947)

Death of a Salesman (1951)

Death Wish (1974)

The Deer Hunter (1978)

Desperate (1947)

Dirty Harry (1971)

Do the Right Thing (1988)

Double Indemnity (1944)

Dr. Strangelove (1963)

Duck Soup (1933)

Duffy's Tavern (1954)

Edge of the City (1957)

F.I.S.T. (1978)

A Face in the Crowd (1957)

Fallen Angel (1945)

Falling Down (1993)

The Farmer's Daughter (1947)

The Fighting Sullivans (1944)

Five Easy Pieces (1970)

Force of Evil (1948)

From Here to Eternity (1953)

From This Day Forward (1946)

Fury (1936)

Gabriel Over the White House (1933)

The Garment Jungle (1957)

Gentlemen's Agreement (1947)

The Godfather (1972)

The Godfather Part II (1974)

Going My Way (1944)

Gold Diggers (1933)

Golden Boy (1993)

The Grapes of Wrath (1940)

Guadalcanal Diary (1943)

Hail the Conquering Hero (1944)

Hangin' with the Homeboys (1991)

Happy Land (1943)

The Harder They Fall (1965)

Heroes for Sale (1933)

Home of the Brave (1949)

Hoosier Schoolboy (1937)

How Green Was My Valley (1941)

Human Desire (1954)

I Am a Fugitive from a Chain Gang (1932)

I Married a Communist (1950)

I Remember Mama (1948)

I'm No Angel (1938)

In the Heat of the Night (1967)

Inside Detroit (1955)

It Happened One Night (1934)

It's a Wonderful Life (1946)

Jailhouse Rock (1957)

The Jazz Singer (1927)

Joe (1970)

Joe Smith, American (1942)

Johnny Dark (1954)

The Jolson Story (1946)

Judge Priest (1934)

Juke Girl (1942)

Jungle Fever (1991)

Kid Galahad (1937)

The Killers (1946)

King's Row (1942)

Knock on Any Door (1949)

Knute Rockne, All American (1940)

The Last American Hero (1973)

The Last Exit to Brooklyn (1990)

The Last Picture Show (1971)

Lifeboat (1944)

Little Caesar (1931)

Looking for Mr. Goodbar (1977)

M*A*S*H (1970)

Mannequin (1937)

Marked Woman (1937)

Marty (1955)

Matewan (1987)

Mean Streets (1973)

Meet John Doe (1941)

The Men (1950)

Metropolis (1926)

Midnight Cowboy (1969)

Mildred Pierce (1945)

Modern Times (1936)

The Molly Maguires (1970)

Mr. Deeds Goes to Town (1936)

Mr. Smith Goes to Washington (1939)

The Naked City (1948)

Nashville (1975)

Native Land (1942)

The Negro Soldier (1944)

No Down Payment (1957)

No Way Out (1950)

Norma Rae (1979)

On the Waterfront (1954)

Our Daily Bread (1934)

Our Town (1940)

Our Vines Have Tender Grapes (1945)

Paris Blues (1961)

The Pawnbroker (1965)

Peyton Place (1957)

Pin Up Girl (1944)

Pinky (1949)

Pittsburgh (1942)

A Place in the Sun (1951)

Places in the Heart (1984)

Platoon (1986)

The Postman Always Rings Twice (1946)

The Power and the Glory (1933)

Pride of the Marines (1945)

The Prowler (1951)

The Public Enemy (1931)

Raging Bull (1980)

A Raisin in the Sun (1961)

Rambo: First Blood Part Two (1985)

Rebel Without a Cause (1955)

Riff Raff (1963)

The River (1984)

Rocky (1976)

The Rose Tattoo (1955)

Rosie the Riveter (1944)

Ruggles of Red Gap (1935)

Saboteur (1942)

Salt of the Earth (1954)

The Sands of Iwo Jima (1949)

Saturday Night Fever (1977)

Saturday's Hero (1951)

Scarface (1932)

Sergeant York (1941)

Shaft (1971)

Silkwood (1983)

Since You Went Away (1944)

So Proudly We Hail (1943)

Somebody Up There Likes Me (1956)

Sounder (1972)

The Southerner (1945)

Stagecoach (1939)

Stanley and Iris (1989)

The State of the Union (1948)

Steel Against the Sky (1941)

Stella Dallas (1937)

Street Scene (1931)

A Streetcar Named Desire (1951)

Sullivan's Travels (1941)

Sunset Boulevard (1950)

Superfly (1972)

Sweet Sweetback's Baadasssss Song (1971)

Talk of the Town (1942)

Taxi Driver (1976)

Tender Comrade (1943)

Tender Mercies (1982)

They Drive by Night (1940)

They Were Expendable (1945)

Three on a Match (1932)

Thunder Road (1958)

Till the End of Time (1946)

The Time of Your Life (1948)

To Hell and Back (1958)

To Kill a Mockingbird (1962)

Tobacco Road (1941)

Tortilla Flat (1942)

A Tree Grows in Brooklyn (1945)

Two Seconds (1932)

Valley of Decision (1945)

A View from the Bridge (1961)

Wake Island (1942)

West Side Story (1961)

The Whistle at Eaton Falls (1951)

White Heat (1949)

Who's That Knocking at My Door (1968)

Wild Boy's on the Road (1933)

Wings of the Eagle (1942)

A Woman Under the Influence (1974)

You Can't Take It With You (1938)

Young Mr. Lincoln (1939)

Read More Show Less

Reading Group Guide

By examining how movies handled the tension between the two ideals of individualism and democracy from the Depression era to the present, John Bodnar provides us with a refreshing antidote to the general tendency of film and cultural historians to only look at one era or decade. Bodnar gives us a new twist on the old theme of mass culture as a locale that promotes individual freedom and expression and erodes ideas of collectivity by arguing the experience of mass art has an inherent, stable essence that promotes liberalism over community, providing an alternative perspective on the conservative paradigm that has dominated previous scholarship on the subject.
Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)