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Blue Place

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Overview

A police lieutenant with the elite "Red Dogs" until she retired at twenty-nine , Aud Torvigen is a rangy six-footer with eyes the color of cement and a tendency to hurt people who get in her way. Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; ...

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Blue Place

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Overview

A police lieutenant with the elite "Red Dogs" until she retired at twenty-nine , Aud Torvigen is a rangy six-footer with eyes the color of cement and a tendency to hurt people who get in her way. Born in Norway into the failed marriage between a Scandinavian diplomat and an American businessman, she now makes Atlanta her home, luxuriating in the lush heat and brashness of the New South. She glides easily between the world of silken elegance and that of sleaze and sudden savagery, equally at home in both; functional, deadly, and temporarily quiescent, like a folded razor.

On a humid April evening between storms, out walking just to stay sharp, she turns a corner and collides with a running woman, Catching the scent of clean, rain-soaked hair, Aud nods and silently tells the stranger Today, you are lucky, and moves on—when behind her house explodes, incinerating its sole occupant, a renowned art historian. When Aud turns back, the woman is gone.

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Editorial Reviews

San Francisco Chronicle
With her rich imagination, Griffith has created an intriguing world and a character who not only makes her way through it with boldness and creativity, but takes the time to reflect as she goes. Lore confronts moral dilemmas, faces the pain of her past, and eventually finds an identity centered in herself.
Phoenix Gazette
Dark and intensely involving...Griffith -- with language brilliant and clear as sun-glittered water -- delineates a woman's struggle to remain herself and stay alive.
LA Times
Griffith has a fine way with character and a sure talent...Many passages are beautifully written; most seem to do double work, shimmering with the many levels and complex meanings of this remarkable novel.
Publishers Weekly - Publisher's Weekly
A double Lambda Literary Award winner and recipient of a Tiptree and the Nebula for her two SF novels (Ammonite and Slow River), Griffith switches genres and breathes life into an appealing heroine in this smoothly plotted pulse-slammer. Former undercover cop Aud Torvingen, a young Norwegian woman living in Atlanta, is an expert in self-defense and firearms, obsessed with the adrenaline-charged state she calls the "blue place." Only danger makes her feel alive; emotionally, she remains untouched. That changes during a late-night walk when she collides with multilayered trouble in the person of art broker Julia Lyons-Bennett, who happens to be running from the home of art appraiser Jim Lusk moments before a bomb levels it. Julia refuses to believe that she was the intended victim or that the bombing was drug-related, and she hires Aud to investigate. When the trail leads to a money-laundering, double-dealing banker, Aud believes Julia is out of danger but agrees to join her as translator and protector on a business trip to Norway. In Oslo, a resistant Aud gradually opens her heart to this blue-eyed beauty, and during their holiday trip to the fjords she realizes the depth of the passion that links them. But new love has a way of dulling the senses, and when Julia returns alone to Oslo for a day's business, Aud suddenly smells the danger they've been in all along and summons every bit of strength from her "blue place" to win a compelling race to save the woman she loves. Readers will want to see more of Aud Torvingen. Agent: Shawna McCarthy; editors: Jennifer Hershey and Charlotte Abbott. (July) FYI: Like her protagonist, Griffith is an expert in women's self-defense.
Library Journal
Aud Torvingen, the narrator of this stylish but ultimately hollow novel by the author of the award-winning Ammonite Del Rey: Ballantine, 1993 is the daughter of a Norwegian diplomat and a British businessman. Living in the United States, and a former lieutenant on the Atlanta police force, she dabbles in the "personal protection" business. Aud is obsessed with the sensuality of violence; she fantasizes about the ease with which she can kill. One night, she sees a beautiful woman running down the street. Minutes later, a house nearby bursts into flames. The woman, Julia, draws Aud into a web of arson, forgery, and murder. The two become lovers, and the story culminates in a highly coincidental trip to Norway. All this would be more palatable if Aud weren't such a prig. After the third mention of her perfect body and ability to blend anywhere a neat trick for a six-foot-tall Nordic blond, numbness sets in. And if Julia's love is so healing, why does Aud glory in a final bloody murder in her name? Not recommended. [Previewed in Prepub Alert, LJ 3/15/98.]Laurel Wilson, Mount Vernon, IN
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Product Details

  • ISBN-13: 9780380790883
  • Publisher: HarperCollins Publishers
  • Publication date: 6/28/1999
  • Pages: 320
  • Sales rank: 413,003
  • Product dimensions: 5.25 (w) x 8.00 (h) x 0.72 (d)

Meet the Author

Nicola Griffith is a native of Leeds, England. At eighteen she moved to Hull, where she taught women's self-defense—to groups as diverse as the Equal Opportunities Training Unit and the Union of Catholic Mothers—and was the lead singer/songwriter for the all-woman band, Jane's Plane. She is the author of Ammonite and Slow River, which between them have won the Nebula Award, the James Tiptree, Jr. Memorial Award, and two Lambda Awards. Ms. Griffith currently lives in Seattle with her partner, writer Kelley Eskridge.

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Read an Excerpt

An April night in Atlanta between thunderstorms: dark and warm and wet, sidewalks shiny with rain and slick with torn leaves and fallen azalea blossoms. Nearly midnight. I had been walking for over an hour, covering four or five miles. I wasn't tired. I wasn't sleepy.

You would think that my bad dreams would be of the first man I had killed, thirteen years ago. Or if not him, then maybe the teenager who had burned to death in front of me because I was too slow to get the man with the match. But no, when I turn out the lights at ten o'clock and can't keep still, can't even bear to sit down in my Lake Claire house, it's because I see again the first body I hadn't killed.

I was twenty-one, a rookie in a uniform so new it still smelled of harsh chemical dyes. My hat was too big. My partner and I had been called to a duplex on Lavista. It was me who opened the bathroom door.

As soon as I saw that bathwater, I knew. Water just doesn't get that still if the person sitting in it is alive: the pulse of blood through veins, the constant peristaltic squeeze of alimentary tract, the soft suck of breath move the liquid gently, but definitely. Not this water. It was only after I had stared, fascinated, at the dry scum on the bar of soap, only after my partner had moved me gently aside, that I noticed her mouth was open, her eyeballs a gluey blue-grey where they should have been white.

I wake up at night seeing those eyes. The sidewalks around Inman Park are made from uneven hexagons, mossy and slippery even without the debris of the recent storm. I walked in the road. A pine tree among the oaks smelled of warm resin, and the steam already rising from the pavement brought with itthe scents of oil and rubber and warm asphalt. I smiled. Southern cities. People often say to me, Aud, how can you stand the heat? but I love it. I love to feel the sun rub up against my pale northern skin, love its fingers reaching down into muscle and bone. I grew up with the sub zero fjord winds edged with spicules of ice; to breath deep and feel damp summer heat curling into delicate bronchioles is a luxury I will never tire o# Even during the teenage years I spent in England, when my mother decided the embassy could get along without her for a week or two and we all went up to Yorkshire to stay with Lord Horley, there was that end less biting moan over the moors, the ceaseless waving of heather and gorse. No, the American South suits me just fine.

Atlanta is lush The gates and lawns and hedges I walked past were heady with the scents of trumpet honeysuckle and jasmine, the last of the pink and white dogwood blossom. By June, of course, all the small blooms would wilt in the heat, and the city's true colours, jungle colours, would become apparent: black-striped tiger lilies, orchids, waxy magnolia blossoms. By the end of August, even those would give up the ghost and the city would turn green glossy beryl banana trees with canoe-sized leaves, jade swamp oak, and acre upon emerald acre of bermuda grass. And as the summer heat faded into the end of October, the beginning of November, the green would fade with it. In winter Atlanta became a pale black and white photograph of a city with concrete sidewalks, straw coloured grass and bare, grey trees.

Thunder rumbled to the southwest and lightning turned the clouds the pink of Florida grapefruits: a long, long wait until winter.

I lengthened my stride, enjoying the metronomic thump of boot on pavement, the noisy sky, and when I took a corner wide walked smack into a woman running in the opposite direction.

We steadied each other for a moment—long enough for me to catch the expensive scent of her dark, rain-wet hair—then stepped back. Looked at each other. About five-seven, I'd say. Slim and sleek. Face smooth with wariness: after all, I'm big; I'm told I look frightening when I want. And that made me think how fragile she was, despite the hard muscle I had felt under my hand. It would be so easy a step, a smile, swift whirl and grab, and snap: done. I even knew how she would fall, what a tiny sound her last sigh would be, how she would fold onto the pavement. Eight seconds.

She stepped back another pace. It was meant to look casual, but I noted the weight on her back foot, the set o f her shoulders. Funny the thoughts we have at nearly midnight. I clasped my hands behind my back in an effort to appear less threatening then nodded, stepped to one side, and walked away. All without a word spoken. As I moved past the big houses shrouded by dripping trees I fought the urge to look over my shoulder. Looking back would frighten her. I told myself there was nothing unusual about a woman walking the streets at midnight—I did it—but my hindbrain was stirring.

Thunder rumbled again, and water sluiced down in sheets as sudden and cold as spilled milk, beating itself into a froth on the sidewalk. The air was full of water and was getting difficult to breathe. Lightning streaked down to my left just a bit too dose for comfort. I turned for home and started to jog. No sense drowning.

The road jumped under my feet. Transformer, I thought, but then the sound hit, batting at me from both sides like huge cat's paws. My eyes widened and promptly filled with rain. I shook my head, trying to get rid of the ringing in my ears, but the world jumped again, pavement slamming the soles of my feet, only this time the sound was as solid as a punch in the gut, and this time I recognized it—an explosion. Then I was turning and running back to where I had just come from, back to the corner, towards a house unfurling in orange flame and black smoke, a brighter yellow at the center, like a gigantic tiger lily. I skidded to a halt in confusion. It's too early for lilies....

I stood helpless, face getting hotter and hotter. I lifted my hand to shield my eyes but it didn't help much I had to step back a few yards. The flames roared. People began to appear in their doorways. Blinds twitched. I did nothing. Let the neighbours look their fill, if there had been anyone in that house, they were beyond aid, and no doubt someone had called the fire department. Not that there was much point the fire burned very neat and clean; the neighbours' houses were safe; I doubted even that the garage would catch. It was far too good a torch to be the work of an amateur firebug who wouldn't be able to resist sticking around to watch their work, but I looked anyway. No sign of the woman with the rain-wet hair.

My hindbrain was beginning to stretch and snuff now, so I thought about that woman. What was it about her that put my senses on red alert? She hadn't done this: most accelerants had very particular scents, difficult to hide, and, besides, she had been running towards the house, not away.

Sirens whooped in the distance. The police and firefighters would be all burly and adrenaline-hard in their uniforms. They wouldn't want me there, wouldn't know how to act around me, and tonight I could not be bothered to put them at their ease just so they would call me Lieutenant out loud but wonder silently what I was doing wandering the streets alone at midnight.

The flames were dying quickly, leaving dark images like shrivelling leaves on my retina. I backed into the shadows.

Copyright ) 1998 by Nicola Griffith

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Table of Contents

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Customer Reviews

Average Rating 4
( 17 )
Rating Distribution

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Sort by: Showing 1 – 20 of 17 Customer Reviews
  • Posted December 5, 2012

    Nicola is masterful in this first novel (two more of the same ma

    Nicola is masterful in this first novel (two more of the same main character follow). Her descriptions of not only the inner turmoil and struggle of Aud, as well as her grasp of the land and its people are truly amazing. While there are some very difficult scenes and circumstances the story alone is compelling enough to keep the pages turning. Two thumbs up for your exceptional work with this character. I loved it.

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted December 4, 2010

    Could be my new fave author!!

    Reading about the adventures and heartaches of Aud is exciting and engaging. One empathasizes with her as she navigates a world for which she is perhaps too skilled. The story includes adventure, intrigue, mystery, action and romance. All of the characters are fully developed, the plot is intricate, and the book is just one I'd recommend!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 18, 2002

    Xena uber in disguise?

    This brilliantly written, but ultimately heartbreaking novel telegraphs its dark intentions from the very first page, first meeting, but I stayed awake very late turning pages in fascination as the tragedy unfolded. It's almost as if the lead character in order to set herself up as a brooding, moody, nordic amazon in an obviously projected series of novels allows the self-fulfilling prophecy of doom to take place. I have to ask WWXD? This one disturbed my sleep and broke my heart, but it will remain, I fear, unforgettable. The prose is simply exquisite. A lot less erotica than titillated at, but what's there is 'cherce.' The tragic hero fails, but it's all happening on borrowed time anyway. This woman can write.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 18, 2002

    A breathe of fresh air!

    Nicola Griffith takes a simple story and turns it into too a work of art.With it's visual descriptions of the sun reflecting off the snow,to the feel of Aud's ribs being cracked,to the intense emotions between Aud and Julia.This book has it all romance,action,supense.Everything you'd want in a great novel and more!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 3, 2001

    Kept me glued to the pages!!

    Could not put the book down. Griffith's writing is moving and powerful. Would like to see more of this type of work from her. Her writing is gripping and intense. A must own for any collection.

    1 out of 1 people found this review helpful.

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