The Blue Ridge

( 3 )

Overview

A tale of two cousins and two corpses—a new double-barreled dark comedy from a well-loved "American original" (Los Angeles Times)

Ever since A Short History of a Small Place, his classic novel of life in a small Southern town, T. R. Pearson—described as a modern cross between Mark Twain and William Faulkner—has captivated readers from all regions. Blue Ridge, his first novel in seven years, is a flawless tale of fortune and folly. Ray Tatum is the new deputy sheriff of Hogarth, ...

See more details below
Available through our Marketplace sellers.
Other sellers (Paperback)
  • All (56) from $1.99   
  • New (5) from $3.50   
  • Used (51) from $1.99   
Close
Sort by
Page 1 of 1
Showing All
Note: Marketplace items are not eligible for any BN.com coupons and promotions
$3.50
Seller since 2009

Feedback rating:

(75)

Condition:

New — never opened or used in original packaging.

Like New — packaging may have been opened. A "Like New" item is suitable to give as a gift.

Very Good — may have minor signs of wear on packaging but item works perfectly and has no damage.

Good — item is in good condition but packaging may have signs of shelf wear/aging or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Acceptable — item is in working order but may show signs of wear such as scratches or torn packaging. All specific defects should be noted in the Comments section associated with each item.

Used — An item that has been opened and may show signs of wear. All specific defects should be noted in the Comments section associated with each item.

Refurbished — A used item that has been renewed or updated and verified to be in proper working condition. Not necessarily completed by the original manufacturer.

New

Ships from: Baltimore, MD

Usually ships in 1-2 business days

  • Standard, 48 States
  • Standard (AK, HI)
$3.95
Seller since 2005

Feedback rating:

(254)

Condition: New
2001 Trade paperback New. No dust jacket as issued. Clean and tight-unused copy-Excellent! ! Trade paperback (US). Glued binding. 256 p. Audience: General/trade.

Ships from: Wauwatosa, WI

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$3.99
Seller since 2010

Feedback rating:

(331)

Condition: New
2001-12-01 Paperback New New, unread book with light shelf wear. May have a remainder mark.

Ships from: Amherst, NY

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$7.95
Seller since 2005

Feedback rating:

(168)

Condition: New
2001 Trade paperback New. No dust jacket as issued. 256 p.

Ships from: Camden, DE

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
$10.00
Seller since 2008

Feedback rating:

(88)

Condition: New
THIS IS A 2001 TRADE PAPERBACK BOOK IT IS IN NEW U NUSED CONDITION.

Ships from: Deland, FL

Usually ships in 1-2 business days

  • Canadian
  • International
  • Standard, 48 States
  • Standard (AK, HI)
  • Express, 48 States
  • Express (AK, HI)
Page 1 of 1
Showing All
Close
Sort by
Sending request ...

Overview

A tale of two cousins and two corpses—a new double-barreled dark comedy from a well-loved "American original" (Los Angeles Times)

Ever since A Short History of a Small Place, his classic novel of life in a small Southern town, T. R. Pearson—described as a modern cross between Mark Twain and William Faulkner—has captivated readers from all regions. Blue Ridge, his first novel in seven years, is a flawless tale of fortune and folly. Ray Tatum is the new deputy sheriff of Hogarth, Virginia, located in the middle of nowhere with "nothing too awful gaudy afoot"until the discovery of a nearly complete set of human bones on the Appalachian Trail. Ray's cousin Paul is an actuary summoned to New York to identify a fresher and rather less complete body: that of his son, sired in the free and ardent seventies, whom he scarcely knew. Unspooling and evolving in tandem, one in the wilds of Virginia and the other on the streets of Manhattan, these two stories are Southern storytelling at its most entrancing, eccentric, and knowing.

Read More Show Less

Editorial Reviews

New York Times
Pearson...remains his neo-Faulknerian self in Blue Ridge, and the results are delightful...splendid prose...high pitched, evocative, devorative.
From The Critics
For those familiar only with Pearson's first novel, A Short History of a Small Place—a classic book about growing up in the rural south—his seventh novel, and first in seven years, will come as a shock. Of course, the elements one expects to see from Pearson—eccentric characters one comes to care about, an odd sense of humor and dialogue worthy of Elmore Leonard—are all here. What surprises is that he has written a quirky, comical mystery, and a splendid one at that, weaving two plot strands that initially seem connected only by the fact that the two main characters—Ray and Paul Tatum—are cousins. As each story-line progresses, however, they begin to mirror and shed light upon one another, culminating in a whodunit worthy of, if not Raymond Chandler, at least a modern master of the genre, like Dennis Lehane. Except for a brief love scene that reads like a Harlequin romance, the novel is pitch perfect. Though the form he uses here is certainly different, Pearson has finally written a book equal to his first.
—R. Todd Smith
Publishers Weekly - Publisher's Weekly
The talented Pearson has moved away from the zany Southern milieu of A Short History of a Small Place and other novels, but his work still resonates with whip-sharp dark humor. In this insightful, sardonic tale of self-discovery and self-deceit, two corpses, one in New York City and one in rural Virginia, send two cousins on separate but parallel quests. Ray Tatum is the new sheriff's deputy in sleepy Hogarth, Va., where some hikers discover a human skeleton, its skull bashed in, on the Appalachian Trail. Investigating the case with the help of a brassy female African-American park ranger named Kit Carson, Ray is forced to come to terms with the collapse of his marriage, his somewhat arid life and the nature of the backwoods town he calls home. Meanwhile, Ray's cousin Paul, an actuary in Roanoke, is summoned to Manhattan to identify what may be the remains of a young man named Troy, the son he never really knew. Paul soon finds himself imperiled in New York's drug underworld and in the thrall of Troy's actress girlfriend and of Giles, the deadly but charismatic criminal who once employed Troy. Both cousins must ultimately attempt the complex calculus of placing values on truth, justice, obligation and human life itself. Pearson writes evocatively of the sometimes cozy, sometimes sinister decadence of fringe communities both North and South, his descriptions enlivened by satirical details and witty editorializing. His suspenseful narrative alternates between the two plots; Ray recounts his tale in a wry omniscient voice, while Paul's first-person account is ruefully self-absorbed and idiosyncratic. These characters may not be as hilariously eccentric as some in Pearson's previous books, but they are equally --and insidiously--memorable. Author tour. (Sept.) Copyright 2000 Cahners Business Information.|
Jacqueline Carey
Delightful . . . Much funnier than most mysteries: not too broad, not too dry, effortlessly finding the right tone, time after time . . . His splendid prose is . . . high-pitched, evocative, decorative and closer to the human heart than . . . many modern mysteries.
New York Times Book Review
Kirkus Reviews
Fans of Pearson's six wonderful novels, especially of his Carolina trilogy and Cry Me a River (1993), may find his latest disappointing. The prose here is leaner, with little narrative expansiveness and less backslapping geniality. One reason for the shift in tone is a matter of design: Pearson shifts back and forth between two stories, and only one is in the first person. And that speaker isn't given to much verbal dexterity; after all, he's a dull actuary in a Roanoke insurance office who suddenly learns that the biological son he barely knows has turned up dead in New York City. Paul Tatum"sired the boy back in '73 when people were freer with their ardor," and has no clue that his trip to identify the body will entangle him in a web of urban drug intrigue, with its sense of"creeping moral desolation." Meanwhile, Ray Tatum, Paul's cousin, who's left behind a marriage and a dead young daughter in Mobile, Alabama, takes a new job as a deputy sheriff not far from his cousin's home in tiny Hogarth, Virginia, where the local law enforcement mixes Mayberry R.F.D. with its dark underside—say, In The Heat of the Night. Ray falls into an odd investigation of an old crime, a forensic mess that brings him into contact with the tough-as-nails black beauty Kit Carson, a federal agent straight out of Elmore Leonard. While Paul's adventure exposes him to the ambiguities of urban crime and violence, Ray's plunges him into contact with the horrors of the Old South. Pearson can't resist some comic set pieces worthy of his best fiction: low humor involving backwoods infidelity, trashy drunk couples, and dopey deputies. In NewYork,less sure of his footing, he goofs on those old standbys: wannabe actresses, doughnut-munching cops, and assorted silent mooks. The resulting hybrid is less than his best, but still ahead of the pack.
Read More Show Less

Product Details

  • ISBN-13: 9780141002163
  • Publisher: Penguin Group (USA)
  • Publication date: 12/28/2001
  • Pages: 256
  • Product dimensions: 5.20 (w) x 7.78 (h) x 0.47 (d)

Read an Excerpt



Chapter One


He was still two hours shy of Knoxville by the time he stopped, well past midnight at a motor lodge along the interstate. The place was rampside and overgrown, twenty dollars a night. Ray rousted the night manager, a whiskery old coot in a beltless housecoat and tartan undershorts, and filled out a guest card in the puny eyesore of a lobby which was dominated by a decorative electric fireplace—red fiberglass brick, brown fiberglass logs, a lightbulb for a flame. A gaudy chintz settee with a hideous dust ruffle sat beneath the lone window. A vase on the wormy side table was shoved full of dusty artificial magnolia blossoms.

    As Ray shifted about to hand over his card, the all-weather carpet crunched like cellophane underfoot. The night manager read the thing at arm's length.

    "Mr. Ray Tatum. I'm going to need an address of some sort."

    "I just left a job in Mobile. I'm headed for one in Virginia."

    "Whereabouts?"

    "Hogarth. Up around Lexington."

    "All right, then." That gentleman produced a golf pencil from his bathrobe pocket and licked the lead in advance of making a laborious notation. "Now," he said, "about this dog of yours."

    Together they watched Monroe sniff a settee bolster. She was black with gold markings and inordinately wirehaired, a squat and unbecoming marriage of terrier and retriever.

    "Me and the missus don't have much use for dogs. I'm going to have to charge you. Say ten."

    "Dollars?" Monroe made a tentativeexploratory lick at the fiberglass hearth, sniffed the logs and eyed suspiciously the sixty-watt inferno. "I didn't have to bring her in, you know? Could have just left her in the car."

    Monroe shifted about to consider a choice bit of decor on the far wall, a paint-by-numbers rendition of a schooner under full sail heeled over in the wind. A geometric wave in four graduated tones of gray broke across her bow. Monroe grumbled, lowly, deep in her throat.

    "Don't," Ray told her.

    She glanced at him as she weighed his wishes and made her canine calculations, as she determined that she would prefer, in fact, to bark—at the painting and the settee, at the plastic flowers and the wheel-hub lamp, at the cheesy electric fireplace. She bounced on her front feet, yapping.

    Ray had already hoisted his canvas duffel from the floor by the time the night manager had settled on a course of action, had moved to unceremoniously rip Ray's guest card into pieces. "I think he's half crazy."

    As Ray swung open the lobby door, a little bell attached to the jamb gave a tinny tinkle. He paused to indulge in brief but baleful study of the room. "Just opinionated," Ray declared and followed Monroe into the lot.

    She waited by the driver's door of Ray's thirdhand Grand Marquis and, once Ray had opened it for her, bounded gracelessly onto the seat. Ray pitched his duffel into the back among his boxes and sacks, his lone piece of sky-blue hard-sided luggage. Monroe circled twice and dropped onto her folded beach towel with its seahorses and sand dollars, its undifferentiated dog grunge.

    "Nice going."

    Monroe snorted and shut her eyes, comfortable, content, altogether impervious to censure.

    Ray drove through the night, fueled by acrid convenience-store coffee and orange Nabs, kept himself awake with blasts of air from his wing window and late-night radio at full volume—bilious talk for malcontents, lite variety, twangy country ballads, Jesus, Jesus, Jesus. The sky was just brightening to the east as Ray pulled into a rest stop north of Abingdon, Virginia, where he dropped open the glove-box door and drew out his service revolver, a nickel-plated .357 wrapped in an oily rag. Monroe had her nose in his back, shoving him, before he could swing fully out of the sedan.

    They wandered a grassy hummock between the car lot and the truck lot in the chill June air. Long-haul drivers napped in their cabs, their running lights lit and their engines rumbling. A young man raced in off the interstate in a chopped-down pickup, jolted to a stop and lurched out from beneath the wheel to relieve himself in the lot.

    "See that?" Monroe ignored Ray, circulating slowly, sniffing each tuft of rescue with scrupulous deliberation. "For the love of Christ, pee!"

    A groggy semi driver crawled out of his sleeper and onto the passenger seat of his cab. He rubbed his eyes and stretched, wiped the night's condensation from his side window with his sleeve and spied a man in the grass by the drink-box shed with a shiny revolver in hand, watched a scrawny black mongrel urinate at gunpoint.


* * *


To hear him tell it, Lowell had connected again. With a waitress this time. Blond. Lithesome. An employee of the ersatz saloon in the clutter and scree along the bypass where the cuisine is all batter-dipped but for the cheesecake and the patrons are frankly encouraged to leer. He described her to me—the hand-tooled boots, the willowy legs, the brief denim shorts, the gauzy cotton tank top snug against her downy skin.

    "And I do mean straight out of the melon patch," Lowell assured me. "That girl was just plain gifted."

    I was perched on the end of Lowell's credenza, looking out his office window. He has a view of the entire professional park, from the auto glass shop out by the traffic signal clean across to the chiropractic center on the rise before the woods. With the leaves off the trees, I could even make out a little of the Roanoke skyline—the DoubleTree hotel, the boxy retirement high-rise, the thicket of burger signs on stalks where the interstate runs through.

    "My fork had some crud on it," Lowell told me. "So I asked her for another one, and she did like this."

    Lowell raised a hand and beckoned to me. He was clear across the room, had rolled himself over to the shelving by the door.

    "Come here."

    Lowell motioned again from his desk chair. He gave a slight accommodating shove that rolled him halfway to me before he braked himself with his shoe heels.

    Lowell has taken to riding his desk chair in a recreational sort of way, backward usually with his right foot for a tiller. He keeps a can of lubricant in his file drawer for the casters, and with a trifling push off the wall by his coat tree, he can pass into a hallway, span it at a headlong clip and clatter across the threshold into my office—those occasions anyway when I have failed to see him coming and have neglected, consequently, to swing shut my office door.

    Lowell laid his hand lightly to my forearm. "`I'm so sorry.'" His voice but a breathy whisper which might have been a little stirring from a leggy blond waitress but proved unsettling from a pudgy actuary.

    "And hell, I mean I was looking right down her shirt. Could see clean to her belly button." Lowell set in on a tour of his office, rolling backward and musing lasciviously while, for my part, I retreated to his credenza by the window. "I wish you'd seen the way she smiled at me. We had this thing, me and her."

    I could see down on the grounds the new girl from reception, the brunette with the ever-evolving coiffure. It's up. It's down. It's braided. It's teased. It's curled. It's straightened. And always, somehow, it's ill-suited and unbecoming.

    I watched her stalk along the circular path through the water garden—provided, that is, that a quarter-acre of hardpan that's host to a puny vinyl pool, a pair of orange koi and a couple of scraggly beds of creeping juniper can actually qualify as a water garden, even if that is what they call it upstairs. Of course, they also insist that the food in the cafeteria is "Mediterranean."

    She was smoking a little ruthlessly and clutching herself against the February chill. Ribbons, I noticed. Pigtails.

    "We're going back tonight," Lowell said.

    "You and Erlene?"

    He nodded.

    While I watched that girl flick her smoldering butt into the water feature, Lowell prattled on about his leggy waitress as if he were wholly wanting in crippling romantic impediments, as if he weren't afflicted with an actual wife, a combover and a gut. Some fellows get crud on their forks and probably do go home with a waitress, but Lowell is the sort condemned to fresh flatware instead.

    Lowell was busy concocting, it appeared, prospective suave maneuvers in his head when he glanced across the hallway toward my office door and called out, "He's in here."

    I was expecting Ronald from downstairs. Hotshot, underwriter, cologne addict and full-time medical miracle—both brain-dead and gainfully employed. Ronald is evermore stopping by with questions, usually pretty much the same questions he stopped by with the week before. Ronald takes no notes, has no memory to speak of, no grasp much of policy provisions or standard insurance English. Apparently, he succeeds instead on dopey charm and a near debilitating miasma of British Sterling.

    Over by Lowell's window, perched on his credenza, I was steeling myself for the confectionary onslaught of Ronald's cologne when I caught sight of the uniform sleeve, the holstered Glock, the unnaturally shiny oxfords.

    "Mr. Tatum?" He said it just generally into the room.

    He was of the standard police build and type. Strapping, I'll call it, and square-headed, with high-school football in his background and probably a little juvenile thuggery.

    "Over here."

    "Mr. Paul Tatum?" He read my name from a scrap of paper. I nodded. "Could I speak with you, sir?"

    He gestured for me to join him in the corridor and retired from the doorway. Lowell grinned at me as I passed, winked, and asked loudly if I was knocking over liquor stores again.

    Officer Hayes, his tag read, and he had assumed already his veneer of professional sympathy by the time I joined him—the slight smile, the downcast glance, the undermining insincerity. "I'm afraid I have some bad news, sir."

    I recall how unnaturally calm I was as I cataloged my family members and acquaintances. Clearly, somebody was dead—my brother maybe in Topeka, or his insufferable wife, or one of their wretched children, or Uncle Trent the dowser and crackpot with the tar-papered cabin on the Cape Fear River, or my cousin Ray, the deputy sheriff in Mobile.

    I left to Officer Hayes all of the wincing and the huffing, watched impassively as he ran through his repertoire of compassionate tics. Finally he told me with a shake of his head, "It's your son, sir. He's been killed."

    I didn't respond straightaway, didn't quite know what to say. Politely, funereally, Officer Hayes considered the floor tiles until I'd managed at length to speak.

    "Who?"

    It was hardly the manner of reply Officer Hayes had anticipated and made provision for. He lifted his head and looked dully at me, consulted his scrap of paper.

    "Your ... uh ... son, sir. You are Mr. Paul Tatum of 3418 Wycliff Road?"

    I nodded.

    "Johnathan Troy Everhart." He was reading again. "Your son, right?"

    "Oh," I said. "My son."

    He followed me into my office where I dropped into my desk chair while he remained standing opposite.

    "What was it? A car wreck?"

    Officer Hayes shook his head. "Homicide, sir."

    "Where?"

    "New York City, sir."

    "You know, he's not really my son," I said.

    Officer Hayes considered again his scrap of paper. "They've got you as next of kin."

    "What about his mother?"

    "Dead since ninety-eight."

    "And her husband? That Everhart?"

    "Ninety-six." He creased the scrap and shoved it into his trouser pocket. "So, he's not your boy?"

    "Well, I guess I'm technically his father, but I never even knew him, only saw him once or twice."

    "So he is your boy?"

    "His mother and I had a ... thing. We were like nineteen." I gestured helplessly. "She wanted to keep the baby."

    Officer Hayes nodded, curtly and disapprovingly.

    "I got a picture once around Christmas. I talked to him a time or two on the phone. He stopped by maybe three or four years ago here at the office, but I never really knew him."

    "They need an ID on the body, sir."

    "Isn't there a wife or something? A girlfriend? A neighbor? A buddy?"

    He shook his head. "Why don't you come downtown and talk to my lieutenant? I'm sure we can work something out."

    "Right now?"

    Officer Hayes nodded. "I'm parked out front. I'll drive you over.

    I glanced significantly at the paperwork on my desktop and groaned as if I were, in fact, professionally put upon and mired up. "Five minutes?"

    Officer Hayes nodded again and retired into the hallway. I could hear the squeak of his shiny oxfords, the mechanical shiver of the water cooler just up the corridor as he had himself a drink. Lowell put his feet to the wallboard by his coatrack and gave a shove. He streaked backward across the office, his chair casters chattering, as I stepped around my desk and shut my door.


Officer Hayes had precious little to say to me on the way into town, so I was free to listen to the staticky chatter from his cruiser radio. The professional park and the station house are hardly fifteen minutes apart, but that proved time enough to establish Roanoke as a lawless fleshpot of the mid-Atlantic. The Roanoke PD was busy rousting hookers from the bus depot. They'd intercepted a man with Connecticut tags hauling cocaine on the freeway, had collected the perpetrator in a pair of convenience store robberies, were closing in on a fellow wanted in a barroom pistol-whipping and had run across a load of unbonded liquor in a paneled furniture truck.

    "Is it always like this?" I asked Officer Hayes as he wheeled down the ramp off the bypass into center-city Roanoke.

    Like most southern towns of any size, the place looked evacuated—no pedestrians to speak of, little traffic, a few office towers, sandwich shops, vacant storefronts, abandoned warehouses, unlimited parking. Officer Hayes eased up to the curbing before the police station—grimly modern and foreboding, a marriage of steel and raw cement.

    "Like what?" he said as he shed his harness and shoved the shifter into park.

    He pointed me to an orange plastic chair in an upstairs hallway.

    "The lieutenant'll be out in a minute," he told me and indicated with the pitch of his head an interrogation room across the way from where I could hear a pair of fellows lavishing obscenities upon each other.

    Straightaway a woman came by and put to me a question. She was some manner of civilian employee with a heat-lamp tan and prehensile fingernails, and she wanted to know if it was my Chrysler Brougham they'd fished out of the quarry.

    "I drive a Cavalier," I told her, which she made, for some reason, a note on her palm about prior to lingering to take in with me a heated exchange from across the hall. There was rancorous dispute just then as to who was the bigger motherfucker.

    I sat around in that corridor for probably an hour before the lieutenant finally came out shoving before him a fellow in handcuffs who looked little more than a boy. Wiry and blond, he was lavishly tattooed and had an appreciable funk about him, smelled of sweat and cigarette smoke, refuse and neglect. The lieutenant called in a uniformed officer to usher that boy along the hall, but he wheeled about and jerked free by the drink box so as to dredge up, while glaring our way, a mighty gob of phlegm that he made a vile show of discharging upon the linoleum.

    "Mr. Tatum?"

    I nodded, and the lieutenant motioned for me to walk with him. He was beefy and black and unshaven.

    "Sorry for your loss," he told me with arid constabulary compassion.

    His name was Rucker. Lewis. He had his own office on the far end of the squad room at the head of the hall, his own drip coffeemaker, his own ratty settee, his own endearing nickname. Lulu, they called him, or rather, Lieu-Lew.

    His signature, as it turned out, was in feverish demand. He'd hardly pointed me to a chair and settled in behind his desk before the pageant began—clerks and secretaries, officers and detectives, all of them with releases and requisitions, with arrest reports, with file transfers, with warrants and wants. They'd tap on the door frame behind me. "Hey, Lulu," I'd hear.

    So I sat and waited further while he signed and initialed, while he answered questions, while he dispensed advice and trafficked in cordial interoffice insults. He was obliging a detective with his initials by the time I noticed the fax. It was a grainy transmission on slick curling paper with "NYPD" in bold black letters at the top, but the typewritten message was indecipherable from where I sat. Beneath it was a reproduction of a driver's license with its photo murky and poorly resolved. The state of Florida, I could see that much. Johnathan Troy Everhart.

    The lieutenant made triplicate notations on tissuey requisition sheets and shoved them at the detective who was hardly into the squad room proper before I heard a light insistent tapping on the jamb from the next supplicant.

    "Lulu?"

    "Give us a minute, will you?"

    Rucker tidied up the clearing on his blotter. He plucked the curling NYPD fax sheet from the disheveled stack of papers on the front corner of his desk and offered it to me.

    "The officer filled you in, right?"

    I nodded.

    "They found that in his pocket."

    The license had been badly photocopied to begin with and then muddied further in transmission. I could read Troy's name and height and eye color, could barely make out the Florida state seal and a scrap of the signature of the commissioner of motor vehicles.

    "Did he get robbed or something?"

    "Hard to say. A neighbor found him dead in his apartment."

    "He had an apartment?"

    The lieutenant nodded.

    "In New York?"

    Rucker consulted an open notepad. "Thompson Street, somewhere around Canal. This is news to you?"

    He watched me and waited, would prove singularly accomplished at waiting which, doubtless, was the key to his professional success. I'd been earwitness to his talent for salty profanation, but that was plainly just a sideline and a manner of release. His true gift, as it turned out, was for silence, wholly unperforated and nagging. He just sat there and said nothing but in a way that was inviting, almost insistent really. So I obliged the man. I talked.

    I told him everything I'd told Officer Hayes, but with enlargements and unconsidered elaborations. I spilled out the shoddy unbecoming details of my dalliance with Troy's mother, auditioned assorted extemporaneous excuses for my sundry failings as a father, took pains to inform the lieutenant I'd sired the boy back in '73 when people were freer with their ardor than lately they'd become.

    Rucker gnawed his lip by way of gloss and response, loosed the occasional noncommittal neck noise as I prattled on, cobbling up further mitigations and allowances for myself, until I'd wearied of talking, until I'd given entirely out of personal clemency. Only then did Rucker trouble himself to speak.

    "What do you say I call up there and tell them you're coming? Probably won't take but a day."

    I think I must have nodded, believe I even managed to grunt my assent. It was the residual shame talking, I suppose, seeping out as best it could. He jotted a name and a number on a sheet of notepaper, ripped the page free and offered it to me. I heard a sharp pecking on the door frame as I took it.

    "Hey, Lulu," somebody said.

Read More Show Less

Customer Reviews

Average Rating 3.5
( 3 )
Rating Distribution

5 Star

(1)

4 Star

(1)

3 Star

(0)

2 Star

(0)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 3 Customer Reviews
  • Posted January 18, 2009

    more from this reviewer

    Worst book I have ever read!

    The plot was flat, the characters were flat, and honestly, I wanted to throw this book in the trash. It was the most boring and awful book I have ever read

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted July 5, 2001

    Pearson Speaks with a New Voice

    Having read all the previous works by Pearson, I waited years for this new offering to appear. I enjoyed Blue Ridge very much, and wished there was more. Afterall, this book is only 200 pages. I was struck by the difference in the narrator, when he spoke in first person. This guy is definitely older, if not wiser, than the boyish narrator of the earliest books, who recounted what 'Daddy said' on the back porch. He is also in a different world in New York, one that obviously is familiar to him. The two parralel stories in Blue Ridge are fun for the reader and double the number of goofy characters that the writer painstakingly paints. If I have a gripe it is that Pearson missed a ripe opportunity to explore the unique and sometimes funny world of the Appalachian Trail hikers in Ray Tatum's murder investigation. That would have added the spice that I feel is missing from this new dish from Pearson.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 4, 2001

    Pearson Disappoints

    Blue Ridge is a much lesser effort compared to his previous works, especially what I consider to be his best, Cry Me a River. In Blue Ridge, his characters are flat and unsympathetic; the two simultaneous plots are implausible and not very interesting. I was looking forward to Pearson's southern storytelling style with his verbose sentence structure; however, he seemed to tone down his style, leaving us with an unappealing story. I was left exceedingly disappointed.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing all of 3 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)