Blue Rust

Overview

Like Conrad's Marlow, Joseph Millar speaks with fierce compassion and the authority of hard-won experience. In his remarkable third collection, Blue Rust, he lays down "the shield of irony" without taking up the consolations of easy sentiment or detached despair. The result is an unstrained originality: lyrics that avoid the metronome, leaps of imagination in which the associative logic never trails off into self-indulgent incoherence. Millar looks hard at a world that is doomed and beautiful. What sets Blue Rust...
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Overview

Like Conrad's Marlow, Joseph Millar speaks with fierce compassion and the authority of hard-won experience. In his remarkable third collection, Blue Rust, he lays down "the shield of irony" without taking up the consolations of easy sentiment or detached despair. The result is an unstrained originality: lyrics that avoid the metronome, leaps of imagination in which the associative logic never trails off into self-indulgent incoherence. Millar looks hard at a world that is doomed and beautiful. What sets Blue Rust apart is its ability to honor both sides.
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What People Are Saying

Tony Hoagland
"There's so much kindness and honesty in these poems . . . long spiraling sentences full of used cars and kung pao chicken, umbilical blood and rent money, lentils and sausage and death. . . . Blue Rust is a big beautiful book of poems—moving, sensuous, artful, full of courage and blessings. I love it."
Barbara Ras
"This book is terrific. Whether it's the true grit of blue rust or the true reckoning of the 'blue compass needle,' Millar's poems show us the verities of our human journeys. This is truly a poet of the people, a voice for our time."
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Product Details

  • ISBN-13: 9780887485497
  • Publisher: Carnegie-Mellon University Press
  • Publication date: 1/4/2012
  • Series: Carnegie Mellon Poetry Series
  • Edition number: 1
  • Pages: 88
  • Product dimensions: 5.40 (w) x 8.40 (h) x 0.30 (d)

Meet the Author

JOSEPH MILLAR's first collection, Overtime (2001), was a finalist for the Oregon Book Award. A second collection, Fortune, appeared in 2007. Millar grew up in Pennsylvania, attended the Johns Hopkins Writing Seminars and spent 25 years in the San Francisco Bay area working at a variety of jobs, from telephone repairman to commercial fisherman. It would be two decades before he returned to poetry. His poems record the narrative of a life fully lived among fathers, sons, brothers, daughters, weddings and divorces, men and women. His work has won fellowships from the National Endowment for the Arts and a 2008 Pushcart Prize and has appeared in such magazines as DoubleTake, TriQuarterly, New Letters, The Southern Review, APR, and Ploughshares. In 1997 he gave up his job as telephone installation foreman to try his hand at teaching. Millar is now core faculty at Pacific University's Low Residency MFA and lives in Raleigh, North Carolina, with his wife, the poet Dorianne Laux.
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Table of Contents

ONE
Nativity
Donut Shop Jukebox
Year of the Ox
Ode to the Ear
Romance
Divorce
The Dutch Roll
Ginsberg
Kiski Flats
For Annie
Stove
Nightbound
Song for Stevie
Judas's Mother

TWO
Ocean

THREE
Shirt
Urban Coyote
Breasts
Who Do You Love
Fire
Grandfather
Late December
First Poetry
1965 Triumph Bonneville
Casting Type
Marriage
Lorca in California
Honeymoon
Blow Job Cole Slaw
Half Made

FOUR
Leaving Coos County
Legacy
Sentimental
The Women of Poetry
For Weldon Kees
Night Watchman
Native
Michigan Autumn
The Hustler
Labor Day
Day of the Dead

Notes

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