Blue Skies

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All Music Guide - Thom Jurek
On 1988's Blue Skies, Cassandra Wilson took her first step away from the home she had built with Steve Coleman's M-Base organization. She'd done standards before, all the way back to 1985's Songbook. There are no M-Base players on this JMT set. She fronts a very conventional trio comprised of pianist Mulgrew Miller, drummer Terri Lyne Carrington, and bassist Lonnie Plaxico. The last of these is very significant because it would be Plaxico who directed her very startling and focused transformation when she signed to Blue Note Records in 1993 and released Blue Light 'Til Dawn. The program is pure standard fare, from "Polka Dots and Moonbeams" and "Shall We Dance?" to the title...
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(CD / NEW, JMT Productions, 1988, Cat# '834 419-2') - BRAND NEW & FACTORY SEALED Not a cutout or promo. Ships Fast from New York City with Free Tracking# - 100% Satisfaction ... Guaranteed. Read more Show Less

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Editorial Reviews

All Music Guide - Thom Jurek
On 1988's Blue Skies, Cassandra Wilson took her first step away from the home she had built with Steve Coleman's M-Base organization. She'd done standards before, all the way back to 1985's Songbook. There are no M-Base players on this JMT set. She fronts a very conventional trio comprised of pianist Mulgrew Miller, drummer Terri Lyne Carrington, and bassist Lonnie Plaxico. The last of these is very significant because it would be Plaxico who directed her very startling and focused transformation when she signed to Blue Note Records in 1993 and released Blue Light 'Til Dawn. The program is pure standard fare, from "Polka Dots and Moonbeams" and "Shall We Dance?" to the title track and Rodgers & Hart's "I Didn't Know It What Time It Was." This cut is the most startling break from the rest in that it is much more forceful and hard-swinging than other readings, and showcases for the first time Wilson's tremendous individuality as a vocalist. There is much of Betty Carter still in her style here, but on this cut, she's pure Wilson, even the scatting comes not from jazz but from the blues of Wilson's Mississippi homeland. Another standout is Carter Burwell's "Sweet Lorraine," which wasn't quite a standard at the time but is quickly becoming one covered by many singers and is delivered in the classic repertoire's lineage. Not a masterpiece, but a really compelling first experiment with the more intimate forms and smaller groups Wilson would employ later on.
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Product Details

  • Release Date: 10/25/1990
  • Label: Polygram Records
  • UPC: 042283441927
  • Catalog Number: 834419

Album Credits

Performance Credits
Cassandra Wilson Primary Artist, Vocals
Terri Lyne Carrington Drums
Lonnie Plaxico Bass, Acoustic Bass
Mulgrew Miller Piano
Technical Credits
Joe Ferla Engineer
Stefan F. Winter Producer, Packaging
Steve Byram Cover Design
Hiroshi Itsuno Executive Producer
Günter Mattei Cover Design
Adrian von Ripka Mastering
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  • Anonymous

    Posted December 19, 2008

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