Blue Train

( 3 )

Editorial Reviews

All Music Guide - Lindsay Planer
Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train -- Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry -- touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they're playing. Joining Coltrane tenor sax are Lee Morgan trumpet, Curtis Fuller trombone, Kenny...
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Editorial Reviews

All Music Guide - Lindsay Planer
Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train -- Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry -- touching upon all forms in between. The personnel on Blue Train is arguably as impressive as what they're playing. Joining Coltrane tenor sax are Lee Morgan trumpet, Curtis Fuller trombone, Kenny Drew piano, Paul Chambers bass, and Philly Joe Jones drums. The triple horn arrangements incorporate an additional sonic density that remains a trademark unique to both this band and album. Of particular note is Fuller's even-toned trombone, which bops throughout the title track as well as the frenetic "Moments Notice." Other solos include Paul Chambers' subtly understated riffs on "Blue Train" as well as the high energy and impact from contributions by Lee Morgan and Kenny Drew during "Locomotion." The track likewise features some brief but vital contributions from Philly Joe Jones -- whose efforts throughout the record stand among his personal best. Of the five sides that comprise the original Blue Train, the Jerome Kern/Johnny Mercer ballad "I'm Old Fashioned" is the only standard; in terms of unadulterated sentiment, this version is arguably untouchable. Fuller's rich tones and Drew's tastefully executed solos cleanly wrap around Jones' steadily languid rhythms. Without reservation, Blue Train can easily be considered in and among the most important and influential entries not only of John Coltrane's career, but of the entire genre of jazz music as well.
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Product Details

  • Release Date: 7/29/2008
  • Label: Essential Jazz Class
  • EAN: 8436028694235
  • Catalog Number: 55423
  • Sales rank: 109,387

Tracks

Disc 1
  1. 1 Blue Train (10:41)
  2. 2 Moment's Notice (9:09)
  3. 3 Locomotion (7:13)
  4. 4 I'm Old Fashioned (7:57)
  5. 5 Lazy Bird (7:05)
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Album Credits

Performance Credits
John Coltrane Primary Artist, Tenor Saxophone
Kenny Drew Piano
Curtis Fuller Trombone
Jo Jones Drums
Philly Joe Jones Drums
Lee Morgan Trumpet
Paul Chambers Bass
Technical Credits
Michael Cuscuna Liner Notes, Reissue Producer
Rudy Van Gelder Engineer
Robert Levin Liner Notes
Alfred Lion Producer
Ron McMaster Mastering
Liz Heller Executive Producer
Philip Coady Producer
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Customer Reviews

Average Rating 5
( 3 )
Rating Distribution

5 Star

(3)

4 Star

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    A Landmark

    This album is, without a doubt, a monument of hard bop. However, I must comment on the last review posted here. "A listener" states that "Before Kind of Blue, there was Blue Train," and implies that Blue Train inspired Kind of Blue. I beg to differ on this subject. Any amount of research will reveal that the two albums are quite conflicting. Kind of Blue is hard bop, a style in which improvisation is based mainly on chords and chord changes. Kind of Blue is modal jazz, a style that is based on modes, with very little to no changes. Miles Davis popularized this style in order to "bring back the melody to jazz." While Davis was a talented bop trumpeter, it is obvious that he also saw importance at the other end of the spectrum. In making Kind of Blue, Miles was trying to show people the importance of symple melody in jazz improvisation, and that a multitude of chord changes weren't necessary. Coltrane's Blue Train, on the other hand, was based soley on a multitude of chord changes, following in the hard bop style. The albums are as different as day and night, and it can be said the past reviewer has obviously not done his homework on jazz styles. Always consider the source.

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  • Anonymous

    Posted October 1, 2010

    BEFORE ''KIND OF BLUE'', THERE WAS ''BLUE TRAIN''

    Ever since I listened to this album for the first time a year ago, I cannot help but wonder if Mile Davis was inspired in some way by John Coltrane and his album ''Blue Train'' to make ''Kind of Blue''. The music her is, simply put, timeless. My favorite, of course, is the title track. They way the song opens up is remarkalbe: the horns themselves seem to know exactly what they are doing and what their place is as the piano chimes in the background. Also, ''Lazy bird''(a tribute to Charlie Parker) is one of the best jazz songs ever made. And ''Moment's Notice'' and ''I'm Old Fashioned'' are just moments of pure genius for Coltrane. When listening to this album and comparing it to ''Kind of Blue''(and I know you will), just keep these two ideas in mind: how similar the albums sound to one another and that ''Blue Train'' was recorded in 1957, two years before ''Kind Of Blue''.

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  • Anonymous

    Posted September 17, 2010

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews