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| John D. Loudermilk | Primary Artist, Guitar, Leader, Vocals |
| Floyd Cramer | Piano |
| Anita Kerr | Choir, Chorus |
| Brenton Banks | Violin |
| George Binkley III | Violin |
| Bobby Dyson | Bass |
| Buddy Harman | Drums |
| Lillian Hunt | Violin |
| Roy M. "Junior" Husky | Bass |
| Louis Dean Nunley | Choir, Chorus |
| Boots Randolph | Saxophone |
| Henry Strzelecki | Bass |
| Norris Wilson | Piano, Harpsichord, Choir, Chorus |
| Dorothy Ann Dillard | Choir, Chorus |
| Glenn Baxter | Trumpet |
| Charlie McCoy | Harmonica |
| Wilda Tinsley | Violin |
| Jerry G. Kennedy | Guitar |
| Alcyone Beasley | Choir, Chorus |
| Joseph W. Tanner | Banjo, Guitar |
| Chet Atkins | Producer |
| Bob Jones | Mastering |
| Otto Kitsinger | Liner Notes |
| Richard Weize | Reissue Producer |
| Bobby Ferguson | Producer |
Editorial Reviews
All Music Guide - Pemberton Roach
Blue Train is one of three Bear Family discs that collect the recordings of famed Nashville songwriter John D. Loudermilk. Some of the tracks here were actually minor hits Loudermilk rarely did anything to promote his recordings as an artist, but Loudermilk's writing and unique interpretations are of primary interest. The songwriter's vocals are pleasant, if not spectacular, and the production is nicely sparse and folky, often featuring Loudermilk's own excellent classical guitar playing. His quirky compositions have always straddled the line between pop and folk, and the tunes here are no exception. Although much of this music will sound lightweight to modern ears, it ...