Blues Blues Blues

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Jimmy Rogers was very much a musician's musician -- the kind of guitarist that earned accolades from contemporaries and successors alike -- yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics "Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'", remakes of Rogers standards "Ludella," "That's All Right", cult covers Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note and an astounding number of guest appearances, ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Jimmy Rogers was very much a musician's musician -- the kind of guitarist that earned accolades from contemporaries and successors alike -- yet one who never wins a wide, mainstream audience. Blues Blues Blues was designed as the album that would find Rogers a larger audience, and as such, it has all the bells and whistles of a big-deal blues album. It has the classics "Trouble No More," "Bright Lights, Big City," "Sweet Home Chicago," "Don't Start Me to Talkin'", remakes of Rogers standards "Ludella," "That's All Right", cult covers Muddy Waters' "Blow Wind Blow," which kicks off the album on just the right note and an astounding number of guest appearances, including cameos from get ready: Jimmy Page and Robert Plant, Keith Richards and Mick Jagger, Lowell Fulson, Johnnie Johnson, Eric Clapton, Taj Mahal, Ted Harvey, Carey Bell, Stephen Stills, and Jeff Healey. That's a lot of star power -- too much, as a matter of fact -- since they occasionally overwhelm Rogers himself. And it has to be said that Rogers' playing simply isn't as dynamic or overpowering as it once was. Nevertheless, when it's judged alongside other contemporary electric blues albums, Blues Blues Blues holds up very well. Like its peers, such as John Lee Hooker's Point Blank recordings, the record is slick and well-crafted -- it may be blues-lite, but it's highly enjoyable. And it's likely that it would have broken Rogers' career wide open, if he had lived to see its release. Knowing that makes Blues Blues Blues a little bittersweet. Yes, it's enjoyable, but it would have been great to hear Rogers really tear it up on his final record.
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Product Details

  • Release Date: 1/5/1999
  • Label: Atlantic
  • UPC: 075678314827
  • Catalog Number: 83148

Album Credits

Performance Credits
Jimmy Rogers All-Stars Primary Artist
Lowell Fulson Guitar, Vocals, Track Performer
Taj Mahal Harmonica, Vocals, Track Performer
Jeff Healey Guitar, Vocals, Track Performer
Mick Jagger Vocals, Track Performer
Jimmy Page Guitar, Track Performer
Robert Plant Vocals, Track Performer
Stephen Stills Vocals, Track Performer
Johnnie Johnson Piano
Kim Wilson Harmonica
Carey Bell Harmonica
Eric Clapton Guitar, Vocals, Track Performer
Ted Harvey Drums
Keith Richards Guitar, Track Performer
Jimmy Rogers Guitar, Vocals, Indexed Contributor
Jimmy D. Lane Guitar
Freddie Crawford Bass
Technical Credits
Memphis Slim Composer
Jimmie Rodgers Composer
Sam Hopkins Composer
Big Maceo Merriweather Composer
Ahmet Ertegun Executive Producer
Bernie Grundman Mastering
Robert Johnson Composer
John Koenig Producer
Tom Lockett Digital Editing
Muddy Waters Composer
John Rodd Engineer
Jimmy Romeo Engineer
Mike Scotella Engineer
Michael C. Ross Engineer
Jennifer Barbato Art Direction
Alan Sanderson Engineer
Mike Smith Engineer
Elaine Koenig Producer
Dino Moriana Digital Editing
James Lane Composer
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