Bluffing Mr. Churchill (Inspector Troy Series)

( 9 )


With his Frederick Troy series, John Lawton has been compared to such top historical espionage writers as John le Carré and Len Deighton. Now, in this prequel to Black Out, Lawton transports readers to 1941 London during the German Blitz, brilliantly re-creating the era of ration tickets, air raids, and bomb shelters.

Wolfgang Stahl, an American spy operating undercover as an SS officer, has fled Germany with Hitler's secret blueprints for the invasion of Russia. As American, ...

See more details below
$11.75 price
(Save 16%)$14.00 List Price

Pick Up In Store

Reserve and pick up in 60 minutes at your local store

Other sellers (Paperback)
  • All (28) from $1.99   
  • New (11) from $7.84   
  • Used (17) from $1.99   
Bluffing Mr. Churchill (Inspector Troy Series)

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$10.49 price
(Save 25%)$14.00 List Price


With his Frederick Troy series, John Lawton has been compared to such top historical espionage writers as John le Carré and Len Deighton. Now, in this prequel to Black Out, Lawton transports readers to 1941 London during the German Blitz, brilliantly re-creating the era of ration tickets, air raids, and bomb shelters.

Wolfgang Stahl, an American spy operating undercover as an SS officer, has fled Germany with Hitler's secret blueprints for the invasion of Russia. As American, British, and German operatives race through war-torn London in search of the spy, bodies begin to pile up and the question arises: Are Stahl and his American contact being played by one of their own? In this game of spy vs. spy, only Sergeant Troy of Scotland Yard will be shrewd enough to uncover the truth.

Read More Show Less

Editorial Reviews

The Washington Post
This novel is above all else Lawton's tribute to the courage of his countrymen when they stood alone against Hitler. Yet it is not a mawkish tribute, for Lawton is aware that love, wine and laughter were never sweeter than when the bombs were falling and the next dawn was always a gamble. — Patrick Anderson
Publishers Weekly
In this stimulating prequel to Lawton's acclaimed Inspector Troy series (Black Out; Old Flames; etc.), London is in the middle of the blitz and 25-year-old Freddie Troy is a Scotland Yard sergeant, chafing at the limits of his post. As the novel begins, he is relegated to the background, the focus instead on a gawky American named Calvin Cormack, who has come to London to help find and debrief Wolfgang Stahl, a top aide to Hitler's SS chief, Heydrich, and a spy for the Americans who has been forced to flee Germany for England to avoid capture, carrying with him plans for the imminent German invasion of Russia. The seriously spooked Stahl disappears into the vast underground system of bombed-out London, accessible only to Walter Stilton, a wonderfully bluff old copper. Calvin (whose father is a U.S. senator working with Charles Lindbergh and the America First group to keep the U.S. out of the war) is quickly absorbed into the large Stilton family, winning the affections of oldest daughter Kitty, also a police officer. Kitty, as it happens, was previously involved with Freddie Troy (and hasn't given him up entirely); Freddie's ties to the family and Calvin become more complicated when tragedy strikes and Freddie is drawn into the search for Stahl. Lawton meshes comedy and suspense with skill and energy, and seamlessly mixes fictional creations with real characters like H.G. Wells, newspaper magnate Lord Beaverbrook, Winston Churchill and distant cousin Robert Churchill (a talented gunsmith who plays a key role here), producing a distinctive, vigorous novel of wartime suspense. (Jan.) Copyright 2003 Reed Business Information.
Library Journal
An American spy working undercover as an SS officer in Nazi Germany, Wolfgang Stahl is unmasked and escapes to England, bringing with him Hitler's plan to invade the Soviet Union. In their search to find and protect him, British intelligence officer Walter Stilton and Calvin Cormack of the American embassy race across Blitz-torn London. Lawton's third series entry features a fast and twisted plot (is there a double agent in the embassy?), and it takes Inspector Troy of Scotland Yard to unravel the truth. Nevertheless, Lawton retreads all-too-familiar ground with all-too-familiar props: the swastika on the cover and locales in wartime London, Germany, and Western Europe. Writers from Eric Ambler to John le Carr have told this story, and this version does not add anything new to the mix. For larger collections only.-Fred Gervat, formerly with Concordia Coll. Lib., Bronxville, NY Copyright 2003 Reed Business Information.
Kirkus Reviews
In 1941 London, a Scotland Yard detective and an American Army captain team up to ferret out a spy. With RAF bombs exploding all around him, SS officer Wolfgang Stahl cleverly escapes Berlin by switching identities with a corpse, then makes his way to London, where he goes into deep hiding. Sent in pursuit is US army captain Calvin Cormack; it turns out that Stahl is actually an American spy who works with Cal. Cal teams up with MI5 officer Walter Stilton and, eventually, with Sergeant Frederick Troy of Scotland Yard, Lawton's protagonist in his two previous installments. The author leapfrogs over the brooding Old Flames (2003), set during the Cold War, and picks up here where his lively debut, 1995's Black Out, left off. MI5 prides itself on its meticulous tracking of all foreign agents in England, so Stahl's capture becomes a matter of ego as well as security. Because Cal and Troy have a lot in common-both are wunderkinds in their respective jobs, both live in the shadow of a famous father (Cal's is a highly decorated general turned politician, Troy's a renowned intellectual and diplomat born in Russia)-they should partner well. Instead, they distrust each other immediately and needle each other incessantly. Also, and not incidentally, Cal has a hot affair with Troy's ex, Kitty, a sexually ravenous redheaded Wren, who also happens to be Stilton's daughter. Lawton plays out the culture clash of this odd couple to maximum effect, using his unsubtle backdrop of historic color (Churchill and H.G. Wells make cameos). This clash, and the massive three-way chess game among Troy, Cal, and Stilton, each deciding how much of their own intelligence to share and when, comprise the meat of thestory. Brisk but uncompelling. The chapters from American Cal's perspective seem veddy British. Agent: Clare Alexander/Gillon Aitken, UK
Read More Show Less

Product Details

  • ISBN-13: 9780802145550
  • Publisher: Grove/Atlantic, Inc.
  • Publication date: 7/31/2012
  • Series: Inspector Troy Series
  • Pages: 416
  • Sales rank: 433,530
  • Product dimensions: 5.40 (w) x 8.20 (h) x 1.00 (d)

Meet the Author

John Lawton is a novelist and occasional historian. He lives high up in the English hills, but spends part of the year in New York City and pretends it is balance.

Read More Show Less

Read an Excerpt


By John Lawton

Atlantic Monthly Press

Copyright © 2001 John Lawton
All right reserved.

ISBN: 0-87113-907-3

Chapter One

Berlin April 17th 1941

It was an irrational moment. A surrender of logic to the perilous joy of common nonsense. When the train stopped between stations on the S-Bahn, Stahl felt exposed, fearful for his life in a way that made no sense. High on the creaking metal latticework, the train tortured the tracks and juddered to a halt. Then the lights went out and Stahl knew that there was an air raid on. Yet again the RAF had got through to a city that the Führer had told them would never see a British plane or hear the crash of a British bomb. Berlin the impregnable, some of whose citizens now trembled and wept in the darkness, packed into a swaying train, high above the streets.

It was irrational. He was no more at risk here than on the ground. It just seemed that way - as though to be stuck on the elevated tracks like a bird on the wire made him into ... a sitting duck. He recalled a phrase of his father's from the last war, one every old Austrian soldier used occasionally - every old British soldier too, he was certain - 'If it's got your name on it ...' which meant that death was inevitable, and urged a grinning stoicism on those about to die.

The raid distracted him. He had been pretending to read a newspaper. He always did when he waited for the word. Tonight he had been oddly confident that there would be word. So confident, he became worried that he would miss her. More than once he had carried the pretence into practice, and had been caught engrossed in some nonsense in the Völkischer Beobachter and all but oblivious when she had brushed past him and muttered a single sentence.

The train moved off, the lights still out, sparks visible on the tracks below - hardly enough to make them the moving target his fellow-Berliners thought they were. At Warschauer Straße station passengers shoved and kicked till the doors banged open, a human tide surging for ground level and the shelters. The moment had passed, he was happier now in the open air and, as ever, curious about the men who dropped death on the city night after night. He stepped onto the platform, gazing into the clear, night sky hoping for a glimpse of a Blenheim or a Halifax. This was a reprisal raid. Last night - and into the small of hours of the morning - as the wireless had crowed all day, the Luftwaffe had blasted central London.

She brushed his shoulder. So quick, so quiet he could have missed her. A dark woman in a belted, brown macintosh, almost as tall as he. He could scarcely describe her face - he didn't think he'd ever seen her eyes.

'You are in the gravest danger. Go now. Go tonight.'

He heard his heart thump in his chest. He had expected this for so long that to hear the words uttered at last was like a body blow. The wind knocked from his lungs, his pulse doubled, a weakness in the knees that was so hackneyed a response he could scarcely believe it was happening to him.

'Go now,' she had said. 'Go tonight.'

'Leave Berlin,' it meant, 'leave Germany.' And with that phrase, twelve wretched years of his life were stitched and wrapped and over.

A uniformed corporal grabbed him by the arm with not so much as a 'Heil Hitler', and pulled him towards the staircase. His cap went flying, rolling onto the tracks, the little silver skull glinting back at him in the moonlight.

'It's a big one, sir. We have to take cover.'

Stahl knew the man. That meant he was getting sloppy. He should have known the man was there. An Abwehr clerk - a privileged pen-pusher, the sort who'd never see the front line except as punishment. Stahl could not recall his name - odd that, that he should have a hole in his memory, a memory so precise for words heard, so precise for words seen - but he let himself be manhandled, clerkhandled, into a shelter: a concrete blockhouse beneath the S-Bahn station, hastily thrown up in the winter of 1939. Throughout the false start of Czechoslovakia and the easy victories over Poland and France, the Führer had made swift provision for bomb-shelters, whilst reminding them all that they weren't going to be bombed. It was a brave man - in Stahl's experience, a drunken man - who pointed out the anomaly.

Stahl was surprised. He'd never been in a street shelter before. He'd half expected satanic darkness, piss in the corner, vomit on the floor. But it was clean and only faintly malodorous. It was warm, too - the combined heat of all those bodies and the pot-bellied French stove against the back wall, looted from the Maginot Line less than a year ago, into which an enthusiastic youth, with phosphorous buttons on his jacket, was stuffing the remains of a beer crate. He stripped off his raincoat and draped it over one arm. The concrete cell was dimly lit by a ring of bulkhead lights - light enough for people to see him for what he was.

A middle-aged man in rimless spectacles had both arms wrapped around a whimpering woman. He stared at Stahl, patted his wife gently on the back. She too turned to look at Stahl and, finding herself looking up at an SD Brigadeführer in full uniform, less hat - all black and silver and lightning - she stopped whimpering. Stahl stood shoulder to shoulder with the corporal, sharing a small room with fifty-odd strangers, and heard the murmurs of fear and reassurance dwindle almost to nothing as though he himself had silenced them. It wasn't him. It was the uniform. It possessed a power he had never thought he had. He wore it out of choice. His job permitted him civilian dress if he saw fit: Canaris wore plain clothes, Schellenberg wore them more often than not, but the dulled imaginations of the Geheime Staatspolizei - long since abbreviated to Gestapo - favoured a 'civilian uniform' of trilby hats and leather greatcoats. Stahl felt better in a real uniform. In a world where all identities were false it was a plain statement. The boldness of a bare-faced lie. It seemed to him far less sinister than the ubiquitous leather coat. Why the Berliners should be more scared of him in a shelter than on a train needed no thought - they were showing treasonable fear in the presence of a man whose power over them might well be life and death - and he stood between them and the door.

When the all-clear sounded, Stahl found himself in the street with the Abwehr corporal once more. This time the man saluted. The contrived formality of a barked 'Hell Hitler' - contrived, Stahl knew, since there was hardly a man in the Abwehr who didn't secretly despise Hitler, the Party and the SS. Stahl returned the salute, scarcely whispering the Hell Hitler. Perhaps he'd said it for the last time?

The man was right. It had been a heavy raid. They'd listened to the bombs explode, felt the earth shake, for well over an hour - wave after wave of bombers, so many he'd given up the focused monotony of counting. Now the air stank of cordite, and a haze of dust hung over the city in the moonlight.

He walked home through blitzed streets of dust and debris, almost empty of traffic - cars were abandoned at the roadside, trams did not run, people scurried like ants in all directions, directionless. Stahl turned the corner into Kopernikusstraße ten minutes later. It was deserted, almost silent. His apartment block and the one next to it had collapsed like bellows, breathed their last and died. The main staircase clung precariously to the wall where the strength of the chimney-breast had resisted the blast. He could see the top floor as clearly as if someone had pulled away the front, like the hinged facade of a doll's house. He could see his own apartment, the floor hanging skewed, his bed with one leg resting on nothing, four floors of nothing, his mahogany wardrobe, one door open, almost tilting into the void, and his overcoat flapping on the back of the bedroom door.

There was no sign of rescue. In the distance he could hear sirens, but he'd had to climb over piles of rubble to get this far, and as far as he could see the other end of the street was no better. It would be an hour or more before anyone, any vehicle, got through.

He stepped into the remains of the concierge's sitting room. The old woman sat at her piano, her forehead resting on the upturned lid, symmetrically between the candlesticks, dead. There didn't seem to be a mark on her. What had killed her? Had her heart simply stopped at the sound of the bomb? Had she hit middle C and died? She sat in a ring of rubble but, it seemed, all of it had missed her, falling around her as though some invisible shield had guarded her body even as her spirit fled. He had liked the old woman. He had played this piano many times at her request. She had let him play simply for the pleasure of it, not caring what he played, but Stahl had seen tears in her eyes when he played Mozart. Mozart - Mozart had been the first snare. He had used Mozart to snare Heydrich. He had attracted his attention by appealing to the man's taste, by playing Mozart and by playing upon the man's childhood memories. Heydrich had grown up with music - his father had taught music in Dresden - he played the violin well, not as well as Stahl played the piano, but well nonetheless. It was the weak link in a man not known to have weaknesses, and Stahl had used it to work his way into Heydrich's confidence. Not his affection. He had never seen affection for anyone in Heydrich. All the Nazis were mad - Heydrich no more nor less mad than Hitler or Himmler, but he was, Stahl thought, cleverer, more self-contained. Whatever lurked in Heydrich was well battened down. He threw no tantrums. He had his emotional outlet - music.

When, one day in 1934, after dozens of impromptu pootlings by Stahl, Heydrich had asked him if he knew a Mozart piece for violin and piano, the A major Mannheim Sonata, Stahl knew he had hooked him. They had played the piece at least fifty times over the year - many others besides, but Heydrich always came back to the Mannheim Sonatas as his starting point as though the duets, those sparse dialogues between the violin and the piano, held a significance for him that he would not utter and of which Stahl would not ask.

It was a pity. Stahl liked them. He'd never play any of them again now. They would be for ever associated with Heydrich in his mind and he had no wish to see a mental image of Obergruppenführer Reinhard Heydrich again. He would, almost daily, but he'd try not to.

In the back room Stahl found the body of Erwin Hölzel. At least he assumed it was Hölzel. There was a bloody fruit pulp where the face had been. The poor bugger had been blown through from the floor above.

Stahl looked up, past the jagged edges of floorboards, through Hölzel's apartment, through his own, into the night sky. Then it came to him. He could scarcely believe his luck. Perhaps there was a God after all?

He climbed carefully up the staircase, testing each tread with one foot before putting his whole weight on it. From the top floor he looked out across the street. There were half a dozen people milling about - but distractedly, unfocused, bewailing their lot and crying for the dead and missing. If he was quick he would not be seen. They were all looking down, not up.

He clung with one hand to the steel conduit that ran the electric cable to the light switch, and with his other hand reached into the wardrobe. He tried to grab a plain, black suit and missed by inches. He lowered his grip, clung as tightly as he could, braced one foot against the wall and thrust out with his right hand. It was too sharp a movement. The floor sagged, the wardrobe wobbled. His fingers locked onto the suit. He pulled it towards him to find the whole wardrobe tilting and the suit still attached by its hanger. He pulled again. The suit jerked free and the balance of the wardrobe shifted, tipping it into space to tumble four floors and splinter on the mound of rubble below.

Stahl found himself clinging to the conduit, the suit flapping like a flag in his hand, all his bodyweight poised over the void. He pushed with his feet, pulled with his fingers, and regained the wall. He grabbed his coat from the door and ran down the stairs, not caring if they tumbled behind him step by step like a house of cards.

It took a quarter of an hour or more to strip off Hölzel's clothes and dress the corpse in his own SD uniform. Roughly, the two men were the same size. Hölzel was ten years older, but that would only have shown clearly in the face, and he had no face. With a little luck it would be days before anyone figured out that it wasn't Stahl. He had no tattoos, no blood group written on the sole of his foot, no SS insignia on his arms. If they had any doubts when they found the body, they'd have to turn to dental records.

He could not leave his Ausweis - or his Party membership card. They'd be the clinchers, but he'd need them to get wherever he was going. But if a body of his size and age were to be found in the remains of his apartment building, wearing an SD uniform, who wouldn't draw the immediate, the wrong conclusion?

Stahl stepped into the street, buttoned his overcoat. He had no hat. He wished he had a hat. A hat was an identity. He had lost one when his cap rolled on to the S-Bahn track. The black suit, the black coat, another damn disguise, seemed incomplete without a hat. Two doors down was a channel that led back towards the Frankfurter Allee. It wasn't blocked, it was strewn with broken brick but it was passable. He picked his way along, clutching the rolled ball of Hölzel's bloody suit, dropped the suit down an open coal chute, cut across the side streets and emerged into the Frankfurter Allee just in time to see a fire engine roar past.

Some part of his mind, less clear than a voice, less formed or shaped than an idea, more resistible than an impulse, wanted to turn - to turn and look back. But he had promised himself when he had joined the Nationalsozialistiche deutsche Arbeiterpartei in 1929 that he never would. To look back was more than an indulgence, more than a parting whim - it was to die of pain and grief and irredeemable heartbreak.

Chapter Two

It was going to be a blue day.

Alexei Troy had spent a morning looking back. It was heartbreak, heartbreak of the sweetest kind.

A cloud-puffed blue spring sky outside his window. Great bouncy billows of cumulo-nimbus. For the first time in weeks the skies over north London blissfully free of aircraft. Not so much as a training flight - all those young men, boys, boys, boys, those Poles and Czechs, the odd Canadian, the odder American - clocking up the hours on Hurricanes and Spifires before they got into a real dogfight. Only the barrage balloons, hawsers taut, tethered as though to some giant hand, broke the skyline.


Excerpted from BLUFFING MR. CHURCHILL by John Lawton Copyright © 2001 by John Lawton. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Read More Show Less

Table of Contents

Read More Show Less

Customer Reviews

Average Rating 4
( 9 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 9 Customer Reviews
  • Anonymous

    Posted December 23, 2003

    great historical suspense thriller

    In the spring of 1941, Britain stands alone against the Nazi machine. Though his country remains neutral, American State Department blue blood Calvin Comrack is in London seeking spy Wolfgang Stahl, who until recently was a top aide to Hitler's SS chief Heydrich. When Stahl was exposed as an enemy agent, he fled Germany hoping to hide in the London underground. Comrack needs to obtain whatever Stahl took with him from Germany which happens to be Hitler¿s invasion plan to end the nonaggression pact with the Soviets. <P>Comrack learns that police officer Walter Stilton has had contact with the vanished Stahl. He ¿joins¿ the extended Stilton family wanting Walter to arrange a meeting with Wolfgang, but finds himself also attracted to his host¿s daughter police officer Kitty. He competes for her affection with Scotland Yard cop Freddie Troy. However, the rivals become allies in the search for Stahl as the American Embassy disowns Comrack, claiming he is working on his own while the Nazis insist they already have the missing agent. <P>Freddie Troy, star of several of John Lawton¿s works that take place in the mid to late 1950s (see OLD FLAMES), is only twenty-fives years old and for much of the novel plays a secondary role. Though not quite a Troy prequel, readers get a glimpse of his early days on the force. The story line is a war time espionage tale rather than a police procedural though the latter is an intricate part of the powerful plot. Using real historical figures, groups, and events to add authenticity, BLUFFING MR. CHURCHILL is a great historical suspense thriller that readers will cherish. <P>Harriet Klausner

    1 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted May 1, 2012

    No text was provided for this review.

  • Anonymous

    Posted September 15, 2012

    No text was provided for this review.

  • Anonymous

    Posted June 12, 2012

    No text was provided for this review.

  • Anonymous

    Posted December 13, 2008

    No text was provided for this review.

  • Anonymous

    Posted April 5, 2011

    No text was provided for this review.

  • Anonymous

    Posted August 8, 2013

    No text was provided for this review.

  • Anonymous

    Posted April 28, 2014

    No text was provided for this review.

  • Anonymous

    Posted December 15, 2012

    No text was provided for this review.

Sort by: Showing all of 9 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)