Blur 21

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
It is a hefty box. It is 18 CDs and three DVDs, adding up to 21 discs, which just happens to be the anniversary Blur are celebrating in 2012, a year when they've continued their halting reunion to headline the closing ceremony of the London Olympics. And, really, there was no other choice for such a prestigious gig. Other bands were bigger -- archrivals Oasis handily eclipsed them in popularity and the Spice Girls soon brought Cool Brittania to an even greater audience -- and Suede arguably kick-started the whole Brit-pop phenomenon, but Blur defined their era, reasserting the prominence of British pop music and then heading into uncharted waters. Blur 21 ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
It is a hefty box. It is 18 CDs and three DVDs, adding up to 21 discs, which just happens to be the anniversary Blur are celebrating in 2012, a year when they've continued their halting reunion to headline the closing ceremony of the London Olympics. And, really, there was no other choice for such a prestigious gig. Other bands were bigger -- archrivals Oasis handily eclipsed them in popularity and the Spice Girls soon brought Cool Brittania to an even greater audience -- and Suede arguably kick-started the whole Brit-pop phenomenon, but Blur defined their era, reasserting the prominence of British pop music and then heading into uncharted waters. Blur 21 chronicles that journey in minute detail and, contrary to what its imposing size suggests, the box does not contain everything the group ever recorded. You'd have to be a pretty hardcore fan to notice how their terrible 1994 cover of the Who's "Substitute" is MIA and even if you were that committed, chances are you'd rather have the four discs of unreleased rarities included here instead. These CDs -- along with the DVDs, each capturing a separate live show from different stages of the band's career beginning with the 1994 home video Showtime and ending with a 13-era live set augmented by videos that didn't make the 2000 Best of Blur DVD -- are exclusive to the box set but the double-disc expanded editions of the group's seven albums are available separately. Each of these rounds up the non-LP B-sides from the accompanying album, leaving behind a few live cuts and remixes but containing all pertinent stray songs, many of which are excellent, particularly during the group's mid-'90s prime. What makes Blur 21 something more than just fan bait -- although, make no mistake about it, there needs to be a certain level of dedication to get through a box of this size -- is that there is an actual narrative told here, one that not only tells the story of Blur but represents the trajectory of British indie music in the '90s. At the outset, Blur were a noisy, confused amalgam of droning psychedelia, C-86 pop, and Madchester dance, their various influences gaining focus on their 1993 second album, Modern Life Is Rubbish, designed by lead singer/songwriter Damon Albarn as a defiant response to the insurgent grunge from the U.S. For two albums -- Parklife in 1994 and The Great Escape in 1995 -- Blur perfected a classical British pop before returning to their art-school roots on their eponymous 1997 album, eventually embracing modern electronic cut-and-paste techniques on 1999's 13 before splintering apart during the recording of 2003's Think Tank. This journey is compelling and the added detail of rarities and B-sides deepens the experience, particularly during the early years when they were called Seymour and during the Brit-pop purple patch when they were making more good music than could fit on a single album. Naturally, at this length there are some failures or experiments gone awry -- the early demos, such as an 11-minute "She's So High," are interesting but formless, and the concluding jams from 13 were meant to be spliced into shape by William Orbit, not heard at this length -- but all the mess winds up illustrating Blur's restless range and depth. There were plenty of other great British bands of the '90s but none of their peers -- Oasis, Suede, Pulp, Radiohead -- covered as much stylistic ground or wound up with a catalog as rich as this ridiculously generous box set handily proves.
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Product Details

  • Release Date: 7/31/2012
  • Label: Wb / Parlophone
  • EAN: 5099962491129
  • Catalog Number: 791340
  • Sales rank: 51,866

Tracks

Disc 1
  1. 1 She's So High (4:46)
  2. 2 Bang (3:37)
  3. 3 Slow Down (3:11)
  4. 4 Repetition (5:25)
  5. 5 Bad Day (4:24)
  6. 6 Sing (6:00)
  7. 7 There's No Other Way (3:24)
  8. 8 Fool (3:14)
  9. 9 Come Together (3:52)
  10. 10 High Cool (3:37)
  11. 11 Birthday (3:49)
  12. 12 Wear Me Down (4:51)
Disc 2
  1. 1 I Know (6:31)
  2. 2 Down (5:58)
  3. 3 There's No Other Way (3:58)
  4. 4 Inertia (3:49)
  5. 5 Mr Briggs (3:58)
  6. 6 I'm All Over (2:00)
  7. 7 Won't Do It (3:20)
  8. 8 Day Upon Day (4:13)
  9. 9 There's No Other Way (4:56)
  10. 10 Bang (4:25)
  11. 11 Explain (2:45)
  12. 12 Luminous (3:14)
  13. 13 Berserk (6:43)
  14. 14 Uncle Love (2:31)
  15. 15 I Love Her (3:36)
  16. 16 Close (3:02)
Disc 3
  1. 1 For Tomorrow (4:21)
  2. 2 Advert (3:45)
  3. 3 Colin Zeal (3:16)
  4. 4 Pressure On Julian (3:31)
  5. 5 Star Shaped (3:26)
  6. 6 Blue Jeans (3:54)
  7. 7 Chemical World (6:33)
  8. 8 Sunday Sunday (2:38)
  9. 9 Oily Water (5:01)
  10. 10 Miss America (5:35)
  11. 11 Villa Rosie (3:54)
  12. 12 Coping (3:24)
  13. 13 Turn It Up (3:22)
  14. 14 Resigned (6:12)
Disc 4
  1. 1 Popscene (3:14)
  2. 2 Mace (3:25)
  3. 3 Badgeman Brown (4:48)
  4. 4 I'm Fine (3:03)
  5. 5 Garden Central (6:00)
  6. 6 For Tomorrow (6:01)
  7. 7 Into Another (3:55)
  8. 8 Peach (3:57)
  9. 9 Bone Bag (4:04)
  10. 10 Hanging Over (4:27)
  11. 11 When the Cows Come Home (3:50)
  12. 12 Beachcoma (3:38)
  13. 13 Chemical World (3:44)
  14. 14 Es Schmecht (3:36)
  15. 15 Young and Lovely (5:03)
  16. 16 Maggie May (4:06)
  17. 17 My Ark (5:57)
  18. 18 Daisy Bell (A Bicycle Made For Two) (2:48)
  19. 19 Let's All Go Down the Strand (3:41)
Disc 5
  1. 1 Girls and Boys (4:51)
  2. 2 Tracy Jacks (4:19)
  3. 3 End of a Century (2:45)
  4. 4 Parklife Starring Phil Daniels (3:05)
  5. 5 Bank Holiday (1:42)
  6. 6 Badhead (3:25)
  7. 7 The Debt Collector (2:10)
  8. 8 Far Out (1:37)
  9. 9 To the End (4:04)
  10. 10 London Loves (4:15)
  11. 11 Trouble In the Message Centre (4:09)
  12. 12 Clover Over Dover (3:22)
  13. 13 Magic America (3:37)
  14. 14 Jubilee (2:47)
  15. 15 This is a Low (5:16)
  16. 16 Lot 105 (1:18)
Disc 6
  1. 1 Magpie (4:16)
  2. 2 Anniversary Waltz (1:22)
  3. 3 People In Europe (3:28)
  4. 4 Peter Panic (4:21)
  5. 5 Girls And Boys (7:16)
  6. 6 Threadneedle Street (3:18)
  7. 7 Got Yer! (1:48)
  8. 8 Beard (1:44)
  9. 9 To the End (4:05)
  10. 10 Supa Shoppa (3:02)
  11. 11 Theme From An Imaginary Film (3:34)
  12. 12 Red Necks (2:53)
  13. 13 Alex's Song (2:45)
  14. 14 Jubilee (2:32)
  15. 15 Parklife [From 'End Of A Century' Spanish C (2:59)
  16. 16 End of a Century (2:44)
Disc 7
  1. 1 Stereotypes (3:11)
  2. 2 Country House (3:56)
  3. 3 Best Days (4:49)
  4. 4 Charmless Man (3:33)
  5. 5 Fade Away (4:18)
  6. 6 Top Man (4:00)
  7. 7 The Universal (3:58)
  8. 8 Mr Robinson's Quango (4:00)
  9. 9 He Thought of Cars (4:16)
  10. 10 It Could Be You (3:12)
  11. 11 Ernold Same (2:06)
  12. 12 Globe Alone (2:23)
  13. 13 Dan Abnormal (3:23)
  14. 14 Entertain Me (4:19)
  15. 15 Yuko and Hiro (5:24)
Disc 8
  1. 1 One Born Every Minute (2:18)
  2. 2 To the End (La Comedie) (5:05)
  3. 3 Ultranol (2:42)
  4. 4 No Monsters In Me (3:38)
  5. 5 Entertain Me (7:17)
  6. 6 The Man Who Left Himself (3:22)
  7. 7 Tame (4:47)
  8. 8 Ludwig (2:24)
  9. 9 The Horrors (3:18)
  10. 10 A Song (1:45)
  11. 11 St Louis (3:13)
  12. 12 Country House (4:57)
  13. 13 Girls and Boys (5:02)
  14. 14 Parklife (3:42)
  15. 15 For Tomorrow (7:02)
  16. 16 Charmless Man (3:22)
  17. 17 Chemical World (4:12)
  18. 18 Eine Kleine Lift Musik (4:18)
Disc 9
  1. 1 Beetlebum (5:05)
  2. 2 Song 2 (2:01)
  3. 3 Country Sad Ballad Man (4:50)
  4. 4 M.O.R. (3:27)
  5. 5 On Your Own (4:26)
  6. 6 Theme From Retro (3:36)
  7. 7 You're So Great (3:35)
  8. 8 Death of a Party (4:33)
  9. 9 Chinese Bombs (1:24)
  10. 10 I'm Just a Killer For Your Love (4:11)
  11. 11 Look Inside America (3:50)
  12. 12 Strange News From Another Star (4:03)
  13. 13 Movin' On (3:42)
  14. 14 Essex Dogs (8:10)
Disc 10
  1. 1 All Your Life (4:12)
  2. 2 A Spell (For Money) (3:30)
  3. 3 Woodpigeon Song (1:43)
  4. 4 Dancehall (3:11)
  5. 5 Get Out of Cities (4:02)
  6. 6 Polished Stone (2:42)
  7. 7 Bustin' + Dronin' (6:32)
  8. 8 M.O.R. (Road Version) (3:01)
  9. 9 Swallows In the Heatwave (2:33)
  10. 10 Death of a Party (4:18)
  11. 11 Cowboy Song (4:07)
  12. 12 Beetlebum (4:33)
  13. 13 On Your Own (4:11)
  14. 14 Country Sad Ballad Man (4:44)
  15. 15 This is a Low (3:31)
  16. 16 M.O.R. (3:17)
  17. 17 Death of a Party (4:16)
  18. 18 Song 2 (2:07)
Disc 11
  1. 1 Tender (7:40)
  2. 2 Bugman (4:47)
  3. 3 Coffee & Tv (5:58)
  4. 4 Swamp Song (4:36)
  5. 5 1992 (5:29)
  6. 6 B.L.U.R.E.M.I (2:52)
  7. 7 Battle (7:43)
  8. 8 Mellow Song (3:56)
  9. 9 Trailerpark (4:26)
  10. 10 Caramel (7:38)
  11. 11 Trimm Trabb (5:37)
  12. 12 No Distance Left To Run (3:27)
  13. 13 Optigan I (2:34)
Disc 12
  1. 1 French Song (8:20)
  2. 2 All We Want (4:32)
  3. 3 Mellow Jam (3:55)
  4. 4 X-Offender (5:38)
  5. 5 Coyote (3:49)
  6. 6 Trade Stylee (5:58)
  7. 7 Metal Hip Slop (4:15)
  8. 8 So You (4:10)
  9. 9 Beagle 2 (2:54)
  10. 10 Tender (5:23)
  11. 11 Far Out (3:57)
  12. 12 I Got Law (2:42)
  13. 13 Music is My Radar (5:28)
  14. 14 Black Book (8:30)
Disc 13
  1. 1 Ambulance (5:09)
  2. 2 Out of Time (3:51)
  3. 3 Crazy Beat (3:14)
  4. 4 Good Song (3:08)
  5. 5 On the Way To the Club (3:47)
  6. 6 Brothers and Sisters (3:47)
  7. 7 Caravan (4:35)
  8. 8 We've Got a File On You (1:02)
  9. 9 Moroccan Peoples Revolutionary Bowls Club (3:02)
  10. 10 Sweet Song (4:00)
  11. 11 Jets (6:25)
  12. 12 Gene By Gene (3:48)
  13. 13 Battery In Your Leg (11:34)
Disc 14
  1. 1 Money Makes Me Crazy (2:52)
  2. 2 Tune 2 (3:47)
  3. 3 The Outsider (5:14)
  4. 4 Don't Be (2:40)
  5. 5 Morricone (4:49)
  6. 6 Me, White Noise (6:44)
  7. 7 Some Glad Morning (4:18)
  8. 8 Don't Be (2:39)
  9. 9 Sweet Song (3:49)
  10. 10 Caravan (4:14)
  11. 11 End of a Century (2:40)
  12. 12 Good Song (3:31)
  13. 13 Out of Time (3:36)
  14. 14 Tender (6:21)
Disc 15
  1. 1 Dizzy (3:34)
  2. 2 Mixed Up (3:51)
  3. 3 Birthday (4:32)
  4. 4 Sing (To Me) [Demo Vers (5:28)
  5. 5 Fool (Seymour 4 Track Demo, 30 July 1989) (2:36)
  6. 6 She's So High (11:33)
  7. 7 Won't Do It (3:12)
  8. 8 I Know (3:55)
  9. 9 Repetition (5:12)
  10. 10 High Cool (3:39)
  11. 11 Always (2:58)
  12. 12 Come Together (3:34)
  13. 13 I'm All Over (1:52)
  14. 14 Wear Me Down (5:32)
Disc 16
  1. 1 I Love Her (3:39)
  2. 2 Popscene (3:44)
  3. 3 Beached Whale (3:23)
  4. 4 Death of a Party (3:40)
  5. 5 Pap Pop (2:24)
  6. 6 Pressure On Julian (4:26)
  7. 7 Colin Zeal (3:32)
  8. 8 Sunday Sunday (2:11)
  9. 9 Never Clever (2:51)
  10. 10 Advert (3:45)
  11. 11 Star Shaped (3:05)
  12. 12 She Don't Mind (3:51)
  13. 13 Coping (3:22)
  14. 14 Sunday Sleep (3:31)
  15. 15 7 Days (3:41)
  16. 16 Kazoo (3:15)
  17. 17 The Wassailing Song (3:24)
  18. 18 When the Cows Come Home (3:26)
  19. 19 For Tomorrow (4:14)
  20. 20 Magpie (2:05)
Disc 17
  1. 1 Parklife (3:08)
  2. 2 Clover Over Dover (2:54)
  3. 3 Jubilee (2:51)
  4. 4 One a Minute (2:13)
  5. 5 Badhead (3:07)
  6. 6 Far Out (3:16)
  7. 7 The Debt Collector (2:11)
  8. 8 Trouble in the Message Centre (3:37)
  9. 9 Red Necks (2:46)
  10. 10 Red Necks (0:59)
  11. 11 Alex's Song (3:09)
  12. 12 Cross Channel Love (3:16)
  13. 13 Ernold Same (1:20)
  14. 14 Saturday Morning (4:33)
  15. 15 Hope You Find Your Suburb [Dem (4:13)
  16. 16 Rico (5:08)
  17. 17 Bored House Wives (4:57)
Disc 18
  1. 1 Beetlebum (3:00)
  2. 2 On Your Own (4:21)
  3. 3 Woodpigeon Song (3:01)
  4. 4 Battle (5:46)
  5. 5 Caramel (Ambient) (7:47)
  6. 6 So You (3:45)
  7. 7 Squeezebox (6:34)
  8. 8 Jawbone (5:33)
  9. 9 "1" (3:38)
  10. 10 "3" (4:49)
  11. 11 Sir Elton John's Cock (1:23)
  12. 12 Avoid the Traffic (1:29)
  13. 13 Money Makes Me Crazy (2:29)
  14. 14 Don't Bomb When You Are the Bomb (3:59)
  15. 15 Nutter (2:42)
  16. 16 Piano (3:19)
  17. 17 Kissin' Time (5:38)
  18. 18 Fool's Day (3:28)
  19. 19 Under the Westway (4:17)
Disc 19
  1. 1 Lot 105
  2. 2 Sunday Sunday
  3. 3 Jubilee
  4. 4 Tracy Jacks
  5. 5 Magic America
  6. 6 End of a Century
  7. 7 Popscene
  8. 8 Trouble In the Message Centre
  9. 9 She's So High
  10. 10 Chemical World
  11. 11 Badhead
  12. 12 There's No Other Way
  13. 13 To the End
  14. 14 Advert
  15. 15 Supa Shoppa
  16. 16 Mr Robinson's Quango
  17. 17 Parklife
  18. 18 Girls and Boys
  19. 19 Bank Holiday
  20. 20 This is a Low
Disc 20
  1. 1 I Know
  2. 2 She's So High
  3. 3 There's No Other Way
  4. 4 Popscene
  5. 5 For Tomorrow
  6. 6 Chemical World
  7. 7 Girls and Boys
  8. 8 To the End
  9. 9 Parklife
  10. 10 End of a Century
  11. 11 Country House
  12. 12 The Universal
  13. 13 Charmless Man
  14. 14 Beetlebum
  15. 15 Song 2
  16. 16 On Your Own
  17. 17 M.O.R.
  18. 18 Tender
  19. 19 Coffee & TV
  20. 20 No Distance Left to Run
Disc 21
  1. 1 B.L.U.R.E.M.I
  2. 2 No Distance Left To Run
  3. 3 Tender
  4. 4 Battle
  5. 5 Beetlebum
  6. 6 Bugman
  7. 7 Trimm Trabb
  8. 8 Mellow Song
  9. 9 Song 2
  10. 10 Semour - Dizzy
  11. 11 There's No Other Way [
  12. 12 To the End (Lacomedie)
  13. 13 It Could Be You
  14. 14 Music is My Radar
  15. 15 Out of Time
  16. 16 Crazy Beat
  17. 17 Good Song
Disc 22
  1. 1 Superman (4:09)
  2. 2 Superman (4:09)
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Album Credits

Performance Credits
Blur Primary Artist
Mike Smith Saxophone
Phil Daniels Narrator
Damon Albarn Organ, Synthesizer, Piano, Harpsichord, Keyboards, Recorder, Vocals, Background Vocals, Choir, Chorus, Melodica, Moog Synthesizer, Hand Clapping, Vibes, solina, sleigh bells, Jupiter 8, String Machine, Casio, Hammond B3
Jacques Bolognesi Accordion
Simon Clarke Soprano Flute, Saxophone, Alto Saxophone, Baritone Saxophone, Group Member
Graham Coxon Acoustic Guitar, Banjo, Clarinet, Guitar, Percussion, Electric Guitar, Saxophone, Tambourine, Triangle, Background Vocals, Choir, Chorus, Moog Synthesizer, Hand Clapping, Slide Guitar
Richard Edwards Trombone
Stephen Hague Accordion
The Kick Horns Horn
Alex James Bass, Bass Guitar, Vocals, Choir, Chorus, Hand Clapping, Crowd Noise
Helen Kamminga Viola
London Community Gospel Choir Choir, Chorus
Roddy Lorimer Trombone, Trumpet, Flugelhorn, Group Member
Ivan McCready Cello
John Metcalfe Viola, Group Member
Leo Payne String Quartet
Mark Pharoah Violin
Chris Pitsillides String Quartet
Audrey Riley String Quartet
Dave Rowntree Percussion, Drums, Choir, Chorus, Hand Clapping, Timpani, Crowd Noise, Loop Drums
Kiyohiko Senba Drums
Tim Sanders Saxophone, Soprano Saxophone, Tenor Saxophone, Group Member
Paul Spong Cornet
Kate St. John Oboe, Soprano Saxophone, Cor anglais
Stephen Street Keyboards, Hand Clapping, Peruvian Box Drum
Ben Hillier Percussion
Cathy Gillat Vocals
Ken Livingstone Narrator
Ivan McCermoy Cello, Group Member
Rick Wentworth Conductor
Angela Murrell Background Vocals
Duke Quartet Strings
Keigo Oyamada Bass, Guitar
Bezzari Ahmed Rabab
Rabab Gueddam Jamal Violin, Cello
Groupe Regional du Marrakech Performing Ensemble
Christopher Tombling String Quartet
Rick Koster Violin, Group Member
Louisa Fuller Violin, Group Member
Duke Strings Strings
Neil Sidwell Trombone, Group Member
Jason Guiness Coz Drums
Hijaoui Rachid Violin
Dalal Mohamed Najib Darbouka
Abdellah Kekhari Violin
Teresa Jane David Background Vocals
Moullaoud My Ali Oud
Mohamed Azeddine Oud
Kassimi Jamal Yousseff Oud
Technical Credits
Marianne Faithfull Composer
Pet Shop Boys Arranger, Producer, Remixing
Rod Stewart Composer
Bill Laswell Producer
Mike Smith Composer, Additional Music
Khalil Chahine String Arrangements
Blur Composer, Producer, Engineer, Additional Production
William Orbit Producer, Engineer
Steve Power Producer, Engineer
Clive Langer Producer
Andy Partridge Producer
Phil Thornalley Engineer
Françoise Hardy Composer
Damon Albarn Composer, Programming, Producer, Engineer, Executive Producer, Remixing, Additional Music
David Balfe Additional Production
Alan Branch Engineer
Norman Cook Producer
Graham Coxon Composer, Engineer, Executive Producer, Remixing, Logo, Cover Painting, Additional Music, Background Noise, Additional Production
Oz Fritz Engineer
Isobel Griffiths Additional Production
Stephen Hague Producer, Engineer
Alex James Composer, Engineer, Executive Producer, Remixing
Bob Kraushaar Engineer
Steve Lovell Producer, Engineer
John Metcalfe String Arrangements
Andy Ross Additional Production
Dave Rowntree Composer, Programming, Engineer, Executive Producer, Remixing, Additional Music
Stephen Street Programming, Sound Effects, Producer, Engineer, Mastering, Remastering
Bob Thomas Cover Photo
Mike Thorne Producer
Howie Weinberg Mastering
Alan Winstanley Producer
Graeme Holdaway Producer, Engineer
Damian leGassick Pro-Tools
Frank Arkwright Mastering, Remastering
The Dust Brothers Producer
Nels Israelson Band Photo
Ben Hillier Producer, Engineer, Remixing, Additional Music
Cornelius Remixing
Dave Bernez Mastering
Tom Girling Producer, Engineer
Paul Postle Director, Band Photo
Steve Pritchard Management
Miranda Sawyer Liner Notes, Interviewer
Sean Spuehler Pro-Tools
Tony Wadsworth Management
Control Freaks Remixing
Harry Dacre Composer
Iain Roberton Engineer
Malcolm Hill Management
Ben Chapman Remixing
John Smith Producer, Engineer
Tom King Cover Photo
Scott Minshall Art Direction, Reissue Design, Management
Toyoaki Mishima Pro-Tools
Nick Franglen Programming
Hamish Hamilton Director
James Dring Composer, Programming, Producer, Engineer
Bansky Artwork, Direction, Artist, Additional Production
Martin R. Smith Producer
Toru Takayama Engineer
Keith Wozencroft Management
Desyud Mustafa Arranger
Brendan Coyle Management
Libby Jones Management
Darren Evans Reissue Design, Management
David Shrigley Artist
Chris Denman Producer
Jonathan Glazer Director
Rob Owen Management
Chris Maj Management
Simon Mundy Remix Programmer
Tris Penna Management
Stephen Sedgwick Programming, Producer, Engineer
Stephen Smith Producer
Kevin Mccabe Management
Miles Leonard Management
Chris Potter Producer
Julian Opie Artist
Regine Moylett Management
Jason Guiness Coz Producer, Engineer, Studio Manager, Technical Maintenance, Additional Music, Additional Production
Arjan Arwert Engineer
Keith Albarn Image Manipulation
Tanyel Vahdettin Management
Matthew Longfellow Director
Chris Morrison Management
Jo Power Additional Production
Helena McGeough Management
Hannah Dudley Management
Hannah Claxton Management
Graham Smith Executive Producer
Ceri Levy Producer
Buu-Kim Hoang-Le Management
Anouck Fontaine Producer
Thijs Peters Engineer
Terry Felgate Management
Suzi Grossman Management
Sue Lacey Management
Stuart Lowbridge Engineer
Steve Heaver Management
Selena Dion Management
Polly Birkbeck Additional Production
Pete Gleadhall Programming
Pete Duckworth Management
Paul Stephen Paintings
Paul Gribble Paintings
Nina Shultz Band Photo
Niamh Byrne Management
Mel Ramos Artist
Mandy Plumb Management
Kate Cons Management
Karen Johnson Management
Jürgen Mölders Engineer
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