Bob Dylan: Writings 1968-2010

Bob Dylan: Writings 1968-2010

by Greil Marcus
     
 

The book begins in Berkeley in 1968, and ends with a piece on Dylan’s show at the University of Minnesota—his very first appearance at his alma mater—on election night 2008. In between are moments of euphoric discovery: From Marcus’s liner notes for the 1967 Basement Tapes (pop music’s most famous bootlegged archives) to his

Overview

The book begins in Berkeley in 1968, and ends with a piece on Dylan’s show at the University of Minnesota—his very first appearance at his alma mater—on election night 2008. In between are moments of euphoric discovery: From Marcus’s liner notes for the 1967 Basement Tapes (pop music’s most famous bootlegged archives) to his exploration of Dylan’s reimagining of the American experience in the 1997 Time Out of Mind. And rejection; Marcus’s Rolling Stone piece on Dylan’s album Self Portrait—often called the most famous record review ever written—began with “What is this shit?” and led to his departure from the magazine for five years. Marcus follows not only recordings but performances, books, movies, and all manner of highways and byways in which Bob Dylan has made himself felt in our culture.

Together the dozens of pieces collected here comprise a portrait of how, throughout his career, Bob Dylan has drawn upon and reinvented the landscape of traditional American song, its myths and choruses, heroes and villains. They are the result of a more than forty-year engagement between an unparalleled singer and a uniquely acute listener.

Editorial Reviews

For more than forty years, cultural critic Greil Marcus (Lipstick Traces; When That Rough God Goes Riding) has been observing Bob Dylan up close. At times, his relationship with the maverick rock guru has been tempestuous: His famous 1970 Rolling Stone putdown of Dylan's Self Portrait led to a five-year departure from the magazine. But, as this 500-page collection of pieces proves abundantly, Marcus keeps coming back, grappling with one of the most idiosyncratic and influential performers of our times. Editor's recommendation

Product Details

ISBN-13:
9780571254453
Publisher:
Faber and Faber
Publication date:
05/28/2011

Meet the Author

Greil Marcus is the author of When That Rough God Goes Riding and Like a Rolling Stone (both with PublicAffairs), The Old Weird America, The Shape of Things to Come, Mystery Train, Dead Elvis, In the Fascist Bathroom, and other books; a twentieth anniversary edition of his Lipstick Traces was published in 2009. With Werner Sollors he is the editor of A New Literary History of America, published by Harvard University Press. Since 2000 he has taught at Princeton, Berkeley, Minnesota, and the New School in New York; his column “Real Life Rock Top 10” appears regularly in The Believer. He lives in Berkeley.

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