Bombay before Bollywood: Film City Fantasies

Traces the development of Indian cinema from the 1920s to the mid-1990s, before "Bollywood" erupted onto the world stage.

Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"-the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s.

Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

1120800321
Bombay before Bollywood: Film City Fantasies

Traces the development of Indian cinema from the 1920s to the mid-1990s, before "Bollywood" erupted onto the world stage.

Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"-the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s.

Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.

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Bombay before Bollywood: Film City Fantasies

Bombay before Bollywood: Film City Fantasies

by Rosie Thomas
Bombay before Bollywood: Film City Fantasies

Bombay before Bollywood: Film City Fantasies

by Rosie Thomas

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Overview

Traces the development of Indian cinema from the 1920s to the mid-1990s, before "Bollywood" erupted onto the world stage.

Bombay before Bollywood offers a fresh, alternative look at the history of Indian cinema. Avoiding the conventional focus on India's social and mythological films, Rosie Thomas examines the subaltern genres of the "magic and fighting films"-the fantasy, costume, and stunt films popular in the decades before and immediately after independence. She explores the influence of this other cinema on the big-budget masala films of the 1970s and 1980s, before "Bollywood" erupted onto the world stage in the mid-1990s.

Thomas focuses on key moments in this hidden history, including the 1924 fairy fantasy Gul-e-Bakavali; the 1933 talkie Lal-e-Yaman; the exploits of stunt queen Fearless Nadia; the magical neverlands of Hatimtai and Aladdin and the Wonderful Lamp; and the 1960s stunt capers Zimbo and Khilari. She includes a detailed ethnographic account of the Bombay film industry of the early 1980s, centering on the beliefs and fantasies of filmmakers themselves with regard to filmmaking and film audiences, and on-the-ground operations of the industry. A welcome addition to the fields of film studies and cultural studies, the book will also appeal to general readers with an interest in Indian cinema.


Product Details

ISBN-13: 9781438456775
Publisher: State University of New York Press
Publication date: 03/01/2015
Series: SUNY series, Horizons of Cinema
Sold by: Barnes & Noble
Format: eBook
Pages: 346
File size: 6 MB
Age Range: 18 Years

About the Author

At the University of Westminster in the United Kingdom,Rosie Thomas is Professor of Film, Faculty of Media, Arts, and Design, Director of the Centre for Research and Education in Arts and Media, and Co-Director of the India Media Centre.

Table of Contents

List of Tables and Figures
Credits
Acknowledgments

1. Bombay before Bollywood: Film City Fantasies

Part One

Introduction to Part One

2. Thieves of the Orient: The Arabian Nights in Early Indian Cinema

3. Distant Voices, Magic Knives: Lal-e-Yaman and the Transition to Sound in Bombay Cinema

4. Not Quite (Pearl) White: Fearless Nadia, Queen of the Stunts

5. Zimbo and Son Meet the Girl with a Gun

6. Still Magic: An Aladdin’s Cave of 1950s B-Movie Fantasy

Part Two

Introduction to Part Two

7. Where the Money Flows, the Camera Rolls

8. Indian Cinema: Pleasures and Popularity

9. Sanctity and Scandal: The Mythologisation of Mother India

10. Mother India Maligned: The Saga of Sanjay Dutt

References and Select Bibliography
Index

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